@skateboard4415 Unfortunately I used a software on this one that doesn't break down what amp/pedal simulators it uses. Going forward I'm using a new program that I'll be able to share exactly what I'm using. Look for a Pneuma video coming soon! I'll still try to describe how I got the tone though. It's a mix of 2 channels blended together. One EQ'd higher and one EQ'd lower. I actually scooped mids on both channels, one more than the other. Adam Jones usually pushes the mids pretty strong though. So not sure why I liked the scooped mids more on this one. The higher EQ channel has delay at about 30%. The lower EQ track has no delay and Gate set pretty high. Heavy reverb on the short riff in the beginning. Adam Jones uses 2 channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie cab. He uses the Boss DD-5 Digital delay pedal.
This song has got such a groove to it, and the vocals have soul. Maynard singing like he’s got a chip on his shoulder. Absolutely killer song. And great cover, your guitar is indiscernible from the original track
I don’t know where this particular rabbit hole started but I’m glad I’m here! After not playing for a few months, I’ve blown the dust off my SG and officially started playing again! My fingers hurt like hell and it’s all your fault! Love the channel! Nice LP, btw…I’ve had it in my Sweetwater cart on more than one occasion. Someday I’ll pull the trigger. Probably sometime after this wife but before the next one 😏.
Thanks so much! Ahh great catch! I just looked up a live video and Adam appears to be playing 10-10-10-12-13. Hard to see exactly but I also think I'm hearing those higher notes. I think that actually sounds really good over the album version too. What do you think? I appreciate the help figuring out these little details. Clearly, I can't update this video, but I'll update the tabs on my end for anyone that requests the PDFs and for once I get my site going.
@ you’re welcome, happy to help. I think it reappears later in the song too. I’ll try with the 13 at some point when playing next. Oh, I forgot to mention; for the bridge riff, for the ascending chugging riff 2-2-0-0, 3-3-0-0 etc, I play 2-2-2 to 0-0-0-2-3 then 3-3-3 to 0-0-0-2-3 etc, maybe it’s my ear, but seems to fill out the groove nicely. Love that guitar too. Looks amazing and sweet tone!
It's a mix of 2 channels. One EQ'd higher and one EQ'd lower. I have the mids scooped on both, one more than the other. The higher EQ track has delay at about 30%. The lower EQ track has no delay and Gate set pretty high. Heavy Reverb on the short riff in the beginning. Adam uses two channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie Cab. He uses the Boss DD-5 Digital Delay pedal.
Thanks so much! Really appreciate that. Unfortunately I used a software on this one that doesn't break down what amp/pedal simulators it uses. Going forward I'm using a new program that I'll be able to share exactly what I'm using. Look for a Pneuma video coming soon! I'll still try to describe how I got the tone though. It's a mix of 2 channels blended together. One EQ'd higher and one EQ'd lower. I actually scooped mids on both channels, one more than the other. Adam Jones usually pushes the mids pretty strong though. So not sure why I liked the scooped mids more on this one. The higher EQ channel has delay at about 30%. The lower EQ track has no delay and Gate set pretty high. Heavy reverb on the short riff in the beginning. Adam Jones uses 2 channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie cab. He uses the Boss DD-5 Digital delay pedal.
Thanks! It's a mix of 2 channels. One EQ'd higher and one EQ'd lower. I have the mids scooped on both, one more than the other. The higher EQ track has delay at about 30%. The lower EQ track has no delay and Gate set pretty high. Heavy Reverb on the short riff in the beginning. Adam uses two channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie Cab. He uses the Boss DD-5 Digital Delay pedal.
Some sections in particular are deceptively difficult. The one piece of general advice for the song I would give is that it's all about feeling the groove/rhythm. What sections in particular are you struggling with?
@@RockinTabsI think you hit the nail on the head with your response, just the groove and rhythm that I struggle to get right but I’ll get it with more practice
Great question! For this song, it was just how it came to me. When I have some time, I'll try to find some good videos to see what Adam's picking style is for this song. I'll report back if I can figure it out.
It depends on a lot of factors, but ultimately, I do think so. There's a few sections that are gonna be more of a challenge. I would focus on learning all the sections/riffs separately and then try to piece them all together once you have them down. It's a great goal to aim for. Have fun and let me know if you have any questions! 🤘
How do you do that sixteenth note triplet with the last note muted? Are you basically just doing two pull-offs, one on the 6th string and one on the (muted) 5th string?
Yes! You got it right. Adam Jones is the only one I've seen use this technique. It's one smooth pull off that pulls off the 6th string first and then the 5th string. Just need to practice it to get the timing down. He uses it in a few other Tool songs. Invincible and Jambi for sure.
1:52 - 1:54 Tabs don't match with what you're playing. Lil annoyed because thats the only reason why I'm here hahaha. Just going to go off your hand movements.
I just watched that part again in 1/2 speed and I'm pretty sure I'm playing that part exactly as tabbed. It's definitely an awkward part that's more about feeling it than thinking about it. Did you try watching it with the speed slowed down?
10 місяців тому
@RockinTabs Nah watch again. So it should be: D string 5h6 then A string 5p0. Well that's what you play, and after learning it my self, sounds right.
10 місяців тому
Sorry, after watching it slowed, you dont actually play the 6. My apologies! Another version I found has the 6 on the D string there, but I don't think its 5h6 just 5 then 6 then A string 5p0. Once again, my apologies! @RockinTabs
10 місяців тому
@@RockinTabsNext time I'm jamming I'm going to try this tab again, see how it sounds. I might just be going full spastic. It's such an awkward set of notes 😂
@jfreitag88 i could do it but thats not the point. i wish i had more feedback along the way so i developed less bad habits that i had to break down the line.
"That looks...easy" - Norm McDonald (Great job, seriously)
Lol I love Norm. Thanks so much!
Said no body😂
Bro i once played this stoned it felt like it lasted 24 minutes
😅
I forgot I was watching a guitar cover when I put my phone down for a second, indiscernible from the studio tone. Wicked job my man!
That's one of the highest compliments I can get. Thanks so much! 🤘
LOVE seeing the scrolling tab while you're playing 10/10!
Thanks! Glad you enjoy it 🤘
Ich habe mir dieses Video mehrmals angeguckt und bin immer noch fasziniert.
Danke! 🤘
Great job on the play and the tone
Thanks so much!!
Wow wow wow, perfect tone!
Thanks so much!! 🤘
@RockinTabs what pedals are you using to get that tone? Flanger, digital delay equ?
@skateboard4415 Unfortunately I used a software on this one that doesn't break down what amp/pedal simulators it uses. Going forward I'm using a new program that I'll be able to share exactly what I'm using. Look for a Pneuma video coming soon! I'll still try to describe how I got the tone though.
It's a mix of 2 channels blended together. One EQ'd higher and one EQ'd lower. I actually scooped mids on both channels, one more than the other. Adam Jones usually pushes the mids pretty strong though. So not sure why I liked the scooped mids more on this one.
The higher EQ channel has delay at about 30%. The lower EQ track has no delay and Gate set pretty high.
Heavy reverb on the short riff in the beginning.
Adam Jones uses 2 channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie cab.
He uses the Boss DD-5 Digital delay pedal.
speechless wow
Thank you!
!! good job my friend and have a nice day :D !!!!!!!!!!!!!
Thanks, you too 🤘
Absolutely crushed it brother!! 🤘🤘🤘🤘
Thanks!! 🤘🤘
This is truly incredible!
Thanks so much! Appreciate it 🤘
your covers are really good bro, keep up the great work!
Thanks for the kind words and for checking out more of my channel! Appreciate it 🙏🤘
Amazing work! I thought I knew how to play this tune, then I watched this mastery! I could never quite get bar 144 right until now. Thank you so much!
Thanks so much! And you're welcome! Lol I hear ya, that's the one bar where my hands looked like they struggled to land it 😅
Killed it!!
Thank you!
This is fire sir!
Thank you! 🤘
Fucking hell I love TOOL. Great job man, sounds just like the studio instrumental
That's a huge compliment, thanks so much! 🤘
This song has got such a groove to it, and the vocals have soul. Maynard singing like he’s got a chip on his shoulder. Absolutely killer song. And great cover, your guitar is indiscernible from the original track
Couldn't have described it better myself. And thank you so much! 🤘🔧🌀
I don’t know where this particular rabbit hole started but I’m glad I’m here! After not playing for a few months, I’ve blown the dust off my SG and officially started playing again! My fingers hurt like hell and it’s all your fault! Love the channel!
Nice LP, btw…I’ve had it in my Sweetwater cart on more than one occasion. Someday I’ll pull the trigger. Probably sometime after this wife but before the next one 😏.
Hell yeah, that's what I love to hear! And lmao, thank you. It's worth it if you ever get the chance.
Have fun playing! 🤘
Nice playing and tab. At 2:48 (bar 75), I always play 10-10-12 which I think the suspended part if the chord sounds right.
Thanks so much! Ahh great catch! I just looked up a live video and Adam appears to be playing 10-10-10-12-13. Hard to see exactly but I also think I'm hearing those higher notes. I think that actually sounds really good over the album version too. What do you think?
I appreciate the help figuring out these little details. Clearly, I can't update this video, but I'll update the tabs on my end for anyone that requests the PDFs and for once I get my site going.
@ you’re welcome, happy to help. I think it reappears later in the song too. I’ll try with the 13 at some point when playing next.
Oh, I forgot to mention; for the bridge riff, for the ascending chugging riff 2-2-0-0, 3-3-0-0 etc, I play 2-2-2 to 0-0-0-2-3 then 3-3-3 to 0-0-0-2-3 etc, maybe it’s my ear, but seems to fill out the groove nicely.
Love that guitar too. Looks amazing and sweet tone!
@greekos99 Awesome, thanks! I'll definitely check that out. Around what measure is that section you're talking about it?
@ measures 93 and 170
Hell yeah. Bad ass man. Great job.
Thank you! 🤘 🤘
very very very well done mate
Thanks so much! Appreciate the kind words 🤘
Awesome!
Amazing job thank you so much!!!
You're welcome! 🔧🌀
Great job boy 👌🏻
Thanks!
Thank you for this.
You're welcome 🤘
Awesome job cuz!
Thanks so much!
Excellent!
Thanks!
Chewie doesn't get enough credit. He is one very gifted guitarist.
💯
Oh yeah.
Great video! I'm might actually be able to get this one down
I got faith in you! If the rhythm is too complex trying to count out, just go for the feel of it
please give information on how you got the tone
It's a mix of 2 channels. One EQ'd higher and one EQ'd lower. I have the mids scooped on both, one more than the other.
The higher EQ track has delay at about 30%.
The lower EQ track has no delay and Gate set pretty high.
Heavy Reverb on the short riff in the beginning.
Adam uses two channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie Cab.
He uses the Boss DD-5 Digital Delay pedal.
Incredible!!!! Btw, what amp setting and pedals are you using, want to replicate that tone, bc its perfect!
Thanks so much! Really appreciate that.
Unfortunately I used a software on this one that doesn't break down what amp/pedal simulators it uses. Going forward I'm using a new program that I'll be able to share exactly what I'm using. Look for a Pneuma video coming soon! I'll still try to describe how I got the tone though.
It's a mix of 2 channels blended together. One EQ'd higher and one EQ'd lower. I actually scooped mids on both channels, one more than the other. Adam Jones usually pushes the mids pretty strong though. So not sure why I liked the scooped mids more on this one.
The higher EQ channel has delay at about 30%. The lower EQ track has no delay and Gate set pretty high.
Heavy reverb on the short riff in the beginning.
Adam Jones uses 2 channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie cab.
He uses the Boss DD-5 Digital delay pedal.
Is it Epi or Gibson?
amazing cover!
Thank you! It's the Gibson Adam Jones Les Paul Standard.
Perfecto! What pedals are you using?
Thanks!
It's a mix of 2 channels. One EQ'd higher and one EQ'd lower. I have the mids scooped on both, one more than the other.
The higher EQ track has delay at about 30%.
The lower EQ track has no delay and Gate set pretty high.
Heavy Reverb on the short riff in the beginning.
Adam uses two channels, one Marshall Super Bass and one Blue Face Diezel VH4 into a Mesa Boogie Cab.
He uses the Boss DD-5 Digital Delay pedal.
What’s your delay settings?
I don’t know why I struggle so much with this song and not other ones that look seemingly a lot more difficult
Some sections in particular are deceptively difficult. The one piece of general advice for the song I would give is that it's all about feeling the groove/rhythm.
What sections in particular are you struggling with?
@@RockinTabsI think you hit the nail on the head with your response, just the groove and rhythm that I struggle to get right but I’ll get it with more practice
Yayya! 🔥🔥🔥
0:36
0:40
🔥🔥🔥🔥🔥🔥🔥🔥🔥
🙌🤘🔧
You play the main riff DDD-UDDD-UDUUD-DUUD, i`m very curios is this how it comes to you or it`s Adams style? Thank you!
Great question! For this song, it was just how it came to me. When I have some time, I'll try to find some good videos to see what Adam's picking style is for this song. I'll report back if I can figure it out.
@@RockinTabs awesome, the picking makes sense and i`m practising your way currently which showed weakness in my upstrokes so thank you for that :)
@Gokle Awesome, glad to hear it! That's the way to get better, as you know! 🤘
Brilliant. Do you think a novice could learn this in a year?
It depends on a lot of factors, but ultimately, I do think so. There's a few sections that are gonna be more of a challenge. I would focus on learning all the sections/riffs separately and then try to piece them all together once you have them down. It's a great goal to aim for. Have fun and let me know if you have any questions! 🤘
How do you do that sixteenth note triplet with the last note muted? Are you basically just doing two pull-offs, one on the 6th string and one on the (muted) 5th string?
Yes! You got it right. Adam Jones is the only one I've seen use this technique. It's one smooth pull off that pulls off the 6th string first and then the 5th string. Just need to practice it to get the timing down.
He uses it in a few other Tool songs. Invincible and Jambi for sure.
I may go buy a bra, just so I can throw it at the screen.
Best. Comment. Lmao 🤣
Lol😂
Jokes on us: this is just Adam being bored.
🤣
Bruh
1:52 - 1:54 Tabs don't match with what you're playing. Lil annoyed because thats the only reason why I'm here hahaha. Just going to go off your hand movements.
I just watched that part again in 1/2 speed and I'm pretty sure I'm playing that part exactly as tabbed. It's definitely an awkward part that's more about feeling it than thinking about it.
Did you try watching it with the speed slowed down?
@RockinTabs Nah watch again.
So it should be:
D string 5h6 then A string 5p0. Well that's what you play, and after learning it my self, sounds right.
Sorry, after watching it slowed, you dont actually play the 6. My apologies! Another version I found has the 6 on the D string there, but I don't think its 5h6 just 5 then 6 then A string 5p0.
Once again, my apologies! @RockinTabs
@@RockinTabsNext time I'm jamming I'm going to try this tab again, see how it sounds. I might just be going full spastic. It's such an awkward set of notes 😂
Rhythm is not good but tone and tabs are great
Thanks
@jfreitag88 i could do it but thats not the point. i wish i had more feedback along the way so i developed less bad habits that i had to break down the line.