as another comment said, I would love to have this reuploaded with a real human voice. The intonation just isn’t quite right. I love your videos, no hate at all - just a request for the future :)
LOVE your work, Colorist Factory ! i've a small request from the team, if they could share a tuorial on how to get the Oppenheimer(Daytime)look using your luts, i will be really thankful:)
Really hard to get the info in this video with the AI voice. The intonation, mispronunciation, and cutting off make me focus more on what words I'm supposed to be hearing than what they are saying. Looks like it could be a good video, but might be worth reuploading with a human with proper intonation.
@@ColoristFoundry I should say that it's well put together and the info seems useful otherwise, but the VO made it feel like one of those 'this is what it's like to read if you were dyslexic' samples. A creative criticism to hopefully help, not a putdown!
would love to see videos like this but with handoffs to outside vendors like VFX artists and how they should work within a pipeline. It's a right mess and little understood still. Most film pipelines do not work with ACES for instance, mostly only used for the 3D comping side (along with AG-X) and with netflix productions. It becomes a nightmare with pieplines that don't use purely linear comping, like After Effects. Workflows work great in Nuke but to replicate them in others doesn't work well.
Thanks for the standards in color, I work in a wide range of DaVinci. I would like to see from A to Z how to set up your project, what to pay attention to and what settings to set in order to come to the same standard in color correction called ACES. Professionals may work in it, which I have no doubt, but the DaVinci curve is closer to me. Let's talk in the video and show the settings and subtleties so that there is a good understanding of the color correction process without errors. Therefore, there are nuances in ACES that are also worth considering. If possible, use different camera profiles for clarity REC. 709, LOG, RAW. We are really looking forward to this interesting process of knowledge expansion
as another comment said, I would love to have this reuploaded with a real human voice. The intonation just isn’t quite right. I love your videos, no hate at all - just a request for the future :)
LOVE your work, Colorist Factory ! i've a small request from the team, if they could share a tuorial on how to get the Oppenheimer(Daytime)look using your luts, i will be really thankful:)
Really hard to get the info in this video with the AI voice. The intonation, mispronunciation, and cutting off make me focus more on what words I'm supposed to be hearing than what they are saying. Looks like it could be a good video, but might be worth reuploading with a human with proper intonation.
Apologies Richard, will probably reupload this one soon :)
@@ColoristFoundry I should say that it's well put together and the info seems useful otherwise, but the VO made it feel like one of those 'this is what it's like to read if you were dyslexic' samples. A creative criticism to hopefully help, not a putdown!
What? This is AI? This is extremely good!
AI voiceovers now??
Just this one. On a bit of time crunch for upcoming launches. Promise we’ll do human next time 😭
I didn't even notice either, I was too focused on the information @THIS.GAMING
would love to see videos like this but with handoffs to outside vendors like VFX artists and how they should work within a pipeline. It's a right mess and little understood still. Most film pipelines do not work with ACES for instance, mostly only used for the 3D comping side (along with AG-X) and with netflix productions. It becomes a nightmare with pieplines that don't use purely linear comping, like After Effects. Workflows work great in Nuke but to replicate them in others doesn't work well.
Thanks for the standards in color, I work in a wide range of DaVinci. I would like to see from A to Z how to set up your project, what to pay attention to and what settings to set in order to come to the same standard in color correction called ACES. Professionals may work in it, which I have no doubt, but the DaVinci curve is closer to me. Let's talk in the video and show the settings and subtleties so that there is a good understanding of the color correction process without errors. Therefore, there are nuances in ACES that are also worth considering. If possible, use different camera profiles for clarity REC. 709, LOG, RAW. We are really looking forward to this interesting process of knowledge expansion
I didn’t even notice or cared it was AI voice. The message was received
It's something with these AI VO's... it just doesn't feel trustworthy. Can't put my finger on what it is though...
Don’t worry, it’ll be a human next time 🫡
@@ColoristFoundry It was not critique, it was more a general observation 👍😄
I couldn't enjoy it because of the fake voice I'm afraid