Beautiful and clear video bro', a tons of thanks!!! very practice.!!! but I would like know the sustent of theory music in this aplication. why while movements the pentatonic scales in shape of G in the diferents grades of a scale mayor of a chord mayor We having different sounds? Maybe could you explain more about concept theory or recomend me any books!!! again ... a ton of thanks!!!
This was an awesome little lesson, man! I recently have been exploring this concept in my own playing as well and your video was extremely helpful! Thank you so much for this!
Hi Joe! Thanks for watching. Yes, you can use any pentatonic scale shape! I'm just using the "first" box shape because it's easy for demonstration purposes. Happy jamming!
Is this only useful over ambiguous chords(like sus)/single note drones? Or is this something you could do in a chord progression over say, a B major chord. As in, randomly use one of these over a B major chord? Sorry I'm kind of a NOOB with theory.
No apologies necessary! This idea works in both situations. Both over ambiguous chords, AND against Bmajor chords. Each position will give you a slightly different version of a "major" sound. So in the examples, the 2nd fret scale will outline the sound of B7, the 6th fret will outline the sound of Bmaj7#11, etc. All of which could be played over the top of a normal Bmajor chord
If you take the chords in any major scale you can play minor pentatonic off the ii, iii, or vi you can use these 3 pentatonic scales at any time over any chord in the key to get some interesting effects... plus you can play minor pentatonic off the 1 - but you do get that b3 over the major 3rd (which is a good thing)
Outlining the Lydian sound, sounded like Eat That Question
So did the one after! Lol
Spicy indeed. Good stuff. I love stuff like this.
Thanks man! Hope it's helpful. Cheers!!
Beautiful and clear video bro', a tons of thanks!!! very practice.!!! but I would like know the sustent of theory music in this aplication. why while movements the pentatonic scales in shape of G in the diferents grades of a scale mayor of a chord mayor We having different sounds? Maybe could you explain more about concept theory or recomend me any books!!! again ... a ton of thanks!!!
ahhh that's awesome! I knew I stuck with practicing minor pentatonic for a reason! :p
exactly! haha! Happy jamming, friend!
This was an awesome little lesson, man! I recently have been exploring this concept in my own playing as well and your video was extremely helpful! Thank you so much for this!
Awesome, thank you! Glad it was helpful! Happy jamming!
Great! How do you use it in a chord progression? Thank you
Killer stuff, Alex! Thank you, sir!
Hmm.. Very inspiring. Thanks, Alex!
Thanks for watching! Cheers!
Do u play the hole pentatonix with extensions up a half step or just the first box?
Hi Joe! Thanks for watching. Yes, you can use any pentatonic scale shape! I'm just using the "first" box shape because it's easy for demonstration purposes. Happy jamming!
Is this only useful over ambiguous chords(like sus)/single note drones? Or is this something you could do in a chord progression over say, a B major chord. As in, randomly use one of these over a B major chord? Sorry I'm kind of a NOOB with theory.
No apologies necessary! This idea works in both situations. Both over ambiguous chords, AND against Bmajor chords. Each position will give you a slightly different version of a "major" sound. So in the examples, the 2nd fret scale will outline the sound of B7, the 6th fret will outline the sound of Bmaj7#11, etc. All of which could be played over the top of a normal Bmajor chord
@@AlexNaumanMusic awesome man 🤘 thanks!
If you take the chords in any major scale you can play minor pentatonic off the ii, iii, or vi you can use these 3 pentatonic scales at any time over any chord in the key to get some interesting effects... plus you can play minor pentatonic off the 1 - but you do get that b3 over the major 3rd (which is a good thing)