Yulianna Avdeeva - Etude in A minor Op 25 No. 11 (first stage, 2010)
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- Опубліковано 17 бер 2016
- Yulianna Avdeeva, laureatka I nagrody
Etap I
Etiuda a-moll op. 25 nr 11
Yulianna Avdeeva, first prize winner
First stage
Etude in A minor Op. 25 No. 11
All rights reserved 2010
The Fryderyk Chopin Institute (NIFC), Polish Television (TVP), National Audiovisual Institute (NInA)
2:34 the cleanest phrase I've ever heard. 💖💖💖
Yulianna Avdeeva playes so natural without making a big deal out of herself. Just music! What a great musician!
The opposite of Wang and Buniatishvilli.
@@arthurenzo3075 I absolutes agree. I never liked Lang Lang or Yuya Wang. They only wanna play as speedy as possible.
@@prokastinatore and that´s what people want. "Circus", best lightly dressed, as quickly as possible and preferably with grimaces and wild movements. Only a few care about the beauty and purity of the compositions. Yuliana Avdeeva is really one of a kind and in 50 years of intensively listening to piano works, I have never heard such a fine touch and phrasing, such clarity natural sensivity combined with a perfect technique.
@@arthurenzo3075 I totally agree ! I guess that more and more young people decide to become a "pianist". That's different from being a "musician". The musician studies the score in a non-selfish dimension and tries to work out "the message" of a composer "between" the sheets. I' myself feel very happy with almost 58 years today. After I became a graduated "pianist" , I went to medical school and today I'm a qualified surgeon. After having had a long brake of more than 10 years, I started rehearsing "Goldberg variations" and "Petroucka2 besides the Brahms Paganini -variations and it works better than when I was a "professional"- maybe because there's no pressure of making a living out of it. If you ask me, maestro Yuliana Avdeeva is totally underrated and she deserved also like all former winners to start a big career. As far as I know she is teaching somehow in Switzerland and plays some recitals...
But she knows the score and brings out the music and that's the most important thing according to this issue!
That´s it @@prokastinatore but Yulianaq Avdeeva is gradually moving up. I heard her four weeks ago in a small town in front of 300 people (nearly all Yulian Avdeeva experts) and she's playing at the end of September in one of the most well known concert halls in Germany in Dortmund, for which I habe of course tickets. She is becoming more well known and I hope and don´t think it is out of the question that she will get a record deal, which is overdue. But I´m sure that it doesn't matter to her at all, but it does matter to me, because there´s still so much she could record and because it simply belongs in the closet of a real music lover.
And fore those who really know her stuff, maestra
Yulianna Avdeeva is already one of the greatest.
Many greetings from Germany.
Fantastic, one of the best performances of this piece ever! So many pianists just bang on the piano as fast as possible...
You can hear every note. Amazing
Actually!
Actually not the case. There are many places where it actually happens that notes are missing. For example in the ending scale. The fingering for right hand is 123 1234 for every octave + ending note (a3) she misses every last note(#)of each group 123# 1234#. Another place is 2:24. These 4 bars till 2:32 are only 2 examples
I don't underestimate her amazing work, but that's the point of this competition: playing accurately, no wrong notes.
@@Crypto.Starter.btc.eth.futures did you join UA-cam just to comment in this video? Lol
One of the better performances of this I've seen; beautiful, beautiful.
Magnificent, original interpretation, full-bodied and exciting.
Her facial expressions describe how hard this piece is
I like the way she played ‘winter wind’. It’s extremely difficult to play it well without proper warm up.
Hungarian Rhapsody no 3!
I also like the melodies she brings out very clearly without being overpowered by right hand. I like the way she interprets it a lot.
@@mantisninja4945 ur right
wait till you hear Sumino Hayato's version of it hahaha he plays it driving full speed ahead
Breathtaking perforamance, technically and musically. Members of the Jury heard the same: drama of Chopin's life in every phrase. Yulianna, You always play music - not only the piano!!
Najlepsza a zarazem jedna z najtrudniejszych etiud na świecie! Skomponowana i przemyślana perfekcyjnie od pierwszej do ostatniej nuty, zresztą jak wszystkie utwory Chopina!
Hers is definitely my favorite rendition on this channel, not rushed, played masterfully and intentionally ❤️❤️
I think I've stumbled on one of the best performances that I was trying to find for this piece.
How much feeling, never seen this bunch of feeling and fire, never
Sir Fryderyk Chopin is the pride of Poland! The whole country is very proud of him! 🇵🇱
I think I found my favorite interpretation of this etude. Wow! 😍
RIP Frederic. You were taken from us too young. I'll never forget where I was when I first heard Etude in A minor
Piękno muzyki Fryderyka Chopina to fenomen graniczący z cudem ❤️
She was magnificent. I loved her Rubatos and self impressions. The relaxing of wrist tension and imediate recovery of the power in one of the last bars was just amazing and visually spectacular. SHe is an excellent instrumentist.
Good lord that was amazing!
Yulianna! This is the real Chopin!
I really appreciate this performance
2:35 wow! I’ve never heard it played like that. powerful.
best rendition by far in my opinion, she really gives feeling where on other recording this is often way too fast to enjoy
I love this so much 😍😍 but I wonder if that guy at the end . if he holded in his cough threw that whole thing lol respect 4 him and the pianist lmaoo 😁😀😀
This is the 'Winter Wind' I was looking for.
so am I..
That first prize was well deserved: the complexity of repertoire, the delicacy of sound, the clarity and coherence of exposition, the undeniable virtuosity, the personal take on interpretation. Bravo !
This is the best interpretation. The baseline is ever so clean, which for centuries pianists have overlooked
왼손 멜로디를 살려야되는게 포인트이긴 한데 이분처럼 이렇게 뚜렷하게 들리는 건 첨보네
Love the Vladimir Ashkenazy left hand. My personal favorite performance after watching dozens of these. Brava!
Pollini's good.
Умница! Молодец!
ОЧЕНЬ ПОНРАВИЛОСЬ!!!!🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹👏
Amazing !
The BEST version currently on UA-cam.
I hope of this interpretation, If not you should search better.
こんな演奏がタダでどこでも聴けるとか凄い時代になったな
Impeccable!!
The first bars are there to test that the keyboard works.
Amazing
She’s amazing.
Incredible truly
Krásná skladba úžasně a s citem zahraná.
Yulianna Avdeeva é, sem dúvidas, uma das melhores pianistas de sua geração. Esta interpretação de Chopin, e outras, são marcadas pelo equilíbrio. Sua leitura coloca a emoção a serviço da claridade. Uma das suas habilidades é a cautela nas frases e pontos mais perigosos, em que muitos pianistas exibem virtuosismo malabarístico, sem qualquer profundidade de execução.
evandro vilas boas cardoso foi uma excelente interpretação,
evandro vilas boas cardoso mas o ingolf wunder que merecia ter ganho
@@Tizohip sabe que eu tb na época achei isso. Mas depois de 11 anos eu vejo a Yulliana com outros olhos e acho que ela mereceu muito.
Maravilhosa !
Mãos Divinas
Her music is so passionate that every note is fully used to maximize the perfection.
凄く聴きやすいテンポだし、場面の変化もわかりやすい！
The only piece that makes me sweat like a defeated sumo wrestler anytime I am practicing.
Elle joue divinement. Sa main gauche très puissante est particulièrement remarquable.
En effet!
Maravilha! Sensacional!
БРАВО!!!!!
i like her bass!!!
멜로디가 귀에 쏙쏙 들어옴
Getting a bit repetative of me to say this... but.. she is brilliant...so much precision and the opening was so goooood!!!
¡BRAVO!
좋은 연주, 좋은 해석.
O único defeito dela ao meu ver é o ritmo, a fluidez ritmica, o tempo.
Can't say I like any of her performances really.
0:24 1:43 이 구간들이 정말 좋네요 폭풍이 잠시 잦아들었다가 다시 몰아치는 느낌
You won't believe how hard it is until you try it. right hand is absoloutly insane!
Left hand is harder. Right hand was written in a way so that you don't need to change positions often. Left hand has all the jumps and some passages that are much harder
@@rokomatijevic8616 lol.
@@maulcs you're laughing but the melody is in the left hand, playing it clearly with all the jumps and still maintaining a nice melodic line is not an easy task. Ok maybe I exaggerated the difficulty of the left hand, but I just wanted to contradict the first comment saying that the right hand is absolutely insane, which it isn't.
@@rokomatijevic8616 I'm going to have to disagree, the left hand is very easy compared to the right - at least until it starts mirroring the right hand.
@@maulcs hahaha yes
I'm in love with Yuliana Adveeva.
wow
Perfect~You're so beautiful.
Ore-inspiring!
She has solid and magnificent technique there to have won the competition deservingly though with the scandal involving on one of judges
Not of them work Of the (Death) 1st Anniversary Of Etude Op. 25 No. 11 In a minor
A prodigy.
0:20
0:28
0:45(17)
2:05 look how fast her hand moves
めちゃくちゃ響いてる。
腰を使って弾いてるのが印象的。
Why is it supposed to be a "fitst stage" song
Prrrrrrrrrrrrrrrrrrrr rapido jeje
My personal prefrenes is that she could make her lefthand more powerful
it s similar to chopin (face)
손가락 끝에 바늘을 세운다는 건 이런 걸까?
3:25 legendary 🙌 👏
와 왼손소리 진짜 잘들린다
It's a shame that the reception of recording was so awful. Her performance was marvelous.
Rozjebane
A lot of people consider this etude to be extremely difficult. I beg to differ.
Feels like she is to concentrated looking at the notes feel she is nervous or something
Random Object I’d be nervous playing such a beast in front of that many people too
Imagine the pressure of walking up on a stage in front of a huge audience with judges ready to break down everything you do, while also being video recorded from every angle. No wonder most classical artists experience anxiety before going on stage; having to play complex music with complex motions all by memory, WHILE anxious... good lord.
Fear of memory slip, fear of hitting wrong notes and be eliminated/humiliated. It might be published on this YT channel where all keyboard warriors of the world may unite and criticize freely.
私の母によるハラスメントは、度を越えていました。今は世の中の人達の方が、まだ平和らしいのです。とはいっても私の努力次第で、ピアノの方は決まります。本当に覚悟がなければ、腕を磨くことは出来ません。
Her face lel. When you're trying to get a perfect in guitar hero on expert
Arpeggio sentences were noticeably slower than chromatic scale sentences, resulting uneven flow and rhythm disparity of her music.
This A minor "Winter Wind" etude belongs to Kissin.
Not an expert nor a pianist, but just from the many interpretations I've heard of this piece, I feel like she really lacked that oomph for lack of a better term. Don't get me wrong, it still sounded great since it was played so clearly, it just didn't resonate with me.
Bryan Duran i have to agree with you, the whole point of Winters wind is to be ”there” in a sense, the notes are too gentle, a winter wind in Poland is anything but gentle.
I agree
I feel like the really had it in the beginning, a lot of people play the opening so softly that it almost makes me angry because this etude should have a bitter edge at all times, becoming more and more pronounced. But then, I feel like she sped through it, it's incredible because every note had absolute clarity and most people who speed through it end up muddying the sound but it's not perfect. This is my favorite Chopin piece by far so I'm extra picky.
Maybe you just don't like the piece???
@@SeabassFishbrains On the whole, I agree, but I think she rushed the intro. It should start out at a slower tempo so that there's more temporal contrast between the opening and the rest of the peace. Otherwise, she was flawless in her delicacy and precision, even while conveying the harshness of a blustery winter in Poland.
Yuli, marry me!
Such a uniformly clattery rendition. None of the greats play like this. They have more variety to move the "high definition" to background and foreground.
znakomita pianistka
Playing Chopin Etude in high heels??!!you got to be kidding me!
Daniel Ard why is that so surprising?
wow, but would be even better on Steinway or Bösendorfer
Insupportable, cette sonorité de Yamaha!!! Il ne faut pas oublier que Chopin a écrit cela sur un Pleyel, originalement. It's Chopin, not a laser swords battle in Star War!
웬 대학생이 치는줄..😣
왜 당시 쇼팽콩쿨 우승자 논란이 있었는지 알겠네요
대학생같은 소리하고 있네
국내 학부생중에 이정도로 치는 사람이 누가 있는대? 개웃기내 ㅋㅋ
ㅗ
전혀요
This was the weakest of the songs she performed.
This is not a song ! It's a piece !!!
This was the weakest of the pieces she performed.
I think the scherzo was worse
The third one
Kinda blown away that anyone would have a negative comment bout this performance...
bad left hand, not sing