How to Draw - No Talent Method
Вставка
- Опубліковано 23 лип 2023
- In this video I demonstrate a simple method for drawing accurately. This is episode 1 of 3 in my How to Paint in Oil series.
If you are interested in taking online or private classes from Mark Carder email:
mark@drawmixpaint.com
For more about my art supply company and the paint that I use visit:
genevafineart.com
If you want to learn to paint in oil from my videos, start here:
Part 1 - How to Draw (this video
Part 2 - How to Mix Colors:
• How to Mix ANY Color -...
Part 3 - How to Paint in Oil:
• How to Paint in Oil - ...
FULL COURSE in text form:
www.drawmixpaint.com/classes/...
Finally the video for my demographic 💀
self deprecating humor can be a sign of being a loser, watch out!
@@lean4real_11 Talent is bullshirt. No one is naturally excellent at anything. So I do not see saying I am "talentless" as an actual knock down.
However it was pretty shirtty for you to respond to my nothing burger joke by calling me a loser
@@lean4real_11responding like this to a joke is a definite sign of being a loser. Work on that.
This is the only method of drawing I ever learned from you back 20 years ago and I still use it! Over time, using this has improved my drawing ability (at least I think so!)
Proportional dividers set at 1:2 can be used to find centres accurately when required. Set the large points across the object, and then the smaller points will give you the centre.
Nice to see you again, thank you for your teaching...I still use my homemade line guide that you introduced, cardboard and a piece of wood...works wonders.🤗
That information about respecting the angle line in the corners of an ellipse was just what I needed to help me out in my drawing.. I never once thought about how vertical the corners actually were, it makes perfect sense though. Now looking back on some of my past still life paintings that would involve a cup, vase, bowl etc., they look either wayyy too flat or not rounded enough..
They were reminiscent of a damn pancake... 🥞
Anyways... Those past demos with the AI sourced images was seriously an ingenious idea too! So I can't wait for your future videos!
Thanks Mark! I love your teaching technique.
I am so excited about this series 🥰
The best tool I've bought from Geneva
2 hours ago 😮
I have my proportional divider!! 🎉🎉
this is amazing and I am so grateful!!! ❤❤❤
Enjoyed the video, and the new background.
Master Carder ,thank you for all years, have learned almost all from you for still life painting 🎨🖌️.
True master are also good teacher and person i know it i feel...So much learned,and my works are truly realistic,but i like some pallete knife works, for windows,etc.
❤❤❤ Thank you for all.
Awesome job thanks
Hi, what type of pencil do you use for tracing the object? Thank you.
Excellent 😊
Awesome sir thank you
thank you!
Great tip. I always had an issue with proportion divider. Every time I use it, some odd things happen. I moved to grid or draw free hand...
Thanks 🎉
You are a wonderful teacher. It is such a double blessing for you to not only be a great artist, but also a great teacher. It is a blessing for us that you share of yourself so freely. Thanks for your videos and methods. Watching you over the years has helped me grow as a painter, and I really appreciate you for it. I just wanted you to know.
Nice. Could you consider painting a white ceramic china vase with royal blue drawing on vase. Has many non intuitive colors. Can't find references on utube or web . Jar or bowl fine also.
Great video, Marc. Thank you! I'd love to see this process with a portrait. I imagine it's much the same, but with more points. If your subject takes up the majority of the canvas, can your golden lines pass through the subject? Or is it always best to have your lines outside and away from your subject?
I have his portrait course, and you are exactly correct.
There are more points and angle lines, but the concept and execution is the same. Eyes, mouth, hairline, ears, neck, nose, etc. all have their repective points and angles drawn in using the two "golden lines" as references.
Any plans to restock the dividers?
Mark, what about using a tool like the Neo Lucida? Curious as to why more artists do not mention this device?
Have you ever used a tool like this?
Mark could you show us a painting example with different subject matter?
Will you have color checker in your online store?
Is your photograph always the same size as your canvas? Or do you use magnifier for bigger canvas? Printing and laminating a photo for a bigger size canvas would be expensive. Would you then print a ratio (5x less and then work to magnify each measurements? How then do you place your initial golden lines? Per ratio?
Do you also use this method for portraits?
What type of paint did you use as a foundation for the canvas?
Does this method work if you are going to use Acrylic paints?
Bolx if you have a photo you may as well trace it with burnt umber on the back.
What is the pencil you're using on that canvas?
Prismacolor type pencil
What is the golden line?
It seems the horizontal one is approximately the horizon line, and the vertical may be 1/3rd of the canvas.
At the very least, they need only be in the same place on both pictures in order to accurately measure the points of interest onto the canvas. In this example, near the focal subject will make this a bit easier.
Just a line to guide all measurements
They are arbitrary, the important part is that they are consistent in regards to the aspect ratio; that is, the same on the print to the painting (this is not meant to be from life but from a photo.) It's like making an equator and meridian line from which to measure the other points.
You don't even need golden lines. You might as well take one horizontal edge and one vertical edge of the canvas and the reference photo.
Why use a photograph? The colors in a photograph are never accurate compared to real life. The best painters to ever live were also masters at drawing and they never relied on photos because photos nor cameras did not exist.
I did a course with Mark a few years ago. The way he explains it (and I believe the explanation is in a youtube video as well) is that first, you need to find a place to print your photograph with accurate colours - that’s not easy, but such places do exist. Then, as you keep painting through this method, you will train your eye to match colours better so that eventually you won’t need a photograph. Mark also has a device called a colour checker that helps you paint from life and check if your colours are accurate.
In the end, this is just one method, there are plenty other instructors who teach the more classical approach. Personally, I found his way very helpful and my paintings look very realistic simply because the colours are identical to my subject. This is for painting realism only, of course.