The control he has over his voice at 2:28 - 2:33 is absolutely insane. Think it’s what we call a full send. He just goes for it no matter how ridiculous it is.
This song has been getting unanimous praise, and deservedly. My take: Harmonically, in terms of guitar work (Mark’s songwriting) is super poppy. In line with Mark’s signature style. Basic chord progressions, but intricately played… Allowing Spencer to shine brighter than ever before with his vocal arrangements. Thanks for sharing the vocal track. This is peak progressive metal.
I heard isolated vocal tracks from Spencer, and every new material is just better and better. Spencer is one of the greatest singer of the world (and not just this....... Genre)
Spencer has been very open about using tuning on mostly everything, on P2 there was apparently no tuning at all and he just hated having to track it that way as it takes so much more time so he never did it again
To clear up some confusion, the harmonies in every album are tuned. The main vocals on every album except P2 and P5 are also tuned. For P2, Spencer said he didn't want tuning on the main vocals to prove he could do it. For P5, there was a recent video with Chris Liepe where he explained that he didn't use tuning for the mains again since he had the time to do so and wanted to capture the minor details in stuff like pitch imperfections/note transitions. Anyways I agree that tuning does not mean less impressive, but I'm 90% sure there isn't any obvious tuning here; you can hear the pitch waver a bit on that F#5, and throughout the album I think it's easy to hear that the vocals aren't perfectly in tune all the time (not to say that they're bad, just more organic sounding)
@@georgechapman4188 no, it's dead easy to hit in falsetto, but obviously really hard for most guys in full voice. Funny that this is the same high note as Ragnarok, I guess Spencer feels more comfortable with producing that live than anything more.
The control he has over his voice at 2:28 - 2:33 is absolutely insane. Think it’s what we call a full send. He just goes for it no matter how ridiculous it is.
My favorite part without a doubt
yepp that's an incredible run!
Like a fine wine he only gets better with time, also love how organic the main track sounds.
#Chunk!
He used no tuning on main vocals!
@@flataffect I know! It's so cool to hear the vocals without a thousand cuts as well. All in all this was a great Periphery album
@@flataffect don’t think he has since p1
3:31 - 4:00 is absolutely beautiful. jesus christ. those harmonies are so insane
jesus H Christ, Spencer's vocals just get better and better with each record
Spencer rocking the Sleep Token shirt though. 🔥
That note at 5:45 though, ugh, so GOOD
This song has been getting unanimous praise, and deservedly.
My take:
Harmonically, in terms of guitar work (Mark’s songwriting) is super poppy. In line with Mark’s signature style. Basic chord progressions, but intricately played…
Allowing Spencer to shine brighter than ever before with his vocal arrangements.
Thanks for sharing the vocal track. This is peak progressive metal.
I heard isolated vocal tracks from Spencer, and every new material is just better and better. Spencer is one of the greatest singer of the world (and not just this....... Genre)
favorite song off the new album. Incredible.
One of the greatest
thanks for uploading these
He's a god
Paul Gilbert be like: 😡😡😡
LMFAO djent shitposting even reached this video, what a time to be alive.
Love Paul man
I didn't get it can someone explain?
thanks for this. what is the bpm?
193 maybe
Great guess, that's correct!
There's definitely tuning to this. You can hear it. But still that doesn't make it any less impressive 5:41
He uses it a little bit. Not on his main vocals though I believe.
He doesnt use it on the main vocals lol.
Spencer has been very open about using tuning on mostly everything, on P2 there was apparently no tuning at all and he just hated having to track it that way as it takes so much more time so he never did it again
To clear up some confusion, the harmonies in every album are tuned. The main vocals on every album except P2 and P5 are also tuned. For P2, Spencer said he didn't want tuning on the main vocals to prove he could do it. For P5, there was a recent video with Chris Liepe where he explained that he didn't use tuning for the mains again since he had the time to do so and wanted to capture the minor details in stuff like pitch imperfections/note transitions. Anyways I agree that tuning does not mean less impressive, but I'm 90% sure there isn't any obvious tuning here; you can hear the pitch waver a bit on that F#5, and throughout the album I think it's easy to hear that the vocals aren't perfectly in tune all the time (not to say that they're bad, just more organic sounding)
the main vocal has no tuning, just layers
F#4?
F#5 :) not an easy note to hit in falsetto let alone how he does it, Sponce is something else
@@georgechapman4188 Nice Bro! THX!
@@georgechapman4188 no, it's dead easy to hit in falsetto, but obviously really hard for most guys in full voice. Funny that this is the same high note as Ragnarok, I guess Spencer feels more comfortable with producing that live than anything more.
5:40 🤯