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Thank you, I wanted to do exactly what u did, not just the splitting part, but also the excluding measure count part!
Very helpful
cool thanks marc 👍
Nice explanation. Thank you. Is the split you showed the same as a ctrl+click on the barline palette?
@@fourhymns-worship yes, that’s another way to access the same functionality.
Is this traditionally done with out adding (and cluttering up everything) the 2/4, 1/4, and 3/4 time signatures?
@@ibdense as my video shows, no need to change time signatures just to split a measure.
Am I wrong or if you didn't have a pickup, which was played on the repeat anyway, the barline would be where it's supposed to.
@@nexuennex9151 if I understand correctly, you aren’t wrong :-). Mid-measure repeats are indeed mostly used in conjunction with pickups - either at the beginning of the whole piece like this, or pickups to individually repeated phrases.
@@OutsideShoreMusic Makes sense. Thanks for answering.
Too lazy to write extra bars?Ingenious!
Thank you, I wanted to do exactly what u did, not just the splitting part, but also the excluding measure count part!
Very helpful
cool thanks marc 👍
Nice explanation. Thank you. Is the split you showed the same as a ctrl+click on the barline palette?
@@fourhymns-worship yes, that’s another way to access the same functionality.
Is this traditionally done with out adding (and cluttering up everything) the 2/4, 1/4, and 3/4 time signatures?
@@ibdense as my video shows, no need to change time signatures just to split a measure.
Am I wrong or if you didn't have a pickup, which was played on the repeat anyway, the barline would be where it's supposed to.
@@nexuennex9151 if I understand correctly, you aren’t wrong :-). Mid-measure repeats are indeed mostly used in conjunction with pickups - either at the beginning of the whole piece like this, or pickups to individually repeated phrases.
@@OutsideShoreMusic Makes sense. Thanks for answering.
Too lazy to write extra bars?Ingenious!