I think some of your chord symbols got dragged into the wrong positions. Also on the IV7 he’s often playing a bVIImaj7 shape with his LH. E.g. on F7 he’ll often play EbFGBbD with his LH or another thing he might do is playing ABbEbG which is an 7add4 he uses a lot.
Is it possible that the third measure in the the bebop blues version could be suggesting a g chord rather than a C. I feel like a G would make more sense coming from the D7 in the previous measure.
That’s nuts that he can emulate those styles like that on the fly
Practice
Many times listened. Such exquisite samples to learn, no matter what traditions he applied. Again, thanks for uploading Mr. Everything Brahms.
What a command of styles that Brad has I love it!
Thank you, good for learning 🙏
Thank you so much for making this 🙏
0:22 Bebop
0:54 Modal
I think some of your chord symbols got dragged into the wrong positions. Also on the IV7 he’s often playing a bVIImaj7 shape with his LH. E.g. on F7 he’ll often play EbFGBbD with his LH or another thing he might do is playing ABbEbG which is an 7add4 he uses a lot.
yeah i hope this clip inspires someone to upload a more precise version
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@@jazzlrdx9944 don't forget Michael Lucke
@@charlesperforms oh yeah tru
lol
Is it possible that the third measure in the the bebop blues version could be suggesting a g chord rather than a C. I feel like a G would make more sense coming from the D7 in the previous measure.
yeah man
💜🙏
Where is this from?
its in the description. npr freshair.
Fresh Bear
I think the sixteenth notes in bar 5 and 7 has more of a triplet feel
Nor a.i. he could have done it better 🙂