nice little channel, i subbed. i like learning about new artists that i haven't been exposed to heretofore, i definitely love transcriptions, they mean the world to me, for some reason...
I'm playing this song in the jazz band I'm in. It's in 4/4 with some 5/4 bars at the end of a section and it's 100 BPM. It's also written in C major/A minor
Jazz tradition for trombone is to have everything in bass clef, even when it gets up to those E's and Eb's. Jazz players just don't like reading tenor/alto/treble all too much even though a lot are able to, so the most I would do is an 8va when it really gets up there but I would only consider "up there" to be past a double F. There's a lot of differing opinions about it, but generally I think unless it's a Dave Steinmeyer/similar solo it's just better to put it in bass for jazz stuff.
the song itself isnt written with a key signature but i just call it "C7#9" cause thats the chord it stays on for most of the form
Understandable I just ended up keeping Gb since it was the most convenient to write in for the first page
Nice observation zach
@@Avstinato diehard jazzer says that C7#9 and Gb7#9 are the same chord anyways... :D thanks for your work!!
@@jimmythebold589except for the #9 but yeah
Yep, it's basic C funk.
Tombonist is Ben Patterson. He also writes some great tunes!
That makes sense, love his charts
I'm just going to pretend I am blind and enjoy this amazing musicality.
Thank you for this! Been listening to Alan Baylock since high school and always wanted to know what the heck the trombone player was doing here
Man idk they’re probably triplets
nice little channel, i subbed. i like learning about new artists that i haven't been exposed to heretofore, i definitely love transcriptions, they mean the world to me, for some reason...
wish me luck guys, gotta play this at a jazz festival in 2 months
‘Man idk they’re probably triplets’ killed me 😂
my lips hurt looking at this
How...
Thought this was in 4/4
I'm playing this song in the jazz band I'm in. It's in 4/4 with some 5/4 bars at the end of a section and it's 100 BPM. It's also written in C major/A minor
nice and all, but reading from this… that’s why you write that type of melodies in tenor or even violin clef
Jazz tradition for trombone is to have everything in bass clef, even when it gets up to those E's and Eb's. Jazz players just don't like reading tenor/alto/treble all too much even though a lot are able to, so the most I would do is an 8va when it really gets up there but I would only consider "up there" to be past a double F. There's a lot of differing opinions about it, but generally I think unless it's a Dave Steinmeyer/similar solo it's just better to put it in bass for jazz stuff.
Man idk they’re probably triplets
I love the honesty
transcription fun hah