R&F Pigment Stick Demo with Artist Dietlind Vander Schaaf
Вставка
- Опубліковано 29 лип 2024
- Ever wonder what people use Pigment Sticks for and how? Now’s your chance to find out! Join Artist Dietlind Vander Schaaf for an inspiring demonstration on R&F Pigment Sticks!
Shop R&F Pigment Sticks at Above Ground:
www.abovegroundartsupplies.com/
For more information about Pigment Sticks:
www.rfpaints.com/
Find Dietlind at:
www.dietlindvanderschaaf.com/
Material List:
-R&F Pigment Sticks and Blending Medium
-Ampersand Gessobord
-Jack Richeson Grey Matters Palette Paper
-Speedball Soft Rubber Brayer
-Gamblin Cold Wax Medium
-Gel Press Printing Plate
TIMESTAMPS
00:00 - Introduction
03:51 - What are R&F Pigment Sticks?
07:41 - Health and Safety
09:13 - Appropriate Tools and Support
15:53 - Pigment Stick Demonstration
46:24 - Gel Press Demonstration
51:35 - Questions - Навчання та стиль
You are very good at what you do it was a pleasure to watch The wonderful information and instructions .... you have made it very interesting and very appealing. Thank you so much I will have to give this material a try ❤. You have give us all the information that I feel that we would need to start with this wonderful product again thank you❤
I wrap the ends with transparent plastic wrap and then stick back into the plastic tube but not all the way. The tightness of the plastic tube keeps the air out even more.
What a fantastic video. I have been using a few different ‘oil’ sticks as well as R&F pigment sticks for about three years, as I could afford them. This video put to bed so of the confusion I had about:
* the tube
* storage
* the softness of R&F compared to the others
* how to create a glaze
Wonderful!
Thank you! This was SO helpful to a newcomer to oil sticks!
So informative! Thank you!
I bought all three sets and blender. Can't wait to try these!
Enjoy!!!
Great helpful/informative video. R&F pigment sticks are fantastic.
It needs to be stressed that R&F pigment sticks are 100% compatible with all oil paints & Cold Wax etc. but Oil Pastels (which are mineral oil based) are NOT.
Oil Pastels are basically highly pigmented crayons w/ a non drying oil & if serious artists that are interested in permanence, they should not be using oil pastels in underlying "mark making" in oil paintings.
So artists should use a material like R&F Pigment Sticks which ARE a semi-solid Oil Paint and should steel clear of crayons in order to do future painting conservators a huge favor.
If an artist "cares not" about archival permanence then fine...use doggone crayons.
Thank you so much for this straightforward explanation. Before this I had not read anything pointing out the differences.
@I.wolfm.7006, Your cogent and concise explanation enlightened me to a new understanding. Thank you.
So by using the blending medium then you don't need tube paints as well?
fantastic material .. very inspiring .. I am already on steam.. even more now .. Q1: what do you do or can you do with all the material (skin) you remove from a stick? Q2: I understand one can use oil stick on top of acryl, rught? But can you do the opposite too? (when dry or wet? Q3 you recommend gesso or a certain layer on thick absorbing karton / hraft or what is best or maybe nothing? Thx for answering and your time .. can't wait to do my next project with it.
Hi Paul! We are so happy you enjoy this demo.
A1: The dry paint can be used to create texture or impasto effects in your artwork. You can apply it directly to your canvas or paper to add dimension to your work. It can also be incorporated into collage projects or mixed media projects. If you don't have an immediate need for the dry paint, you can keep it for future projects. Store it in a dry, airtight container to prevent it from deteriorating further.
A2: R&F pigment sticks are essentially oil paint in a stick format. You are correct about using the sticks over acrylic. When it comes to painting acrylic on top of your R&F pigment stick work, it’s a bit tricker but possible. There are a couple factors to be careful about.
You may need to prepare the surface as R&F pigment stick is oil based and may not provide the ideal surface for acrylics. You can apply a clear acrylic gesso or an acrylic medium over your work to improve adhesion.
It is important that your oil pigment stick work is completely dry before applying acrylic paint on top. If the oil pigment is not dry, there will be issues of adhesion and cracking.
Acrylic and Oil paints have different characteristics that can potentially cause issues over time, such as cracking or delamination. To minimize this risk, consider using thin layers of acrylic paint, which can be more flexible, and use a flexible support like canvas rather than rigid panels.
If you plan to varnish your artwork, make sure that both the oil pigment stick work and the acrylic layers are fully cured before applying varnish. In general, we recommend to wait 6 months to a year to make sure the oil paint is dry.
A3: I am not sure what the last question is, but my guess is that it is about what surface to work on. Any surface that you would work with oil paint would work. This means canvas, oil paper (designed for oil-based media), wood, acrylic gessoed surfaces, and even watercolour paper. It is worth experimenting with. Dietlind recommends working on Ampersand Gessobord. store.abovegroundartsupplies.com/departments/ampersand-gessobord-%7CD4%7CD4D.html
Hopefully this helps. Don’t hesitate to comment any other questions you may have 😊
I only have a little experience with oil sticks, but I do like that “mark making” and the ability to have more of a drawing experience with them, is possible (and think I prefer that over tube oil….but I’m primarily a watercolor and color pencil artist…but like to experiment with it all.) My gripe with oil sticks is the skins that form. It seems so wasteful to pull that expensive color off that’s then unusable. I guess one would need a truly airtight container to prevent that from happening? (Wrapping with plastic wrap doesn’t help that much.) I get it, it’s a natural thing that’s gonna happen with paint that’s exposed to the air for whatever length of time, but I just 1) hate the waste & 2) don’t like the delay and the messiness of having to remove skins on sticks that have been sitting a while, every time I go to use them. Having said all that, I can see that R&F quality is great….I only have a trial set of 3, otherwise I have a couple of small Shiva sets. I’m also interested in trying out some cold wax work and/or encaustic. Thanks for your helpful info. ❤
P.S. Besides the very good “Jerry & Rebecca” book you mentioned on cold wax painting techniques, there’s another good one called “Wabi Sabi Painting With Cold Wax,” by Serena Barton available on Amazon.
Hello I have a question.when you use the pigment sticks do you have to wait till they’re dry or can you just supply them and then put wax on top of it then the next question is if you do that and you can do that when you hit it with the heat will it melt the oil pan underneath the sealed wax?
Hi Lynne, you do not have to wait for a layer to dry before applying more. R&F pigment sticks are an oil-based medium so it allows an extended working period. You can layer more pigment and wax without waiting.
Applying more paint on top of your wax layer should not melt the paint underneath. If you wish to melt it, using a heat gun directly on the wax would work. If in doubt, you may want to do a small test on a separate surface or area before applying additional layers to your main artwork to see how the materials interact.
Can you add linseed oil to really thin out the paint?
Hi Nemo, you can work with mediums such as linseed oil. On their website, they recommend turpentine or mineral spirits to thin out the pigment sticks: www.rfpaints.com/using-pigment-sticks
So you can do impasto with this?
Somas abase drawing fir a portrait can i paint with oils over this and will they mix ?
Hi Judi! Yes, you can paint with oil paint on top of R&F Pigment Sticks. R&F Pigment Sticks are essentially oil paint in solid form. They are made by combining dry pigments with a small amount of linseed oil and wax, allowing them to be used in a similar manner to traditional oil paints. This makes them compatible with traditional oil paints, and you can paint over or alongside them with oil paints.
Can I use a traditional varnish on a piece that is primarily Pigment stick?
Using a traditional varnish on a piece that is primarily created with R&F Pigment Sticks is generally not recommended. R&F Pigment Sticks are oil-based and have a different composition compared to traditional oil paints, which can make them sensitive to some varnishes.
If you want to protect and enhance the finish of a painting primarily made with R&F Pigment Sticks, it's best to use a varnish or medium that is compatible with oil-based materials. R&F Pigment Sticks are composed of pigment, linseed oil, and a small amount of beeswax. To maintain the integrity of the work, you should select a varnish that is also oil-based and designed for use with oil paintings.
You can consider using a damar varnish or a clear oil painting medium, which is specially formulated for oil paintings. Always perform a compatibility test on a small section of your painting before applying any varnish to the entire piece, as some varnishes may affect the surface appearance or adhesion of R&F Pigment Sticks. Be sure to follow the manufacturer's instructions and guidelines for applying the chosen varnish or medium.
I purchased a bunch of these from someone so I got a great deal. My issue is I am not finding any demos of anything resembling serious artwork. Everything I am finding for demos look no different than abstract stuff or something created by unskilled artists looking to have fun. I am not knocking the product at all I would just love to see some examples and how to creating a professional finished piece that would make using these sticks easier than tube paints.
I paint with oil sticks almost exclusively, regular paintings. I agree with you. Maybe we will have to do it.
@@gusmarrero That is great and would love to see your work...right now my oil sticks are still unwrapped...hopefully some day soon I will take a deeep breath and jump in to trying them.
@@ArtbyPatrickPetruccello I meant @gusmarrer0
You know, I've thought the same thing. I've only used oil sticks on an oil painting of a rooster(oil painting is a rare thing for me) one time. I love the idea of "paint in stick form" and they are fun to use, but messy. But it would be helpful if the makers of oil sticks would show art works using their sticks that aren't just for highly abstract mark making or doodly/scribbly work, or like you said, just for kicks stuff. But maybe the nature of the oil stick is only meant to be used that way and as a supplement. All my oils, both in tubes and sticks are just sitting, unused and have been for quite a while. I've even thought of selling the whole lot of my oil paints. I'm taken more with wc/gouache color pencils/graphite and now, pastels. Really, there's only so much we can get into and do it well
(speaking for myself.) 😊
Thank you! Very helpful!
Do you need linseed oil with encaustic?
Linseed oil is often used as a component in encaustic painting, including with R&F Encaustic paints. It can be added to the wax medium to adjust its consistency or to create translucent layers. However, the specific use of linseed oil can vary based on the desired effect or technique you're aiming for in your encaustic work.
Would these work for signing photo encaustic work?
Hi Cherbert! We believe so. For more information, you can check out R&F's website (link in description). Or reach out directly to the demo artist Dietlind at dietlind@rfpaints2.com
@@AboveGroundArtSuppliesToronto Thank you
Jean Michelle Basquiat was a SERIOUS, painter and artists, and he used oil stick over acrylics, for lot of his works which are now valued in MILLIONS Of dollars.
Now was he serious about his work???
I also like Amy Sillman's paintings-- she uses pigment sticks for witty, but serious, abstract art.
Like Sennelier Oil Pastels?
Hi Tracy, R&F Pigment Sticks are different from Oil Pastels. They are like oil paints in a stick form. To be used and treated differently ☺
I bought a set of these oil sticks. What a mess! Have some gloves and some paper towels handy. Things are a lot simpler with tubes and some oil. Just my two cents.
This is great especially for 5 year olds.
How to correct a mistake
Correcting a mistake when using R&F Pigment Sticks, which are a type of oil pastel, can be a bit challenging due to their creamy texture and the fact that they dry relatively slowly compared to other mediums. Here are some steps you can take to fix mistakes when working with R&F Pigment Sticks:
1. **Immediate Correction**: If you notice a mistake right away, you can use a clean cloth or paper towel to gently wipe away the excess pigment. Be careful not to smear the mistake or press too hard, as you may push the pigment further into the surface.
2. **Scraping**: If the mistake has dried, you can use a tool like a palette knife or a razor blade to gently scrape off the excess pigment. Be careful not to damage the underlying surface, and use a light touch.
3. **Blending**: Depending on the nature of the mistake, you can blend the area with a clean pigment stick or a blending tool. This can help to smooth out and correct the error by incorporating it into the surrounding area. R&F Pigment Sticks are known for their blendability.
4. **Solvents**: You can use solvents like odorless mineral spirits to thin and lift the pigment. Dip a brush or a cotton swab in the solvent and gently rub it on the mistake. The pigment will become more workable, and you can either blend it or remove it with a cloth or paper towel. Be cautious with solvent use, as it can affect the underlying layers and paper if you're working on paper.
5. **Overpainting**: If the mistake is substantial and cannot be fully corrected, you can consider overpainting it. Use a similar or complementary color to cover the mistake and incorporate it into your artwork.
6. **Varnishing**: Once your artwork is complete and dry, you can apply a clear varnish or fixative to seal the surface. This not only protects your work but can also help to conceal minor imperfections.
Remember that correcting mistakes in artwork is a natural part of the creative process. Experiment with different techniques and tools to find what works best for your specific situation. Additionally, it's a good practice to work from light to dark and in layers, as this allows you to make adjustments more easily throughout the process.
Hello I don’t see a chat box. I am just watching on u tube. Taking off the skin off the sticks looks like such a waste .