Album available // Mendelssohn: Symphony No. 3 in A minor, Op. 56 "Scottish" by Peter Maag 🎧 Qobuz (Hi-Res) bit.ly/3uV5Dbu Tidal (Hi-Res) bit.ly/3D48NHR 🎧 Deezer (Hi-Fi) bit.ly/3ljHxyR Amazon Music (Hi-Res) amzn.to/3lizl1U 🎧 Spotify (mp3) spoti.fi/3PeyJsY UA-cam Music (mp4) bit.ly/3YVnho9 🎧 Apple Music - SoundCloud (aac) bit.ly/3rf3hzT 🔊 Download the album (Hi-Res MASTER - WAV uncompressed) cutt.ly/Classical-Music-Reference-Recording-Website-Mendelssohn-Maag Felix Mendelssohn-Bartholdy (1809-1847) Symphony #3 in A minor, Op. 56 "Scottish" 00:00 Symphony No.3 in A minor, Op.56 "Scottish" - I. Andante con moto 13:12 Symphony No.3 in A minor, Op.56 "Scottish" - II. Scherzo assai vivace 17:22 Symphony No.3 in A minor, Op.56 "Scottish" - III. Adagio cantabile 28:27 Symphony No.3 in A minor, Op.56 "Scottish" - IV. Allegro vivacissimo London Symphony Orchestra Conductor: Peter Maag Recorded in 1960, at London New mastering in 2024 by AB for CMRR 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): cutt.ly/5eathESK 🔊 Find our entire catalog on Qobuz: cutt.ly/geathMhL 🔊 Discover our playlists on Spotify: cutt.ly/ceatjtlB ❤ Support us on Patreon www.patreon.com/cmrr/about When Mendelssohn was starting out on what he was later to call his 'rough Scotch journey', he wrote to his family from Edinburgh this account of a visit to the Palace of Holyrood House : « In the evening twilight we went today to the palace where Queen Mary lived and loved; a little room is shown there with a winding staircase leading up to the door; up this way they came and found Rizzio in the little room, pulled him out, and three rooms Off there is the dark corner where they murdered him. The chapel close to it is now roofless; grass and ivy grow there and at the broken altar Mary was crowned Queen of Scotland. Everything around is broken and mouldering, and the bright sky shines in. I believe I found today in that old chapel the beginning of my Scotch symphony. » The letter is dated July 1829. Nearly thirteen years intervened between that moment of intense vision at Holyrood and the writing of the symphony, which was finished in 1842. Mendelssohn did in fact begin writing the symphony two years later in Italy, but was occupied also at that time with the Italian' symphony. The latter flourished in his mind, and the 'Scottish' symphony had to wait. And it was not until he was within five years of his early death at thirty-nine that he at last thought out the problem presented to his vision and mind that evening in Edinburgh and could finish the 'Scottish' symphony. By then his vision of Scotland had faded, while his musicianship had increased and at the same time changed from youthful intensity and ebullience into a deeper and also more cautious expressiveness. So it is that while the ‘Hebrides’ overture of his twenties is a flash of inspiration immediately formed into a work of art, the ‘Scottish’ symphony is a moment of vision rescued from oblivion by careful nurturing of memories overlaid by many intervening experiences. Peter Maag's recording is simply considered the best "Scottish" in the history of the record. Album available // Mendelssohn: A Midsummer Night's Dream by George Szell 🎧 Qobuz (Hi-Res) bit.ly/49Vp43r Tidal (Hi-Res) bit.ly/49ZY96m 🎧 Apple Music (Lossless) apple.co/476H1td Deezer (Hi-Fi) bit.ly/3RiNg8D 🎧 Amazon Music (Hi-Res) amzn.to/49VpneB Spotify (mp3) spoti.fi/47FZIVS 🎧 UA-cam Music (mp4) bit.ly/49Z4wXJ Idagio (Hi-Fi) bit.ly/47zjqm1 🎧 Napster, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, Awa 日本… Felix Mendelssohn PLAYLIST (reference recordings): ua-cam.com/play/PL3UZpQL9LIxNEOECwK4VjfNazYgWVbApx.html
When Mendelssohn was starting out on what he was later to call his 'rough Scotch journey', he wrote to his family from Edinburgh this account of a visit to the Palace of Holyrood House : « In the evening twilight we went today to the palace where Queen Mary lived and loved; a little room is shown there with a winding staircase leading up to the door; up this way they came and found Rizzio in the little room, pulled him out, and three rooms Off there is the dark corner where they murdered him. The chapel close to it is now roofless; grass and ivy grow there and at the broken altar Mary was crowned Queen of Scotland. Everything around is broken and mouldering, and the bright sky shines in. I believe I found today in that old chapel the beginning of my Scotch symphony. » The letter is dated July 1829. Nearly thirteen years intervened between that moment of intense vision at Holyrood and the writing of the symphony, which was finished in 1842. Mendelssohn did in fact begin writing the symphony two years later in Italy, but was occupied also at that time with the Italian' symphony. The latter flourished in his mind, and the 'Scottish' symphony had to wait. And it was not until he was within five years of his early death at thirty-nine that he at last thought out the problem presented to his vision and mind that evening in Edinburgh and could finish the 'Scottish' symphony. By then his vision of Scotland had faded, while his musicianship had increased and at the same time changed from youthful intensity and ebullience into a deeper and also more cautious expressiveness. So it is that while the ‘Hebrides’ overture of his twenties is a flash of inspiration immediately formed into a work of art, the ‘Scottish’ symphony is a moment of vision rescued from oblivion by careful nurturing of memories overlaid by many intervening experiences. Peter Maag's recording is simply considered the best "Scottish" in the history of the record. Album available // Mendelssohn: A Midsummer Night's Dream by George Szell 🎧 Qobuz (Hi-Res) bit.ly/49Vp43r Tidal (Hi-Res) bit.ly/49ZY96m 🎧 Apple Music (Lossless) apple.co/476H1td Deezer (Hi-Fi) bit.ly/3RiNg8D 🎧 Amazon Music (Hi-Res) amzn.to/49VpneB Spotify (mp3) spoti.fi/47FZIVS 🎧 UA-cam Music (mp4) bit.ly/49Z4wXJ Idagio (Hi-Fi) bit.ly/47zjqm1 🎧 Napster, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, Awa 日本…
Wunderschöne und detaillierte Interpretation dieser romantischen und perfekt komponierten Sinfonie mit seidigen Tönen aller Streicher, milden Tönen aller Holzbläser und brillanten Tönen aller Blechbläser. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch überzeugend. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit möglichst effektiver Dynamik. Einfach wunderbar!
Have really been in the mood for Mendelssohn lately. Just listened to the Karajan 3 & 4 disc the other day. Saw #4 performed live late last summer. Thanks for posting this.
Thank you played by the magnificent LSO. Was the clarinet soloist Gervase de Peyer who recorded Mozart’s concerto with Peter Maag. ? God bless you. Bill. Uk
The question was always which Scotch takes second place. Klemperer? No Szell I recall. Gibson? Furtwängler only recorded the Hebrides. Weingartner???? Abbado? van Beinum? Beecham? Stokowski?? Solti? von Dohnanyi? Leinsdorf?
Album available // Mendelssohn: Symphony No. 3 in A minor, Op. 56 "Scottish" by Peter Maag
🎧 Qobuz (Hi-Res) bit.ly/3uV5Dbu Tidal (Hi-Res) bit.ly/3D48NHR
🎧 Deezer (Hi-Fi) bit.ly/3ljHxyR Amazon Music (Hi-Res) amzn.to/3lizl1U
🎧 Spotify (mp3) spoti.fi/3PeyJsY UA-cam Music (mp4) bit.ly/3YVnho9
🎧 Apple Music - SoundCloud (aac) bit.ly/3rf3hzT
🔊 Download the album (Hi-Res MASTER - WAV uncompressed) cutt.ly/Classical-Music-Reference-Recording-Website-Mendelssohn-Maag
Felix Mendelssohn-Bartholdy (1809-1847) Symphony #3 in A minor, Op. 56 "Scottish"
00:00 Symphony No.3 in A minor, Op.56 "Scottish" - I. Andante con moto
13:12 Symphony No.3 in A minor, Op.56 "Scottish" - II. Scherzo assai vivace
17:22 Symphony No.3 in A minor, Op.56 "Scottish" - III. Adagio cantabile
28:27 Symphony No.3 in A minor, Op.56 "Scottish" - IV. Allegro vivacissimo
London Symphony Orchestra
Conductor: Peter Maag
Recorded in 1960, at London
New mastering in 2024 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): cutt.ly/5eathESK
🔊 Find our entire catalog on Qobuz: cutt.ly/geathMhL
🔊 Discover our playlists on Spotify: cutt.ly/ceatjtlB
❤ Support us on Patreon www.patreon.com/cmrr/about
When Mendelssohn was starting out on what he was later to call his 'rough Scotch journey', he wrote to his family from Edinburgh this account of a visit to the Palace of Holyrood House : « In the evening twilight we went today to the palace where Queen Mary lived and loved; a little room is shown there with a winding staircase leading up to the door; up this way they came and found Rizzio in the little room, pulled him out, and three rooms Off there is the dark corner where they murdered him. The chapel close to it is now roofless; grass and ivy grow there and at the broken altar Mary was crowned Queen of Scotland. Everything around is broken and mouldering, and the bright sky shines in. I believe I found today in that old chapel the beginning of my Scotch symphony. »
The letter is dated July 1829. Nearly thirteen years intervened between that moment of intense vision at Holyrood and the writing of the symphony, which was finished in 1842. Mendelssohn did in fact begin writing the symphony two years later in Italy, but was occupied also at that time with the Italian' symphony. The latter flourished in his mind, and the 'Scottish' symphony had to wait. And it was not until he was within five years of his early death at thirty-nine that he at last thought out the problem presented to his vision and mind that evening in Edinburgh and could finish the 'Scottish' symphony.
By then his vision of Scotland had faded, while his musicianship had increased and at the same time changed from youthful intensity and ebullience into a deeper and also more cautious expressiveness. So it is that while the ‘Hebrides’ overture of his twenties is a flash of inspiration immediately formed into a work of art, the ‘Scottish’ symphony is a moment of vision rescued from oblivion by careful nurturing of memories overlaid by many intervening experiences.
Peter Maag's recording is simply considered the best "Scottish" in the history of the record.
Album available // Mendelssohn: A Midsummer Night's Dream by George Szell
🎧 Qobuz (Hi-Res) bit.ly/49Vp43r Tidal (Hi-Res) bit.ly/49ZY96m
🎧 Apple Music (Lossless) apple.co/476H1td Deezer (Hi-Fi) bit.ly/3RiNg8D
🎧 Amazon Music (Hi-Res) amzn.to/49VpneB Spotify (mp3) spoti.fi/47FZIVS
🎧 UA-cam Music (mp4) bit.ly/49Z4wXJ Idagio (Hi-Fi) bit.ly/47zjqm1
🎧 Napster, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, Awa 日本…
Felix Mendelssohn PLAYLIST (reference recordings): ua-cam.com/play/PL3UZpQL9LIxNEOECwK4VjfNazYgWVbApx.html
When Mendelssohn was starting out on what he was later to call his 'rough Scotch journey', he wrote to his family from Edinburgh this account of a visit to the Palace of Holyrood House : « In the evening twilight we went today to the palace where Queen Mary lived and loved; a little room is shown there with a winding staircase leading up to the door; up this way they came and found Rizzio in the little room, pulled him out, and three rooms Off there is the dark corner where they murdered him. The chapel close to it is now roofless; grass and ivy grow there and at the broken altar Mary was crowned Queen of Scotland. Everything around is broken and mouldering, and the bright sky shines in. I believe I found today in that old chapel the beginning of my Scotch symphony. »
The letter is dated July 1829. Nearly thirteen years intervened between that moment of intense vision at Holyrood and the writing of the symphony, which was finished in 1842. Mendelssohn did in fact begin writing the symphony two years later in Italy, but was occupied also at that time with the Italian' symphony. The latter flourished in his mind, and the 'Scottish' symphony had to wait. And it was not until he was within five years of his early death at thirty-nine that he at last thought out the problem presented to his vision and mind that evening in Edinburgh and could finish the 'Scottish' symphony.
By then his vision of Scotland had faded, while his musicianship had increased and at the same time changed from youthful intensity and ebullience into a deeper and also more cautious expressiveness. So it is that while the ‘Hebrides’ overture of his twenties is a flash of inspiration immediately formed into a work of art, the ‘Scottish’ symphony is a moment of vision rescued from oblivion by careful nurturing of memories overlaid by many intervening experiences.
Peter Maag's recording is simply considered the best "Scottish" in the history of the record.
Album available // Mendelssohn: A Midsummer Night's Dream by George Szell
🎧 Qobuz (Hi-Res) bit.ly/49Vp43r Tidal (Hi-Res) bit.ly/49ZY96m
🎧 Apple Music (Lossless) apple.co/476H1td Deezer (Hi-Fi) bit.ly/3RiNg8D
🎧 Amazon Music (Hi-Res) amzn.to/49VpneB Spotify (mp3) spoti.fi/47FZIVS
🎧 UA-cam Music (mp4) bit.ly/49Z4wXJ Idagio (Hi-Fi) bit.ly/47zjqm1
🎧 Napster, Pandora, Anghami, Soundcloud, QQ音乐, LineMusic, Awa 日本…
Absolutely wonderful performance, great sound quality from the "golden" era decca recordings
Excellent performance. He does not speed up the loud parts and slow down the soft parts, Thank God.
My favorite Symphony in an exteaordinary version.
Excellent sound quality for a old recording
Thank you for this wonderful "Peter Maag" version of this masterwork !
Ah, that finale. It always gets me!
One of my favorites to listen to!
Wunderschöne und detaillierte Interpretation dieser romantischen und perfekt komponierten Sinfonie mit seidigen Tönen aller Streicher, milden Tönen aller Holzbläser und brillanten Tönen aller Blechbläser. Der dritte Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch überzeugend. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im veränderlichen Tempo und mit möglichst effektiver Dynamik. Einfach wunderbar!
Have really been in the mood for Mendelssohn lately. Just listened to the Karajan 3 & 4 disc the other day. Saw #4 performed live late last summer. Thanks for posting this.
OS MESTRES ALEMÃES SÃO IMBATÍVEIS!!!🇩🇪🇩🇪🇩🇪👏👏👏❤️❤️❤️
Maag era svizzero
@@brunolazzaretti7684 But Mendelssohn was not!
Thank you played by the magnificent LSO. Was the clarinet soloist Gervase de Peyer who recorded Mozart’s concerto with Peter Maag. ? God bless you. Bill. Uk
The stereo imaging is great, I had to check to see if the sound was coming from my center speaker; it wasn't.
The question was always which Scotch takes second place. Klemperer? No Szell I recall. Gibson? Furtwängler only recorded the Hebrides. Weingartner???? Abbado? van Beinum? Beecham? Stokowski?? Solti? von Dohnanyi? Leinsdorf?
Leonard Bernstein conducted the New York Philharmonic in an excellent rendition of the "Scotch" a half-century ago.
@@haledwards4642 How peaty though?
@@ilirllukaci5345 I can't help but love this symphony moor and moor.
@@haledwards4642 Yes, but my record collection takes second place. And the Talisker's left me flat brogue.
@@ilirllukaci5345 Between you and me, there's just a little too much cairn.
👏🏻