I'll add one thing, and ask one thing; here goes. When playing a fast passage like that fast paradiddle-diddle near the beginning or any and every other time you'll ever play passages like this; I've been preaching this since high school in the 90s to post-college; you want to hear every note. Don't crush your inner beats in between the accents. Make everything evenly spaced. For me, I'll ask- speaking of crushes; the buzz-crush section; is there an exercise you would recommend to help me get better at learning that bar?
Great work as ever man….. Could you break down some cadets ‘97 ? The second number where the drumline are legging it? Also ‘that ‘ BD 95 tenor break…just for us old cats 😎
@@FreestyleRudiments and how much would you say this impacts your playing on the drum kit to learn this stuff? Does it translate well to everyday kit playing. Thanks for the reply.
@@goob5568 Not much at all. Of course, it's beautiful to have new artistic ideas in your mind to draw from. But speaking as someone with many years of marching snare background, this focus doesn't turn into much of anything at the kit. It's never totally bad to develop your hands and timing. But if your interest is at the kit, spend your time exploring there and building those ideas while also practicing straightforward singles, doubles, combinations, etc exercises. The very simple, foundational exercises are where the real meat of improvement is found in marching snare playing that will effect everything. These snare solos are a very niche area with a specialized vocabulary that takes time and focus to develop cleanly, and don't have much direct translation to other areas.
@@jedijesses5496thanks mate! I assumed it would give lots more control, precision, variation for fills, many aspects that would benefit kit playing so I'm quite surprised!
@@FreestyleRudimentsYea I’ve just been tryna learn this break for a while now and haven’t gotten it but I can always properly learn them with your videos I was so excited when I saw it
I'll add one thing, and ask one thing; here goes. When playing a fast passage like that fast paradiddle-diddle near the beginning or any and every other time you'll ever play passages like this; I've been preaching this since high school in the 90s to post-college; you want to hear every note. Don't crush your inner beats in between the accents. Make everything evenly spaced. For me, I'll ask- speaking of crushes; the buzz-crush section; is there an exercise you would recommend to help me get better at learning that bar?
Hey Scorpio, The only way I got better at the buzz press was practice double strokes really slow but press the 2nd stroke. or Parabuzzle rudiment
Early!
Great work as ever man…..
Could you break down some cadets ‘97 ? The second number where the drumline are legging it?
Also ‘that ‘ BD 95 tenor break…just for us old cats 😎
Ever since I was younger I've always wanted to learn this, I'm glad this video was released since now in my early twenties i finally learned this
yea its a diffucult one till you know the 5/4 and see the notes! glad you got it!
CAN YOU PLZ PLAY shake hands witth beef
I will have a look and may add to the list 👍 are there different versions or just one?
Love your videos - thank you so much for each and every one! Do you post PDF’s of the sheet music anywhere?
I dont normally post the sheets as the original writers often sell them and I dont want to take away those small profits.
What level would you regard this as, advanced?
Hi, yes, this is world class elite drum corps. But it doesn't mean you have to be world class to begin learning it or even just master a few bars 👍
@@FreestyleRudiments and how much would you say this impacts your playing on the drum kit to learn this stuff? Does it translate well to everyday kit playing. Thanks for the reply.
@@goob5568 Not much at all. Of course, it's beautiful to have new artistic ideas in your mind to draw from. But speaking as someone with many years of marching snare background, this focus doesn't turn into much of anything at the kit. It's never totally bad to develop your hands and timing. But if your interest is at the kit, spend your time exploring there and building those ideas while also practicing straightforward singles, doubles, combinations, etc exercises. The very simple, foundational exercises are where the real meat of improvement is found in marching snare playing that will effect everything. These snare solos are a very niche area with a specialized vocabulary that takes time and focus to develop cleanly, and don't have much direct translation to other areas.
@@jedijesses5496thanks mate! I assumed it would give lots more control, precision, variation for fills, many aspects that would benefit kit playing so I'm quite surprised!
THANK YOU SO MUCH BRO OKG OMG ONG
Pleasures. I guess you like scv?
@@FreestyleRudimentsYea I’ve just been tryna learn this break for a while now and haven’t gotten it but I can always properly learn them with your videos I was so excited when I saw it
Could you teach us Blue Devils Sterling, please?
Thank you for this breakdown!
14:19
Classic.
Agreed
Can you do rhythm x 2023 next?
Love it! gonna get this up to tempo (someday)
Can you do SCV 2014 :)
and teach itt
Amazing man, thank you so much!
thanks for watching
15:22