Just a thought, it might take more work, but I do see this on a lot of ig transcriptions, but they'll have it transposed in C for players of other instruments. Up to you though, keep up the good work 👍
You'll get there! These brilliant solos you hear are all from 50-60 year old players who made it their lives to play like that, so never be discouraged from an amazing solo like I have in the past! Just don't ignore all the theory behind it like I used to 🫢. Best of luck!
@@TerminallyBricked first of all thank you. Actually in this month I improved my solos a lot and I am really starting to be comfortable with jazz I just realized in some point that scales don't matter and the melody and the target notes are the important things and it just happned. I just wanna keep improving quick so I become good enough for doing jams in jazz clubs
@@kakiokaki7408 sit down and write your ideal solo with all the time in the world. Then, study your own solo like an etude and when its internalized, deliberately change things. It's a shortcut towards great target note leading
Really weak playing here. It’s like the old line-what you’re doing here is both good and original. Unfortunately the good stuff is just ripped off Wynton Marsalis, and the original lines are pretty mediocre. Porter is an excellent classical player and would do well to avoid the pretense of being a jazz guy.
I would have to disagree, Charlie Porter’s playing style and technique is there. I feel as though he’s playing more laid back as opposed to “weak”. And despite the laid back feel at times, not only does his playing feel strong, but his melodic lines and improv are amazing, and explode with creativity, along with his smooth tone. Also the Wynton Marsalis comment feels really cheap, because not only do I find Mr. Porters playing style very different and unique, jazz is all about mimicking / sharing ideas. But I respect your opinion.
![Wynton Marsalis | Cherokee [solo transcription] Bern, 1993](http://i.ytimg.com/vi/Kj-sqraJ4gk/mqdefault.jpg)
In the second half of the video, I added a video of the midi sound source sounding at the same time as the midi sound source.
3:55~ with Midi.
Just a thought, it might take more work, but I do see this on a lot of ig transcriptions, but they'll have it transposed in C for players of other instruments. Up to you though, keep up the good work 👍
Charlie did a wonderful job on this!
You’re a transcription machine! Well done. Love the alternate midi take.
Nicely done. Luv it
Chuck and Mike - 2 of PDX's finest!
Awesome. Beautiful work Mr Porter
wow ! Soooooooo great ! Keep on Keepin' on CP !!!!!!!!!
Ooooo mg it's the great work!
Great work! Thank you!
Yeah!!!
Nice!
Thank you!
Phrasing and articulation sounds a lot like wynton
Awesome thanks 🙏
Gooood job!!!!!
I am a trumpet player in 9th grade that was a brilliant solo I wish I could improvise like that
You'll get there! These brilliant solos you hear are all from 50-60 year old players who made it their lives to play like that, so never be discouraged from an amazing solo like I have in the past! Just don't ignore all the theory behind it like I used to 🫢. Best of luck!
@@TerminallyBricked first of all thank you. Actually in this month I improved my solos a lot and I am really starting to be comfortable with jazz I just realized in some point that scales don't matter and the melody and the target notes are the important things and it just happned. I just wanna keep improving quick so I become good enough for doing jams in jazz clubs
@@kakiokaki7408 Attention whore
@@kakiokaki7408 sit down and write your ideal solo with all the time in the world. Then, study your own solo like an etude and when its internalized, deliberately change things. It's a shortcut towards great target note leading
me too, except i do marching band and those high notes are like stuff I could only play in my dreams
Respect💛💛💛👍👍👍
⭐️⭐️⭐️⭐️⭐️
👍 👍 👍 👍 👍
Great work! Thanks. Wonder if you could resolve those licks : ua-cam.com/video/dSq9Wp1GaBI/v-deo.html
Really weak playing here. It’s like the old line-what you’re doing here is both good and original. Unfortunately the good stuff is just ripped off Wynton Marsalis, and the original lines are pretty mediocre. Porter is an excellent classical player and would do well to avoid the pretense of being a jazz guy.
What
I thought it was a great improv
Mainly not a fan of unison with piano
I would have to disagree, Charlie Porter’s playing style and technique is there. I feel as though he’s playing more laid back as opposed to “weak”. And despite the laid back feel at times, not only does his playing feel strong, but his melodic lines and improv are amazing, and explode with creativity, along with his smooth tone. Also the Wynton Marsalis comment feels really cheap, because not only do I find Mr. Porters playing style very different and unique, jazz is all about mimicking / sharing ideas. But I respect your opinion.
hogwash