MY TOP 5 LUTHIER HACKS (grab a pen)
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- Опубліковано 1 сер 2024
- Hope these help you with your builds! Let us know in the comments :)
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Tom Sands is a luthier renowned for creating some of the most responsive guitars in the world. Since apprenticing for Ervin Somogyi, Tom has taken his talents to North Yorkshire, building custom acoustic guitars from the Tom Sands Guitars workshop. Subscribe to the channel for weekly videos, ranging from Tommy’s Tonewoods, Guitar rundowns, to beautiful live sessions from independent artists. Join the community here, we love ya x
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The scratchblock is new to me. Thank you !
Let me know if you try it out!
thanks for sharing your tips and tricks.... really like the dowel sandpaper cutter and chalk in the kerf tricks... they are all great cheers!
@TomSands thanks for the lesson!
thank you Tom
Welcome Walter!
good ones Tom! thank you!
Welcome Scott!
Great tips. Thanks for sharing with us!
Thank you!
These have been super helpful!!
I don’t make guitars. So why did I find this so fascinating?!
Maybe you should!!
Excellent Tom!
Perfect with coffee.
Really appreciate your content and personality.
Maybe start a video series that documents your whole build process?
From wood selection to finishing?
It would provide you with a clear path for your videos and allow you to segue into operational hacks. : )
I am of course just babbling and any content you provide us with is just fine.
Hi Gregor, thank you! Yes it’s something that I’d love to do in the future, it’s quite the undertaking logistically but one day we’ll make it work.
Brilliant. Liked, Subscribed. That flat board neck sanding was worth the price of admission! Thank you, kindly!!
Thanks for the sub!
Great tip! Thanks!!
Thanks for watching!
Great tips ! Thank you!
Cheers Peter
Great tips man! You’re awesome
Thanks brother!
wow, excelent tips! the last one is really a simple game changer, thank you!!
So welcome dude
First commenter, yet again! - Thanks for the tips!
Boom!
Nicely done. I also have a tip for you. When you’re measuring depth with a calliper like you did with the block and screw, you can use the opposite side of the calliper. The very head of the calibre is also a shelf that you can measure against but it is much larger so it will register against a flat surface giving a more stable reading.
LOVE IT!!
Here’s a question for ya. Can you do a blog on how to fill a ding on a satin wood acoustic guitar (…Taylor 322ce…). Some suggestions include, thin glue mixed with chalk, or thin glue then use wire wool 000 to get the satin finish. The only other issue, it’s close to the strap button / input cable and close to binding. Mainly a cosmetic finish issue, but would make the guitar perfect once again. 🙏🏻🇬🇧📺👏
The plywood and screw trick is very clever - despite being of little use for electric builds. The sanding board and chalk line tricks are useful for all types of builds. The masking tape and superglue trick is so common it probably shouldn't even count. Tricks that are essentially using a fancy tool are not really tricks. Doing the same thing with a paperclip, a rubber band, and popsicle sticks (for example) - now THAT would be a trick!
Fair point!
Thank you Tom .
Thanks for watching David
Thank you so much! You’ve made this old man feel better about himself and the future by being the first wood nerd worsethan myself. Granted I don’t hang with luthiers but have done very high end cabinets and trim for 20 years. Great stuff!
Glad I could help!
Brilliant...thanks Tom!
Thanks for watching Jeff
Thank you so much for sharing all this knowledge, make it available to everyone and inspire people, I hope I can someday do the same
You can do it!
I’m currently on my second build ever. These tips are very helpful, especially the neck sanding and bridge placement. Wow
Glad you found it helpful!
Great tips! 👏👏👏
Glad it was helpful!
🎉🎉🎉🎉🎉🎉🎉 Awesome!!!!
You’re awesome
Brilliant tips!
Glad it was helpful!
These all are very helpful tips. I also have problems with pencil lines, so the chalk tip will be put to good use. Thanks!
Glad it was helpful!
You are so nice to share all of that. God Bless!
Thank you! You too!
Great tips Tom! Will keep them in mind ❤
Glad you like them!
Great tips, the depth scratch is genius, but I don’t know if I have the guts to do it.
It’s surprisingly accurate!
All very interesting and even more useful. I have used a similar trick to your screw method when fitting patches into steel fabrications where I would use a grinder to nick the edges of a plate to the depth that I required removing. As with your screw method once the nicks disappear the plate ought to be to size and fit into place.
Perfect!
GREAT Video! thanks!
You're welcome!
Excellent assortment of tips! Thanks for window into the parts of the process that can be the most troubling, and rectifying them. The semi-permanent fixing is a really great idea in particular, and the thickness/removal jig.
The superglue trick has so many applications
Thank you brother😊
Thanks Jesse
You're my favourite luthier ever x
You’re my favourite camera guy/least favourite chess opponent.
Great tips, thanks Tom. I am working on guitar #70 and I will use these tips. Always more to learn.
Thanks Russ!
Tom I have found all of your tips invaluable it's certainly going to enhance a lot of things in my building thank you so much
Very welcome Oliver!
Great tips, Tom, thanks for sharing. Only knew one and a half of them... will definitely be using the others!
Happy to help!
You’re a clever cookie Tom. Your work is utterly inspiring mate.
🙏
Wow wow wow.. thankyou thankyou thankyou
Most welcome 😊
You mentioned in a previous video a while back about the neck-carving-sanding-board method. I think i've done 4 or 5 necks with that technique now, not sure how I ever managed without it! Also, if you need white pencils, and want a propelling pencil version, it took forever to find some but found that you can get those from dress makers. They use it for writing on material. Way better than endlessly sharpening a white pencil. I like the idea of the scalpel-chalk option for marking cut lines but it's probably not so ideal for quick marking, putting measurements on etc.
Wow! I need to find some!
Dope shit.
They’re the kind of shits I like.
@@TomSandsGuitars I've already used the tape+CA like 100 times in one guitar build since you posted the video. + the flat board and and the chalk in the line... This video is paying dividends.
@@NoahHormann incredible. Thanks man
Thanks so much for sharing, would be possible please to show a technique (we are sure you master? on how to build a fret board, how you transfer the positions of the frets in the wood and more important maybe, how to make a template from scratch, what tools to use materials etc, so we don't have to pay a certain company to make it for us. It would be greatly appreciated !!
Great suggestion!
Cunning carpentry meets learned luthiery - alternative alliterations available…
Lol
Great video. I would love to know what your most expensive mistake was in your guutar making journey?
Probably deciding to become a luthier in the first place 😉 - thankfully I’ve had nothing catastrophic, I’ve broken sets and dinged lacquer, maybe carved a neck too thin or maybe over worked a bridge but nothing that hasn’t just required time to fix.
I would love to see a super in depth video about the neck to body joint…… but that probably just me.
How it’s made?
@@TomSandsGuitars Yes Sir, the bolt on neck assembly.
Great tips. Can you sort out a 50% discount on the elevate bridge jig😂
I wish!
Sanding & polishing transition of body to neck heel please
I made a whole video about neck carving
@Tom Sands
Slowly catching up with your content - very good!
Not carving, but finishing especially tight into the 90° corner where fine sanding guitar can easily cause a sanding track on neck heel & visa versa.
Quite a challenge!
@@electricladyguitarsdevonuk1414 it’s included in the video I think 💜
Hello Tom, one little question:
When calculating where the bridge needs to be glued you basically project the distance between fret 0 (nut) to the 12th fret from the 12th fret until the bridge position, correct? On that sense, the alignment needs to be where the saddle will be or where the bridge will begin?
That particular jig can be used either with the saddle slot or the front of the bridge as a reference point. If you intend to use a compensated saddle I suggest using the stewmac fret calculator on their website to get accurate measurements for where your saddle needs be based on you desired scale length.
@@TomSandsGuitars thank you Tom 🙏
I always wondered ,,, WHY , In a Violin or Fiddle in My Region of the world , there's a " Soundpost" , That's friction Fit Placed , directly under the Bridge and against the back of the Violin ,,, Inside most times somewhere about 3/8's in diameter ! This Soundpost , greatly amplifys the volume of the instrument and brings it alive ! So why doesn't a Mandolin or Guitar , Benefit from that same Thinking ? A viola, cello , Bass has them ,,, ? And if it's because we Play the Mandolin or Guitar against our Body and would Dampen the sonic resonance ,,, What would be the Answer to that problem ?
I get this question a lot and it boils down to the fundamental difference in the mechanics of the respective family of instruments, primarily how the strings are played, ie bowed vs plucked. There’s quite a lot written about this online so I won’t butcher the explanation here! 🙏