Be terrified ! Lol, i am at 23 out of 24 etudes and this one is top 2 that i fear the most. It has a way of wanting to cramp your thumb that persists (section A and A'). It's insidious, and the utmostly depressing hopeless (though beautiful) music can put a spell on you, it does on me. The A' return part is even more so. Even though it ends in E major. This etude requires so much work with so few notes on every bar.
Oh, Paul... I can't keep up with the speed of your speech, my english is very rusty!kkk I'm sorry... however I could perfectly understand the beautiful performance! Thanks 🌿🙏🏼👏👏👏👏👏
I play ALL right hand section A with 1-2 fingering . I used to learn the piece with 2-1 intermixed with 1-2 for months but it was counter productive and I eventually ditched it and made it all 1-2. Chopin most certainly intended only 1-2 fingerings (except in the A' return) as that is the only way to release the fifth finger without developing tension in the thumb when doing the marked slur playing finger 2 after 1 as : D#-B -> E you are not supposed to hold B when playing E. I was surprised that you thought the D7 chord on the left hand D-F#-C -D is a difficult stretch. I struggle with the right hand (section A) but never though that left hand D7 required large hand. Also i never cross over thumb in the left hand broken chords but i think i need to. I think my hand is average size with medium thumb and this is challenging. Your tutorial is superb and your playing is excellent. I think my hand is probably slightly smaller making this etude more difficult.
Thank you for this, dear Paul! What do you think in terms of technical gain this etude brings the hand? It is such a peculiar problem, I haven't found it in other works of Chopin. Is it the stability of the knuckles bridge? The independence of the thumb? And what is the role of the three notations (dotted, undotted, and the appoggiatura)?
I'm not at Paul's level, but those are great questions. Paul said the intent is a study in light touch (leggiero section B). As for section A, it may well be an etude in patience (lol!) because it's devilishly difficult and zero comfort and will provide you with bad depressing sounds and broken phrases for months until a high mastery is reached. The huge contrasts with zero transition between section A and B are had to accept musically as well as play, not to mention the odd ending that makes hardly sense as if a page was missing. One thing i noticed is that if you attempt to play section A crisp and with good tone while learning it, the hand will tense and thumb will cramp. Huge patience required. Try the A' return section, it's as demoralizing and as discouraging in difficulty than any piano piece and does not even have to be fast to be hard which makes it the more daunting. What's more musically it's creates a big nostalgia that Chopin leaves unresolved and that's not easy to handle emotionally either.
Lovely, thank you. Could you make a tutorial of Chopins Nocturne op 37, no 1 please? It is such an underrated yet elegant piece. It's my current homework and I would love to hear it from you.
hello Maestro..I waste a lot in your answer..because I can't find it anywhere..and nobody can give it to me..I have a serious problem.I have a small hand and therefore my problem is already playing the first notes .I am not able! the second finger goes to the F# and the fifth to the B..it takes a lot of effort..how can I fix it.I tried to put the first finger on the F# and the fifth on the B..dropping the F# on G.but it doesn't you feel the same effect! Do you advise me to leave it alone? Please answer me. Greetings from Italy
Perdón por los subtítulos de misiong. Los escribí para la primera parte del tutorial, pero no pude sincronizarlos con la voz, así que los abandoné. El texto repasaba las demostraciones de piano. Intentaré nuevamente encontrar una forma diferente, cuando se mezclan el habla y la música, no funciona automáticamente. Además, tengo Covid en este momento y si me siento un poco mejor intentaré los subtítulos nuevamente.
@@ethandeister6567 I have tried to add subtitles but it is still not working after a lot of time. I still get this message: Taking longer than expected. Syncing captions to the timeline is taking longer than expected. You can safely save and close this dialog and check back later. He intentado agregar subtítulos pero sigue sin funcionar después de mucho tiempo. Acabo de recibir este mensaje: Tomando más tiempo de lo esperado La sincronización de los subtítulos con la línea de tiempo está tardando más de lo esperado. Puede guardar y cerrar este cuadro de diálogo de forma segura y volver a comprobarlo más tarde.
This channel is so relaxing to Watch after a long day of work. Soothing, especially the elephants and the little girl singing
Hi Paul! Thank YOU so much....I hope you are happy!!!
Brilliant tutorial Paul! After watching I feel not so terrified to give this a go!
Be terrified ! Lol, i am at 23 out of 24 etudes and this one is top 2 that i fear the most. It has a way of wanting to cramp your thumb that persists (section A and A'). It's insidious, and the utmostly depressing hopeless (though beautiful) music can put a spell on you, it does on me. The A' return part is even more so. Even though it ends in E major. This etude requires so much work with so few notes on every bar.
Przejrzysta, świetna analiza tekstu 👍 Wspaniała lekcja!
Dziękuję Ci! pozdrowienia z Tajlandii do Polski.
Thnks Paul, for the tutorial, you are awesome playin the piano
Thank you very much for this tutorial which is very useful !!
thank you ขอบคุณครับคุณPaul
대단히 훌륭한 영상에 감동되어 구독과 좋아요를 눌렀습니다.
This is brilliant. Keep it up!!!❤❤❤
I love this piece, but difficult💦
Thank you very much for your kind video💐
Oh, Paul... I can't keep up with the speed of your speech, my english is very rusty!kkk I'm sorry... however I could perfectly understand the beautiful performance! Thanks 🌿🙏🏼👏👏👏👏👏
Set the playback speed to x.75 and it should be slower and easier to understand.
@@adanmartinezpiano thanks, Alan. 🙏🏼 I'll do it!👍🏻
I play ALL right hand section A with 1-2 fingering . I used to learn the piece with 2-1 intermixed with 1-2 for months but it was counter productive and I eventually ditched it and made it all 1-2. Chopin most certainly intended only 1-2 fingerings (except in the A' return) as that is the only way to release the fifth finger without developing tension in the thumb when doing the marked slur playing finger 2 after 1 as : D#-B -> E you are not supposed to hold B when playing E.
I was surprised that you thought the D7 chord on the left hand D-F#-C -D is a difficult stretch. I struggle with the right hand (section A) but never though that left hand D7 required large hand. Also i never cross over thumb in the left hand broken chords but i think i need to.
I think my hand is average size with medium thumb and this is challenging. Your tutorial is superb and your playing is excellent. I think my hand is probably slightly smaller making this etude more difficult.
Thank you for this, dear Paul! What do you think in terms of technical gain this etude brings the hand? It is such a peculiar problem, I haven't found it in other works of Chopin. Is it the stability of the knuckles bridge? The independence of the thumb? And what is the role of the three notations (dotted, undotted, and the appoggiatura)?
I'm not at Paul's level, but those are great questions. Paul said the intent is a study in light touch (leggiero section B). As for section A, it may well be an etude in patience (lol!) because it's devilishly difficult and zero comfort and will provide you with bad depressing sounds and broken phrases for months until a high mastery is reached.
The huge contrasts with zero transition between section A and B are had to accept musically as well as play, not to mention the odd ending that makes hardly sense as if a page was missing. One thing i noticed is that if you attempt to play section A crisp and with good tone while learning it, the hand will tense and thumb will cramp. Huge patience required. Try the A' return section, it's as demoralizing and as discouraging in difficulty than any piano piece and does not even have to be fast to be hard which makes it the more daunting. What's more musically it's creates a big nostalgia that Chopin leaves unresolved and that's not easy to handle emotionally either.
Lovely, thank you.
Could you make a tutorial of Chopins Nocturne op 37, no 1 please? It is such an underrated yet elegant piece. It's my current homework and I would love to hear it from you.
hello Maestro..I waste a lot in your answer..because I can't find it anywhere..and nobody can give it to me..I have a serious problem.I have a small hand and therefore my problem is already playing the first notes .I am not able! the second finger goes to the F# and the fifth to the B..it takes a lot of effort..how can I fix it.I tried to put the first finger on the F# and the fifth on the B..dropping the F# on G.but it doesn't you feel the same effect! Do you advise me to leave it alone? Please answer me. Greetings from Italy
You're describing not being able to stretch a fourth which makes no sense. Think again about what you wrote before asking.
how do you play without looking tho!
left hand plays LACRIMOSA
No hay subtítulos? Interesante, gracias.
Solo han pasado tres horas desde que se subió el video, tal vez se agreguen más tarde
@@ethandeister6567 Sería bueno, gracias.
Perdón por los subtítulos de misiong. Los escribí para la primera parte del tutorial, pero no pude sincronizarlos con la voz, así que los abandoné. El texto repasaba las demostraciones de piano. Intentaré nuevamente encontrar una forma diferente, cuando se mezclan el habla y la música, no funciona automáticamente. Además, tengo Covid en este momento y si me siento un poco mejor intentaré los subtítulos nuevamente.
@@ethandeister6567 I have tried to add subtitles but it is still not working after a lot of time. I still get this message:
Taking longer than expected. Syncing captions to the timeline is taking longer than expected. You can safely save and close this dialog and check back later.
He intentado agregar subtítulos pero sigue sin funcionar después de mucho tiempo. Acabo de recibir este mensaje:
Tomando más tiempo de lo esperado
La sincronización de los subtítulos con la línea de tiempo está tardando más de lo esperado. Puede guardar y cerrar este cuadro de diálogo de forma segura y volver a comprobarlo más tarde.
@@PaulBartonPiano Gracias muy amable. De todas maneras es más importante la salud ( lo siento por ti) Que te recuperes pronto.
7
The pdf doesn't excist anymore