Signing those heroic high notes, then floating those etherial high notes is not granted to many mortals. And here comes Corelli telling us how it should be done.
All has been commented. Period. Or not. But, ladies and gentlemen, the body language, the HANDS. The harmony, the blending with the music...No one, no one has ever achieved such mastery. Thank you, Corelli. Thanks for the upload.
Voce stupenda e stupendamente usata, ottima la presenza scenica e la capacità di trasmettere i sentimentali col canto e la postura, non esistono più tenori lirici acuti e drammatici di questa potenza, mi entusiasma sempre ascoltarlo , grazie.
This is an excellent rendition of Celeste Aida. I particularly like the ending when Franco dramatically drop the note from full strength to a gentle breeze. A very unique take.
💖The Voice of Franco Corelli is so thrilling, powerful and beautiful, there is none around to compare with him. He is exceptional and unique. The Voice of Franco will never be equalled or surpassed by another's. Opera lovers should realise that he is the Perfect Italian Tenor...The Prince of Tenors. We still can listen to his amazing voice in Cds/DVDs & Videos... legacy he left behind for us. Every time I play his cds I feel he singing in my room. He is great!!!
As said before he was the whole package. Incredible voice handsome incredible voice. Not a bad actor. Incredible voice Not a sweet singer like Pavarotti but an incredible voice I know some prefer Pavarotti he was great but Corelli was a fantastic opera singer. All of us have our preferences. I respect others but to me Corelli is the best
The great thing about opera singers is everyone has their own interpretation and it's whoever's interpretation you like the best. What I like about Corelli is he uses all of his strengths to the best of his abilities and doesn't worry about the flaws, for that it makes him human and real which I respect more.
I saw Leontyne Price & Frankie Corelli singing Aida at the Metropolitan Opera in 8th grade. I've been told that I experienced the 2 greatest opera singers to ever sing Aida. Aidah became my professional name in honor of this magnificent Egyptian Verdi opera.
Sono d'accordo con te , infatti trattasi di un tenore lirico spinto con coloriture drammatiche traboccanti di pathos . Forse assieme a pochi altri è stato il tenore migliore di ogni tempo .
My father's father sang at the Met in a chorus group in some operas back during Corelli's timie, and he was there when he heard Corelli sing as well. He says the same thing. All you have to do is listen to the Verdi's Aida Highlights CD to hear his greatness in digitally remastered form. Corelli was also high-strung with anxiety issues. He was apparently always worried of losing his luster, which makes me personally admire the guy that much more.
Franco Corelli IS in a class of his own. He IS the greatest tenor we can hear today. That's even with the comparative disadvantage of recording technology that has progressed exponentially since his death.
@@towmlvb3423 There was nothing wrong with the recording technology in the 1960s and 70s. I remember Corelli's first L.P. release circa 1960 before his debut at the Met in 1961 in Trovatore. He sang Spirto Gentile, A Te O Cara, Recondita armonia, E Lucevan Le Stelle, Celeste Aida, Un Di Alla Zurro Spazio and Come Un Bel Di Di Maggio. I don't remember the other selections on the L.P. but the recording was very clear and in good sound. The CDs sometimes distort the sound and they seem artificial.
Incredible voice and delivery. Also very handsome man If you like others better Give the proper respect to a truly gifted tenor. I like Pav and the Spanish guy a lot. But Corelli is truly great
Esta es una verdadera "Clase Magistral" de como debe interpretarse esta aria de "Aida"; por eso el Gran Maestro Franco Corelli ha sido el mejor "Radamás, además su estupendo y varonil fisíco lo complemente a la perfección. Refleja claramente la fuerza deL heróico soldado y la pasión del enamorado de Aida. Como siempre las notas altas son perfectas y hermosas y como pasa a los diminuéndos sostenidos que son únicos y magnificos.BRAVO GRAN MAESTRO CORELLI.
He's PERFECT!!! Softening the last note is soooo difficult to achieve. .. but he does it perfectly. He makes it seem effortless, though a strict physical control is needed. He's wonderful!!!
@@sugarbist I haven't seen the score, but you're probably right. It probably is an option. I just think it's highly effective, especially considering how difficult it is.
Il si bemolle di Corelli è qualcosa di impressionante. In questa interpretazione, poi, altrettanto notevoli sono il modo in cui smorza l'acuto finale e quello in cui riattacca "Celeste Aida" dopo "vicino al sol" (con un fiato solo, laddove molti altri tenori aggiungono un "oh" per poter respirare). Che dire? Giù il cappello!
Simply the most beautiful, expressive and impressive dramatic tenor voice for the Italian repertoire. We can always argue about minor stylistic choices by Maestro Corelli, but this singing is simply amazing. Thanks for posting.
@senseiagustin. Se le pasó por Alto Uno. Según el Mismo Corelli mismo Siempre Declaró: que Del Mónaco, era Superior a el ! En Resumen, Del Mónaco, Corelli! Corelli , Del Mónaco! Muy Apartados del Resto! Atemporales!!!!
This was a great aria for Corelli.as he showed the great capabilities of his wonderful voice, a very diifficult diminuendo at the end which few tenors have done.
@@Altonahh10 In an interview here on YT with Stefan Zucker, Corelli claims that he was born with the Mezza voce and diminuendo. I don't believe the diminuendo is written in the original scorein Aida, but not sure. Also there is a mezza voce in CheGelida Manina in the original score in pitch on the ''Talor Dal Mio Forziere'' where the Talor should be a B-flat in mezza voce`. The only tenor I ever heard sing it is Lauri Volpi. I believe Kaufman was a sincere singer but never mastered his peculiar middle voice . Too Bad
@@sugarbist from what I know of the score Verdi writes a ‘Morendo’ on the final B flat of the Romanze, which in effect is a diminuendo. Very difficult to achieve.
Il meglio da tutti!!!! , Corelli ch'era un vero Radames, anche con una voce grandi e molto musicale!!! Grande da grandi ch'era Corelli, Viva Corelli,BRAVOOO!!!!!!!!!!!!
much as i admire other tenors there is none that compares with the sheer power and beauty of Franco Corelli this is a voice that we will never here the likes of again and he has that charasmatic pressence and physical excitement which few others can match
Con todo respeto creo que no hay tenores como a principios y mitad del siglo 20, nos encontramos con gran cantidad de buenas voces que salen a escena antes de tiempo sin la misma preparación de antaño. Por querer ser los n°1 se desgastan en poco tiempo y peor algunos por abordar cosas que no son para ellos se desgañitan y se rompen. Siempre con la esperanza de que surjan pero por ahora hay 4 o 5 realmente grandiosos.
No one sang this like Franco Corelli, and no one ever will. There have been many fine tenors who have sung this aria, but in my opinion, no one matches Corelli.
Laida non mi è mai piaciuta ma da quando ho riscoperto Corelli e la sua interpretazione di questa opera l'ho rivalutata. Corelli trasmette tutto ciò che ha dentro e fa diventare magnifica anche questa opera. Meraviglioso. ❤❤❤
Io la comprendo. Quando ero molto giovane, pur essendo mio padre violinista, mi piacevano solo alcune Opere (Rigoletto, Trovatore, Il Barbiere di Siviglia, L'Italiana in Algeri, L'elisir D'Amore) e vari brani di altre. Poi continuando ad ascoltarne sempre altre, anche all'Opera, ho cominciato a capire ed apprezzare quelle più realmente drammatiche. Non amavo Norma, ma da quando l'ho ascoltata in Teatro e poi dai dischi, tuttora mi commuovo al finale, e apprezzo ogni sfumatura dell' intero capolavoro di Bellini. Lo stesso è successo con AIDA: pian piano sono rimasto affascinato dai passaggi più intensi! Il duetto fra Aida e Amneris potrebbe essere recitato da Joan Crawford e Liz Taylor! E che dire de "Il ballo in maschera"? Ascolti su UA-cam il duetto d'amore fra Riccardo (Corelli) e Amelia: quando lui canta "o qual soave brivido" lo fa sentire davvero un brivido a chi ascolta, specie le prime volte!
Agreed! Corelli's singing is the ultimate display of the triumph of perfecting the voice through intensive study and implementation of proper technique. Great singers are not born. They are made and solid technique is what makes them. This is where science and art converge.
Che grande voce!Without doubt,Corelli was one of the finest dramatic tenors of any era.This is an excellent rendition and I love the wonderful diminuendo at the end of this aria.That must have been difficult considering the immense size of his voice.Bravo Corelli!
Categorizing tenors gets a little tricky. Dramatic tenor's often have Otello as part of their repertoire. Corelli considered himself a lyric tenor and Bjorling claims that JB was a spinto. Corelli also stated that the mezza voce` and diminuendo was something that he was born with
Growing up, there were so much about the famous three tenors Pavarotti, Domingo, and Carreras. I’m not trying to insult them, but I never responded to their tonality. But I was always curious about opera so I kept listening to different pieces. I just assumed though that I didn’t care for tenors. Then about 20 years ago, I purchased a compilation and it had Mr. Corelli’s “Di quell a pira” and suddenly might take on offer change! So I will always be fond of him for variety of reasons. To this day, I’ve never been much of a fan of Pavarotti, but some of the over tenors such as DeStefano, Kraus, And Delmonaco, are my favorites to listen to. But Corelli will always be my favorite.
It's interesting the way different fans describe the sound of tenor voices. I would think that Di Stefano had a velvet quality to his voice, Gigli a sweet honey sound, Domingo velvety, Del Monaco bronze, Caruso gold and I would describe Corelli as a warm organ like sound. Enjoy
A very difficult Aria hovers dangerously over passagio Corelli masters it perfectly vocal chords of steel Perfect last B flat I don’t think it can be better than this.
A very difficult aria that has been the bane of existence for many gifted tenors.Pavarotti at the height of his vocal powers only gave two live performances of Aida, both of them in San Francisco in 1980. He acquitted himself well, but found “Celeste Aida” to be so intimidating of an aria to perform that he never wanted to do it live again. And of course there is Roberto Alagna’s infamous performance at La Scala when he was literally jeered off the stage when he attempted to sing it. He was so incensed that he walked off the stage right during the middle of the aria, and his hapless under study had to be shoved onto the stage in his street clothes to finish it. What a night that must have been!
It did take him a few years to get that Bb pianissimo. But he did get it eventually. Even when he didn't get it pianissimo it was still fantastic. Brutal to sing that high softly.
Tecnica impressionante. Come già detto da qualcuno le note ci sono (basse, medie, alte). Respiri molto ben gestiti, ma soprattutto parole comprensibili grazie allo smalto della sua voce. Ascoltarlo è un piacere.
Signing those heroic high notes, then floating those etherial high notes is not granted to many mortals. And here comes Corelli telling us how it should be done.
Corelli was PERFECTION. A gift from the Gods. Everything, from his voice to his body language and gestures, is beyond belief
The power and passion in Corelli´s voice are irresistible. And then there is that splendid technique. A voice to die for.
La miglior interpretazione. Il finale perfetto come Verdi avrebbe voluto! Grande Corelli
All has been commented. Period. Or not. But, ladies and gentlemen, the body language, the HANDS. The harmony, the blending with the music...No one, no one has ever achieved such mastery. Thank you, Corelli. Thanks for the upload.
Sublime doesn't get better than this.One of the greatest spinto tenors of all time and as a bonus movie star good looks, tall, dark and handsome.
Voce stupenda e stupendamente usata, ottima la presenza scenica e la capacità di trasmettere i sentimentali col canto e la postura, non esistono più tenori lirici acuti e drammatici di questa potenza, mi entusiasma sempre ascoltarlo , grazie.
Absolutely beautiful comment.
This is an excellent rendition of Celeste Aida. I particularly like the ending when Franco dramatically drop the note from full strength to a gentle breeze. A very unique take.
Yes, and very difficult to do. He was in complete control.
It was what Verdi asked for but virtually no tenors can do it
💖The Voice of Franco Corelli is so thrilling, powerful and beautiful, there is none around to compare with him. He is exceptional and unique. The Voice of Franco will never be equalled or surpassed by another's. Opera lovers should realise that he is the Perfect Italian Tenor...The Prince of Tenors. We still can listen to his amazing voice in Cds/DVDs & Videos... legacy he left behind for us. Every time I play his cds I feel he singing in my room. He is great!!!
The most handsome of them all too until now!
@@lucillebonds2196If opera ever had a “rock star” it was him
Elképeszto, varázslatos hsng, bámulatos énektechnika, tokéletes megjelenés. Felulmúlhatatlan....
Sto per interpretare come meglio posso questa aria …. Il Maestro mi guiderà nella sua grandezza
As said before he was the whole package. Incredible voice handsome incredible voice. Not a bad actor. Incredible voice
Not a sweet singer like Pavarotti but an incredible voice I know some prefer Pavarotti he was great but Corelli was a fantastic opera singer. All of us have our preferences. I respect others but to me Corelli is the best
The great thing about opera singers is everyone has their own interpretation and it's whoever's interpretation you like the best. What I like about Corelli is he uses all of his strengths to the best of his abilities and doesn't worry about the flaws, for that it makes him human and real which I respect more.
Truly, one of the greatest tenors of all time.
I saw Leontyne Price & Frankie Corelli singing Aida at the Metropolitan Opera in 8th grade. I've been told that I experienced the 2 greatest opera singers to ever sing Aida. Aidah became my professional name in honor of this magnificent Egyptian Verdi opera.
Una bellezza di voce che arriva direttamente al cuore capace di sprigionare ogni emozione.
Joder ! , es la voz de los dioses , sublime divino celestial !
Gracias por compartir , gracias FRANCO C.🙏
Tenore completo, note basse,mezze,acute,legati ,timbro, fiati lunghissimi, tecnica sublime e che di piu' si vuole...
Sono d'accordo con te , infatti trattasi di un tenore lirico spinto con coloriture drammatiche traboccanti di pathos . Forse assieme a pochi altri è stato il tenore migliore di ogni tempo .
Che meraviglia! !!!!!Grandissimo FRANCO SPLENDIDO e MERAVIGLIOSO PER VOCALITA-INTERPRETAZIONE. RESTI LEGGENDARIO e sei sempre nei nostri cuori! !!!
alessandro corsi, mica sempre.
UN GRANDE CORELLI! PER PRESENZA SCENICA POI IL MIGLIORE!
E' stato un grande in Manrico Calaf Cavadarossi Radames Pollione Dick Johnson Rodolfo Chenier Canio altro che Paverotto.
MeraViglioso! sublime!immenso ! nessuno come lui!!!!!!! Ogni volta mi rammarico di essere nata piu tardi!!!!!!❤❤❤❤❤
"...his voice will never be remembered as one of the great voices of our time."
His voice IS remembered as one of the great voices of our time.
Who wrote that?
@@xxsaruman82xx87 Probably a jealous idiot.
Probably my favorite tenor of all time. Such a huge voice with fines that has never been duplicated. The best spinto tenor ever.
Increíble el final…el diminuendo…espectacular…el divino Corelli. Gracias ❤❤❤
Santo cielo! Impressionante! Meraviglioso, bellissimo, straordinario! Lo adoro! ❤️
I just watched 1958 Turandot on DVD... Corelli is now my favorite tenor. This guy had it, we need another Corelli.
Dios! Qué magnífico! Primera vez que escucho a este tenor,!!!!!!!!
Non sarà più capace di farne a meno. È sublime
Nothing compares to this for me. My absolute favorite tenor
He is a great tenor.
For me too
And what do u mean about Giacomini ua-cam.com/video/UxkRlzjvKm8/v-deo.html ?
Il migliore❗
indeed.
Franco Corelli was in a class of his own. For me he was the greatest tenor I ever heard.
My father's father sang at the Met in a chorus group in some operas back during Corelli's timie, and he was there when he heard Corelli sing as well. He says the same thing. All you have to do is listen to the Verdi's Aida Highlights CD to hear his greatness in digitally remastered form. Corelli was also high-strung with anxiety issues. He was apparently always worried of losing his luster, which makes me personally admire the guy that much more.
Franco Corelli IS in a class of his own. He IS the greatest tenor we can hear today. That's even with the comparative disadvantage of recording technology that has progressed exponentially since his death.
@@towmlvb3423 There was nothing wrong with the recording technology in the 1960s and 70s. I remember Corelli's first L.P. release circa 1960 before his debut at the Met in 1961 in Trovatore. He sang Spirto Gentile, A Te O Cara, Recondita armonia, E Lucevan Le Stelle, Celeste Aida, Un Di Alla Zurro Spazio and Come Un Bel Di Di Maggio. I don't remember the other selections on the L.P. but the recording was very clear and in good sound. The CDs sometimes distort the sound and they seem artificial.
Incredible voice and delivery. Also very handsome man
If you like others better
Give the proper respect to a truly gifted tenor.
I like Pav and the Spanish guy a lot. But Corelli is truly great
LISTEN to BENIAMINO GIGLI - MARIO LANZA - HELGE ROSVENGA -
Esta es una verdadera "Clase Magistral" de como debe interpretarse esta aria de "Aida"; por eso el Gran Maestro Franco Corelli ha sido el mejor "Radamás, además su estupendo y varonil fisíco lo complemente a la perfección. Refleja claramente la fuerza deL heróico soldado y la pasión del enamorado de Aida. Como siempre las notas altas son perfectas y hermosas y como pasa a los diminuéndos sostenidos que son únicos y magnificos.BRAVO GRAN MAESTRO CORELLI.
LOVE CORELLI!!!!!!! And the Orchestra is great too!!
He's PERFECT!!! Softening the last note is soooo difficult to achieve. .. but he does it perfectly. He makes it seem effortless, though a strict physical control is needed. He's wonderful!!!
Most tenors don't even try that diminuendo on the last note. I just listened to Pavarotti singing this, and he belted it.
Ye, very good diminuendo. but anyway I hear the moment of crossing passagio ;)
There was a funny story about this diminuendo in the Jerome Hines book. I won’t give it away but it’s worth checking out.
@@Largo64 I don't believe the diminuendo is written in the score. I think the Diminuendo is an option
@@sugarbist I haven't seen the score, but you're probably right. It probably is an option. I just think it's highly effective, especially considering how difficult it is.
This is on a different level- even a non-opera lover can admire this outstanding performance!
Потрясающий голос!!! Красивейший мужчина!!! Вечная память Мастеру!!!
Прекрасный,сильный,мощный голос! Великий тенор! Брависсимо!
Фантастика идеальное исполнение
Grazie mille !!!
One of my (if not my only) favourite interpretation of that diminuendo.... Superb!
Il si bemolle di Corelli è qualcosa di impressionante. In questa interpretazione, poi, altrettanto notevoli sono il modo in cui smorza l'acuto finale e quello in cui riattacca "Celeste Aida" dopo "vicino al sol" (con un fiato solo, laddove molti altri tenori aggiungono un "oh" per poter respirare). Che dire? Giù il cappello!
MAGNIFICO!!!!!! Unico e solo Radames
Какое потрясающее владение голосом, какая сила!
Simply the most beautiful, expressive and impressive dramatic tenor voice for the Italian repertoire. We can always argue about minor stylistic choices by Maestro Corelli, but this singing is simply amazing. Thanks for posting.
What Franco with Verdi's forte, piano at the end is absolutely amazing. This is the best Celeste Aida by miles.
Magnificent Maestro Franco Corelli. Nobody can be compared to him.
One of the greatest tenors !!
Magnífica, inmensa interpretación de esta aria. Es un cantante de enorme mérito, para mi el más grande de la posguerra.
El más grande, fabuloso,
Siempre escuchando todas las interpretaciones.!!
Desde Cartago Costa Rica
27/10/22
Gorgeous man with Gorgeous voice!
Para mi gusto el mejor tenor de todos los tiempos y los he oído a todos desde Caruso hasta Pavarotti
Concordo ‼️
@senseiagustin.
Se le pasó por Alto Uno.
Según el Mismo Corelli mismo Siempre Declaró: que Del Mónaco, era Superior a el !
En Resumen, Del Mónaco, Corelli!
Corelli , Del Mónaco!
Muy Apartados del Resto!
Atemporales!!!!
Sugerencia: Escuchen a Del Mónaco, interpretando en Vivo!
Vesti la Giubba.
Año.1975.
Stupendo.mai sentito.una voce del.genere
Che mostro ragazzi.. Artista completo a 360 gradi
This was a great aria for Corelli.as he showed the great capabilities of his wonderful voice, a very diifficult diminuendo at the end which few tenors have done.
Nowadays nobody has it. Listen to Kaufmann - horrible!
@@Altonahh10 In an interview here on YT with Stefan Zucker, Corelli claims that he was born with the Mezza voce and diminuendo. I don't believe the diminuendo is written in the original scorein Aida, but not sure. Also there is a mezza voce in CheGelida Manina in the original score in pitch on the ''Talor Dal Mio Forziere'' where the Talor should be a B-flat in mezza voce`. The only tenor I ever heard sing it is Lauri Volpi. I believe Kaufman was a sincere singer but never mastered his peculiar middle voice . Too Bad
@@sugarbist from what I know of the score Verdi writes a ‘Morendo’ on the final B flat of the Romanze, which in effect is a diminuendo. Very difficult to achieve.
@@joshuafurtado-mendes9327 I’m not sure either, but I think the diminuendo is an option written in the score
Wow... I am amazed by the diminuendo in the end... Well done Corelli..
A grossly underrated tenor.Corelli was probably the best tenor of the 20th.C.
I think I is still the best tenor of at list the21th c
I think Caruso and Pavarotti were the best.
To me, he most certainly was!
@@Jack_Sparrow17 Pavarotti? I'm not sure
@@donaldfuck it doesn't matter you are sure or not.
Una voz tanto lírica como potente. ¡Que maestría de tenor!
OMG he is spectacular!!
Il meglio da tutti!!!! , Corelli ch'era un vero Radames, anche con una voce grandi e molto musicale!!! Grande da grandi ch'era Corelli, Viva Corelli,BRAVOOO!!!!!!!!!!!!
uno tra i piu' grandi se non il piu'' grande del nostro tempo
much as i admire other tenors there is none that compares with the sheer power and beauty of Franco Corelli this is a voice that we will never here the likes of again and he has that charasmatic pressence and physical excitement which few others can match
великий певец-удивительный мастер
Прекрасно!!!! Корелли прекрасен!!!
to die for! superb diminuendo on last note! the whole performance is exemplary
Una época de cantantes líricos que nunca regresará.
Los gustos siempre vuelven. Ten seguro que volverá, aunque parezca que ahora la sociedad ande algo atontada...
Absolutamente de acuerdo, Rocco. Y no es por aquello tan manido de que cualquier tiempo pasado fue mejor sino porque es un hecho constatable.
Con todo respeto creo que no hay tenores como a principios y mitad del siglo 20, nos encontramos con gran cantidad de buenas voces que salen a escena antes de tiempo sin la misma preparación de antaño. Por querer ser los n°1 se desgastan en poco tiempo y peor algunos por abordar cosas que no son para ellos se desgañitan y se rompen. Siempre con la esperanza de que surjan pero por ahora hay 4 o 5 realmente grandiosos.
Play back
One of the absolute greatest ever. I just love him.
No one sang this like Franco Corelli, and no one ever will. There have been many fine tenors who have sung this aria, but in my opinion, no one matches Corelli.
gbronzich Caruso obliterates Corelli
@@stone8193
divini entrambi .
true
Fenomeno, inmortal!
Did u hear Giacomini ua-cam.com/video/UxkRlzjvKm8/v-deo.html ?
Гениальный певец!
Ese diminuendo en el sol final, es único e inimitable
Es un si bemol inigualado e inigualable. No he escuchado a ningún otro tenor que se atreva a cantarlo así. No me canso de ecucharlo.
Laida non mi è mai piaciuta ma da quando ho riscoperto Corelli e la sua interpretazione di questa opera l'ho rivalutata. Corelli trasmette tutto ciò che ha dentro e fa diventare magnifica anche questa opera. Meraviglioso. ❤❤❤
Io la comprendo. Quando ero molto giovane, pur essendo mio padre violinista, mi piacevano solo alcune Opere (Rigoletto, Trovatore, Il Barbiere di Siviglia, L'Italiana in Algeri, L'elisir D'Amore) e vari brani di altre. Poi continuando ad ascoltarne sempre altre, anche all'Opera, ho cominciato a capire ed apprezzare quelle più realmente drammatiche. Non amavo Norma, ma da quando l'ho ascoltata in Teatro e poi dai dischi, tuttora mi commuovo al finale, e apprezzo ogni sfumatura dell' intero capolavoro di Bellini. Lo stesso è successo con AIDA: pian piano sono rimasto affascinato dai passaggi più intensi! Il duetto fra Aida e Amneris potrebbe essere recitato da Joan Crawford e Liz Taylor! E che dire de "Il ballo in maschera"? Ascolti su UA-cam il duetto d'amore fra Riccardo (Corelli) e Amelia: quando lui canta "o qual soave brivido" lo fa sentire davvero un brivido a chi ascolta, specie le prime volte!
Un uomo incredibile...probabilmente irraggiungibile. un supereroe della voce. molta tecnica e disciplina ma li c'era qualcos'altro
stupendo Radames. Bravissimo e bellissimo come pochi.
Excelsa interpretación y atinado desenvolvimiento en escena!
Merci franco milles fois bravo ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️💕💕💕💕💕💕💕💕💕💕💕🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡🧡
Such power, subtlety, depth of emotion portrayed in the beautiful voice of Corelli! Bravo!
3:58 .... that's what I call vocal power.
Agreed! Corelli's singing is the ultimate display of the triumph of perfecting the voice through intensive study and implementation of proper technique. Great singers are not born. They are made and solid technique is what makes them. This is where science and art converge.
Agree
come ci si può "non innamorare"!!!!!eroico,romantico,bello, bravo,radioso,luminoso,solido,potente....e splendide filature .Quasi...incredibile!!!
Che grande voce!Without doubt,Corelli was one of the finest dramatic tenors of any era.This is an excellent rendition and I love the wonderful diminuendo at the end of this aria.That must have been difficult considering the immense size of his voice.Bravo Corelli!
Categorizing tenors gets a little tricky. Dramatic tenor's often have Otello as part of their repertoire. Corelli considered himself a lyric tenor and Bjorling claims that JB was a spinto. Corelli also stated that the mezza voce` and diminuendo was something that he was born with
Magnifico, sublime!
Insuperabile....altro non si può aggiungere....poi siamo scesi a Pavarotti. Grazie....
Growing up, there were so much about the famous three tenors Pavarotti, Domingo, and Carreras. I’m not trying to insult them, but I never responded to their tonality. But I was always curious about opera so I kept listening to different pieces. I just assumed though that I didn’t care for tenors. Then about 20 years ago, I purchased a compilation and it had Mr. Corelli’s “Di quell a pira” and suddenly might take on offer change! So I will always be fond of him for variety of reasons. To this day, I’ve never been much of a fan of Pavarotti, but some of the over tenors such as DeStefano, Kraus, And Delmonaco, are my favorites to listen to. But Corelli will always be my favorite.
Mama mia!!!!!! que interpretación, que final!!!!!! Gracias Franco....
And what do u mean about Giacomini ua-cam.com/video/UxkRlzjvKm8/v-deo.html ?
Maravilloso!!!!
you are everywhere on opera videos
El mejor celeste Aída que se realizó en toda la historia
დიდებული ტენორი!❤
Bravo Corelli. Un trono vicino al sol! (2x)
Che altro dire di uno dei più grandi tenori lirico/drammatico/spinto di ogni tempo . Solo che è un principe del bel canto dalla voce ineguagliabile .
Волшебный голос
Que puedo agregar?
Tanta belleza y perfeccion son de este mundo?
Unico!!!
CORELLI è IL VERO TENORE !!!!!
One of the greatest tenors who ever lived! No question about that!
Que placer es escucharlo... es una clase de técnica vocal... magnífico!
A wonderful bit of opera history for those of us who did not get to see him in the flesh. Thanks for posting.
Franco has a velvety sound and beautiful resonance to his voice which other tenors do not have in my estimation. This is the way I hear it in my mind.
Velvety? Interesting!
Smooth.
It's interesting the way different fans describe the sound of tenor voices. I would think that Di Stefano had a velvet quality to his voice, Gigli a sweet honey sound, Domingo velvety, Del Monaco bronze, Caruso gold and I would describe Corelli as a warm organ like sound. Enjoy
El más grande tenor para mí, tenía todo voz,físico era perfecto,Divino Franco❤
Il più grande e immenso di tutti....!!!!!
Bravissimo, Gran Tenore!
Incredibly beautiful.
El mejor diminuendo de la historia de la ópera grabada 👍🏻
Stunning performance!
Fantastico ......!!!!!!!!!
C'est la perfection!!!...
That diminuendo!!! Fabulous, and who else ever sang it like that?
A very difficult Aria hovers dangerously over passagio
Corelli masters it perfectly vocal chords of steel Perfect last B flat I don’t think it can be better than this.
A very difficult aria that has been the bane of existence for many gifted tenors.Pavarotti at the height of his vocal powers only gave two live performances of Aida, both of them in San Francisco in 1980. He acquitted himself well, but found “Celeste Aida” to be so intimidating of an aria to perform that he never wanted to do it live again. And of course there is Roberto Alagna’s infamous performance at La Scala when he was literally jeered off the stage when he attempted to sing it. He was so incensed that he walked off the stage right during the middle of the aria, and his hapless under study had to be shoved onto the stage in his street clothes to finish it. What a night that must have been!
It did take him a few years to get that Bb pianissimo. But he did get it eventually. Even when he didn't get it pianissimo it was still fantastic. Brutal to sing that high softly.
@@willen2416 Pavarotti sang 10 Aida's at the Met
Tecnica impressionante.
Come già detto da qualcuno le note ci sono (basse, medie, alte).
Respiri molto ben gestiti, ma soprattutto parole comprensibili grazie allo smalto della sua voce. Ascoltarlo è un piacere.
Outstanding....or the next level