I misspoke when I said the Trigon, OB and Prophet 6's all have the same voice card. The voice cards are all different, it's the motherboards and remaining hardware / software that's the same.
You’re STILL wrong. The filters are different, too. An OB and Prophet have the same ladder filter that the Trigon has? Is that your belief? Seems you totally shat on the incredible Trigon-6, all while not knowing a single accurate thing about it. IMO a disphit take on probably the most useable Sequential Synth ever made. Unsubbed.
UDO SUPER 6 might be one of the greatest modern classic synths you can get today, And I have a moog one 16 voice. They are outstanding together. George Hearn has really created something special.
Glad you mentioned the Minifreak. I'm a guitarist wanting to add nice low end synth tracks, and the Microfreak seems to be a great budget synth with an unusual keyless aftertouch keyboard. I'm limited with the EHX Synth9 pedal.
One weird habit of mine turned out to be useful over the years: do judge synths by youtube impression, but listen to your inner feeling rather than explanations or specific sound features. Look for a synth that gives you shivers when it plays on youtube demos. It's what matters most if your intention is to make music with it (and not working as sound designer or using it as side kick for specific function in a rig).
@@VultureCulture No. It's not about emotional connection with gear. It's about listening outside the box. It's more than the well known features of sound that make your music appealing. Engeneers make explanations, youtubers analyze with oscilloscopes, but there's just so much that these words bring across about how one set of silicon chips sounds. There's more to it that you can find out by reading those words, and there's more to it than you can deduce by looking at it's front panel. But you don't realize it, you may be hearing a good sound and then a crap sound, and not realizing why this difference, and then those stereotypes conseal your impression. You gotta break this consealing by listening to the raw sound which is good enough in a youtube video. On top of that, you know for yourself, which way you're going to use the synth for, and which qualities will never come forward for you. If you listen and you love the sound, this is a good instrument for you, no matter how cheap or out of fashion it is. Your gut testifies: you will be squeezing real music out of this. If you listen, and you hear a loud nothing, than no matter the hype around the instrument, it will be a waste of money.
I absolutely love my Modal Cobalt 8X. It sounds fantastic, especially with recent firmware updates, it has a premium Fatar keybed, it's built like a tank, and on top of it, it looks beautiful. I'm selling a lot of gear after purchasing it, since it's now fully covering all my "analog synth sound" needs.
@@VultureCulture neat thing about the ui´s - lots of endless encoders - for me its still kinda confusing why there are so many synths out there with presets that dont have them (kinda annoying to set the pots back in position for new patches and for live playing with switching presets)
FWIR, the Trigon can key track the lfo, so setting the speed to double every octave and tying it to PWM gives a consistent sound of two detuned oscillators, that don't fall apart in too low or high of notes.
Just bumped and discovered your channel while looking for some info on Omnisphere, been binging to your videos since! Great great stuff, good job man looking forward to more in 2023!
Behringer Deepmind and Monopoly and Korg Monologue and Prologue aren't in this video. I sugest a new category: synths with keys (mini keys and full size keys). Korg Volca Keys has not arpeggiator. It has not VCOs choice too. I know it is not expensive but...
The Prologue is discontinued. I've recommended DM12 in the past but I've gotten so many comments complaining about build quality so I don't feel like I can recommend it anymore. Monopoly is cool. Monologue isn't very competitive anymore IMHO. Thank you for your comment 🙏
@@VultureCulture well you know very well Behringer synths are good but it have nothing real to do with good for the hate commentary people.They don’t like the brand.
Roland Juno 6, Yamaha DX7 (coming out later this year), Roland JX-3P, Sequential Pro600, hang on this is 2023, not 1983! Time to pop back in my time machine to get some classics!
..you are missing out...the Opsix is better than a DX7.. the Black Corporation ISE-NINis better than a Juno 6, the JX-3P isn't worthy of mentioning because lack of knobs or sliders, the Behringer Pro-800 is compatible to the Pro 600 but I prefer my Prophet 08 rack from 2008.. because it can have 4 oscillators per note and 4 LFO's that's why I also bought 2 Morpho's and a Tetra..
@@VultureCulture ..I had to go eurorack for analog after getting the Prophet 08 rack , Morpho's, Tetra and minilogue because the choices seemed overpriced.. the Dreadbox Hysteria is great I have 2.. the Behringer 2600 VCO's have great value I bought 2 but there is something magical about the Pittsburgh waveforms complex oscillator.. it's just so thick that it even makes my Dreadbox Hysteria's sound average in comparison.. as far as digital the Opsix is phenomenal but the Minifreak might take or share the number one slot for best digital value..? ..I have get one to find out..
I have a hydrasynth explorer and am contemplating getting a MiniFreak. Do you think that's redundant? I love my HS, but I feel like the sounds coming out of the MF tend to be different and 'cleaner' in some ways. Is this GAS tricking my brain?
I think it may be worth waiting a little bit and seeing if there's any more demos you can listen to of the MF and other synths. It's kind of like getting a tattoo. You get wrapped up in the excitement of it. The proverbial wisdom is to carry a picture of the tattoo in your purse/wallet for 6 months to see if you still want it then. So I'm not advising a 6 month waiting period, but I do think those synths are similar enough to warrant a little more time considering.
Bass Station 2 is my favorite "modern" monosynth. Personal opinion, but its just so versatile and fun to use. Its not perfect by any means, I just love it.
I have a Waldorf Iridium (the original "desktop" module, not the new keyboard version) and I have to say it's honestly one of my biggest go-to synths when I'm sound designing. It's such a joy to work with. I have a rack of vintage gear that I love and can only get certain sounds out of. The Iridium is like, yeah when you see the price tag you're like 😬. I was the same way but I decided to try it out to see if I liked it and if I didn't, I would return it. After a while of messing with it, the price tag is a lot easier to justify once you see just how deep you can go with it. I think Waldorf really did something great in the Iridium to where you can have what seems like an option paralysis inducing nightmare of parameters and features, but yet it feels very inviting when you're actually using it. It's very inspiring and most of the time, I find myself making absolutely INSANE patches and I've barely used but maybe 10% of what it's fully capable of. Loved the list btw but really wanted to comment on the Iridium since you brought it up and I know not many people own one. 😀👍
Thank you for your endorsement of the Iridium! Without a doubt I think Quantum/Iridium are such a huge shift in the market and I'm glad to hear from a happy customer ☺️
I have the desktop Iridium sitting in a box next to me, alongside an Arturia Polybrute. I CANNOT wait to get them setup but my eldest sons have moved out and my daughter is swapping rooms, so that means i finally get my own room for a studio….just need to paint it and get a desk in there!! Honestly though, i have been salivating over the Polybrute for quite some time and was a bit butthurt when it didn’t appear on this list, but glad the Iridium did and i know for sure I’m gonna have a ton of fun with them both. I also have a Roli Seaboard RISE 2 pre-ordered - due the end of March, which I’m going to pair with the Iridium as i heard it’s amazing for MPE controllers.
This is the first video I've seen by you. You've got a fantastic voice for stuff like this and the aesthetic of someone I'd totally expect to talk about hardware synths (in the most complimentary way)
I have a Yamaha RX, sub 37 and a Behringer model d I’m looking for a poly synth to complement what I already what would you recommend? I’m thinking prologue, hydrasynth . I’m mostly into r&b, gospel , hip hop and pop music
The Hydra, being digital, is probably your best bet for something completely different than the analog synths you already have. However the Prologue is very warm and depending on the vibe you're going for that might be a better fit for you. Let me know what you end up going with!
@ cool I’m assuming the explorer is the same as the big boy. The prologue is definitely on my list. Being more on the side of R&B /gospel music the Prologue might be the secret sauce
Great video ! I currently own a hydrasynth but looking for a vintage style poly synth such as juno x or the behringer UB-xa don’t kill me but for the price I’m thinking about it but in this vid u mention the summit & I’d like to know your thoughts on those & maybe some other options $2500 and under is the spot for me thanks in advance
Behringer UB could be one of the greatest synths IF everything goes off without a hitch and sounds authentic (jury's still out on that one) My current recommendations are the Minifreak ($600) or Take 5 ($1,350 on Sweet water) if you want all analog. I'm not into the Juno-X (doesn't sound *that* close to a Juno) If you really want that Juno sound you can usually find vintage Alpha Juno 2's for about $600
Given recent industry news, having a look at the companies health has to be part of the purchase process. Getting tech support from Moog or Modal, for example, might be a challenge going forward. For the same reason I would shy away from any hardware that relies on software, unless it's a megacorp like Behringer, Roland or Korg.
@@VultureCulture I've been looking to get my first synth so have gone down a few brand rabbit holes. Of the smaller brands, for < $1000 , cre8audio because of the Pittsburg pedigree & value proposition, Erica seems to have a devout following, same for Make Noise (0-Coast). IK multimedia seems like good value for money, but the company has so many products that I wonder whether the company size is sustainable in an age of knockoffs.
@@VultureCulture I ended up buying quite a few things since the prices were so good. Even after shipping charges. A couple got an extra charge from UPS for customs. Most did not. Still good deals even after custom charges when they happened. No problem with delivery by UPS. Had to get US power receptacles for a couple. Just inexpensive power cords. All the power supplies handle all voltages for what I bought. The Iridium keyboard is an unusually good deal. Also got a Hydrasynth for the heck of it. Now I am trying to figure out a replacement floppy for a SQ-80 I bought off Reverb. Got a VP-330 a couple days ago. I like string machines.
Great channel my man. Looking into the OBERHEIM. I was wondering i was offered a Motif ES8 and a Korg Triton LE 61 key for $4500 bucks . I understand both have the sampler options in them but is that too much for them??????( BTW i sold a Korg Radius for $500 to a friend i am now regretting)
Great video man! You're voice settings on your mic are spot on! What are your thought on the Sonicware LIVEN Texture Lab? It seems to be up and coming. Thank you.
It seems super cool! But I don't know enough about the product to really speculate on it. I would love to find someone who has one to give me their opinions on it.
Awesome video. I’m still trying to figure out the right workstation I guess I’d say abd whether or not to go with a groove box or keyboard style. I don’t play any instruments but have melodies and ideas in my head that I want to transform into a groove. I like the idea of a vocoder so I can sing with my brutal voice but maybe it can help build my track, something easy to work with , that can sequence, and had preset loops and maybe chord progressions idk.
@@VultureCulture This device looks pretty much what I’m looking for. Gonna looking into this more. Definitely want a beginner learning curve and something that could make someone who doesn’t play an instrument sound more polished lol.
I own the prophet rev II and the Moog sub 37 tribute, am looking for synth number 3 then my arsenal is complete, just cant deciede, Virus TI2 Novation Summit or the new Behringer OB-Xa mmm
@@VultureCulture your video kinda sold me on one. I was looking at an ob-6 mod and as much as I love the sound knowing the voice chips are the same, I’d much rather have something more unique. Deluge, jomox, norand and e7! :) thanks for the video.
I love unique! I'm always on the hunt for underrated and strange vintage synths. I do a live stream every Wednesday at 9 pm est if you want to come hang out 🙏 ua-cam.com/video/nu56lqaBDYA/v-deo.html
I really like my Virus TI2 given how powerful it is with 16 part multi-timbral, tons of filter, oscillator, fx and synth models and dozens of voices. A real powerhouse.
I think the Groove Synthesis 3rd Wave can replace about everything, I realized it might be the ultimate end game Synthesizer and if course the price is huge, but at that point I don't care about anything else. It can sound like about everything with way more features. It's like the one synth to rule them all. It was hard to reach this conclusion, but after watching more about it, I'm really convinced.
@@VultureCulture Thank you very much for the response I'm definitely going with the Minifreak. I appreciate your help very much. I watched a ton of demos of both and I noticed you don't have to menu dive so much with the minifreak to make your sounds. Just seems much more inviting to me though I do love the sounds of the Hydrasynth Explorer just as much as the MiniFreak. Now I am a subscriber looking forward to future content from you.
Are you going to do a review in early 2024? I am on the market for a high-end synth for dark electronica. (I already have Undercurrent, by the way). Thanks!
@@VultureCulture haha! And is it going to answer my question about dark electronics? Any suggestion would be appreciated. Fantastic channel by the way.
I don't break down the synths by genre but more by category and features. I bet it'll answer your question but if not I can help you further in the comments of that video 😂
I have analog and digital synths yet I prize my samplers to set the tone for diversity..i do like the Hydrasynth Deluxe.Quantum,Polybrute, Summit,etc..
Love your work! I bought a used Typhon for $400 based on your earlier reviews. Fantastic sounds! Also a Rev2 after the great Prologue/Rev2 debate. Appreciate your insights!
Love your videos! Got a quick question: I’ve been saving up for a synth for a while. Im about ready to pull the trigger. I have enough for a polybrute, and I was just curious. If you were buying a flagship synth right now, $3k USD or less, and it was the only synth you could buy for like 5 years, what would you get? I’ve only got the Korg Minilogue XD so my arsenal is very thin.
The Minilogue XD is nothing to laugh at, especially with the logue sdk user oscillators! I think 3k or less PolyBrute is pretty phenomenal if you want all analog. Also consider an OB-6 desktop if that form factor appeals to you. All analog but with that glorious morphing filter (notch pads baby!) And if you're into digital the Hydrasynth deluxe for $1,800 seems hard to beat with its 76-keys of polyphonic after touch. Hopefully that helps! Happy synthing!
JD-08 is great but very digital sounding (I have the original JD-800) Best bets on a budget would be Modal Cobalt5, Dreadbox Nymphes, or the Korg Minilogue XD. Nice analog sounds with boatloads of reverb.
Hey, really great video and comparisons here. May I ask you for some advice? Currently thinking about getting my first real synth (right now I just have a drumbrute impact and an uno). Im considering the minilogue xd vs hydrasynth Explorer. I would like to make some live techno with it, but also use it as a songwriting and sound design tool. What would you think suets best here? Greetings from Germany :)
Hey there! 🇩🇪 There are many types of techno - I would consider if the artists you want to sound like sound very 'analog' (whether they are using analog gear or not) or 'wavetabley' (complex, morphing pads or bass sounds). If the former go Minilogue XD and if the latter go Hydra. Does that help?
It's always great to see any video you make! Not that I'm buying (ATM), but just cool to see what's out there! A couple of your suggestions I missed! Thanks and Happy New Year!
I don't think so. Last year I put a section in at the end of the video but I wasn't happy with it. My recommendations are pretty simple and I'm not well versed with the abundance of new plugins. Omnisphere is amazing and the best product on the market if you can afford it and Serum sounds amazing and everyone uses it. Do you have any thoughts about VST's in 2023?
@@VultureCulture Well to be fair, 2022 was the year I spent so little money on anything, VST-wise, because I do think the market is becoming a little oversaturated. That being said, I love what Arturia did with Pigments 4. I also like their Augmented series. And I think the released their CS80-V 4 in 2022, which is an improvement to V 3. Other than that, I'm mostly sticking to what's been there for years, like Diva, TAL-U-NO-LX, N.I. plugins, Korg plugins and Cubase's own Retrologue (just to name a few).
G7 e. The only analog synthesizer with more than two multitimbral patches priced at $1,500... What do you think. Will the rhinos of the industry turn their attention to an almost empty market niche? Or are rhinos already in chocolate and they don't care ? :)
@@VultureCulture Gs7e, is only one problem. This is a surface assembly. At first I hurried with my wallet, but stopped when I found out. I decided to wait for the discussion of the exploitation
Amazing info vid.. That Dred box Typhon looks a superb machine...maybe the synth ive been looking for as a next move from the microfreak which I sold on..
Hmmm.......... Not one word about the GrooveSynthesis 3rd Wave? It's hard to decide between the Oberheim OB-X8 and rhe 3rd Wave. They both sound magnificent. Oh yes, they both cost about the same.
You’ve done a great here in your best of year synth video. You’ve hit the lion’s share of what synth’s that have caught my attention, and while I will always find a compilation video like this, super exciting to check out and learn from, it will give me even more of a pleasure to share it with a friend who is now in the market for a new compact synth for doing the show’s he travels to Europe for, and so, he will get a great start at seeing what’s currently available. One of your guest commenter’s mentions the Modal cobalt series, and he has an 8x and I have the 5s. I like this synth a lot, as it’s set up for creativity, covering a lot of bases with the algorithm choices+. It’s not as vibrant as the Minilogue or the Volca FM2, but it is a workhorse of versatility that’s great for experimentation or composing with. I hope you will review the new Pittsburg Modular Tiaga Synth. They have pretty much thrown in the kitchen sink for 800.
The Modal stuff is awesome but a little hard to put into the categories I have setup. Because they're digital they're going head to head with synths like the Hydra or ModWave, which really are a different type of digital synthesis.
@@VultureCulture it’s tough to cover everything, and we all have our own particular inclinations towards gear, so, much respect here, and I really appreciate your reply. I’m really happy that Hydra synth now has that lower priced model that you covered. (Which reminds me of one of my favorite parts of your comp video here, and that is a constant focus on the relative value of these synths, and This is something I really appreciate and believe in because I tend to need to go to these more modest price points, as many other’s do, to gain entry to such products. It’s taken me quite a while to appreciate that Hydra synth in a more personal, sound oriented way, but, that synth has really caught my attention, because I know it’s deep, and yet, it’s supposed to have an easy work flow. I agree with how you’ve categorized the gear here, and I think There is a place where digital synth’s are cutting edge sound wise, and the Hydra seems to fit into that category. Which is to say, that, yes there are definitely different categories, and I’d find it difficult myself to not cover the more vibrant sounding synths that also aren’t trying to fit into the virtual analog category.
happy new year Bro love your content ! keep it up ! lets see what to get i think i ll get the JU-06A or the Dreadbox Typhon since i dont have a monophonic synth and i am Greek so i can go buy it directly :P I Have Minilogue XD and Circuit Tracks at the moment.
I do not because I can't afford one lol I can echo a few things I've heard from Jamie of GEOSynths. It seems like the synth was a bit abandoned by Sequential and 8dio because of differences between the companies. So there weren't as many expansions it sounds like as there were planned to be. Stereo analog filters for samples are awesome. But Jamie spent a lot of time importing analog synth waveform into his because the digital oscillators are kind of thin. I don't think I'd want to spend that kind of money on oscillators that don't sound as good as some of the other sequential synths. What do you think?
Great video! Although i wouldn’t recommend Volca Keys to a beginner. I find it pretty thin in its creativity. I got it for myself as a beginner and i sold it only some months after i got it.
I hear ya! Nothing wrong with upgrading - clearly you're into the hobby. Part of how I consider the "beginner's choice" every year is I want to make sure it's very reasonable so that if someone doesn't go into the hobby they didn't spend too much money. What did you end up upgrading to?
@@VultureCulture Yes totally! A very good idea to get as many people into the hobby as possible! I ended up getting a Korg Microkorg. But now after a year im soon done with my summerjob and im gonna end up with around 500$ to spend only on a synth. Im extremely glad that you answered my comment. I would be very happy if you, as a expert, could give your best recommendations for any synth, not more then 500$. Im not a US-citizen, so please have shipping in mind while recommending, if that not too much to ask already:). Shipping and tax from US to Europe seems to be getting higher and higher for each year haha. Thankyou sir!
$500 is a tough price point. On Thomann music right now if you want to go analog the Behringer MonoPoly is $459 and is paraphonic so you can play 4 note chords. If you're okay with digital there seems to be a sale on Korg Opsix for $450 which is sick for such a great and flexible digital synth. Both synths have a lot of hands on control.
@@VultureCulture Thanks really! I was really hoping i could get tge asm hydrasynth explorer. Its been on my wishlist. But i couldnt find it second hand for less then 600$.
The Korg MS-20 is one of the most VAT emulated synths. Korg themselves sell PC , Mac and iPad versions. And Cherry Audio has another good version called the PS-20, which is very cheap. Finally, if you have a Kronos or Nautilus, there's a virtual version in there as well. All of the software versions are fully mudular and patchable, like the originals. If the MS-20 appeals to you, Id give one of these software verions a try before deciding to buy actual hardware.
You cannot model a real jumped ms-20 with digital, you can't model the distortion and feedback.. it's like trying to model a cranked marshall stack with a les Paul plugged in.. the hardest thing for a digital algorithms to model is analog overdrive, and the next thing is an analog filter especially with high resonance.. the amount of variation that happens just playing the same note over and over is unlimited on an analog circuit, if you measure it with a spectrograph it's infinite.. I been a ms-20 user since I was a young teenager, I used a original one for my industrial band that was loaned to us for free, it was so broken but it had the sound, I tried every vst none sounded right, when Korg finally reissued it I was so glad to get one and finally be able to return that broken thing that I repaired over 100 times.. the resissue analogs sound basically the same, but the vsts sound nothing like it.. and I wanted anything that could sound close just to get rid of that headache, I would constantly be repairing it before every dam gig, and something else would be broken by the end.. what a wreck that piece was..
@@Leviathan-mj8gi Welcome to 2023. People model analog amp stacks (with tube and speaker distortion) all the time, Marshall included In fact, amp sims have a big market with guitar players. So claiming that amp sims are impossible is not just wrong, it's rediculous. Likewise, analog filters are very well modeled these days. Finally, yes, there is constant variation in any analog circuit. But it's within a small range (unless your circuit os broken or needs adjustment). So digitally simulating this with random variation is pretty trivial and is done all of the time now. In fact, whole analog circuits are mapped and modeled digitally at a componant level. So people pissing on VSTs are way behind the times in terms of where the technology is at now.
@@geoffk777 you can welcome to the future all you want, none sound close to the original, and the same reason guitarist tour with heavy marshal stacks instead of carrying a little 1 pound box In there backpack and just plug it into the house PA, should be a good indicator that not one professional believes they sound the same. If they did why have to pay a bunch of roadies to move equipment for you? I would bring the tiny box as well if I thought it sounded close. I hate lugging gear. If you can't clearly hear the difference, I wonder how people can even be musicians, they obviously don't have good ears or ability to listen, Because it's very obvious, how do people hear note differences or the proper chord voicings? Id say those things are way more subtle..
@@geoffk777 maybe people can't hear it, but that's bad and possibly why people don't consider electronic musicians "real" musicians, these things should be very present, I know guitar makers who simply can tell you what wood the guitar is made out of by listening, that's tough, I'm not able to do that, but I can easily identify a digital vst vs the real analog synth..
I chose The Korg Minilogue XD not only for bang for your buck.I chose it because it replaced 2 keyboards from the word GO! being pressed for space ,I have a Prologue and a Monologue .But this is the best of Both worlds for limited space on my z rack!
I understand totally. These types of comparisons can only go off of specs, but although the Rev2 has superior specs I went with a Korg Prologue because I preferred the sound.
Oberheim OB X8 is favorite poly analog synth today in spite of the price tag. Digital wise, agree the Waldorf is great but I would get the M over the Quantum. Already have granular and other synths in the Virus. I want that gritty analog filter from the PPG and Microwave in the new Waldorf M.
Although I'm not in disagreement with any of the opinions stated, I also want to say this will not have aged well in 2024 (barring a total shutdown of all factories due to supply chain issues).
5:36 or get a Behringer K2 for about 300 dollars...It is virtually the same as OG MS20....I know because I own a K2 and an original MS20 (bought new in '78)...Hard pressed to hear the difference.
Another Great vid I wanted the Trigon 6 but already had the PRO 3 so I decided to get the Take 5. Next up OBX8 and then I'm done I'll have more than enough tools to make great music looking forward to 2024 Hopefully you'll do a Best Drum synth vid
I am no expert in drum synths. I would have recommended Perkins but a good friend of mine got one and had so many issues with it. So I'm actually at a loss there.
Totally with you on the Volca Keys! That was my first one when I started a couple years ago. :) Often overlooked but it sounds great and is a great first analog synth.
That is difficult because piano and organs fall outside the realm of synthesis and more into workstation territory. Akai MPC Keys or Korg Kross might be good. If you're more into retro stuff, the Roland JD-08 has that famous JD-800 piano sound and can do the rest of that stuff but with a characteristic 90's sound. I also found the Korg WaveState to be pretty full of great samples - ignoring the Wavesequencing you can use it as a great rompler.
@@VultureCulture ok cool, yes i was thinking maybe a rompler, i need a big all rounder go to library. I was looking at Korg Triton or omnishere 2, i need quality but a fair but of quantity
Omnisphere 2 is amazing. It's still my favorite synth. Just know it won't cover all conceivable territory - if you're into orchestral stuff you might still need some Kontakt libraries.
Holy crap two years ago I paid 1400 for my asm hydrasynth.. But you know what the ASM synthesizer is a priceless badass synthesizer in fact I think it's the greatest synthesizer ever made... And to say something like that against some of the greats is pretty ballsy but I got my first moved in 1982 and worked my way through synthesizers my whole life... The ASM is a mother beast.. if alien was a synthesizer this is it... The lush sounds the after touch on the keys is completely insane the freaking ribbon produces bends and glides, that will melt your face... And then you get into the mutant functions !!!! Drool...
Interesting list. The mavis and cre8audio gear hit those prices with least cost possible BOM and build - IMHO Behringer Cat and Crave are worth comparing and also considering with those. Same for the MS-20 where a 2600 and MiniBrute 2 are worthy options depending on wants/needs. Matriarch is definitely a masterpiece, especially with the $500 price drop since this. Definitely a tough choice between minifreak and small hydrasynth. Summit is criminally underrated and underappreciated synth - especially if willing to buy used where it is a MUCH better value than a Take5. While there is a lot to love on the OB-X8 the king of analog polys remains the P10rev4. For a top end digital the mk2 Quantum, especially if buying from Thomann. Finally, for that mini magic at $1700 less the SE MidiMini. Same ultra quality BOM and build level to get the best monosynth workflow/layout ever and THAT sound dead on plus a bit more patching flexibility.
I will dream for a Aturia Minifreak.I think,He ist a good Friend for my DX7FD and the Sound From my old repaired Kawai PH50 old Freak Mini ist very good old Sound Source in Keyboard Oldtimers.
Great overview of the synth market! You have a great voice and look like Jordan Rudess. And I think you have a future in sales! LOL! Ever watch Tefty and Meems on YT?
@@VultureCulture They are into making music with synth hardware. Some of the stuff that you featured. Tefty plays KBs and Meems sings. They do some amazing stuff. Check out their channel! They are also on Bandcamp.
@@VultureCulture Not full blown work station. I'm looking for nice hands on multitimbral synths for dynamic performance over multiple parts. Not work station because the menu diving takes away from the spontaneity. I don't think the udo super 6 is multitimbral but the sound is so great i'm giving it serious consideration. Also the super gemini looks very exciting
@@VultureCulture Yeah gemini looks fantastic. I wonder wouldn't it be good if you could do program changes per layer? So you could be playing pads on one layer and trigger lots of melodic percussive/stab sounds on another, each time with a program change so you can access a really broad pallet of sounds while retaining hands on control. That would be nice
Great video and some excellent choices. I knew that the Minifreak was going to be in there, haha! For a budget analog poly, I think that the Deepmind is damn near impossible to beat. It really is capable of some incredible sounds and covers a lot of ground. The presets are just a little to drenched in FX and many are not really usable in the real world. Making your own or buying pre-made packs, though, and it can really shine.
The DM12 is a great synth - however I get comments on my videos complaining about the build quality and the price has gone up quite a bit since last year. For that reason I elected not to mention it but that doesn't mean it's not a great synth
Depends on which matters more to you, analog or voice count. If you think 4-voices is going to be a limitation for you go for the Minifreak, if you really want an analog synth go Minilogue XD.
Great callouts in this video. While I also don't like to be negative, I couldn't agree more regarding the Moog reissue and the Trigon. In my view, Sequential / Oberheim have missed two very obvious modern recreations: a modern Prophet VS and a modern Matrix 12. The former (Prophet VS) would help meet the need of those who missed out on the Evolver and Poly Evolver. The Poly Evolver didn't have enough polyphony to be a serious poly, but I think that they have cracked the code on miniturization at this point and could reasonbly make an 8 voice Prophet VS / Poly Evolver type thing for under $3000. As for the Matrix 12, I don't think a single vendor has recreated the Matrix/Xpander filter in hardware. The legendary status and vintage prices of the Matrix 12 and Xpander also make it a perfect candidate for a knock off. Modern Prophet VS, Matrix 12 would be huge hits. If Sequential / Oberheim doesn't do it, Behringer will someday.
Totally agree with both points! I very much suspect Oberheim will put out a Matrix 12 reissue. Marcus Ryle was there for the development and I'm guessing they're working on it now.
Well articulated arguments. I don't necessarily agree with the entire list, but you backed up your claims, so that was pretty cool. 😀 👍 IMO 'PWM Malevolent' should've been the best Value Analogue Mono - that thing thunders, rumbles, growls, bellows and gnarly gargles, all of which makes grown up men giggle with joy like little schoolgirls 😄 (make that a category 🤪). It was good to see the Pittsburgh twins there (Cre8Audio). For the next year's list please: since you've created separate "poly-aftertouch" classification, can we have a full split between Best Digital, Best Hybrid and Best Analogue with their appropriate three sub-divisions of price, value, and high end. I thought maybe the "best revival of a synth" could be a thing, but OB-X8 pretty much wiped the floor in that respect and I don't think we have much more to revive now with the Sequentials, Oberheims, and Moogs already doing their thing, and Korg was pretty accurate with the official copy of ARP 2600 and the suitcase, even though IMHO Roland Juno X is the most friendly iteration of the classic of the past (and yeah yeah yeah, I know it's not analogue... 😜). Happy New Year and looking forward to your MS20 vid 👍
PWM Malevolent is a great choice - a few people have said the same thing! I probably will split hybrid into its own category next year. I actually did do "best revival" in a video last year - and wasn't exactly happy with the category. It felt a little arbitrary and like you said, OB-X8 would be the winner this year but also the high end analog poly. Thank you for your comment! 🙏
It is an amazing time for beginners if you like analog sounds. You can buy new ones. When I was a 20 year old in the 90's they stopped making analogs. I couldn't buy one new. So I saved my money and bought a used Oberheim Xxpander, I still have it today.
@@VultureCulture You will. I worked in a killer musics synth store when iI was in my early 20's, I played it all, and bought the best ones, even some thy didn't have that the owner told me about.
.I agree with the best gift is the volca keys but the moog mavis is overpriced and the latter filter is boring.. the Dreadbox Hysteria is more flexible than the others you mentioned.. I am not a fan of the MS-20 filter.. there is quality control issues with moog and again overpriced and boring.. the Roland boutiques are junk.. the minifreak is a great digital option but the Opsix might still be the king of digita or runner up to the minifreak.. the real gift of the century from Dave Smith is the one you are sleeping on is the Prophet 08 or Prophet 08 rack from 2008.. it can have 4 oscillators per note voice and 4 LFO's and the choice of 2pole or 4 pole Curtis filters.. the minilogue XD is also lacking the 2 filter choices and a full ADSR which is why I and happy with my original Minilogue..
Just to clear this up, the oscillators in the prophet 6, ob-6, and trigon 6 are not the same, even look at how they function, the ob-6 has continually variable waveshapes, the trigon 6 has selectable waves but not continually variable, they don't even function the same, I think the fact that they are all called "discreet circuits" confuses people, that just means they are custom build for the synth, instead of being on a premade oscillator "chip' or integrated circuit... But the oscillators are completely different from each to the next... Other parts of the architecture are similar, but oscillators are not one of them..
I have already put this in the description of the video. I got it exactly wrong 😅 the voice cards are the only thing that are different. The rest of the architecture and software is the same, although you can't just throw Trigon voice cards into an OB-6 and have it work.
@@VultureCulture oww the other thing is the software is actually not exactly the same.. unfortunately, you know how the ob-6 and prophet 6 have a slop knob that they updated to a "vintage" knob and you can switch back and forth?, well the trigon only has the vintage mode. As well as MPE, the ob-6 and prophet 6 have midi polyphonic expression, the trigon surprisingly doesn't, I ask sequential what was up with that, and they said they may add MPE in the future, but probably not slop knob mode... So idk, I thought they would be exactly the same software, but obviously the trigon 6 at least is running something slightly different, and actually less features... I really hope it gets MPE though because that's what I think made the 6 series powerful, the other Sequential synths don't have it.. it's bizarre they wouldn't already have put it in and that the newer synth actually has less software features...
Model D reissue isn't "overpriced", its always cost that much. Touch it and you can feel why it costs what it does. Not justifying the price at all, but it is what it is.
@@VultureCultureConsider the fact that second hand Minimoogs (even the remake of 2015) goes around now for far more than 5000$...(7500$ and more). They would be stupid not ask a 'decent' price for it compared to the second hand market.
I think the Behringer Poly D (with keys), is a great alternative over the Model D or the 5K Minimoog rerelease. For almost 5x times cheaper you can get the Poly D instead and get close to the minimoog sounds at a far better value vs expense! You can get a moog Matriarch or oberheim ob8 AND the model D or poly D for about the same as the minimoog! 😮
I misspoke when I said the Trigon, OB and Prophet 6's all have the same voice card. The voice cards are all different, it's the motherboards and remaining hardware / software that's the same.
Not subscribing until you upload the video kittens playing with the gators shove them in.
I guess you haven't used the expressive e osmose
I have not had the opportunity - the synth was just coming out when I made this video
You’re STILL wrong. The filters are different, too. An OB and Prophet have the same ladder filter that the Trigon has? Is that your belief? Seems you totally shat on the incredible Trigon-6, all while not knowing a single accurate thing about it. IMO a disphit take on probably the most useable Sequential Synth ever made. Unsubbed.
@aoterou what do you mean?
Yamaha seems to be brutal.
I saw someone here playing Crocket's theme with that.
But the artist is also important.
UDO SUPER 6 might be one of the greatest modern classic synths you can get today, And I have a moog one 16 voice. They are outstanding together. George Hearn has really created something special.
I agree - their stuff might be the classics we hold up as the best of our era in 20 years ✨
It doesen't give me kicks from UA-cam. Good synths do. So i'd not recommend UDO.
Glad you mentioned the Minifreak. I'm a guitarist wanting to add nice low end synth tracks, and the Microfreak seems to be a great budget synth with an unusual keyless aftertouch keyboard. I'm limited with the EHX Synth9 pedal.
Incredible value!
One weird habit of mine turned out to be useful over the years: do judge synths by youtube impression, but listen to your inner feeling rather than explanations or specific sound features. Look for a synth that gives you shivers when it plays on youtube demos. It's what matters most if your intention is to make music with it (and not working as sound designer or using it as side kick for specific function in a rig).
That's important! So much of it is the emotional connection you make with the gear!
@@VultureCulture No. It's not about emotional connection with gear. It's about listening outside the box.
It's more than the well known features of sound that make your music appealing. Engeneers make explanations, youtubers analyze with oscilloscopes, but there's just so much that these words bring across about how one set of silicon chips sounds. There's more to it that you can find out by reading those words, and there's more to it than you can deduce by looking at it's front panel. But you don't realize it, you may be hearing a good sound and then a crap sound, and not realizing why this difference, and then those stereotypes conseal your impression.
You gotta break this consealing by listening to the raw sound which is good enough in a youtube video. On top of that, you know for yourself, which way you're going to use the synth for, and which qualities will never come forward for you.
If you listen and you love the sound, this is a good instrument for you, no matter how cheap or out of fashion it is. Your gut testifies: you will be squeezing real music out of this.
If you listen, and you hear a loud nothing, than no matter the hype around the instrument, it will be a waste of money.
I absolutely love my Modal Cobalt 8X. It sounds fantastic, especially with recent firmware updates, it has a premium Fatar keybed, it's built like a tank, and on top of it, it looks beautiful. I'm selling a lot of gear after purchasing it, since it's now fully covering all my "analog synth sound" needs.
The Modal stuff is absolutely awesome - I should have had em in this year's roundup
Wow. What are you selling that the Cobalt blows away?
I have Modal Skulpt and love it! Modal makes great synths for affordable price.
I absolutely should include more Modal stuff in the future
@@VultureCulture neat thing about the ui´s - lots of endless encoders - for me its still kinda confusing why there are so many synths out there with presets that dont have them (kinda annoying to set the pots back in position for new patches and for live playing with switching presets)
FWIR, the Trigon can key track the lfo, so setting the speed to double every octave and tying it to PWM gives a consistent sound of two detuned oscillators, that don't fall apart in too low or high of notes.
That's pretty neat!
Just bumped and discovered your channel while looking for some info on Omnisphere, been binging to your videos since! Great great stuff, good job man looking forward to more in 2023!
I really appreciate you saying that, it means a helluvah lot 🙏
Behringer Deepmind and Monopoly and Korg Monologue and Prologue aren't in this video. I sugest a new category: synths with keys (mini keys and full size keys). Korg Volca Keys has not arpeggiator. It has not VCOs choice too. I know it is not expensive but...
The Prologue is discontinued.
I've recommended DM12 in the past but I've gotten so many comments complaining about build quality so I don't feel like I can recommend it anymore.
Monopoly is cool. Monologue isn't very competitive anymore IMHO.
Thank you for your comment 🙏
@@VultureCulture well you know very well Behringer synths are good but it have nothing real to do with good for the hate commentary people.They don’t like the brand.
Sequential Pro 3 is one of the best mono synths for patch design. It just brings so much to the table, it's now my favorite synthesizer.
Pro 3 is a helluvah synthesizer
Roland Juno 6, Yamaha DX7 (coming out later this year), Roland JX-3P, Sequential Pro600, hang on this is 2023, not 1983! Time to pop back in my time machine to get some classics!
Hahahahaha
..you are missing out...the Opsix is better than a DX7.. the Black Corporation ISE-NINis better than a Juno 6, the JX-3P isn't worthy of mentioning because lack of knobs or sliders, the Behringer Pro-800 is compatible to the Pro 600 but I prefer my Prophet 08 rack from 2008.. because it can have 4 oscillators per note and 4 LFO's that's why I also bought 2 Morpho's and a Tetra..
I didn't mention ISE-NIN and I should have!
You've got a lot of sick gear!
@@normdurkin6425 Good points there, good points! I had a Prophet '08 module, why did I sell it?!
@@VultureCulture ..I had to go eurorack for analog after getting the Prophet 08 rack , Morpho's, Tetra and minilogue because the choices seemed overpriced.. the Dreadbox Hysteria is great I have 2.. the Behringer 2600 VCO's have great value I bought 2 but there is something magical about the Pittsburgh waveforms complex oscillator.. it's just so thick that it even makes my Dreadbox Hysteria's sound average in comparison.. as far as digital the Opsix is phenomenal but the Minifreak might take or share the number one slot for best digital value..? ..I have get one to find out..
I'm very satisfied with the Hydrasynth Explorer, which is also a tremendous MIDI/CV keyboard/controller.
Do you feel it has any limitations vs the full size?
Pro 3 my fav synth for transparency, musicality, flexibility of sound... Sure it's mono but it sounds like an instrument and can sound polyphonic.
The Pro 3 is an incredible instrument for sure!
What would you say is the best synth to use as a master midi controller?
A Hydrasynth Deluxe might be the most plush 76 key poly aftertouch keyboard possible for sub 2 k.
I have a hydrasynth explorer and am contemplating getting a MiniFreak. Do you think that's redundant?
I love my HS, but I feel like the sounds coming out of the MF tend to be different and 'cleaner' in some ways. Is this GAS tricking my brain?
I think it may be worth waiting a little bit and seeing if there's any more demos you can listen to of the MF and other synths.
It's kind of like getting a tattoo. You get wrapped up in the excitement of it. The proverbial wisdom is to carry a picture of the tattoo in your purse/wallet for 6 months to see if you still want it then.
So I'm not advising a 6 month waiting period, but I do think those synths are similar enough to warrant a little more time considering.
@@VultureCulture that's sage advice and much appreciated brother!
i got a bit lost by all the categories. So what's your recommend? Minifreak or Hydrasynth?
Overall - Minifreak's value can't be beat!
A-men! I couldn't agree more with you about the Trigon..
I couldn't be the only one
Bass Station 2 is my favorite "modern" monosynth. Personal opinion, but its just so versatile and fun to use. Its not perfect by any means, I just love it.
I definitely need to check it out!
KMFDM uses it live that means a lot given how awesome that band is and how many albums they have released with record fans.
I didn't know that! Now I really have to get one!
Micromonsta 2 is easily the best digital synth on its category. Bitimbral, 12 voices, and sounds great.
I hadn't even heard of it - thank you for telling me!
Would love to try one of these puppies out
I have a Waldorf Iridium (the original "desktop" module, not the new keyboard version) and I have to say it's honestly one of my biggest go-to synths when I'm sound designing. It's such a joy to work with. I have a rack of vintage gear that I love and can only get certain sounds out of. The Iridium is like, yeah when you see the price tag you're like 😬. I was the same way but I decided to try it out to see if I liked it and if I didn't, I would return it. After a while of messing with it, the price tag is a lot easier to justify once you see just how deep you can go with it. I think Waldorf really did something great in the Iridium to where you can have what seems like an option paralysis inducing nightmare of parameters and features, but yet it feels very inviting when you're actually using it. It's very inspiring and most of the time, I find myself making absolutely INSANE patches and I've barely used but maybe 10% of what it's fully capable of. Loved the list btw but really wanted to comment on the Iridium since you brought it up and I know not many people own one. 😀👍
Thank you for your endorsement of the Iridium! Without a doubt I think Quantum/Iridium are such a huge shift in the market and I'm glad to hear from a happy customer ☺️
I have the desktop Iridium sitting in a box next to me, alongside an Arturia Polybrute. I CANNOT wait to get them setup but my eldest sons have moved out and my daughter is swapping rooms, so that means i finally get my own room for a studio….just need to paint it and get a desk in there!! Honestly though, i have been salivating over the Polybrute for quite some time and was a bit butthurt when it didn’t appear on this list, but glad the Iridium did and i know for sure I’m gonna have a ton of fun with them both. I also have a Roli Seaboard RISE 2 pre-ordered - due the end of March, which I’m going to pair with the Iridium as i heard it’s amazing for MPE controllers.
That sounds like a helluvah combo!
I can only imagine the glory lol
This is the first video I've seen by you. You've got a fantastic voice for stuff like this and the aesthetic of someone I'd totally expect to talk about hardware synths (in the most complimentary way)
Thank you! Welcome to the channel!
It was even worse when I had a handlebar moustache 😂
My Favorite of the year is the Dreadbox Typhon! Its full of so many surprises and sound great. Oh the reverb is killer to...
Sinevibes makes killer fx!
I have a Yamaha RX, sub 37 and a Behringer model d I’m looking for a poly synth to complement what I already what would you recommend? I’m thinking prologue, hydrasynth . I’m mostly into r&b, gospel , hip hop and pop music
The Hydra, being digital, is probably your best bet for something completely different than the analog synths you already have. However the Prologue is very warm and depending on the vibe you're going for that might be a better fit for you.
Let me know what you end up going with!
@ cool I’m assuming the explorer is the same as the big boy. The prologue is definitely on my list. Being more on the side of R&B /gospel music the Prologue might be the secret sauce
Thanks for the video! Happy New Year!
Happy New Year Dave 🍾🥂
Great video ! I currently own a hydrasynth but looking for a vintage style poly synth such as juno x or the behringer UB-xa don’t kill me but for the price I’m thinking about it but in this vid u mention the summit & I’d like to know your thoughts on those & maybe some other options $2500 and under is the spot for me thanks in advance
Behringer UB could be one of the greatest synths IF everything goes off without a hitch and sounds authentic (jury's still out on that one)
My current recommendations are the Minifreak ($600) or Take 5 ($1,350 on Sweet water) if you want all analog. I'm not into the Juno-X (doesn't sound *that* close to a Juno)
If you really want that Juno sound you can usually find vintage Alpha Juno 2's for about $600
Given recent industry news, having a look at the companies health has to be part of the purchase process. Getting tech support from Moog or Modal, for example, might be a challenge going forward. For the same reason I would shy away from any hardware that relies on software, unless it's a megacorp like Behringer, Roland or Korg.
Which brands do you think are safe bets at this point?
@@VultureCulture I've been looking to get my first synth so have gone down a few brand rabbit holes. Of the smaller brands, for < $1000 , cre8audio because of the Pittsburg pedigree & value proposition, Erica seems to have a devout following, same for Make Noise (0-Coast). IK multimedia seems like good value for money, but the company has so many products that I wonder whether the company size is sustainable in an age of knockoffs.
You can get an Iridium keyboard model for a good price from the place that starts with T. Don't know why. I bought one.
$2,400! Is great! www.thomannmusic.com/waldorf_iridium_keyboard.htm
@@VultureCulture I ended up buying quite a few things since the prices were so good. Even after shipping charges. A couple got an extra charge from UPS for customs. Most did not. Still good deals even after custom charges when they happened. No problem with delivery by UPS. Had to get US power receptacles for a couple. Just inexpensive power cords. All the power supplies handle all voltages for what I bought. The Iridium keyboard is an unusually good deal. Also got a Hydrasynth for the heck of it. Now I am trying to figure out a replacement floppy for a SQ-80 I bought off Reverb. Got a VP-330 a couple days ago. I like string machines.
That is a serious setup you have going!
Great channel my man. Looking into the OBERHEIM. I was wondering i was offered a Motif ES8 and a Korg Triton LE 61 key for $4500 bucks . I understand both have the sampler options in them but is that too much for them??????( BTW i sold a Korg Radius for $500 to a friend i am now regretting)
Great video man! You're voice settings on your mic are spot on! What are your thought on the Sonicware LIVEN Texture Lab? It seems to be up and coming. Thank you.
It seems super cool! But I don't know enough about the product to really speculate on it. I would love to find someone who has one to give me their opinions on it.
Awesome video. I’m still trying to figure out the right workstation I guess I’d say abd whether or not to go with a groove box or keyboard style. I don’t play any instruments but have melodies and ideas in my head that I want to transform into a groove. I like the idea of a vocoder so I can sing with my brutal voice but maybe it can help build my track, something easy to work with , that can sequence, and had preset loops and maybe chord progressions idk.
Something like the Novation Circuit series might work well for you - check em out!
@@VultureCulture This device looks pretty much what I’m looking for. Gonna looking into this more. Definitely want a beginner learning curve and something that could make someone who doesn’t play an instrument sound more polished lol.
I own the prophet rev II and the Moog sub 37 tribute, am looking for synth number 3 then my arsenal is complete, just cant deciede, Virus TI2 Novation Summit or the new Behringer OB-Xa mmm
Interesting to me that you picked a digital, a hybrid and then an analog synth.
Let me know what you end up deciding!
DeepMind 12 desktop is just great. Continually impressed by the sounds esp for the price.
Absolutely!
GS E7 is a dope analog poly synth that is Mace in Argentina. looks like a Moog front panel. for the price they sound amazing!
Definitely should have mentioned that one!
@@VultureCulture your video kinda sold me on one. I was looking at an ob-6 mod and as much as I love the sound knowing the voice chips are the same, I’d much rather have something more unique. Deluge, jomox, norand and e7! :) thanks for the video.
I love unique! I'm always on the hunt for underrated and strange vintage synths. I do a live stream every Wednesday at 9 pm est if you want to come hang out 🙏
ua-cam.com/video/nu56lqaBDYA/v-deo.html
Happy MS-20 mini user here, looking to get West Pest synth into the setup! :)
Great overview!
My mind melts at the idea of patching between the two of those synths.
I really like my Virus TI2 given how powerful it is with 16 part multi-timbral, tons of filter, oscillator, fx and synth models and dozens of voices. A real powerhouse.
No doubt the Virus Ti is the king of VA's
@@VultureCulture Waldorf Q : COUGH COUGH:
Hahahaha fair
I think the Groove Synthesis 3rd Wave can replace about everything, I realized it might be the ultimate end game Synthesizer and if course the price is huge, but at that point I don't care about anything else. It can sound like about everything with way more features.
It's like the one synth to rule them all. It was hard to reach this conclusion, but after watching more about it, I'm really convinced.
No doubt it's an absolute monster!
I'm looking for my first synth with a keyboard would you recommend the Minifreak or the Hydrasynth Explorer?
If I had to buy one it would be the minifreak for the analog filters - but you really can't go wrong with either.
@@VultureCulture Thank you very much for the response I'm definitely going with the Minifreak. I appreciate your help very much. I watched a ton of demos of both and I noticed you don't have to menu dive so much with the minifreak to make your sounds. Just seems much more inviting to me though I do love the sounds of the Hydrasynth Explorer just as much as the MiniFreak. Now I am a subscriber looking forward to future content from you.
Awesome! Let me know how it goes 🙏
is the consensus that the waldorf iridium quality control issues with the initial release run have all been worked out at this point?
I don't know unfortunately. I didn't even hear there were initial quality control issues lol
Are you going to do a review in early 2024? I am on the market for a high-end synth for dark electronica. (I already have Undercurrent, by the way). Thanks!
Look for the video January 1st!
@@VultureCulture haha! And is it going to answer my question about dark electronics? Any suggestion would be appreciated. Fantastic channel by the way.
I don't break down the synths by genre but more by category and features.
I bet it'll answer your question but if not I can help you further in the comments of that video 😂
I have analog and digital synths yet I prize my samplers to set the tone for diversity..i do like the Hydrasynth Deluxe.Quantum,Polybrute, Summit,etc..
Samplers are critical for varying up the sound. Analog only gets you so far
Love your work! I bought a used Typhon for $400 based on your earlier reviews. Fantastic sounds! Also a Rev2 after the great Prologue/Rev2 debate. Appreciate your insights!
I also saved some kittens from being gator snacks although I am a dog person.
Hahahaha awesome! So glad you've found my videos helpful 🙏
Love your videos! Got a quick question:
I’ve been saving up for a synth for a while. Im about ready to pull the trigger. I have enough for a polybrute, and I was just curious. If you were buying a flagship synth right now, $3k USD or less, and it was the only synth you could buy for like 5 years, what would you get? I’ve only got the Korg Minilogue XD so my arsenal is very thin.
The Minilogue XD is nothing to laugh at, especially with the logue sdk user oscillators!
I think 3k or less PolyBrute is pretty phenomenal if you want all analog. Also consider an OB-6 desktop if that form factor appeals to you. All analog but with that glorious morphing filter (notch pads baby!)
And if you're into digital the Hydrasynth deluxe for $1,800 seems hard to beat with its 76-keys of polyphonic after touch.
Hopefully that helps! Happy synthing!
Truly great times. Out of my collection, I’d have to keep my Polybrute & Juno-X. That’s 6 synths + drums there. I’d miss my OB though
Poly brute seems like a tour de force!
Any advice on a hardware synth that is great for pads, Bladerunner stuff?
Roland jd-08 sounds cool
JD-08 is great but very digital sounding (I have the original JD-800)
Best bets on a budget would be Modal Cobalt5, Dreadbox Nymphes, or the Korg Minilogue XD. Nice analog sounds with boatloads of reverb.
Hey, really great video and comparisons here. May I ask you for some advice? Currently thinking about getting my first real synth (right now I just have a drumbrute impact and an uno). Im considering the minilogue xd vs hydrasynth Explorer. I would like to make some live techno with it, but also use it as a songwriting and sound design tool. What would you think suets best here?
Greetings from Germany :)
Hey there! 🇩🇪
There are many types of techno - I would consider if the artists you want to sound like sound very 'analog' (whether they are using analog gear or not) or 'wavetabley' (complex, morphing pads or bass sounds).
If the former go Minilogue XD and if the latter go Hydra.
Does that help?
It's always great to see any video you make! Not that I'm buying (ATM), but just cool to see what's out there! A couple of your suggestions I missed! Thanks and Happy New Year!
Thank you! And same! I always like to give my thoughts once a year on the market even though I'm firmly stuck in nostalgia land lol
@@VultureCulture Are you doing a VST-version too?
I don't think so.
Last year I put a section in at the end of the video but I wasn't happy with it.
My recommendations are pretty simple and I'm not well versed with the abundance of new plugins. Omnisphere is amazing and the best product on the market if you can afford it and Serum sounds amazing and everyone uses it.
Do you have any thoughts about VST's in 2023?
@@VultureCulture Well to be fair, 2022 was the year I spent so little money on anything, VST-wise, because I do think the market is becoming a little oversaturated.
That being said, I love what Arturia did with Pigments 4. I also like their Augmented series. And I think the released their CS80-V 4 in 2022, which is an improvement to V 3. Other than that, I'm mostly sticking to what's been there for years, like Diva, TAL-U-NO-LX, N.I. plugins, Korg plugins and Cubase's own Retrologue (just to name a few).
I really need to check out Pigments, everyone really loves it. And Diva sounds absolutely amazing.
G7 e. The only analog synthesizer with more than two multitimbral patches priced at $1,500... What do you think. Will the rhinos of the industry turn their attention to an almost empty market niche? Or are rhinos already in chocolate and they don't care ? :)
That's a really cool one I missed!
@@VultureCulture Gs7e, is only one problem. This is a surface assembly. At first I hurried with my wallet, but stopped when I found out. I decided to wait for the discussion of the exploitation
Amazing info vid..
That Dred box Typhon looks a superb machine...maybe the synth ive been looking for as a next move from the microfreak which I sold on..
Thank you! 🙏 and yes the Typhon is an excellent synth!
Hmmm.......... Not one word about the GrooveSynthesis 3rd Wave? It's hard to decide between the Oberheim OB-X8 and rhe 3rd Wave. They both sound magnificent. Oh yes, they both cost about the same.
It wasn't available at the time of recording.
Might be the synth of the decade.
Yeah. It just might be.
You’ve done a great here in your best of year synth video. You’ve hit the lion’s share of what synth’s that have caught my attention, and while I will always find a compilation video like this, super exciting to check out and learn from, it will give me even more of a pleasure to share it with a friend who is now in the market for a new compact synth for doing the show’s he travels to Europe for, and so, he will get a great start at seeing what’s currently available. One of your guest commenter’s mentions the Modal cobalt series, and he has an 8x and I have the 5s. I like this synth a lot, as it’s set up for creativity, covering a lot of bases with the algorithm choices+. It’s not as vibrant as the Minilogue or the Volca FM2, but it is a workhorse of versatility that’s great for experimentation or composing with. I hope you will review the new Pittsburg Modular Tiaga Synth. They have pretty much thrown in the kitchen sink for 800.
The Modal stuff is awesome but a little hard to put into the categories I have setup. Because they're digital they're going head to head with synths like the Hydra or ModWave, which really are a different type of digital synthesis.
@@VultureCulture it’s tough to cover everything, and we all have our own particular inclinations towards gear, so, much respect here, and I really appreciate your reply. I’m really happy that Hydra synth now has that lower priced model that you covered. (Which reminds me of one of my favorite parts of your comp video here, and that is a constant focus on the relative value of these synths, and This is something I really appreciate and believe in because I tend to need to go to these more modest price points, as many other’s do, to gain entry to such products. It’s taken me quite a while to appreciate that Hydra synth in a more personal, sound oriented way, but, that synth has really caught my attention, because I know it’s deep, and yet, it’s supposed to have an easy work flow. I agree with how you’ve categorized the gear here, and I think There is a place where digital synth’s are cutting edge sound wise, and the Hydra seems to fit into that category. Which is to say, that, yes there are definitely different categories, and I’d find it difficult myself to not cover the more vibrant sounding synths that also aren’t trying to fit into the virtual analog category.
Really great rundown on these fine synths. Save the Kittens!
Thank you 🙏
great video, thanks and respect
Glad you enjoyed 🙏🙏🙏
happy new year Bro love your content ! keep it up ! lets see what to get i think i ll get the JU-06A or the Dreadbox Typhon since i dont have a monophonic synth and i am Greek so i can go buy it directly :P I Have Minilogue XD and Circuit Tracks at the moment.
Ah! To be from Vangelis-land. You must be able to smell the CS-80 on the wind! 🇬🇷
Do you have a video on the Prophet X with your opinions of it?
I do not because I can't afford one lol
I can echo a few things I've heard from Jamie of GEOSynths. It seems like the synth was a bit abandoned by Sequential and 8dio because of differences between the companies. So there weren't as many expansions it sounds like as there were planned to be.
Stereo analog filters for samples are awesome. But Jamie spent a lot of time importing analog synth waveform into his because the digital oscillators are kind of thin. I don't think I'd want to spend that kind of money on oscillators that don't sound as good as some of the other sequential synths.
What do you think?
Great video! Although i wouldn’t recommend Volca Keys to a beginner. I find it pretty thin in its creativity. I got it for myself as a beginner and i sold it only some months after i got it.
I hear ya! Nothing wrong with upgrading - clearly you're into the hobby. Part of how I consider the "beginner's choice" every year is I want to make sure it's very reasonable so that if someone doesn't go into the hobby they didn't spend too much money.
What did you end up upgrading to?
@@VultureCulture Yes totally! A very good idea to get as many people into the hobby as possible!
I ended up getting a Korg Microkorg. But now after a year im soon done with my summerjob and im gonna end up with around 500$ to spend only on a synth. Im extremely glad that you answered my comment. I would be very happy if you, as a expert, could give your best recommendations for any synth, not more then 500$. Im not a US-citizen, so please have shipping in mind while recommending, if that not too much to ask already:). Shipping and tax from US to Europe seems to be getting higher and higher for each year haha.
Thankyou sir!
$500 is a tough price point. On Thomann music right now if you want to go analog the Behringer MonoPoly is $459 and is paraphonic so you can play 4 note chords. If you're okay with digital there seems to be a sale on Korg Opsix for $450 which is sick for such a great and flexible digital synth. Both synths have a lot of hands on control.
@@VultureCulture Thanks really! I was really hoping i could get tge asm hydrasynth explorer. Its been on my wishlist. But i couldnt find it second hand for less then 600$.
Yeah if you can save up a little more for a Hydrasynth explorer or Minifreak I think it might be worth it
Happy New Year bud!
Happy New Year Greg! 🍾🥂
The Korg MS-20 is one of the most VAT emulated synths. Korg themselves sell PC , Mac and iPad versions. And Cherry Audio has another good version called the PS-20, which is very cheap. Finally, if you have a Kronos or Nautilus, there's a virtual version in there as well. All of the software versions are fully mudular and patchable, like the originals.
If the MS-20 appeals to you, Id give one of these software verions a try before deciding to buy actual hardware.
A very strong point! Korg even released a hardware controller that looks like a real MS-20 for the VST which is super cool
You cannot model a real jumped ms-20 with digital, you can't model the distortion and feedback.. it's like trying to model a cranked marshall stack with a les Paul plugged in.. the hardest thing for a digital algorithms to model is analog overdrive, and the next thing is an analog filter especially with high resonance.. the amount of variation that happens just playing the same note over and over is unlimited on an analog circuit, if you measure it with a spectrograph it's infinite.. I been a ms-20 user since I was a young teenager, I used a original one for my industrial band that was loaned to us for free, it was so broken but it had the sound, I tried every vst none sounded right, when Korg finally reissued it I was so glad to get one and finally be able to return that broken thing that I repaired over 100 times.. the resissue analogs sound basically the same, but the vsts sound nothing like it.. and I wanted anything that could sound close just to get rid of that headache, I would constantly be repairing it before every dam gig, and something else would be broken by the end.. what a wreck that piece was..
@@Leviathan-mj8gi Welcome to 2023. People model analog amp stacks (with tube and speaker distortion) all the time, Marshall included In fact, amp sims have a big market with guitar players. So claiming that amp sims are impossible is not just wrong, it's rediculous. Likewise, analog filters are very well modeled these days. Finally, yes, there is constant variation in any analog circuit. But it's within a small range (unless your circuit os broken or needs adjustment). So digitally simulating this with random variation is pretty trivial and is done all of the time now. In fact, whole analog circuits are mapped and modeled digitally at a componant level. So people pissing on VSTs are way behind the times in terms of where the technology is at now.
@@geoffk777 you can welcome to the future all you want, none sound close to the original, and the same reason guitarist tour with heavy marshal stacks instead of carrying a little 1 pound box In there backpack and just plug it into the house PA, should be a good indicator that not one professional believes they sound the same. If they did why have to pay a bunch of roadies to move equipment for you? I would bring the tiny box as well if I thought it sounded close. I hate lugging gear. If you can't clearly hear the difference, I wonder how people can even be musicians, they obviously don't have good ears or ability to listen, Because it's very obvious, how do people hear note differences or the proper chord voicings? Id say those things are way more subtle..
@@geoffk777 maybe people can't hear it, but that's bad and possibly why people don't consider electronic musicians "real" musicians, these things should be very present, I know guitar makers who simply can tell you what wood the guitar is made out of by listening, that's tough, I'm not able to do that, but I can easily identify a digital vst vs the real analog synth..
Just attained a Arturia micro log for 100 🇺🇸.. is that a good deal!
Micro log?
I chose The Korg Minilogue XD not only for bang for your buck.I chose it because it replaced 2 keyboards from the word GO! being pressed for space ,I have a Prologue and a Monologue .But this is the best of Both worlds for limited space on my z rack!
That really is the perfect reason to get one 🔥
I cannot find a single demo of the minifreak that I like.. I wanted to like it because of the Daw integration but I just really dislike the sound.
I understand totally. These types of comparisons can only go off of specs, but although the Rev2 has superior specs I went with a Korg Prologue because I preferred the sound.
Friend we need a black bar at the bottom of your video, very hard to see the description on the timebar
Good idea! You can always check the description for timestamps
Oberheim OB X8 is favorite poly analog synth today in spite of the price tag. Digital wise, agree the Waldorf is great but I would get the M over the Quantum. Already have granular and other synths in the Virus. I want that gritty analog filter from the PPG and Microwave in the new Waldorf M.
Fair point. And Quantum MKII is just announced!
@@VultureCulture indeed well I am not buying anymore synths for a while. Maybe in few years will pick up a Waldorf and the new Mini Moog.
Although I'm not in disagreement with any of the opinions stated, I also want to say this will not have aged well in 2024 (barring a total shutdown of all factories due to supply chain issues).
Hahaha it won't even make it 6 months I guarantee you.
The voice cards on OB6 and Prophet 6 are different, take a look at them in this imgur album (the last part of any URL for imgur albums): MBGwP
You are correct.
The motherboard and the rest of the hardware / software is the same (but not compatible.)
Thank you for spotting that 🙏
5:36 or get a Behringer K2 for about 300 dollars...It is virtually the same as OG MS20....I know because I own a K2 and an original MS20 (bought new in '78)...Hard pressed to hear the difference.
Thats pretty crazy that they sound that close!
Another Great vid I wanted the Trigon 6 but already had the PRO 3 so I decided to get the Take 5. Next up OBX8 and then I'm done I'll have more than enough tools to make great music looking forward to 2024 Hopefully you'll do a Best Drum synth vid
I am no expert in drum synths. I would have recommended Perkins but a good friend of mine got one and had so many issues with it. So I'm actually at a loss there.
@@VultureCulture I like my arturia DrumBrute not parting with that
Everyone likes those!
I'm interested in the Drumlogue - but don't have an opinion yet on it
Another Synth party 🎉. Hey dude what about the Behringer Pro-800
Damn! First two hours and I'm already regretting missing a synth 🤣 yeah that would have been good in the analog poly small form factor section
😊
Totally with you on the Volca Keys! That was my first one when I started a couple years ago. :) Often overlooked but it sounds great and is a great first analog synth.
Really incredible features and sound for the money!
hell yeah semi modular, this channel gives me a semi
Raging semi 🍆
what if you need an all rounder for piano, bass, organ, synth for deep house??
That is difficult because piano and organs fall outside the realm of synthesis and more into workstation territory. Akai MPC Keys or Korg Kross might be good.
If you're more into retro stuff, the Roland JD-08 has that famous JD-800 piano sound and can do the rest of that stuff but with a characteristic 90's sound.
I also found the Korg WaveState to be pretty full of great samples - ignoring the Wavesequencing you can use it as a great rompler.
@@VultureCulture ok cool, yes i was thinking maybe a rompler, i need a big all rounder go to library. I was looking at Korg Triton or omnishere 2, i need quality but a fair but of quantity
Omnisphere 2 is amazing. It's still my favorite synth. Just know it won't cover all conceivable territory - if you're into orchestral stuff you might still need some Kontakt libraries.
@@VultureCulture so check out wavestate? i just an all rounder workstation vst really
Definitely worth checking out
Holy crap two years ago I paid 1400 for my asm hydrasynth..
But you know what the ASM synthesizer is a priceless badass synthesizer in fact I think it's the greatest synthesizer ever made... And to say something like that against some of the greats is pretty ballsy but I got my first moved in 1982 and worked my way through synthesizers my whole life...
The ASM is a mother beast.. if alien was a synthesizer this is it... The lush sounds the after touch on the keys is completely insane the freaking ribbon produces bends and glides, that will melt your face...
And then you get into the mutant functions !!!! Drool...
I hope to one day get the opportunity to own one. Certainly a modern classic!
Thank you!!
Glad you found the video helpful! 🙏
Volca Keys Was my first synth, love it.
Awesome!
Interesting list. The mavis and cre8audio gear hit those prices with least cost possible BOM and build - IMHO Behringer Cat and Crave are worth comparing and also considering with those. Same for the MS-20 where a 2600 and MiniBrute 2 are worthy options depending on wants/needs. Matriarch is definitely a masterpiece, especially with the $500 price drop since this. Definitely a tough choice between minifreak and small hydrasynth. Summit is criminally underrated and underappreciated synth - especially if willing to buy used where it is a MUCH better value than a Take5. While there is a lot to love on the OB-X8 the king of analog polys remains the P10rev4. For a top end digital the mk2 Quantum, especially if buying from Thomann. Finally, for that mini magic at $1700 less the SE MidiMini. Same ultra quality BOM and build level to get the best monosynth workflow/layout ever and THAT sound dead on plus a bit more patching flexibility.
All really great points!
I will dream for a Aturia Minifreak.I think,He ist a good Friend for my DX7FD and the Sound From my old repaired Kawai PH50 old Freak Mini ist very good old Sound Source in Keyboard Oldtimers.
Great overview of the synth market! You have a great voice and look like Jordan Rudess. And I think you have a future in sales! LOL! Ever watch Tefty and Meems on YT?
Tefty and Meems? I have not, what kind of stuff do they do?
And thank you very much! 🙏
@@VultureCulture They are into making music with synth hardware. Some of the stuff that you featured. Tefty plays KBs and Meems sings. They do some amazing stuff. Check out their channel! They are also on Bandcamp.
I definitely will! Sounds really cool
was hoping for some multitimbral suggestions
More of a workstation-type synth?
@@VultureCulture Not full blown work station. I'm looking for nice hands on multitimbral synths for dynamic performance over multiple parts. Not work station because the menu diving takes away from the spontaneity. I don't think the udo super 6 is multitimbral but the sound is so great i'm giving it serious consideration. Also the super gemini looks very exciting
The Gemini was immediately what I was thinking. Otherwise there's just not a lot right now that gives you knob per function for two layers
@@VultureCulture Yeah gemini looks fantastic. I wonder wouldn't it be good if you could do program changes per layer? So you could be playing pads on one layer and trigger lots of melodic percussive/stab sounds on another, each time with a program change so you can access a really broad pallet of sounds while retaining hands on control. That would be nice
I got a response back from UDO and yes the Gemini will support program change per layer. Thats pretty cool!
Great video and some excellent choices. I knew that the Minifreak was going to be in there, haha! For a budget analog poly, I think that the Deepmind is damn near impossible to beat. It really is capable of some incredible sounds and covers a lot of ground. The presets are just a little to drenched in FX and many are not really usable in the real world. Making your own or buying pre-made packs, though, and it can really shine.
The DM12 is a great synth - however I get comments on my videos complaining about the build quality and the price has gone up quite a bit since last year. For that reason I elected not to mention it but that doesn't mean it's not a great synth
dude u r awesome !
Thank you - you're awesome too! 🙏
Not only does the Minimoog have so many clones but the Grandmother gets you most the way there for something around 1/5 the price with more features
That's a perfect way to say it - I'd take a Matriarch any day over a Model D
Good choices.
Any you think I missed? 🙏
artuira minifreak or korg minilogue xd?
Depends on which matters more to you, analog or voice count. If you think 4-voices is going to be a limitation for you go for the Minifreak, if you really want an analog synth go Minilogue XD.
Great callouts in this video. While I also don't like to be negative, I couldn't agree more regarding the Moog reissue and the Trigon. In my view, Sequential / Oberheim have missed two very obvious modern recreations: a modern Prophet VS and a modern Matrix 12. The former (Prophet VS) would help meet the need of those who missed out on the Evolver and Poly Evolver. The Poly Evolver didn't have enough polyphony to be a serious poly, but I think that they have cracked the code on miniturization at this point and could reasonbly make an 8 voice Prophet VS / Poly Evolver type thing for under $3000. As for the Matrix 12, I don't think a single vendor has recreated the Matrix/Xpander filter in hardware. The legendary status and vintage prices of the Matrix 12 and Xpander also make it a perfect candidate for a knock off. Modern Prophet VS, Matrix 12 would be huge hits. If Sequential / Oberheim doesn't do it, Behringer will someday.
Totally agree with both points!
I very much suspect Oberheim will put out a Matrix 12 reissue. Marcus Ryle was there for the development and I'm guessing they're working on it now.
Well articulated arguments. I don't necessarily agree with the entire list, but you backed up your claims, so that was pretty cool. 😀 👍 IMO 'PWM Malevolent' should've been the best Value Analogue Mono - that thing thunders, rumbles, growls, bellows and gnarly gargles, all of which makes grown up men giggle with joy like little schoolgirls 😄 (make that a category 🤪). It was good to see the Pittsburgh twins there (Cre8Audio).
For the next year's list please: since you've created separate "poly-aftertouch" classification, can we have a full split between Best Digital, Best Hybrid and Best Analogue with their appropriate three sub-divisions of price, value, and high end. I thought maybe the "best revival of a synth" could be a thing, but OB-X8 pretty much wiped the floor in that respect and I don't think we have much more to revive now with the Sequentials, Oberheims, and Moogs already doing their thing, and Korg was pretty accurate with the official copy of ARP 2600 and the suitcase, even though IMHO Roland Juno X is the most friendly iteration of the classic of the past (and yeah yeah yeah, I know it's not analogue... 😜). Happy New Year and looking forward to your MS20 vid 👍
PWM Malevolent is a great choice - a few people have said the same thing!
I probably will split hybrid into its own category next year.
I actually did do "best revival" in a video last year - and wasn't exactly happy with the category. It felt a little arbitrary and like you said, OB-X8 would be the winner this year but also the high end analog poly.
Thank you for your comment! 🙏
It is an amazing time for beginners if you like analog sounds. You can buy new ones. When I was a 20 year old in the 90's they stopped making analogs. I couldn't buy one new. So I saved my money and bought a used Oberheim Xxpander, I still have it today.
They were selling analogs for peanuts, I got a Jupiter 6 for $700.
That's fucking insane 🤯
The Xpander is one of those legendary synths I hope I get the chance to play at some point
@@VultureCulture
You will. I worked in a killer musics synth store when iI was in my early 20's, I played it all, and bought the best ones, even some thy didn't have that the owner told me about.
man you have a very good radio voice
Thank you 🙏
Volca Keys? 3 oscilators?
Yeah, 3 voltage controlled oscillators for that price is unbeatable!
Great list!
Thank you 🙏
Quantum is my fav
The mk ii is enticing
I love the Quadra-Strata Mellilux 2000 with the Laser Harp add-on
Super 6 is my favorite synth other than the classic roland synths (juno, jupiter etc).
Super 6 is an amazing hybrid synth!
This would've been perfect with a bit of sound samples. But nice job anyways...great info.
Unfortunately there's no real way I could record some audio from these synths and to use someone else's would violate copyright 🤦♀️
Thank you 🙏
Great review. Maybe we'll see a modern synth sneaking in the Vulture Culture studio when nobody is looking.
Hahahahaha you never know!
.I agree with the best gift is the volca keys but the moog mavis is overpriced and the latter filter is boring.. the Dreadbox Hysteria is more flexible than the others you mentioned.. I am not a fan of the MS-20 filter.. there is quality control issues with moog and again overpriced and boring.. the Roland boutiques are junk.. the minifreak is a great digital option but the Opsix might still be the king of digita or runner up to the minifreak.. the real gift of the century from Dave Smith is the one you are sleeping on is the Prophet 08 or Prophet 08 rack from 2008.. it can have 4 oscillators per note voice and 4 LFO's and the choice of 2pole or 4 pole Curtis filters.. the minilogue XD is also lacking the 2 filter choices and a full ADSR which is why I and happy with my original Minilogue..
Just to clear this up, the oscillators in the prophet 6, ob-6, and trigon 6 are not the same, even look at how they function, the ob-6 has continually variable waveshapes, the trigon 6 has selectable waves but not continually variable, they don't even function the same, I think the fact that they are all called "discreet circuits" confuses people, that just means they are custom build for the synth, instead of being on a premade oscillator "chip' or integrated circuit... But the oscillators are completely different from each to the next... Other parts of the architecture are similar, but oscillators are not one of them..
I have already put this in the description of the video.
I got it exactly wrong 😅 the voice cards are the only thing that are different. The rest of the architecture and software is the same, although you can't just throw Trigon voice cards into an OB-6 and have it work.
@@VultureCulture ahh cool, sorry I didn't see that, I just didn't want people thinking it was the same, besides that I enjoyed the video!
@@VultureCulture oww the other thing is the software is actually not exactly the same.. unfortunately, you know how the ob-6 and prophet 6 have a slop knob that they updated to a "vintage" knob and you can switch back and forth?, well the trigon only has the vintage mode. As well as MPE, the ob-6 and prophet 6 have midi polyphonic expression, the trigon surprisingly doesn't, I ask sequential what was up with that, and they said they may add MPE in the future, but probably not slop knob mode... So idk, I thought they would be exactly the same software, but obviously the trigon 6 at least is running something slightly different, and actually less features... I really hope it gets MPE though because that's what I think made the 6 series powerful, the other Sequential synths don't have it.. it's bizarre they wouldn't already have put it in and that the newer synth actually has less software features...
Great to know that I have in owns some of the best synths hot :)
Yes sir! 🫡
And what about sequensors for poor?)
Unfortunately I know next to nothing about sequencers :(
It seems everyone loves the keystep however: ua-cam.com/video/Ww-1cql-iYo/v-deo.html
@@VultureCulture thnx for a sinth revue) all looks attraktive
Model D reissue isn't "overpriced", its always cost that much. Touch it and you can feel why it costs what it does. Not justifying the price at all, but it is what it is.
It costs much, much more than synths with similar feature sets. I agree that it's a premium product and Moog can command that price.
@@VultureCultureConsider the fact that second hand Minimoogs (even the remake of 2015) goes around now for far more than 5000$...(7500$ and more). They would be stupid not ask a 'decent' price for it compared to the second hand market.
No disagreement that they can charge that much and people will pay it.
That doesn't mean it isn't overpriced for what it is, in my humble opinion.
I think the Behringer Poly D (with keys), is a great alternative over the Model D or the 5K Minimoog rerelease. For almost 5x times cheaper you can get the Poly D instead and get close to the minimoog sounds at a far better value vs expense!
You can get a moog Matriarch or oberheim ob8 AND the model D or poly D for about the same as the minimoog! 😮
@Matt-zp1jn it's like 1 / 17th the price lol
What was your first Synth?
I actually answered that question in a video: ua-cam.com/video/n1qMKdGvhFY/v-deo.htmlsi=C73jL3zVCiPU_Id6&t=445
@@VultureCulture what about first hardware because you didn’t say that in the video.
Ah! The Korg Prologue. The first vintage I bought was a Korg DW-8000.
I do not care about the kittens, but I did subscribe for your epic voice and good video quality. Thanks.
Hahahahahahahha thank you - I'll feed em to the gators then 🐊🐊
@@VultureCulture I am a dog person, what can I say ;-)
You have a great voice
Thank you 🙏🙏🙏