Oh joy! An instructer who knows that the world is not going to blow up in the next 5 minutes and speaks and demonstates at an understandable peaceful followable pace. Well done Chris and thank you , this vid has helped me a lot as my biggest problem is always time consumingly scrubbing through my drone footage in the edit page which needs needs lots of clipping, this could be the solution. A sub from me. Cheers
Awesome! Great to hear you enjoyed the video and thanks for commenting and subscribing! Yes, the Cut page is very useful for creating a simple selects timeline as you're possibly doing... Couple it with the technique of using a selects timeline in the Edit page and you'll probably find it a very useful combination. ua-cam.com/video/u86MWyOgAEw/v-deo.html However, I make no guarantees that the world will not blow up in the next 5 minutes... 😉
@Chris.Roberts Hahaha don't think anyone will guarantee that nowadays 😭. What do you think of the DaVinci speed editor pad? I am thinking you might have tried it?
The Speed Editor is a neat little device that can certainly speed up certain editing processes. It's primarily designed for use in the Cut page and, just like the Cut page, it has a few quirks that take a bit of practice to get used to such as which button has a secondary function enabled by pressing and holding or double-pressing. It can be used on other pages too, such as Edit, Fairlight and Color, but to a lesser degree. I'd love to be a be able to customise the keys, but that's not possible. TL;DR: I use mine sparingly, but it does come bundled with a Studio licence. HTH!
I’ve been using Premiere for 20+ years but just installed Resolve last week. Your videos are extremely useful for learning the software. Clear and concise.
Congratulations on making such a wonderful video on the cut page of resolve. this is the best tutorial of the cut page on the internet all the videos I have seen so far have just shown glimpses of what the cut page can do. But you have truly shown the power and utility of the cut page in the most practical manner in the most soothing manner. I see this as a primary final cut pro Editor .thank you so much. Subscribed. Looking forward to more videos. More professional videos like this.
Thank you so much for commenting! I'm very happy to hear you thought this was a great video... I'm not really into showing features for the sake of showing a feature... I'm much more about showing how to *use* that feature in context when appropriate! Thanks for subbing! More video coming soon 🙏🏻
Hello Chris, I am working as an airline pilot instructor. Your instruction is just excellent - good footage, adequate speed and a very comfortable and clear voice! Thank you very much, keep up your elegant and calm style! Kind regards, Andy
Hi Andy, thanks very much for the comment - much appreciated. I'm sure a calm, clear manner is much more helpful when it comes to airline pilot instruction 😉
I learnt a lot from this, thank you. I changed my Append to end shortcut to F8 rather than the default shift+F12. It is quicker and close to my fingers for I and O, so three quick taps and the selected portion from in and out lands on my timeline. Similarly I changed the shortcut from switching from source to timeline viewer to P, just so it is easy to do from my JKL finger positions - just a preference to keep it on my right hand. Q is very easy too of course, I’m just less dextrous with my left fingers
Fantastic... These are great tips for custom shortcuts... It's about speed of course and sounds like this is the perfect setup for you. Thanks for sharing! 🙏🏻
Excellent tutorial, Chris! Thanks for sharing your extensive Resolve knowledge. Yes, please make a tutorial about Text formatting/differences between Text & Text+.
I've been using Premiere for quite long time but recently I wanna try Davinci resolve. As a beginner I find your video editing tutorial useful for me to understand. Thanks!
Great job Chris.Watched many more resolve editing tutorials .They are very good really.But you are the right person to teach resove cause you are the certified teacher. Learnt lot of things by watching your videos.Iam a fan of black magic design.Kudos to your effort.
It was great for me, moved through video slow enough to keep up with how to do things. I watch many others but they speed through like I knew what I was doing and could understand but you did great......
Thanks for this Chris. I've avoided using the Cut page until now as the Edit page was so familiar from when I used other LNE's, but I shall definitely have a go with it on my next project. I find your tutorials to be the most perfectly paced of any I have watched since moving over to DaVinci Resolve, with a lot of information conveyed without rushing or dragging. And not a single "Hey Wassup guys!" Ha ha. The only other trainers that come close are Mark and Steve at Ripple Training, who I watched a lot when I was using FCPX, but I prefer yours for your greater depth of understanding of DVR - and maybe because I'm British! I've watched and edited along with all your videos now, so can't wait for the next one. Keep up the good work.
Thank you so much Chris for this class! It was very helpful for me as well as everyone else. I truly appreciate your work and how talented you were in presenting this material! I am a fan of yours now.
Thanks for your help. I wondered what the point of the cut page was. I see how it can be of use in a workflow. It doesn't help me when I am creating a music video because I have to choose my clips based on the music which I find much easier to do in the edit page. I just color graded my first video (Blue Danube) and I was surprised at how intuitive the color page was to use. I'm not surprised that it is the industry standard for color. Your training videos that I've been doing from Black Magic's website have helped me get up and running in a month's time. Completely new to this industry. Thanks again.
That's great to hear! Of course, if you don't need to use the Cut page, that's fine. You might want to check out my other Advanced Cut Page video just in case there are any features you may find useful in future. 😉
I watched the entire video, and I must thank you because I'm definitely using a lot of the nuggets you dropped like the freeze frame - fade out portion, and more. Thank you.
From a newbie who did a few online tutorials, this is brilliant! Great use and explanation of the source tape, switching and how to do quick trim with various methods. I don't want to clumsily edit using my old bad habit from Vegas. This is very helpful in developing good edit habit and a must watch for newbies to resolve!
The sequences are sort of in time with the tempo of the music i.e. the clip changes 'approximately' every two bars which really enhances the timeline or adds an upbeat vibe overall. Of course adding the music was like the icing on the cake but to have the clips change to nearly every two bars... lifted it so much more. I did hear you suggest such during the video. As a new DR user, this is a super cool workflow, Chris. Thank you so much for sharing 🌳🦌🚴♀
Glad you appreciate it! Music always plays a big part in any edit, lifting the visuals and often helping drive the story forward. Of course there are also bad choices for music too. Thanks for commenting 👍🏻
Cut page behaves much like the time line in FCP, ( obviously there are major differences too) but as opposed to the edit page, I find it easier to browse through and assemble a sequence from camera quickly. I can then switch to the edit page to develop the edit further.
I find the timeline in the Cut page behaves in a very simplistic manner... Maybe that's because I'm used to a more flexible timeline. But for assembling, as you say, I think the Cut page has a lot to offer. Thanks for commenting!
Yes - Cut page is simplistic and so is FCP which I have used for years and that really is the beauty of both. When I am assembling and ordering story elements I don't need all the fiddly bits offered in the edit page, I just want to get the large pieces of story in a working order and for this the cut page, and cut page with a speed editor works the best for me.@@Chris.Roberts
You're a great teacher and this is what I needed... switching from Premier Pro to DR and I wasn't that good at PP to start with so this is just the level I need to get me going again in DR. I can't believe you don't have more subscribers.... get ready for them, they will come with this quality of content! Do you recommend changing the keyboard short cut keys to something that makes more sense to a person or leaving them for convenience and compatibility of the folks teaching online?
Thank you for this comment! 😊 I recommend you use the default Resolve keyboard, especially when learning. Not all shortcuts will remap directly from your existing software and I usually find most people encounter problems at some point. Keeping the default as a base plays to the strengths of the software you're using rather than trying to force it to operate as something else. HTH.
I hope you can help me with a challenge that I have been trying to sort out for a while now. In the source tape view I want to see footage from multiple cameras in a sequential order regardless of camera type, however I want the order to be set based upon the time of day that it was shot. I am shooting using a GoPro, iPhone and a drone. What happens now is that’s the footage if the iPhone must be view on date modified and the camera type is how they are grouped, then in chronological order. My goal is to use the source tape to cut down a string out very quickly without having to identify footage from different cameras and then place it manually within the timeline. Any ideas how I should approach this?
Hi there! This should be perfectly possible provided that all your cameras have the correct date and time set. Your iPhone should have this done already, but it's worth checking your GoPro and drone. Then you can import all the footage and in the Media Pool in the Cut page, select the Sort menu to "Date Time" and "Ascending". This should now list all your clips starting at the earliest date, irrespective of which camera they were captured with. When you open the Source Tape, this will be the order the clips are displayed. Hope this helps and thanks for watching!
Hi Chris, great tutorial about using the Cut page. What am i doing wrong - i put markers in my timeline and when i try dragging the top timeline playhead i keep grabbing and moving the markers instead of the playhead.
Thank you! Yeah, I know what you mean about moving the markers instead of the playhead in the upper Cut page timeline so you're not alone! Mainly this happens if the marker is still "selected", such as just after you've added it. You'll see this is the case if the marker has a thick border around it... Clicking away from the marker deselects it, meaning it's easier to select and drag the playhead. It's still fiddly though, so if I was you, just click the top of the timeline to move the playhead away from the marker to drag it. HTH!
This needs to be my workflow! So I've really taken my time, 4 days now, working through your excellent examples. I would appreciate your help at 28:30, the Freeze Frame, when you click the Inspector snowflake, what actually happened to the clip? I'm thinking Resolve replaced everything beyond the playhead with copies of the frozen frame because I didn't see the clip change length. So Freeze Frame didn't add or delete any frames, it simply converted all remaining frames to the end of the clip into copies of the frozen frame? And then you trimmed it out about another 2 seconds. And, please, one more... at 26:00, PIP, you said, "...notice when I do this is how the timeline automatically adjusts in order to be able to display all of those tracks together in the lower timeline." I tried to notice but all I saw was BOTH timelines show the raised clip above the close-up clip and a gap occur where the clip used to be. Just the same as what I always see on the Edit page in that situation. What am I missing from your comment? Thanks for your hard work in putting this video together- I finally understand the benefits of the Cut page!
Hey! So good to hear you're finding this useful for your workflow... 😁 Regarding the freeze frame, yes, you're perfectly correct. Clicking the "snowflake" button simply adds the frame under the playhead as a still for the remaining duration of the clip. It's simple and I use it a lot in my UA-cam videos. Once you have the freeze frame in the timeline you can trim it like any other still or graphic clip. For the PIP example, I'm referring to the track heights in the lower detail timeline, not the overall duration of the timeline... When you're working with clips on multiple tracks in the Edit page, you may have to manually adjust the height of the tracks (depending on your screen size of course) in order to display all those clips comfortably. The Cut page though resizes the track/clip heights automatically to fit the size of the lower timeline so you always see the clips on the upper tracks. If you want to see them bigger/smaller then you simply drag the Resize Timeline control (the three lines under the audio meters as at 4:00). It may seem like a minor thing, but actually we do tend to spend a lot of time readjusting the timeline on the Edit page, so this sort of thing is one of the ways in which the Cut page helps speed up the editing process. Hope this helps and thanks for the continued support!
@@Chris.Roberts "...I'm referring to the track heights..." Oh, head slap here. You caught me, as I am always thinking, okay, how did my clips get rearranged unintentionally after this operation? Thank you for the clarification. And that IS a huge benefit! As you say, "...we do tend to spend a lot of time readjusting the timeline on the Edit page..."
Thank you for the great video Chris, which is miles ahead of others on this subject I have seen. One question: I have seen on other videos a magnet icon for snapping to the left of the timeline on the cut page. I only have Ripple, Scissors and Marker. Clicking the Timeline options icon shows that Snap is on. The shortcut n turns snapping on and off but there is no indication that I can see on the cut page. Am I missing something? Cheers from Australia.
G'day! Great to hear you found the video useful... You're not missing anything at all. The other videos you've seen are probably just using a slightly older version of Resolve. My video was recorded just under 6 months ago, so is using some interface tweaks that were introduced around 18.5 when the Snap icon was moved to the menu. Shame because I don't think there's any other indication of snapping in the Cut page otherwise (unless you see it when trimming or adding clips in the timeline). HTH!
Yes... but it's not an Append edit... It's an Overwrite edit, which in the Cut page isn't one of the options for some reason. But you can still accomplish it in the Cut page by pressing F10. It's also in Edit > Overwrite. HTH!
@@Chris.Roberts absolutely helpful. I'm working on a project with more clips than I've ever used, so I'm relearning my whole work flow lol I'm using the speed editor, so I enjoy having an "append" button so handy, but F10 isn't far off. Thanks so much!
Is it possible to open on clip in the cut page and then by using in and out points create multiple clips? Scenario: I recorded new intro and outro messages for a series of older videos. There are nine of these older videos. I recorded the new intros and outros in one take so now I have one large clip for all the new into and outros. My plan was to then cut up the one take into intro and outro sections and them import them as needed into each project for each individual video. I was wondering if the was an ‘elegant’ way to do this from the cut page? Thanks
Hi. What you're wanting to do *is* possible, but not in a straightforward way... Remember, Resolve never actually "cuts" your original source clips... To achieve what you're describing you'd need to add edits to the intro/outro file where you want to use the different clips... You could then use the Media Management or Deliver page to create separate media files for each of these takes... You'd then be able to import each of these clips separately into your other projects. As you can see, it's a bit long-winded and not very intuitive. Alternatively you could use *subclips* to divide the long clip up into smaller, manageable clips and *Power Bins* for accessing these subclips in different projects. However, neither of these functions are available directly in the Cut page... Sometimes, whilst it might not be the most efficient method, the more straightforward approach of importing the original file into each project and edit just the parts you need might be the easier option in this case... HTH!!!
Actually... you *can* create subclips in the Cut page... Set the in and out points and choose Mark > Create Subclip... But that's only part of the workflow of course... Power Bins are not available in the Cut page. 🤔
@@Chris.Roberts Hi Chris BIG thanks, I was slowly coming to the idea of getting the deliver page with the clips and then bringing them back into the individual project. You pushed me in the right direction. Did you ever do a review of the BIG Editing keyboard over the speed editor?
@@martincole great to hear! I haven’t done a comparison of the Editor Keyboard vs Speed Editor. Bear in mind that the Ed Keyboard is a full keyboard with a few specialised keys primarily for use in the Cut Page. Apart from one, I’m generally content to work with my regular keyboard 😉
@@Chris.Roberts Ok thanks. I was going to get studio but then I saw that if you buy the keyboard it comes with studio. I actually had the speed editor, but for one reason or another I went back to FCP X and sold the Speed editor with the Pro licence. Weeks later I realised I had made a BIG mistake and now I am back on Resolve free so am looking to get the editor keyboard with the free studio upgrade as part of the deal. Thanks for your help - Appreciated
I have watched your official BMD videos long time ago. I’ll give them another go. I hope you could make a video on best project/deliver settings for BRAW to be edited/exported to UA-cam. Thank you!
Hello I'm just looking for a way to display my footage in its original aspect ratio (landsape) when reviewing in the cut tab before drag and drop it into my time line (portrait) I want to crop the footage later in edit tab.
Hi! If you right-click on the clip in the Media Pool and choose Clip Attributes, there's an option in the Video tab for Image Orientation so you can rotate the clip 90 degrees left or right for the correct orientation. HTH!
@@Chris.Roberts Sorry I wasn't precise enough. My timeline is set to 720x1280px And my footage is 1280x720px When reviewing in the cut tab it's cropped to 720x1280px and I can only the see the middle of my frame. The rotation is correct. I find it really weird that the raw footage is not displayed on its original form when reviewed.
Ah, I see. Yes I think this is a weird behaviour too. However, it's because your project settings are set to vertical. If you change the project settings to 1280 x 720 then the footage will be displayed correctly in the source viewer. Then you can change the *timeline* to 720 x 1280 by right-clicking it in the Media Pool and choosing Timeline Settings... You may need to uncheck use project settings but then you can change this timeline back to 720 x 1280 for displaying your edited footage. This video may help: ua-cam.com/video/G1arCPDynIg/v-deo.html
It depends. Some things are easier to accomplish in the Cut page as I mention in my reframing video ua-cam.com/video/G1arCPDynIg/v-deo.htmlsi=k5XWqspMSk3nKstN But, also, some things are more limiting like audio mixing. Not totally impossible, just not as easy.
It’s not. Thankfully we’re not forced into using one or the other. The features of each page are complementary rather than exclusive. That’s the beauty of Resolve 😉
I hate the cut page… It’s like going back to Final Cut. Yikes! Long live the edit page. Lol. But joking aside there are a few good things in the cut page, but not many. And it’s a weird way of editing.
I have a bit of a love/hate relationship with the Cut page too. Thankfully, nothing prevents us from editing exclusively in the Edit page... but the Cut page does suit some folks... Each to our own I guess! Thanks for commenting!
Hey! You don’t need to do anything special. Just add the in and out points in the timeline or source and add the corresponding out point in the other location. The trick is not to add another in point. Remove the in if it’s already there. Then you can use whichever edit you need such as Overwrite or Place on Top. HTH!
Oh joy! An instructer who knows that the world is not going to blow up in the next 5 minutes and speaks and demonstates at an understandable peaceful followable pace.
Well done Chris and thank you , this vid has helped me a lot as my biggest problem is always time consumingly scrubbing through my drone footage in the edit page which needs needs lots of clipping, this could be the solution. A sub from me. Cheers
Awesome! Great to hear you enjoyed the video and thanks for commenting and subscribing! Yes, the Cut page is very useful for creating a simple selects timeline as you're possibly doing... Couple it with the technique of using a selects timeline in the Edit page and you'll probably find it a very useful combination.
ua-cam.com/video/u86MWyOgAEw/v-deo.html
However, I make no guarantees that the world will not blow up in the next 5 minutes... 😉
@Chris.Roberts Hahaha don't think anyone will guarantee that nowadays 😭.
What do you think of the DaVinci speed editor pad? I am thinking you might have tried it?
The Speed Editor is a neat little device that can certainly speed up certain editing processes. It's primarily designed for use in the Cut page and, just like the Cut page, it has a few quirks that take a bit of practice to get used to such as which button has a secondary function enabled by pressing and holding or double-pressing. It can be used on other pages too, such as Edit, Fairlight and Color, but to a lesser degree. I'd love to be a be able to customise the keys, but that's not possible. TL;DR: I use mine sparingly, but it does come bundled with a Studio licence. HTH!
@Chris.Roberts yes it does thx, been thinking about upgrading to studio, I'm beginning to get a guilty conscience for using it for free 😀
@mimike4989 haha! Don’t feel guilty. That’s what the free version is there for! Studio just amps up the features though 😊
The best demo of serious tools in the Cut Page, the Source tape is very cool used like this!
Thanks for the great comment 🙏🏻
I’ve been using Premiere for 20+ years but just installed Resolve last week. Your videos are extremely useful for learning the software. Clear and concise.
Great to hear and thanks for joining me on the journey. 👍🏻
I can't believe you edited the whole video only from the cut page. Amazing information. Can't wait to see your next video.
Excellent. Thanks for commenting! Stay tuned….
Congratulations on making such a wonderful video on the cut page of resolve. this is the best tutorial of the cut page on the internet all the videos I have seen so far have just shown glimpses of what the cut page can do. But you have truly shown the power and utility of the cut page in the most practical manner in the most soothing manner. I see this as a primary final cut pro Editor .thank you so much. Subscribed. Looking forward to more videos. More professional videos like this.
Thank you so much for commenting! I'm very happy to hear you thought this was a great video... I'm not really into showing features for the sake of showing a feature... I'm much more about showing how to *use* that feature in context when appropriate! Thanks for subbing! More video coming soon 🙏🏻
Thank you for converting me to the Cut Page,Chris.Brilliant tuition video,thank you so much.
Great to hear! Thanks for commenting.
Hello Chris, I am working as an airline pilot instructor. Your instruction is just excellent - good footage, adequate speed and a very comfortable and clear voice! Thank you very much, keep up your elegant and calm style! Kind regards, Andy
Hi Andy, thanks very much for the comment - much appreciated. I'm sure a calm, clear manner is much more helpful when it comes to airline pilot instruction 😉
I learnt a lot from this, thank you. I changed my Append to end shortcut to F8 rather than the default shift+F12. It is quicker and close to my fingers for I and O, so three quick taps and the selected portion from in and out lands on my timeline. Similarly I changed the shortcut from switching from source to timeline viewer to P, just so it is easy to do from my JKL finger positions - just a preference to keep it on my right hand. Q is very easy too of course, I’m just less dextrous with my left fingers
Fantastic... These are great tips for custom shortcuts... It's about speed of course and sounds like this is the perfect setup for you. Thanks for sharing! 🙏🏻
Excellent tutorial, Chris! Thanks for sharing your extensive Resolve knowledge. Yes, please make a tutorial about Text formatting/differences between Text & Text+.
Thanks for commenting and for the suggestion!
I've been using Premiere for quite long time but recently I wanna try Davinci resolve. As a beginner I find your video editing tutorial useful for me to understand. Thanks!
That's great to hear and glad that video helped. Thanks for commenting! 🙏🏻
Thank you Chris! This was amazing. You are the easiest instructor to follow and listen to. So appreciated!
Thank you so much for commenting! Great to hear you enjoy the videos. 🙏🏻
Such a serious professional video unlike every other influencer channel baiting for engagement.
Thank you! I take that as a huge compliment. 🙏🏻
Great job Chris.Watched many more resolve editing tutorials .They are very good really.But you are the right person to teach resove cause you are the certified teacher. Learnt lot of things by watching your videos.Iam a fan of black magic design.Kudos to your effort.
Thank you! There are lots of great tutorials out there. I’m pleased to hear you like my contributions 🤓
@@Chris.Roberts hahahaha
It was great for me, moved through video slow enough to keep up with how to do things. I watch many others but they speed through like I knew what I was doing and could understand but you did great......
Perfect! Thanks for commenting 🙏🏻
Thanks for this Chris. I've avoided using the Cut page until now as the Edit page was so familiar from when I used other LNE's, but I shall definitely have a go with it on my next project. I find your tutorials to be the most perfectly paced of any I have watched since moving over to DaVinci Resolve, with a lot of information conveyed without rushing or dragging. And not a single "Hey Wassup guys!" Ha ha. The only other trainers that come close are Mark and Steve at Ripple Training, who I watched a lot when I was using FCPX, but I prefer yours for your greater depth of understanding of DVR - and maybe because I'm British! I've watched and edited along with all your videos now, so can't wait for the next one. Keep up the good work.
Thank you so much for this. It’s very much appreciated and I’m so pleased to hear you’re finding my videos useful. 🙏🏻
Thanks Chris very informative and easy to follow
Great to know! Thanks for commenting.
Extraordinarily useful and lucid. Thanks much for taking the time to do this. Awesome.
That’s great to hear. Thanks for commenting 🙏🏻
Thank you so much Chris for this class! It was very helpful for me as well as everyone else. I truly appreciate your work and how talented you were in presenting this material! I am a fan of yours now.
Thanks for commenting and letting me know. 🙏🏻
Thanks for your help. I wondered what the point of the cut page was. I see how it can be of use in a workflow. It doesn't help me when I am creating a music video because I have to choose my clips based on the music which I find much easier to do in the edit page. I just color graded my first video (Blue Danube) and I was surprised at how intuitive the color page was to use. I'm not surprised that it is the industry standard for color. Your training videos that I've been doing from Black Magic's website have helped me get up and running in a month's time. Completely new to this industry. Thanks again.
That's great to hear! Of course, if you don't need to use the Cut page, that's fine. You might want to check out my other Advanced Cut Page video just in case there are any features you may find useful in future. 😉
I watched the entire video, and I must thank you because I'm definitely using a lot of the nuggets you dropped like the freeze frame - fade out portion, and more. Thank you.
Excellent! Thanks for commenting and great to hear you're putting the "nuggets" to good use 😉
Glad you have started your channel. I saw your training seminars so many times and enjoyed every minute of each. I wish you quick growth! Thank you!
Thank you! And thanks for commenting. Hope you find the videos I publish as useful as the seminars. 🙏🏻
From a newbie who did a few online tutorials, this is brilliant! Great use and explanation of the source tape, switching and how to do quick trim with various methods. I don't want to clumsily edit using my old bad habit from Vegas. This is very helpful in developing good edit habit and a must watch for newbies to resolve!
Thanks for this! Great to hear you got so much from watching this video. Bad habits from Vegas should stay in Vegas 😂😂😂
@@Chris.Roberts 🤣🤣. Good one Chris. Your video is the top 3 for the cut page for sure.
Incredibly lucid and useful!
Thank you! 🙏🏻
The sequences are sort of in time with the tempo of the music i.e. the clip changes 'approximately' every two bars which really enhances the timeline or adds an upbeat vibe overall. Of course adding the music was like the icing on the cake but to have the clips change to nearly every two bars... lifted it so much more. I did hear you suggest such during the video. As a new DR user, this is a super cool workflow, Chris. Thank you so much for sharing 🌳🦌🚴♀
Glad you appreciate it! Music always plays a big part in any edit, lifting the visuals and often helping drive the story forward. Of course there are also bad choices for music too. Thanks for commenting 👍🏻
You are a good teacher🎉
Thank you! 🙏🏻
Very nice and detailed video, thank you!!!
Glad you enjoyed it!
Great job, Chris! Thanks for doing this video.
My pleasure! Glad you liked it and thanks for commenting!
Absolutely fantastic!!!
Glad you liked it! Thanks for commenting 🙏🏻
Cut page behaves much like the time line in FCP, ( obviously there are major differences too) but as opposed to the edit page, I find it easier to browse through and assemble a sequence from camera quickly. I can then switch to the edit page to develop the edit further.
I find the timeline in the Cut page behaves in a very simplistic manner... Maybe that's because I'm used to a more flexible timeline. But for assembling, as you say, I think the Cut page has a lot to offer. Thanks for commenting!
Yes - Cut page is simplistic and so is FCP which I have used for years and that really is the beauty of both. When I am assembling and ordering story elements I don't need all the fiddly bits offered in the edit page, I just want to get the large pieces of story in a working order and for this the cut page, and cut page with a speed editor works the best for me.@@Chris.Roberts
You're a great teacher and this is what I needed... switching from Premier Pro to DR and I wasn't that good at PP to start with so this is just the level I need to get me going again in DR. I can't believe you don't have more subscribers.... get ready for them, they will come with this quality of content! Do you recommend changing the keyboard short cut keys to something that makes more sense to a person or leaving them for convenience and compatibility of the folks teaching online?
Thank you for this comment! 😊
I recommend you use the default Resolve keyboard, especially when learning. Not all shortcuts will remap directly from your existing software and I usually find most people encounter problems at some point. Keeping the default as a base plays to the strengths of the software you're using rather than trying to force it to operate as something else. HTH.
@@Chris.Roberts - will keep the default DR keyboard shortcuts. Agree it will make it easier with any learning and/or updates etc.
Two thumbs up!
And more for your comment! 🙏🏻
Thanks for the tutorial! Your video is of exellent education quality, learnt a lot!
Keep it up and do one on titles.
Thank you so much for commenting! 🙏🏻 and glad you enjoyed the video. I’ll look to put something together regarding titles soon. 👍🏻
So incredibly helpful! Thank you!
Brilliant. That’s great to know! Thanks for commenting.
Your videos here and on the Blackmagic page are absolutely amazing. Keep it up!
Brilliant! Great to know. Thanks for commenting! 🙏🏻
Nice explanation... Thanks..
Excellent. Thanks for commenting.
Thank you again Chris, great tutorial as usual 👍 Merry Christmas to you and your family.🎄
Thank you very much and the same to you and yours!
I hope you can help me with a challenge that I have been trying to sort out for a while now. In the source tape view I want to see footage from multiple cameras in a sequential order regardless of camera type, however I want the order to be set based upon the time of day that it was shot. I am shooting using a GoPro, iPhone and a drone. What happens now is that’s the footage if the iPhone must be view on date modified and the camera type is how they are grouped, then in chronological order.
My goal is to use the source tape to cut down a string out very quickly without having to identify footage from different cameras and then place it manually within the timeline. Any ideas how I should approach this?
Hi there! This should be perfectly possible provided that all your cameras have the correct date and time set. Your iPhone should have this done already, but it's worth checking your GoPro and drone. Then you can import all the footage and in the Media Pool in the Cut page, select the Sort menu to "Date Time" and "Ascending". This should now list all your clips starting at the earliest date, irrespective of which camera they were captured with. When you open the Source Tape, this will be the order the clips are displayed. Hope this helps and thanks for watching!
Hi Chris, great tutorial about using the Cut page. What am i doing wrong - i put markers in my timeline and when i try dragging the top timeline playhead i keep grabbing and moving the markers instead of the playhead.
Thank you!
Yeah, I know what you mean about moving the markers instead of the playhead in the upper Cut page timeline so you're not alone! Mainly this happens if the marker is still "selected", such as just after you've added it. You'll see this is the case if the marker has a thick border around it... Clicking away from the marker deselects it, meaning it's easier to select and drag the playhead. It's still fiddly though, so if I was you, just click the top of the timeline to move the playhead away from the marker to drag it. HTH!
This needs to be my workflow! So I've really taken my time, 4 days now, working through your excellent examples. I would appreciate your help at 28:30, the Freeze Frame, when you click the Inspector snowflake, what actually happened to the clip? I'm thinking Resolve replaced everything beyond the playhead with copies of the frozen frame because I didn't see the clip change length. So Freeze Frame didn't add or delete any frames, it simply converted all remaining frames to the end of the clip into copies of the frozen frame? And then you trimmed it out about another 2 seconds.
And, please, one more... at 26:00, PIP, you said, "...notice when I do this is how the timeline automatically adjusts in order to be able to display all of those tracks together in the lower timeline." I tried to notice but all I saw was BOTH timelines show the raised clip above the close-up clip and a gap occur where the clip used to be. Just the same as what I always see on the Edit page in that situation. What am I missing from your comment?
Thanks for your hard work in putting this video together- I finally understand the benefits of the Cut page!
Hey! So good to hear you're finding this useful for your workflow... 😁
Regarding the freeze frame, yes, you're perfectly correct. Clicking the "snowflake" button simply adds the frame under the playhead as a still for the remaining duration of the clip. It's simple and I use it a lot in my UA-cam videos. Once you have the freeze frame in the timeline you can trim it like any other still or graphic clip.
For the PIP example, I'm referring to the track heights in the lower detail timeline, not the overall duration of the timeline... When you're working with clips on multiple tracks in the Edit page, you may have to manually adjust the height of the tracks (depending on your screen size of course) in order to display all those clips comfortably. The Cut page though resizes the track/clip heights automatically to fit the size of the lower timeline so you always see the clips on the upper tracks. If you want to see them bigger/smaller then you simply drag the Resize Timeline control (the three lines under the audio meters as at 4:00). It may seem like a minor thing, but actually we do tend to spend a lot of time readjusting the timeline on the Edit page, so this sort of thing is one of the ways in which the Cut page helps speed up the editing process.
Hope this helps and thanks for the continued support!
@@Chris.Roberts "...I'm referring to the track heights..." Oh, head slap here. You caught me, as I am always thinking, okay, how did my clips get rearranged unintentionally after this operation? Thank you for the clarification. And that IS a huge benefit! As you say, "...we do tend to spend a lot of time readjusting the timeline on the Edit page..."
Thank you for the great video Chris, which is miles ahead of others on this subject I have seen. One question: I have seen on other videos a magnet icon for snapping to the left of the timeline on the cut page. I only have Ripple, Scissors and Marker. Clicking the Timeline options icon shows that Snap is on. The shortcut n turns snapping on and off but there is no indication that I can see on the cut page. Am I missing something? Cheers from Australia.
G'day! Great to hear you found the video useful... You're not missing anything at all. The other videos you've seen are probably just using a slightly older version of Resolve. My video was recorded just under 6 months ago, so is using some interface tweaks that were introduced around 18.5 when the Snap icon was moved to the menu. Shame because I don't think there's any other indication of snapping in the Cut page otherwise (unless you see it when trimming or adding clips in the timeline). HTH!
Is it possible to append clips to playhead position rather than after the last clip I brought in? Thanks for the great video!
Yes... but it's not an Append edit... It's an Overwrite edit, which in the Cut page isn't one of the options for some reason. But you can still accomplish it in the Cut page by pressing F10. It's also in Edit > Overwrite. HTH!
@@Chris.Roberts absolutely helpful. I'm working on a project with more clips than I've ever used, so I'm relearning my whole work flow lol I'm using the speed editor, so I enjoy having an "append" button so handy, but F10 isn't far off. Thanks so much!
Is it possible to open on clip in the cut page and then by using in and out points create multiple clips? Scenario: I recorded new intro and outro messages for a series of older videos. There are nine of these older videos.
I recorded the new intros and outros in one take so now I have one large clip for all the new into and outros.
My plan was to then cut up the one take into intro and outro sections and them import them as needed into each project for each individual video.
I was wondering if the was an ‘elegant’ way to do this from the cut page?
Thanks
Hi. What you're wanting to do *is* possible, but not in a straightforward way... Remember, Resolve never actually "cuts" your original source clips... To achieve what you're describing you'd need to add edits to the intro/outro file where you want to use the different clips... You could then use the Media Management or Deliver page to create separate media files for each of these takes... You'd then be able to import each of these clips separately into your other projects. As you can see, it's a bit long-winded and not very intuitive.
Alternatively you could use *subclips* to divide the long clip up into smaller, manageable clips and *Power Bins* for accessing these subclips in different projects. However, neither of these functions are available directly in the Cut page...
Sometimes, whilst it might not be the most efficient method, the more straightforward approach of importing the original file into each project and edit just the parts you need might be the easier option in this case...
HTH!!!
Actually... you *can* create subclips in the Cut page... Set the in and out points and choose Mark > Create Subclip... But that's only part of the workflow of course... Power Bins are not available in the Cut page. 🤔
@@Chris.Roberts Hi Chris BIG thanks, I was slowly coming to the idea of getting the deliver page with the clips and then bringing them back into the individual project. You pushed me in the right direction. Did you ever do a review of the BIG Editing keyboard over the speed editor?
@@martincole great to hear!
I haven’t done a comparison of the Editor Keyboard vs Speed Editor. Bear in mind that the Ed Keyboard is a full keyboard with a few specialised keys primarily for use in the Cut Page. Apart from one, I’m generally content to work with my regular keyboard 😉
@@Chris.Roberts Ok thanks. I was going to get studio but then I saw that if you buy the keyboard it comes with studio. I actually had the speed editor, but for one reason or another I went back to FCP X and sold the Speed editor with the Pro licence. Weeks later I realised I had made a BIG mistake and now I am back on Resolve free so am looking to get the editor keyboard with the free studio upgrade as part of the deal. Thanks for your help - Appreciated
I have removed "edit" page after this video 😅 Thank you Chris. I look forward to watching more videos.
Haha! The Edit page has got a lot going for it. Cut and Edit are complementary not exclusive 😉 Glad you like the videos! 🙏🏻
I have watched your official BMD videos long time ago. I’ll give them another go. I hope you could make a video on best project/deliver settings for BRAW to be edited/exported to UA-cam. Thank you!
Hello I'm just looking for a way to display my footage in its original aspect ratio (landsape) when reviewing in the cut tab before drag and drop it into my time line (portrait)
I want to crop the footage later in edit tab.
Hi! If you right-click on the clip in the Media Pool and choose Clip Attributes, there's an option in the Video tab for Image Orientation so you can rotate the clip 90 degrees left or right for the correct orientation. HTH!
@@Chris.Roberts Sorry I wasn't precise enough.
My timeline is set to 720x1280px
And my footage is 1280x720px
When reviewing in the cut tab it's cropped to 720x1280px and I can only the see the middle of my frame.
The rotation is correct.
I find it really weird that the raw footage is not displayed on its original form when reviewed.
Ah, I see. Yes I think this is a weird behaviour too. However, it's because your project settings are set to vertical. If you change the project settings to 1280 x 720 then the footage will be displayed correctly in the source viewer. Then you can change the *timeline* to 720 x 1280 by right-clicking it in the Media Pool and choosing Timeline Settings... You may need to uncheck use project settings but then you can change this timeline back to 720 x 1280 for displaying your edited footage.
This video may help: ua-cam.com/video/G1arCPDynIg/v-deo.html
Can we use only cut page without touching edit page?
It depends. Some things are easier to accomplish in the Cut page as I mention in my reframing video ua-cam.com/video/G1arCPDynIg/v-deo.htmlsi=k5XWqspMSk3nKstN
But, also, some things are more limiting like audio mixing. Not totally impossible, just not as easy.
Why cut page is required when you have edit page ?
It’s not. Thankfully we’re not forced into using one or the other. The features of each page are complementary rather than exclusive. That’s the beauty of Resolve 😉
Hi Chris, where are you.?
Not too far away! Don’t worry I’ve got more coming!
I hate the cut page… It’s like going back to Final Cut. Yikes! Long live the edit page. Lol. But joking aside there are a few good things in the cut page, but not many. And it’s a weird way of editing.
I have a bit of a love/hate relationship with the Cut page too. Thankfully, nothing prevents us from editing exclusively in the Edit page... but the Cut page does suit some folks... Each to our own I guess! Thanks for commenting!
Hi, how would you perform a back time edit in resolve??
Hey! You don’t need to do anything special. Just add the in and out points in the timeline or source and add the corresponding out point in the other location. The trick is not to add another in point. Remove the in if it’s already there. Then you can use whichever edit you need such as Overwrite or Place on Top. HTH!