many years ago - i had this russian teacher that in moscow was among the circles of Richter etc...and he told me after a session: "Thank you for the notes, everything is stylistically correct...we BOTH know what it IS...now, SHOW me the MUSIC and what you REALLY think and feel about it" it was the greatest lesson i ever had. ...beethoven was said to say: "after the student has reasonably managed the piece..encourage to show his/her OWN feelings about it, even with mistakes"
Grazie per il video. Se potesse leggermi, vorrei esprimere al Maestro la mia grandissima ammirazione per ogni sua esecuzione al pianoforte. Sempre perfetto sia che si tratti di Mozart, di Webern o di Debussy. Dal profondo del cuore un sincero GRAZIE! Maestro Maurizio Pollini
Hi..I've always been impressed with Pollini's technical accuracy..and often highly polished renditions. as some had said: "you can take musical dictation from his playing"...everything is "in place". and that is more than many of us can accomplish. His Chopin and anything of a "let the notes speak for themselves" approach or school of thought is always exemplary.,,,
I agree. Pollini obviously played this piece more like a machine than with a lot of imagination. The best performance of this piece I've ever heard is an old recording of the legendary Lode BACKX.
Pollini is truly one of the greatest technicians of piano playing. but what i have always wondered over the years of listening to him is a whether a remark by Artur Rubinstein as a jurist when pollini won the Chopin was also defining for all of pollini's career: "he is already better than ANY of us as a technician".......not much said about the things beyond that..his technical brilliance is truly exciting but i often feel "cold" after listening to him..
@Grigor99 right!! I was watching hsi 24th chopin prelude from this concerto, and when the sound was playing the aslt three low d notes, he was still playing the chromantic thirds!
@tedly10027 Very interesting, your comment. I fully agree and I think the 'old masters' knew this truth better than the modern ones. Cordially, G. Dehoux.
but for that same reason...i sometimes find that I can't really want to listen to it more than a couple of times and find myself always wanting to seek a player that does not RESIST putting HIS personality a bit more into the music...right or wrong (which can be subjective anyway). after all - whats the point of playing for the millionth time unless you are willing to say OPENLY YOUR point of view? DRAW me IN to YOUR world of ideas with the "music". richter, horowitz, gould, sofronitsky..
It's not difficult to play it badly - or should I say: not very well - , what most pianists (even famous ones) actually do. And why is it so difficult to play really well ? Because it isn't written in a 'pianistic' way. As it is - in the first place - REFINED music, putting deep pedals and making a lot of noise isn't the way it should sound. At least, that's my view on it.
看完江老師，特別來聽看看全曲!
哈哈，我也是
我也是耶，好想聽她老師彈...
听着就觉得好难 🥺佩服 ❤️❤️❤️ 看完江老师 过来听
You got me wrong, sorry. I'm not questioning the musician skills, I'm saying that audio and video are not synchronised.
many years ago - i had this russian teacher that in moscow was among the circles of Richter etc...and he told me after a session: "Thank you for the notes, everything is stylistically correct...we BOTH know what it IS...now, SHOW me the MUSIC and what you REALLY think and feel about it" it was the greatest lesson i ever had. ...beethoven was said to say: "after the student has reasonably managed the piece..encourage to show his/her OWN feelings about it, even with mistakes"
Playing with his mind, just wow Pollini !!!
Undoubtelly, one of the greatest pianists of the last 50 years
His sound is amazing, completely unique.
雖說江老師很誇張，但對推廣古典音樂來說還是很有幫助的，我也是來找全曲欣賞的
Grazie per il video.
Se potesse leggermi, vorrei esprimere al Maestro la mia grandissima ammirazione per ogni sua esecuzione al pianoforte. Sempre perfetto sia che si tratti di Mozart, di Webern o di Debussy. Dal profondo del cuore un sincero GRAZIE! Maestro Maurizio Pollini
The melody which flows like the life when I am passing , Good, Wonderful.
Ah, the exquisite pleasure of counterpoint between eye and ear! Like real firework from a distance. First the flash... -- then the boom!
Hi..I've always been impressed with Pollini's technical accuracy..and often highly polished renditions. as some had said: "you can take musical dictation from his playing"...everything is "in place". and that is more than many of us can accomplish. His Chopin and anything of a "let the notes speak for themselves" approach or school of thought is always exemplary.,,,
You're right, the best performance, as far as I know.
I agree.
Pollini obviously played this piece more like a machine than with a lot of imagination.
The best performance of this piece I've ever heard is an old recording of the legendary Lode BACKX.
Yes, this is a "Pollini" Steinway & Sons Grand Piano. Problem ?
Pollini is so good! It isamazing how his fingers fly over the Piano! It is great!
killedbydog You are ravishing ！
GREAT GREAT MAURIZIO POLLINI !!!
Debussy in black & white, I love it
Pollini is truly one of the greatest technicians of piano playing. but what i have always wondered over the years of listening to him is a whether a remark by Artur Rubinstein as a jurist when pollini won the Chopin was also defining for all of pollini's career: "he is already better than ANY of us as a technician".......not much said about the things beyond that..his technical brilliance is truly exciting but i often feel "cold" after listening to him..
Hard to watch, wonderful to listen.
@Grigor99 right!! I was watching hsi 24th chopin prelude from this concerto, and when the sound was playing the aslt three low d notes, he was still playing the chromantic thirds!
immense !
画像と音のタイミングがずれているのが残念
The soundtrack is severely un synchronised with the movement of his hands
i love it! i really love the outa synch ! awesome
Its the right technique and the sound. Saw the piece played live at school.
Awesome double glissando! Would guess he refused some flowers at the end because he was coming back for more encores and could accept them then.
Not the most impressionist Debussy. But few pianists can bring out or care to bring out why Debussy was such an innovator. This is awesome.
extraordinary!
It's one of the most beautiful pieces of Claude Debussy... I love Debussy so much... Do you know Gieseking's execution of this Prelude? Wonderful...
Could be very good, but very bad synchronisation between the video image and sound
Great
I've just uploaded a synchronized version of this video!
@tedly10027
Very interesting, your comment.
I fully agree and I think the 'old masters' knew this truth better than the modern ones.
Cordially,
G. Dehoux.
you're my hero!
veri good nice
WOW quick fingers!
The music start before pianist is starting to play.
Magique....🙏
forget the sync, its the sound that matter
There are several recordings of Richter 'violating' this beautiful piece of music.
Which one(s) do you mean ?
J’ aime beaucoup
@flic71 Have, you guys, ever heard Gulda? Now, that IS something!!!!
thanks for the VDO... but it would be great if you re-upload it again... it is so much out of sync..
so post your version with all nuances, please teach us.
you get used to it when the blood coagulates it forms a fluffy pillow :)
beautifull 0.0
Ahah thanks.. it was so necessary!
@ophelius111
It's good to appreciate the performers extended techniques though - visually can be quite entrancing. (ussually)
a bit rushed, a bit gluey. Listen to Livia Rev's version, that's breathes a lot more.
Well gieseking is known as best but... this comes out to be an "inner' taste just to be delightful.
江老師~太強了拉~
@freethinker923 i'm sure the man is gutted that you don't have his six. when did music stop being musical for you? 1803?
Great playing! I just uploaded this piece too :)
People say that is out of tune are so ignorant...it's musical impressionim!!! Like Ravel, Come on @Grigor99!!!
How difficult is this piece?
@tedly10027
Gilels, François, Cortot, Friedman, Berman...
Why do you feel the need to flaunt that?
but for that same reason...i sometimes find that I can't really want to listen to it more than a couple of times and find myself always wanting to seek a player that does not RESIST putting HIS personality a bit more into the music...right or wrong (which can be subjective anyway). after all - whats the point of playing for the millionth time unless you are willing to say OPENLY YOUR point of view? DRAW me IN to YOUR world of ideas with the "music". richter, horowitz, gould, sofronitsky..
This is awful.....this is the worst case of audio visual asynchrony I have seen.
Fantastic playing so worth correcting!!!
Recomeiendo tambien la siguiente versión de feux d artifice
ua-cam.com/video/BfVzSr4OAjU/v-deo.html
Phew it's out of sync, i thought there was somehing wrong with my brain!
ufff, desfasado sonido e imagen, qué lata :((((
LILIANA VERONICA QUIJADA GARRIDO How are you ？ You are ravishing ！
Have a sharp look at the score, first.
normally i'm ok with pollini but gieseking blows him out of the water when it comes to debussy
聽就好 不要看 對不上 我還在想說怎麼這麼奇怪哈哈哈
lol, it's a bit out of sync, thats all. you may lay to rest the conspiracy theories
debussy's is totally not his forte..
Why is this so horribly out of sync?
It's not difficult to play it badly - or should I say: not very well - , what most pianists (even famous ones) actually do.
And why is it so difficult to play really well ?
Because it isn't written in a 'pianistic' way.
As it is - in the first place - REFINED music, putting deep pedals and making a lot of noise isn't the way it should sound.
At least, that's my view on it.
Horribly out of synch
axaxaxaxaxa playback axaxaxaxaxaxaxaxa
It is so fuckingly out of sync !!! What a pity....
What nonsense!
A 'God' and they studied with Michelangeli, so what ?!
Pollini almost never does anything objectionable, even in a composition like this with its early bash-the-piano sentiment. 2:56 For those fireworks.
lol this is really bad...we're in the 21 century...wake up man..!!still funny though...^^
With all respect, I think Gieseking made a HORRIBLE recording of this piece!