My cello and orchestra arrangement of this piece as “Cello Concerto in D major” Cello solo Woodwinds: 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons Brass: 2 Natural Horns in D (1st, 2nd and 4th movements), G (3rd movement) 2 Natural Trumpets in D (except 3rd movement) Percussion: 2 Timpani in D and A (1st and 4th movements), B and F♯ (2nd movement) (except 3rd movement) Harp (opt.) (except 3rd movement) Strings: Violins 1, 2 Violas Cellos Basses
@@patrickhackett7881 It's a shorthand way of notating what is written in full in the first measure. It's an eighth note tremolo as was previously mentioned.
may you all please allow me, just to give you a tip for listening or playing (e.g. in a concert) Have the courage to do the following: Start with sonata no.1, then let follow sonata no. 2, but starting with movement III, then II, and in the end I. as final movement (without IV, because this is not as beautiful composed than all the other movements of both sonatas)
But..Mendelssohn wrote it in the original order and it is standard 4 movement form for Classical sonatas. Rearranging is creative and I'm all for it except in strict structures
![Felix Mendelssohn - Sonata for Cello and Piano No. 1 [With score]](http://i.ytimg.com/vi/G7uR9exPYo0/mqdefault.jpg)
this song plays at my work everyday on repeat and i finally found it!!!!!!!!!
That’s cool, where do you work?
@@castleguard_of_xbox360 -- He works on Death Row....Senior Electric Chair Technician......
@@castleguard_of_xbox360 That's cool, where do you live?
@@qfcbv 🫢
@@qfcbv That's cool, what are your banking details?
Finally a score on YT for this piece, thank you!
00:07 - I. Allegro assai vivace
07:33 - II. Allegretto scherzando
13:10 - III. Adagio
18:31 - IV. Molto allegro e vivace
Felix Mendelssohn:2.D-dúr Gordonkaszonáta Op.58
1.Allegro assai vivace 00:07
2.Allegretto scherzando 07:33
3.Adagio 13:10
4.Molto allegro e vivace 18:31
Mischa Maiszkij-gordonka
Sergio Tiempo-zongora
Köszönöm az értékelést
Gorgeous performance.....BRAVI TUTTI from Acapulco!
やはりソロ楽器から始まるのは当時の型破りぶりが発揮されてますね！！
Thanks for uploading!
3:18 this part is amazing
Hermosa sonata, digna de un romántico genial.
My cello and orchestra arrangement of this piece as “Cello Concerto in D major”
Cello solo
Woodwinds:
2 Flutes
2 Oboes
2 Clarinets in A
2 Bassoons
Brass:
2 Natural Horns in D (1st, 2nd and 4th movements), G (3rd movement)
2 Natural Trumpets in D (except 3rd movement)
Percussion:
2 Timpani in D and A (1st and 4th movements), B and F♯ (2nd movement) (except 3rd movement)
Harp (opt.) (except 3rd movement)
Strings:
Violins 1, 2
Violas
Cellos
Basses
Who cares
Why even bother with natural brass?
Sans doute la plus ancienne parmi les plus belles sonates pour violoncelle et piano. Mais il en a eu d'autres comme celle de Debussy, par exemple...
00:07
7:33
13:10
stunning... 11:20
17:48 Bach-Aria Nr.30 "Es ist vollbracht"??
Good find!
the first few systems sound like an anime song
and now, i will do this for my next competition.
Это современные композиторы откровенно воруют у прошлых авторов, фантазии не хватает.
what is the name of the notation with a bar across a stem like in the second measure and several others?
@@theslayer1120 Specifically measured tremolo.
I think it’s a double acciaccatura
they're sixteenth notes
@@limin1462 No, not the sixteenth notes, the ones with a bar in the middle of the notes not the top of the notes
@@patrickhackett7881 It's a shorthand way of notating what is written in full in the first measure. It's an eighth note tremolo as was previously mentioned.
7:33
18:31
Mischa makes some modifications to the cello part to the benefit of the music.
Possibly using an Urtext edition
사랑해요
may you all please allow me, just to give you a tip for listening or playing (e.g. in a concert) Have the courage to do the following: Start with sonata no.1, then let follow sonata no. 2, but starting with movement III, then II, and in the end I. as final movement (without IV, because this is not as beautiful composed than all the other movements of both sonatas)
But..Mendelssohn wrote it in the original order and it is standard 4 movement form for Classical sonatas. Rearranging is creative and I'm all for it except in strict structures
This piece has a Japanese vibe to me for some reason