I love the structure of your tutorials so much! Not much blabering, then a quick example (important since some titles are so missleading), followed by a detailed and thought through 'how to'.
Great tutorial. Love the delayed compressor, almost like a gunshot effect when your ears first get overwhelmed by the sound and then slowly come back to hear the fading echo
Thank you very much for these tutorials, they have helped me so much since I've been into creating music. I really appreciate that you do these in vital, since I am not yet committed enough to buy expensive VSTs.
Inverting the 3rd of a chord is an awesome thing. Doing with a minor 3rd produces a major 6th chord (if you reorient to the lowest note for the key). For an even darker feel, invert the major 3rd. It produces an Augmented 5th (or flat 6th) that black metal bands have been using since their inception. Great tutorial.
Yoo, thank you for you heartwork, really detailed, i love your way to take music tecnically to maximum effect points, really clean and thoughtful. Lovely
If i may give you a pro tip: ENV 1 is a common amplitude envelope, so it controls the overall output of the VST. You don't want to adjust it too much because it will cut off the basic shape if you drag down the sustain. Rather go to LFO 1 and switch trigger mode to "envelope" then draw the pluck shape, switch to seconds and connect LFO 1 to the high pass filter (filter 1) cutoff. If you really need to fiddle around with ENV 1, rather adjust the release a tiny bit.....your sounds will be much more present ... Have fun......
Mathematically there's no difference between modulating the amplitude with various sources though. Both results will phase cancel if set up the same. The one down side about using LFOs as envelopes is that they don't hold at the sustain stage for legato notes.
Wow! Thanks Dash! 😊I love it! ...and I find it quite useful. Could you create a video about various sounds of Ozric Tentacles? Please! 🙏 I know it's a different genre, but still psychedelic, and probably I'm not the only one who would interest about how you would recreate those. (Of course I mean the synthesizer effects and sounds not the guitar. 😃)
Great as always, tnx Dash! I was wondering if you could make a video explaining how they made that pitched fx in 1:47, and also that psychedelic lead at 3:23 here in this track (also with Astrix) ua-cam.com/video/iHsqwfUky9Q/v-deo.html
Not trying to be picky, genuinely, but I saw the title and thought 'great, some early 90's UK hardcore jungle techno' stuff. This is not 'rave' music, it's Trance (Psy-Trance if you want to be picky). There was no 'rave' music after 1993, because it fragmented into separate genres, Techno, House, Jungle, DnB, HHC, Trance, etc. This is why the term 'rave' music is so important, because it was a unique time where ravers danced to all sorts of different types of music at the same event, played by the same DJ. Nobody was snobby about 'I don't like that Jungle rubbish I only like 4/4 beats' or some other shit, it was all 'rave' music, all mixed together, and everyone danced to everything. I hate seeing people call anything post 93 'rave' music because it isn't.
"ravey" as in inspired by the sound of Rave, yes it is Psytrance - that's what I set out to create when recreating the Astrix (a psytrance artist) sound. Nobody called this "rave" music, and if anyone's being a genre-snob, it's not I ;)
@@DashGlitch Fair play, and thank you for the comment. I enjoyed your tuition video and I'm glad you could see I wasn't trolling in any way. I just read the title 'rave' stabs, and had to put my 2p in. Maybe if the title was Psy-Trance stabs I would not have even thought about commenting. I hope you can see the angle from an oldskool raver like myself, who lived through acid house and rave scenes, and how my comment is actually a thought out one.
I love the structure of your tutorials so much! Not much blabering, then a quick example (important since some titles are so missleading), followed by a detailed and thought through 'how to'.
Splendid my friend.
Always thought I knew how to make this sound but the sine wave that you added at the end really makes it sound like the way Astrix does it.
Great tutorial. Love the delayed compressor, almost like a gunshot effect when your ears first get overwhelmed by the sound and then slowly come back to hear the fading echo
Dude
It's amazing how you are able to listen and HEAR these things..
The way you present it is inspiring 😊😊😊
transposing chords is powerful and so simple
Proud of how far your channel has come . FYA!!
awesome
Thank you very much for these tutorials, they have helped me so much since I've been into creating music. I really appreciate that you do these in vital, since I am not yet committed enough to buy expensive VSTs.
Inverting the 3rd of a chord is an awesome thing. Doing with a minor 3rd produces a major 6th chord (if you reorient to the lowest note for the key).
For an even darker feel, invert the major 3rd. It produces an Augmented 5th (or flat 6th) that black metal bands have been using since their inception.
Great tutorial.
Incredible once again.
That call and response build up makes it quite Techno like, I love it :3
Yoo, thank you for you heartwork, really detailed, i love your way to take music tecnically to maximum effect points, really clean and thoughtful. Lovely
Great content as always. Thank you for share psy knowledge
Yo man I just wanted to say your example track used over hear sounds really good mabru.
yo dude really nice tut! Have you got a video on that metallic rhythm sound? it’s quite delicious
Do you mean the “offbeat” grid, thanks! It’s actually a variation on last weeks video, my “fav” vital sound, with just some adjustments
@@DashGlitch wicked i’ll have to go check that out!
perfect thanks
Really good tutorial ! Love kick and bass !
This is gold 🥇 Thank you sir
I WISH U had explained the hole groove but thanks anyways. Your the hero of psytrance tutorials haha
Amazing as always DashMen !
Amazing content, so much knowledge
Great topic mate
love your videos man. Thanks a lot!
Great tutorial mate, did you made the bassline or you sampled it?
yea it's made using the techniques I show for bass
What video? I didn't see in the video here...
THE BEST!
Simple and clean... Thanks you producer
I'm wondering if white noise on convolution would be similar reverb effect
Can you please make a video about melodic basslines for full on psytrance?
Nice tutorial!
Great as always. Are you going to show us how you made the other sounds in the track?
No, I have videos on those sounds already
@@DashGlitch do you have a video of the lead that it is in the last track of this project?
@@BetheXception I'm pretty sure I explain it in this exact video you're commenting on
@@DashGlitch hey 🤗 you are totally right. .Thank you so much ;)
it's not cubase. what is this software ? it seems incredible
Bitwig Studio
Best❤
Very good video
❤️❤️❤️❤️❤️
yea man I was looking for a next level something for my track thanks
If i may give you a pro tip:
ENV 1 is a common amplitude envelope, so it controls the overall output of the VST. You don't want to adjust it too much because it will cut off the basic shape if you drag down the sustain.
Rather go to LFO 1 and switch trigger mode to "envelope" then draw the pluck shape, switch to seconds and connect LFO 1 to the high pass filter (filter 1) cutoff.
If you really need to fiddle around with ENV 1, rather adjust the release a tiny bit.....your sounds will be much more present ...
Have fun......
Mathematically there's no difference between modulating the amplitude with various sources though. Both results will phase cancel if set up the same. The one down side about using LFOs as envelopes is that they don't hold at the sustain stage for legato notes.
@@DashGlitch lol, ok....
@@DashGlitch Have you ever tried making a Pedal steel guitar sound in vital, i dont see anyone that has ever done that on here
Wow! Thanks Dash! 😊I love it! ...and I find it quite useful. Could you create a video about various sounds of Ozric Tentacles? Please! 🙏 I know it's a different genre, but still psychedelic, and probably I'm not the only one who would interest about how you would recreate those. (Of course I mean the synthesizer effects and sounds not the guitar. 😃)
Awhile back you were making a down tempo track with hang drums and another with pitchmapped monkeys you ever finish those tracks?
👍
Is it possible to trigger exact keyframe positions of wavetables with modulation or round robin/random trigger of keyframe positions?
yes, the "random" modulator in the bottom right of vital attached to WT pos will do this
Great as always, tnx Dash! I was wondering if you could make a video explaining how they made that pitched fx in 1:47, and also that psychedelic lead at 3:23 here in this track (also with Astrix)
ua-cam.com/video/iHsqwfUky9Q/v-deo.html
Not trying to be picky, genuinely, but I saw the title and thought 'great, some early 90's UK hardcore jungle techno' stuff.
This is not 'rave' music, it's Trance (Psy-Trance if you want to be picky).
There was no 'rave' music after 1993, because it fragmented into separate genres, Techno, House, Jungle, DnB, HHC, Trance, etc.
This is why the term 'rave' music is so important, because it was a unique time where ravers danced to all sorts of different types of music at the same event, played by the same DJ. Nobody was snobby about 'I don't like that Jungle rubbish I only like 4/4 beats' or some other shit, it was all 'rave' music, all mixed together, and everyone danced to everything.
I hate seeing people call anything post 93 'rave' music because it isn't.
"ravey" as in inspired by the sound of Rave, yes it is Psytrance - that's what I set out to create when recreating the Astrix (a psytrance artist) sound. Nobody called this "rave" music, and if anyone's being a genre-snob, it's not I ;)
@@DashGlitch Fair play, and thank you for the comment.
I enjoyed your tuition video and I'm glad you could see I wasn't trolling in any way.
I just read the title 'rave' stabs, and had to put my 2p in.
Maybe if the title was Psy-Trance stabs I would not have even thought about commenting.
I hope you can see the angle from an oldskool raver like myself, who lived through acid house and rave scenes, and how my comment is actually a thought out one.
Got some Atomic Pulse vibes. Sounds sweet! :)