Thanks Clift-god, this is exactly the kind of tonality I enjoy with arpeggios, now I have a theory concept for how it is born. Just the low-E pattern back and forth is already juicy. The left hand hammer to start the patterns is the hardest thing to feel natural and fluid about. Always makes me think of Michael Romeo.
Thanks for sharing Clifton 🙏✌️❤️🎸🎶🎼🎵
Enjoyed the lesson, any country, bluegrass type of lesson coming?
@@eduardoprieto5267 there’s a few country lessons a little further back in my catalog, thanks for watching!
Thanks Clift-god, this is exactly the kind of tonality I enjoy with arpeggios, now I have a theory concept for how it is born. Just the low-E pattern back and forth is already juicy. The left hand hammer to start the patterns is the hardest thing to feel natural and fluid about. Always makes me think of Michael Romeo.
Michael Romeo is super rad! I don’t play on the right type of setup to pull off that kind of stamina but I respect it.
awesome! always wanted lessons from you!
Get ready for more. Make requests!
@@cliftonwright7081 Thank you! I will think about it but for now, speed exercises come to mind (might be a bit too basic for your audience though).
Intervals and also inversions for keyboard players, but yeah not reason why guitarists can not get in on the fun too.