The irony being that my guitar instructor was just talking to me about working on my hand syncrhonization, and i have been stuck trying to progress with level 5 of bradley's 1 min sweep tutorial. I think the universe is trying to tell me something. So thank you so much for your online lessons/tutorials. They have been really helpful to me growing as a player... and I can imagine many other people feel the same
In my opinion, those questions were solved 1 century ago. Just check matteo carcassi, aguado, Paganini, sor, coste manuals . The list is long. The information was already there, and believe me, it's better explained, it your tone sounds good in acoustic no doubt it can sound great in electric.
I know it's player preference, but is playing with your ring finger more effective than the pinky? (like, only use pinky when the fret is out of reach of the ring finger)
@@Ozen___ Personally I find it easier to use my pinky now. I didn't at first as I always used my ring finger and I neglected using my pinky badly so it became really difficult to use. My opinion is you should always try to use all four fingers when playing. It stops any of them from being weaker than the others.
@@Ozen___ my guitar teacher and i recommend to use the pinky and ring together, because they're weaker together compared to middle + ring. and you don't really want to have gaps in your technique
Finally, the perfect lesson for me, hand synchronization is always my biggest weakness when playing guitar and I hope this exercise can change that, thanks a lot, Mr. Beanley. 😅👍
You are great teacher!!! Ive increased my skills in only few days. I couldnt get to this level in several years because of my laziness and lack of such a good tutorials. Thank you again, chap🤗
That B arpeggio example is an exercise I already do in an effort to try to learn sweep picking, though hadn't thought of playing it without the pick so if nothing else from the video sticks at least that one probably will so thanks.
It was during early 2000 that i was practicing Thunderstruck from acdc...been a sloppy player till i could play it clean...thats when i grasped the idea of synchronisation and started practicing in different techniques...intresting that i am only learning the technique in theory now for i was simply tryanna play in a well balanced flow then...loved the upload 100%..
btw anyone who has trouble going up from 80 ~> 100 ~> 120 ~> 140 bpm, play to a metronome and practice 80 till you get it right, then go up by 5 each time, so you get 85, then 90, and repeat. if it starts getting difficult, increment the BPM by 1 each time. this is one of the more "efficient" ways in my experience.
Something else that might help someone out there is if you're trying to play a fast lick or run in a real song that you want to learn, just apply the same idea shown in this video and play the notes at like half or 1/4 speed and gradually increase the speed. I know I'm one of those people who can "master" an exercise like this and then I go to play a real song and realize "Oh shit I actually have to learn the notes for this first." Sometimes exercises don't translate directly into being able to play something more difficult, but the idea behind it can be applied to that piece of music and when you kind of do the exercise again but with the "real" notes you're trying to play it'll help you get it faster.
This is like the best practice riff. Thank you. I am going to incorporate this into my warm up. I've been playing for a long time but never thought I would be able to play any crazy leads, but this helped a lot and makes it seem like I might get there some day
For me the hardest part is using my pinky, as i am double jointed it feels like my knuckles/finger lock up and i have to force my finger out of it to use it. It's very annoying.
Great lesson! While the left hand is working independently I see you need quite a lot of sustain in your tone. Can you tell us what you use to create this sustain?
What I found for me, is if I try less then I do better and my picking sounds a million times better. Like I don’t need to pick nearly as fast as I think I do. Just flow and be loose and it seems to work for me
Super exercise! I definitely have to do these. My main problem is that when doing inside picking (like the high e-string note on the 3rd exercise) my movement on the downstroke is to big... any tips on how to do smaller movements while keeping the same pick attack?
If there were only two things that guitar players could practice and if they want to become serious and professional musicians, it’d be these two things in order: 1. Rhythm. Even legendary lead guitarists say 90% of the job is rhythm. Timing is everything. If your timings sucks, then your music sucks. Groove is SO important that it is likely the only musical element that can stand on its own (harmony and melody can’t exactly stand on their own like how rhythm can). 2. Two-hand synchronization. Your shred chops will be limited if you can’t synchronize your hands. Fast shred lines? Sweep picking? Tapping? Even going hammy on the whammy!?! All will benefit from solid two-hand synchronization. If you don’t have either of these: forget it. You’ll never be a good musician. Good news: excellent practice makes excellent… so practice.
I noticed that your thumb on the neck is very much on top of the neck throughout most of the exercises. How critical is maintaining this thumb position with technique? I found that my thumb tends to be more under the neck- is this limiting me?
Hi, You almost do not use your pinky finger in these exercises, only in the sweep picking exercise. Your playing in the intro example use your pinky a lot.
Hey Bradley. Jist want to thsk you for your teaching ability. Youve had me cone such a far way. You're absolutely appreciated man. I missed you in Seattle wjen you guys were filming the musician castle thing. Hooenwe get to meet someday. Working on in an album right now. Its coming together oretty good so far. Stay positive Broseph. Keep up the great work.
You are an awesome player. You make this stuff look so easy. It's not. It obviously takes years of dedicated practice with a metronome. Which clearly you've done.
The start of the Creeping Death solo is also a good practice for alternate picking if you slow it down. Thought it was relevant considering your shirt.
i would argue that slopiness comes from the maturity of onesplaying rather than pure sync, which indeed is a valid argument. Having a well defined vibrato and adequate enough bends that meet the designated pitch as well as a sharp right hand that articulates phrases and runs well is even more importat. lastly , having the same velocity and power on your upstrokes as zour downstrokes makes everything a lot tighter. Im basically describing wes hauch here
Honestly mate, it’s okay to bit a bit sloppy, and have small imperfections. It makes it sound human. The best guitarists have a level of sloppiness. Yes, even Marty Friedman isn’t always 100% note-for-note, if you listen to some of his isolated tracks.
@@wiebenijenhuis1825 Yes it does. It contributes a lot, but I think composition is more important. I also think that not caring about being note-for-note is fine, too. If I were to learn sweep picking for example, I think I’d stick to having fun with it more than trying to be precise. I think it’s okay if it sounds a bit sloppy, and not every note is hit.
Download the backing tracks and tabs for this lesson for FREE! 👉 www.patreon.com/posts/how-to-fix-hand-105096931
its not free you have to sign up for the patron stop lying.
his "poor" hand synchronization still sounds better than me. Jesus
Don't feel bad. I'm in the same boat.
I thought it was a joke at first 😢
Likewise, man...
I think the reason why is that since he’s synchronized, being “poorly synchronized” is still not that bad.
I can hear some scraping common with bad sync in that example.
The irony being that my guitar instructor was just talking to me about working on my hand syncrhonization, and i have been stuck trying to progress with level 5 of bradley's 1 min sweep tutorial. I think the universe is trying to tell me something. So thank you so much for your online lessons/tutorials. They have been really helpful to me growing as a player... and I can imagine many other people feel the same
That's great to hear man, thank you!!
In my opinion, those questions were solved 1 century ago. Just check matteo carcassi, aguado, Paganini, sor, coste manuals . The list is long. The information was already there, and believe me, it's better explained, it your tone sounds good in acoustic no doubt it can sound great in electric.
This might be my favorite exercise video you've ever done. Those are super useful while not being too hard to play
Great!
Bradley when he shows 'poorly synchronised hands' reminded me of Malmsteen saying 'I'll play it slow now' in his lesson videos 😂
My theory is that Yngwie is physically unable to play anything slow... He's just sloppy on purpose, which is more embarrassing.
@@onerandombruhcalling yngwie sloppy is actually wild bro lmao
@@onerandombruhyngwie sloppy?? tf you talking about?
@@onerandombruhI agreed on the first sentence, then you blew it with the second💀
@@onerandombruhhis only slow solos were the first part of “you dont remember, ill never forget” and “save our love”
1:47 Love how your pinkys just rocking out to what your other three fingers are playing. 😂
I know it's player preference, but is playing with your ring finger more effective than the pinky? (like, only use pinky when the fret is out of reach of the ring finger)
@@Ozen___ Personally I find it easier to use my pinky now. I didn't at first as I always used my ring finger and I neglected using my pinky badly so it became really difficult to use. My opinion is you should always try to use all four fingers when playing. It stops any of them from being weaker than the others.
@@Ozen___ my guitar teacher and i recommend to use the pinky and ring together, because they're weaker together compared to middle + ring. and you don't really want to have gaps in your technique
Ive always had trouble with hand sychronisation hope this improves! Once again, Thanks a lot Bradley!
Brad is the best.
Finally, the perfect lesson for me, hand synchronization is always my biggest weakness when playing guitar and I hope this exercise can change that, thanks a lot, Mr. Beanley. 😅👍
You are great teacher!!! Ive increased my skills in only few days. I couldnt get to this level in several years because of my laziness and lack of such a good tutorials. Thank you again, chap🤗
That B arpeggio example is an exercise I already do in an effort to try to learn sweep picking, though hadn't thought of playing it without the pick so if nothing else from the video sticks at least that one probably will so thanks.
i love how you get straight to the point brad❤
these exercises look like a lot of fun, thank you for sharing.
It was during early 2000 that i was practicing Thunderstruck from acdc...been a sloppy player till i could play it clean...thats when i grasped the idea of synchronisation and started practicing in different techniques...intresting that i am only learning the technique in theory now for i was simply tryanna play in a well balanced flow then...loved the upload 100%..
btw anyone who has trouble going up from 80 ~> 100 ~> 120 ~> 140 bpm, play to a metronome and practice 80 till you get it right, then go up by 5 each time, so you get 85, then 90, and repeat. if it starts getting difficult, increment the BPM by 1 each time. this is one of the more "efficient" ways in my experience.
Please do a lesson about proper strings muting. It would be especially needed while doing this tapping "sweeps" in 9:39.
Omg the hand synchronisation exercise is just what i needed!!!! I was struggling on level 3 because of it
Something else that might help someone out there is if you're trying to play a fast lick or run in a real song that you want to learn, just apply the same idea shown in this video and play the notes at like half or 1/4 speed and gradually increase the speed. I know I'm one of those people who can "master" an exercise like this and then I go to play a real song and realize "Oh shit I actually have to learn the notes for this first." Sometimes exercises don't translate directly into being able to play something more difficult, but the idea behind it can be applied to that piece of music and when you kind of do the exercise again but with the "real" notes you're trying to play it'll help you get it faster.
This is like the best practice riff. Thank you. I am going to incorporate this into my warm up. I've been playing for a long time but never thought I would be able to play any crazy leads, but this helped a lot and makes it seem like I might get there some day
What do you use for your sound? plug-Ins? Modeler? Mic amps? Thanks just curious about your guitar tone.
He uses a kemper
He mostly uses perfect technique ^^
I use a Kemper yeah!
What the hell is a Kemper? And where do I get one. And how much do they go for? @@beanleyhallsworth
@@beanleyhallsworth so not perfect technique?
“ARE YOU RUSHING OR DRAGGING?!!”
For me the hardest part is using my pinky, as i am double jointed it feels like my knuckles/finger lock up and i have to force my finger out of it to use it. It's very annoying.
but I got through the whole thing! 👍
I was about to work through this and snapped a string! Ahhh!
why not use the pinky finger for these excercises tho? I feel like it would add extra challenge thatd be useful :D
Definitely gonna start using these exercises alot more often. Thank you Bradley 😊 🤟🤟❤️you're the best beans 🫘
Missed the show, live show, those are fun. Anyway hope to see you on the next one.
What a legend! If you don't mind, what is your prefered action in mm and string gauge?
Great lesson! While the left hand is working independently I see you need quite a lot of sustain in your tone. Can you tell us what you use to create this sustain?
Hey Brad, if you ever need realistic footage of poor synchronization, I can do that for you! Yours still sounds too good 😅
The intro of Wasted Years is one perfect exercise for hand synchro... so fuxxing hard to make it sound good 😓
I will try it..Thank's to yours tutorial my friend 👍🎸
You’re the man!
this guy s incredible ngl thank u !
That's great! Thanks!!
What I found for me, is if I try less then I do better and my picking sounds a million times better. Like I don’t need to pick nearly as fast as I think I do. Just flow and be loose and it seems to work for me
Mr beanley, what string gauge do you use or recommend
Super exercise! I definitely have to do these. My main problem is that when doing inside picking (like the high e-string note on the 3rd exercise) my movement on the downstroke is to big... any tips on how to do smaller movements while keeping the same pick attack?
My picking hand , fretting hand always argue.
Yet they can not divorce each other 😂
great lesson thanks
If there were only two things that guitar players could practice and if they want to become serious and professional musicians, it’d be these two things in order:
1. Rhythm. Even legendary lead guitarists say 90% of the job is rhythm. Timing is everything. If your timings sucks, then your music sucks. Groove is SO important that it is likely the only musical element that can stand on its own (harmony and melody can’t exactly stand on their own like how rhythm can).
2. Two-hand synchronization. Your shred chops will be limited if you can’t synchronize your hands. Fast shred lines? Sweep picking? Tapping? Even going hammy on the whammy!?! All will benefit from solid two-hand synchronization.
If you don’t have either of these: forget it. You’ll never be a good musician. Good news: excellent practice makes excellent… so practice.
I like how he can't play badly enough to show REAL sync problems :
Oh beanly, could you please cover the solo from cemetery gates I can't find reliable tabs anywhere
I noticed that your thumb on the neck is very much on top of the neck throughout most of the exercises. How critical is maintaining this thumb position with technique? I found that my thumb tends to be more under the neck- is this limiting me?
recently I thought like "why this sound like shit" 5 sec later Bradley bangs this
THIS I A GAME CHANGER.THANKS.
Sometimes Bradley goes full "Ben Eller mode". And I fucking love it.
Very interesting. Thank you 🙂👌
40 min in and i'm still on warming up (:
Are you not using pinky on purpouse?
To beanley or anyone else here, I economy pick most everything and never try legato. Should I work on the legato part of these exercises?
Legato is harder than alt picking
I recommend also thunderstruck 🤪
Homestly, yeah!
ya ya thats smart, playing legato only then picking, that'll help the brain understand what we doin here!
Bradley, can u do a video explaining how to play guitar when we're having cold weather?? My fingers are freezing lmao
Mind-muscle connection
maybe a video about songwriting in general?
Warm up = 140 BPM Sixteenth notes. Noted.
Hi, You almost do not use your pinky finger in these exercises, only in the sweep picking exercise.
Your playing in the intro example use your pinky a lot.
Hey Bradley. Jist want to thsk you for your teaching ability. Youve had me cone such a far way. You're absolutely appreciated man. I missed you in Seattle wjen you guys were filming the musician castle thing. Hooenwe get to meet someday. Working on in an album right now. Its coming together oretty good so far. Stay positive Broseph. Keep up the great work.
Holy shite he's using a new guitar
Hi. I noticed that during the exercises you don't use your little finger, that's normal?
????😊
That rolled roasted maple fingerboard is sick, right?
Thanks
Thanks! New sub
Muchas gracias marty freezerman
Sometimes I wonder why is picking hand even necessary if fretting with one hand sounds exactly like picking.
Mostly for muting the lower strings that the fretting hand can’t mute.
Thanks
When you even fail at the warm Up 😂😂😂
You are an awesome player. You make this stuff look so easy. It's not. It obviously takes years of dedicated practice with a metronome. Which clearly you've done.
Yes. But I just decided to start calling it Slopcore, so I'm all good.
The start of the Creeping Death solo is also a good practice for alternate picking if you slow it down. Thought it was relevant considering your shirt.
How the hell am I able to play the first solo to 22AA by Iron Maiden but struggle with the first exercise? This humbled my ass real quick.😂
What model Charvel is that dude?
Charvel pro mod dk24 hsh mystic blue
@@iduncanw thank you! 🤘😎🤘
Usefull video
Sorry Bradley but my slop is part of my signature. I'll have to skip this one.
i would argue that slopiness comes from the maturity of onesplaying rather than pure sync, which indeed is a valid argument. Having a well defined vibrato and adequate enough bends that meet the designated pitch as well as a sharp right hand that articulates phrases and runs well is even more importat. lastly , having the same velocity and power on your upstrokes as zour downstrokes makes everything a lot tighter. Im basically describing wes hauch here
is it bad if i like to sound sloppy like this guy
Honestly mate, it’s okay to bit a bit sloppy, and have small imperfections. It makes it sound human. The best guitarists have a level of sloppiness. Yes, even Marty Friedman isn’t always 100% note-for-note, if you listen to some of his isolated tracks.
Having good technique just helps in the long run
@@wiebenijenhuis1825 Yes it does. It contributes a lot, but I think composition is more important. I also think that not caring about being note-for-note is fine, too. If I were to learn sweep picking for example, I think I’d stick to having fun with it more than trying to be precise. I think it’s okay if it sounds a bit sloppy, and not every note is hit.
Great !
Where's the blue ibanez ?🥲
It would really helpful if you make a video without explanations, just workout. So we could start it and play. Thank you!
Waiter! A ton of dedication at table 1234, pls ❤❤❤❤
The sweeps are not what they seem....
Pro tip: if you can’t play the Thunderstruck intro while picking without sounding like dogshit chances are your synchronization is bad.
...that was just the warm-up..??! I thought that was the whole exercise... 😓🤯
Its easier to learn tornado of souls solo semi clean than this 'poor ' hand sync.
Why would you use G minor 😂
❤❤❤❤
Just play classical guitar to stop playing sloppy. It really will change your way of playing all kind of guitar.
Why are you still using your pick? Seems to me, you don't need.
He can speak?
🤘
Why would you post this? The only way to improve your sloppy playing is to spend thousands of dollars on new gear. Everyone knows that.
fuck tendinitis
Where’s the fucking top hat and monocle ??
God damnnn this guitar is ugly
Your ability to immediately, accurately change to a new markedly faster tempo in the examples is impressive 🫡
Thanks