Is this separate computer for recording recommended because of typical pc specs during release of this video? For example, I can imagine waves being worried about a single computer being able to handle the workload drivespeed wise. However my new macbook pro M2 has about 6GB/S internal storage drives, so one could state that no longer being an issue. Or am I missing something really important here that has to do with a whole different set of factors?
@@stefanmplayer that’s a good question. Honestly yes, most moderns computers COULD probably handle both. But building rigs for a tour, reliability is everything. Think of the days when your computers have been the most temperamental. Especially if they’re show critical things. you don’t want a kernel panic on a record machine to crash your waves control. In general, I trust computers as little as I possibly can.
Hey! I’m in a similar situation with console setup and I/O. Just curious in your signal flow diagram, are you returning your FOH mix back down AES50 to the stage box? Or are you using local I/O and patching into a house (or drive console/processor) I have found a way to return my L/R mix and effectively use my M32 core as a drive console. But, it’s very “Janky”... Especially when using multiple scenes for different artists. Just curious what your final routing in this setup looks like. Also have you tried using the M32C as the I/O for LV1 since you posted this video? Any success?
Hey Andrew. The way I understood it, because the “monitor console” has control of the outputs, there wasn’t a way to send my L/R to it. I did my main outputs locally. Haven’t had the chance to play with an LV1 yet. Jumped onto a different tour with an S6L. Maybe another waves craziness video to come haha.
Ps. Thank you for making this video, it helped explain a lot of stuff that was not available in such an easy to watch / understand format yet🙏🏼
Is this separate computer for recording recommended because of typical pc specs during release of this video?
For example, I can imagine waves being worried about a single computer being able to handle the workload drivespeed wise. However my new macbook pro M2 has about 6GB/S internal storage drives, so one could state that no longer being an issue.
Or am I missing something really important here that has to do with a whole different set of factors?
@@stefanmplayer that’s a good question. Honestly yes, most moderns computers COULD probably handle both. But building rigs for a tour, reliability is everything. Think of the days when your computers have been the most temperamental. Especially if they’re show critical things. you don’t want a kernel panic on a record machine to crash your waves control.
In general, I trust computers as little as I possibly can.
Do an update video!
Sadly I'm no longer on this setup. But I will say, the entire tour went off without a hitch. It was super reliable!
Hello Tom, I am Not able to see SG driver in the Multirack device connections under Mutiracvk Audio Tab? any advice? Thank you for any assistance
Hey! I’m in a similar situation with console setup and I/O. Just curious in your signal flow diagram, are you returning your FOH mix back down AES50 to the stage box? Or are you using local I/O and patching into a house (or drive console/processor)
I have found a way to return my L/R mix and effectively use my M32 core as a drive console. But, it’s very “Janky”... Especially when using multiple scenes for different artists. Just curious what your final routing in this setup looks like.
Also have you tried using the M32C as the I/O for LV1 since you posted this video? Any success?
Hey Andrew. The way I understood it, because the “monitor console” has control of the outputs, there wasn’t a way to send my L/R to it. I did my main outputs locally.
Haven’t had the chance to play with an LV1 yet. Jumped onto a different tour with an S6L. Maybe another waves craziness video to come haha.