Superimposing Pentatonic Scales

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  • Опубліковано 15 лис 2024

КОМЕНТАРІ • 19

  • @SkyDawg91
    @SkyDawg91 3 роки тому +3

    Outlining the Lydian sound, sounded like Eat That Question

    • @SkyDawg91
      @SkyDawg91 3 роки тому +2

      So did the one after! Lol

  • @dannychoriki1977
    @dannychoriki1977 3 роки тому +2

    Spicy indeed. Good stuff. I love stuff like this.

  • @JoseelPepas
    @JoseelPepas 2 роки тому +1

    Beautiful and clear video bro', a tons of thanks!!! very practice.!!! but I would like know the sustent of theory music in this aplication. why while movements the pentatonic scales in shape of G in the diferents grades of a scale mayor of a chord mayor We having different sounds? Maybe could you explain more about concept theory or recomend me any books!!! again ... a ton of thanks!!!

  • @mrdevinwang
    @mrdevinwang 3 роки тому +3

    ahhh that's awesome! I knew I stuck with practicing minor pentatonic for a reason! :p

  • @corbinbyler6332
    @corbinbyler6332 3 роки тому +1

    This was an awesome little lesson, man! I recently have been exploring this concept in my own playing as well and your video was extremely helpful! Thank you so much for this!

    • @AlexNaumanMusic
      @AlexNaumanMusic  3 роки тому

      Awesome, thank you! Glad it was helpful! Happy jamming!

  • @EDGARDOUX1701
    @EDGARDOUX1701 3 роки тому +2

    Great! How do you use it in a chord progression? Thank you

  • @edwinjohnson3754
    @edwinjohnson3754 3 роки тому

    Killer stuff, Alex! Thank you, sir!

  • @jerrylydiatt5696
    @jerrylydiatt5696 3 роки тому

    Hmm.. Very inspiring. Thanks, Alex!

  • @1dimtim
    @1dimtim 3 роки тому +1

    Do u play the hole pentatonix with extensions up a half step or just the first box?

    • @AlexNaumanMusic
      @AlexNaumanMusic  3 роки тому

      Hi Joe! Thanks for watching. Yes, you can use any pentatonic scale shape! I'm just using the "first" box shape because it's easy for demonstration purposes. Happy jamming!

  • @dimerocks123
    @dimerocks123 3 роки тому +1

    Is this only useful over ambiguous chords(like sus)/single note drones? Or is this something you could do in a chord progression over say, a B major chord. As in, randomly use one of these over a B major chord? Sorry I'm kind of a NOOB with theory.

    • @AlexNaumanMusic
      @AlexNaumanMusic  3 роки тому +1

      No apologies necessary! This idea works in both situations. Both over ambiguous chords, AND against Bmajor chords. Each position will give you a slightly different version of a "major" sound. So in the examples, the 2nd fret scale will outline the sound of B7, the 6th fret will outline the sound of Bmaj7#11, etc. All of which could be played over the top of a normal Bmajor chord

    • @dimerocks123
      @dimerocks123 3 роки тому

      @@AlexNaumanMusic awesome man 🤘 thanks!

    • @timothyclay3668
      @timothyclay3668 3 роки тому +2

      If you take the chords in any major scale you can play minor pentatonic off the ii, iii, or vi you can use these 3 pentatonic scales at any time over any chord in the key to get some interesting effects... plus you can play minor pentatonic off the 1 - but you do get that b3 over the major 3rd (which is a good thing)