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Your Painting ISN'T RUINED! | How to Save a Watercolor Painting
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- Опубліковано 16 сер 2019
- Beginners Drawing Course: bit.ly/2Gn4rOID...
My Art and Creativity PODCAST:
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Instagram: / lironyanil
My books on Amazon: www.amazon.com/...
Snapchat: LironYan3
In today's video I'll show you how your painting usually is NOT RUINED, but rather still work in progress.
I hope you find this educating and encouraging!
Link to original reference photo:
imgur.com/a/lF...
- Liron
🎨 MATERIALS I USE 🎨
Paints (Mix of Daniel Smith & White Nights)
Phthalo Blue (Red Shade) - amzn.to/2FCuEvA
Ultramarine Blue - amzn.to/2FCvicu
Nickel Azo Yellow - amzn.to/2HW5Ik3
Perylene Red - amzn.to/2HUc1Ve
Quinacridone Rose
Brushes
Silver Black Velvet - amzn.to/2JCnSJZ
Raphael - amzn.to/2Wo71wb (multiple sizes and sellers)
Princeton - amzn.to/2YoSHpa
Paper
Saunders Waterford, 300gsm, cold-press - amzn.to/2WrdTZU
** MUSIC CREDITS **
Music by Joakim Karud / joakimkarud
Music by @joakimkarudmusic
![Дон ДОН, Алаудинов и СБЕЖАВШИЕ из под Курска ахматовцы 😁 [Пародия]](http://i.ytimg.com/vi/dEfCf5IK26Q/mqdefault.jpg)
Well, that was SUCH fun to watch. You totally proved your point Liron. After the 'mess' your darks brought out the light, the people, everything. Amazing.
Another thing to be learned here, the colour choice does NOT matter. Blue trees? Red for the sunlit ground?!! You also read my mind about 'ruined paintings' I wonder how many other people trash theirs after the first wash!
I noticed your subject was good. Focal point and plenty of different value contrasts. The people will be tricky worth trying. Thank you again
Haha thank you so much! ^_^
Very happy you enjoyed this one and that it indeed proved the point (;
Yes - SO MANY people give up too soon!!!
And yes - the subject here is PERFECT in my opinion. I'm happy you noticed. I wanted to make it a little easier on myself, with all the intentional "messing up" (:
I really love how you paint in the figures by focusing on the shadows and values. You're a master at this technique
Thank you ☺️ Can’t wait to do another vid with figures!
What I love is that you 1. Give us a reference photo, 2. Give us a clear title of what you are going to teach. 3. Then give us instruction and explanation for what you are doing. I have improved bc of your videos and I'm grateful
So happy to hear! That's what gives me the most pleasure.
I want the vids to be some of THE BEST out there, and really show everything clearly!
You have a really strong visual style. It's really admirable to see an artist with such a strong method. I would love to have this bold and suggestive/gestural style. Thank you for inspiring me and explaining your method.
So great the way you're willing to share your work, both what works and what doesn't - you're so unafraid and that's really inspirational, Liron, thanks!
Thank you ^_^
Always trying to show it as it is!
Thanks for the video, Liron. I was watching someone the other day and they said that, for them, progress in painting was not a question of succeeding - it was simply a matter of 'failing better'. I have to say I quite like that viewpoint, as it means that we don't have to feel too bad when our paintings continually fall short of what we'd hoped for. And your message in this video - that we can almost always salvage a painting that's 'taken a wrong turning' - is another aspect of this. Nothing is ever a total failure, it's always a learning opportunity; and trying to save a 'disaster' is always a better lesson than simply giving up on it and tossing it in the trash can. Great stuff and thanks again. Best wishes, Brian.
Love the negative detail and demonstration of how to add in the final touches to give the eye the structure of things.
More than often I have nice colors on the palette that finish as mud on the paper. You manage to do the exact opposite ! Magic !!!
Also I take it as an excellent lesson of negative painting.
You are very inspiring. Thanks Liron.
I’ve been paying attention to where you hold your brush. I’m trying to be more cognizant of that when I paint. I favor the loose style but seem to paint too many details too soon in my paintings. I know I tighten up on my brush and I’m trying not to. I love your videos. You just go for it!
Thank you so much ^_^
Remember - first wash is all about establishing temperature, and perhaps a tiny bit of value by wet-in-wet and preserving highlight.
Then in the second wash - you try and see groups of value - LARGE ones. And focus on them, rather than details.
The details can almost always be added later. Paint big groups of similar values (like I did with the trees + background at the beginning of the second wash).
I hope this makes sense (:
One of the greatest videos about watercolors I've seen on UA-cam! Well done and thank you!
That was awesome. I loved watching it come together. I like the demonstration of all the “wrong” colors working out fine. I liked watching the figures take shape with the shadows and the negative painting behind to make highlights.
Thank you so much 😊🙏🏼 Happy this one connected.
Every watercolor painting can be ruined at some point - happy to say this one indeed survived and thrived (;
It seems in the end that the “mistakes” were purposeful as each value was what was actually needed to bring about the illusion of objects. Especially the people and parasols!
You are so talented. Love this and how you explained everything.
Hey, I've watched half the video and man I have no idea what you're doing nor where you're going 😅
Edit : and by the end of the video, everything makes sense. Which kinda amazes me 😮
Haha, happy it ended up making sense! ^_^
That was the goal here (;
I love how you can capture a form, a body, just by painting shadows!
That's one of the BIGGEST pleasures I have in watercolor (:
One moment there's nothing there, and the other - it reads perfectly! And without even actually painting the thing haha.
Very helpful video. I think darkening the left hand side towards end of video really helped the painting,it needed it. I’m going to keep this video in mind during my next painting session and if in doubt go dark to see if I can snatch victory from the jaws of defeat. Thank u
That's awesome to hear! I believe you really can ^_^
Let me know how it went!
I really enjoy your loose interpretation of the oolors and shapes. I can start to see what you mean about focus. My water colors don't keep their color when I mix (like, my mixes will give shades of brown no matter what I mix). Have I mastered making mud? Or my paint is not holding its color values? The paint I use is not chalky so I was happy with that.. No name brand watercolos...I will use them up, I am a beginner.
Thank you 😊
And regarding your question - that's strange.
Did you try using pure paints and letting them mix on paper? That's one thing that can really help.
Also - perhaps you are using paints of low quality?
Let me know and we'll try figuring it out!
Love your instructions for salvaging a painting. Would be extremely helpful if you could show finished work without tape! Thanks
Yes - sorry about that haha! Will share as a post (:
I think there are two aspects to this, possibly related
1. If you do something that you later realise was not what you intended (eg red sky), it need not be a disaster, you can recover and perhaps even take advantage of it.
2. Perhaps even more important - even when you don't do that, most watercolours go through a long stage of looking horrible. They suddenly, magically, come to life when strong darks are added, often near the end. You have to train yourself not to give up in the middle when everything looks a mess. Checkout Tim Wilmot's videos to see this.
Yes yes!! So true! Tim demos this very well in all of his works. Some of the best tutorials here on UA-cam (:
Wow, it was first looking so much like one to give up on, and you made it work. I still wasn't a fan of the tree but those people really made it work. Your videos are my absolute favorite to watch.They have really gotten my paintings to loosen up. I am able to have more fun with painting now, and not worry so much about colors and details. You are a terrific teacher!
Thank you so so much ^_^
That's what I'm trying to show! The painting isn't over til it's over (;
Passionnant à suivre , fantastique façon, grâce aux ombres, de mettre la lumière en valeur! On apprend beaucoup, grâce à vos vidéos, un grand merci! Et j'améliore mon anglais....
? In english please?
There’s two challenges I face while I’m creating:
- fear of going on when it looks good that maybe i destroy it
- stop working on it once i actually did «destroy» it
I think this video could help many people see that not everything is lost when you do a mistake. Felt much real than Bob Ross’ happy accidents … which always looked way better than my accidents haha
This was very useful liron i enjoyed it it all came together for me when you put the dry brush on the building 👍🏻it demonstrates how the brain works it all out thanks Trish
Travel sketches are back. Look at your channel again! like!
You could also name this video "The Magic of Values." Great video Liron, and thanks as always!
Do you ever do full-sheet size paintings? I like to work big, and would love to see how you handle the challenges of working on a large watercolor.
I did one piece full-sheet size, and then plenty of half sheet size (:
There are indeed challenges that come along with larger paintings - I hope to address some in a future video!
@@LironYan Thanks, looking forward to it!
Fabulous painting 🖼 👌
Very good skill
Thank you so much 😊🙏🏼
Amazing! Starting with vague forms and putting in shadows and defining only shapes! Would like to see that painting without tape at the end...
Wow fabulous to watch! Thanks.
Every one of your videos is a painting adventure! Thanks for sharing your talent, ideas, inspirations, and advice. Love your sparkling, positive personality! I’m just starting out and have a long way to go, but just getting color on the paper is fun and I won’t learn anything if I don’t get things wrong.
Good one, Liron. It IS indeed possible to save some paintings. nice work.
I can't believe the crazy, wild evolution of this one! What a ride. Thank you.
Hi liron. Loved the vid. Hate to admit this but I look forward to messing up paintings so I can experiment. Sometimes cut up for collage or paint over part with gesso. I use acrylics mostly so bad painting becomes part of the process.
That was great!
Great help...thx
At first I thought you may have lost it, but you did an excellent job recovering the picture and making it believable. I do wonder however. Did you use transparent watercolor or not?
I was struggling with this just yesterday. This was extremely helpful. Thank you!
So happy to hear! Let me know how it goes the next time (:
Great job ! I need lots of practice :)
That's what it's all about (; Keep me posted on your progress!
Any chance you could put up the actual photo large enough to make my own drawing and then paint along? Loved this lesson - watched it three times!
Check out the description box - it’s there! 😁😉 Thank you, so happy you found this helpful!
Excellent info! Thank you!
Amazing, thanks!
Reeeeeeeealy good vid! The liron👍🎨
Amazing
Wow. I've made exactly the same mistakes and consigned the paintings to the bin! This tyupe of correction I suppose only works if the style is 'loose'? I'm definitely going to perservere with a 'ruined' painting now!
Could you do a similar video but about screwing up a portrait. I often feel like landscapes/ cityscapes are much more forgiving.
Yes! I can definitely try one on portraits (: Will add to my list of ideas
i ve painting a large paint like 60x50 cm so my problem is that when i wat to paint above a ligh color already painted i dont know how dark it gets because it gets wet and dark just touching water, i think ok is dark enough but when it dries isnt the color i wanted
One question, why not place a pop of color to the parasols?
I really like the people
another excellent video! One question, have you ever mixed gouache with watercolours?
Wow! Amazing. Great work
"now that this monstrosity has dry"
well, some might call that modern art...
Haha 😂 I should have ended it there and mail it to the closest museum (;
Love the way the added lines at the end are just a hint of the shapes to make sense of the flow of colors. The end result is so free flowing with color yet the eye finishes defining the shapes.
It’s wrong to not preserve the white of the paper for the highlights, you are doing good but you are ignoring the most important thing which is the white of the paper.
I just want you to take the tape off.
I really like the people