We Need To Talk About Duskmorn
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- Опубліковано 3 лип 2024
- Let's talk about the elephant in the room - Televisions and Trainers in OUR Magic the Gathering?
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#commander #mtg #duskmourn - Ігри
My main problem with these later sets is that instead of feeling like magic's take on (thing), they feel more like magic characters shoved into (thing). If people like it that's cool, but I feel like the flavour I used to enjoy from this game is gone. I feel less like a wizard in a magical duel and more like a funny funko pop collector.
"Funko Pop Battle Royale" should not be aspirational, and yet WotC
Exactly this
Fwiw, just wait a year or two and it'll be back to return to return to return to ravnica.
I will say this you can definitely read the room and I agree
you say that, but i'm sure you've bought cards from the other properties like doctor who or fallout. GTFOH
The Phyrexians actually destroyed the mtg multiverse and everything after that are just fever dreams
that's my new favorite theory
That helps
I've always said, MtG story stopped when Slobad died. The rest is fan-fic.
All really are one now. 😂
We are all just brains in jars hallucinating everything since 2019. That's what actually happened when Thanos snapped.
From Karlov Manor,
To Luigi’s Mansion
Lmao this!!!
Good one
Somebody should have told WotC that "80s horror" didn't mean "literally set in the 1980s"
In response I tap my lands for 10 red mana and cast my fourth "nuclear weapon" artifact.
@@johnpisser1983”it’s a shitty Door to Nothingness, WHY DO YOU HAVE 4 COPIES?!”
@@johnpisser1983Well, "rad counters" do exist now due to the unnecessary Fallout Universes Beyond set, so part of me wouldn't surprised if they randomly popped in Standard via this set.
Regarding the shoes, they’re just shoes. The TV is a bit more egregious though
I feel like they saw how well the Stranger Things fans took to D&D and decided ''Why not Magic?''
I feel like they didn’t make the motifs their own
Like brothers war and kamigawa felt like their own thing this feels like magic the gathering brought to you by Netflix
The worldbuilding in the Planeswalkers Guide they revealed is great though, it really ties it all together.
@@VBaneif you have to have a supplemental product to explain away the weird stuff then it's a failure imo
How do they make the existence of a TV "their own"? That is, without doing what they did and saying it's a portal.
I agree that it feels a bit out of place, but I don't think out of place is the wrong choice. They are pushing the boundaries of what Magic can be. They are experimenting. This set may be a failure because it's so different. The fact that they are risking it means they are still trying to be innovative with the game rather than doing yet another return set or what is essentially mashing two other planes together (Bloomburrow seems like Lorwyn+Eldraine).
So what if there are commercially made clothes and everyday electronics? Does every set need to take place far in the past or future? The only thing I can think of is that a TV seems mundane which is the opposite of magic, but a sundial is also mundane and people love Sundial of the Infinite.
@@theblaqknight it feels too safe if it’s supposed to be innovative for instance I liked the idea they tried in manor with the case mechanic
From the art in house of horrors it appears they went more safe scary instead of leaning into the theme you get me?
@@__-nd5qi I get you. You wanted a true horror set. I can get behind that idea.
I think it's unfortunately unlikely. I don't know how well true horror would sell. I'm not a market analyst, but I meet few people who are really into it.
WotC also can't have too much gore on the cards to really sell how terrifying the creatures would be. The most gruesome card I can remember is the aptly named Grisly Spectacle.
This is a refreshingly good take on the issue. I've seen entirely too many people in favour of Duskmourn take the incredibly blind stance of "Magic has always had variety, so this is perfectly in-keeping with what we've seen before!", as if the difference between a Greek hoplite and a Medieval knight is the same as the difference between those things and a dude in sneakers and a sports coat. Nice to see someone who likes the look of the set while actually understanding the complaints and concerns.
more and more of regular sets start to feel like universe beyond by itself
i literally thought it was a UB set lmao
I'll be genuinely surprised if they don't use this as an opportunity to feature some UB side cards for ghostbusters or stranger things or the backyardigans or whatever
this is what these clowns that call themselves fans started by buying the universes beyond stuff in the first place. Now that magic is doing something like this, now its a problem. but people don't have a problem buying cards from other properties LOL
@@dmv99 UB itself isn’t a bad thing. LotR for instance is very similar to MtG and is probably the best UB product Wizards made, being on par with non UB sets. The problem is that the rest are mostly soulless cashgrabs and may not feel compatible with MtG.
they invite stuff like this. What I’m saying is this: IF people have an issue with this set because it isn’t very “mtg” but have bought UB stuff, they have no right to complain and are just stupid. The reason being is they’ve bought non-MTG like cards, but when a non-mtg like set comes from wizards now their upset.
I feel like Wotc have stopped trying to adapt concepts into mtg.
Like back on Theros for example the greek myth influences were very obvious. But they weren't copied 1 to 1. The characters and gods had their own names, designs and even backstories. There were clear references but it didn't seem like Elspeth just went through a portal into actual greek mythology.
Now it feels like they have a list of things that belong to whatever trope they want to adapt and instead of trying to come up with Mtg in universe equivalents of points on that list they just literally turn those points into cards.
Like for example in Capenna they could have used a "Getaway Carriage" or whatever instead of Getaway Car and instead of that Traffic Light card they could have maybe had some Imp trapped in a cage forced to regulate traffic.
laziness
I have to agree on the fact that a bunch of the latest sets are pretty much the definition of "tropification", with the worst offender probably being Thunder Junction. Having said that, I still have some hopes for future sets. At the end of the day, Innistrad itself was a very trope-y setting, yet they managed to create something great by virtue of fleshing it out and making it feel "alive", in a sense. Bloomburrow might be a good one, but who knows.
I mean Brian Jaques was able to churn out 30 years of books around the premise of "what if the UK was a bunch of woodland creatures in feudal times?"
yet i bet you bought some of the cards from other properties right?
@@dmv99 Well, if you're asking me... I bought the 40k decks and that's it, and only because I've been collecting and playing WH40k for 20 years. I have yet to buy a single LotR card, let alone a booster, and I ain't touching the AC set with a ten foot pole for too many reasons.
But the LotR set is extremely flavorful, for example. My point, and the video's (unless I got it wrong), is that it feels like whoever is in charge of the set design is giving priority to memes and jokes over fleshing out the world.
Thunder Junction is, by far, the worst offender, because we're on a plane we've never visited before but full of characters from other planes that took their time to change their wardrobe because reasons, while the plane itself feels like a generic placeholder. New Capenna had flavor and lore but, at the same time, seemed a bit like "let's put a coat of fantasy over 30s Chicago". The Minecraft references in Ixalan felt out of place to me, even if I love Ixalan as a setting.
And believe me when I say that I don't mind Duskmourn having sneakers and TV sets. But I want it to feel... "Alive". Like it's more than just an excuse to make cards and insert random characters from other planes and memes.
@@HarverTheSlayer a good reinforcement of what you said would be Garruk. When Garruk hopped planes in more recent sets, he still looked like a hulking grizzly of a barbarian man. Meanwhile Vivien and Kaya both adopted the outfits of the plane they went to.
Like, I think it would be cool to see Ral Zarek, Saheeli, or Tezzeret in some 80's technomancer garb. They have backstory and arcs that would let us go "Yeah, ok, I get why inventors and artificers would be not only want to come here to begin with, but also really embrace the crafts as soon as they saw them"
But if we instead see someone like Kiora or Angrath pop up and look like 80's nostalgia-bait I had better see some damn good reasons why more than "just to look like everyone else"
@HarverTheSlayer Did you read the Planeswalker Guide to Duskmourne? Because if you did, I'm not sure how you can say the plane isn't it's own coherent alive thing.
I agree Thunder Junction dropped the ball a bit... but there are always dud sets. In 3 years, I don't think it'll stand out as that especially bad. It had some good ideas that were crowded out byan overly safe execution and some confused marketing. Original Ixalan also had that problem, and LCI pretty much fixed it. I'm hoping the same for OTJ.
I will not be surprised if we see another Stranger Things or Last of Us secret lair get announced after Duskmorn comes out.
when Duskmorn will come out, the next set will already be forgotten due to the All Golden Hype Spirit being sucked out from the last cards spoiled of the _next-next_ set into the first blurred photos leaked of the *next-next-next set*.
Basically, 1 year lookahead spoilers and Hype raining / dilution.
/sarcasm
Let's hope they get the "inuniverse" Stranger Things card in the commander precon.
My issue isn’t that it’s high tech, we went past that point back in mirrodin, I don’t think it’s a problem. My issue is, that they are completely fine with what we can identify as modern tennis shoes, but they wouldn’t give us guns in Thunder junction. Legit they’ve had cannons on dominaria for centuries but they weren’t okay with giving cowboys a boomstick?
My favorite part so far is the art on "come back wrong" with the white sneakers.
Because you see, these sneakers may look like ordinary sneakers from our world. But don't be fooled because they don't work like sneakers in our world, these are special artefacts made by the Jordan gods that create portals allowing you to travel trought them.
Jesus, wizards really decided to starting putting real world things like tv's and flashlights into magic, and then gaslight you into believing that it's not what it is.
I would kill to hear the person who claimed that explain in thier own words how "Cursed Recording" doesn't imply the existence of mundane recording and playback capablity on the TVs.
Real world objects have been a thing in mtg since alpha. I really don't understand this complaint.
The problem with all this is that they didn't think logically about how a pair of sneakers comes to be. They use plastics and rubber, which need to come from smewhere.
@@lostalone9320 who says they have to be made of plastics and rubber? They could easily be made from tendons and leather.
Seems like a lack of imagination on your part.
@@casteanpreswyn7528alpha was before magic had a cohesive identity or art style. So did many early sets. People complaining that this doesn't fit with the 2000s aethestics and pointing at something from 1994 isn't a valid argument
"Oo, this card looks really cool! So does this one! Hey! The Wanderer is here, neat! And this one- are those sneakers? ...Are those televisions? ...Are those 80s style headphones? ...I don't feel too good..."
That's how my experience with the initial spoilers were.
Stranger things 😂
Overreacting much
@@DevinVT1 "Respect people's opinions!" bros when someone has an opinion critical of something they like
@@lancejburns Lets be real here, someone going "im literally getting sick in the head from looking at the first 5 cards of a card game preview" is the definition of overreacting xD
I think the issue is that it lacks a proper style so to speak.
Neon Dynasty worked visually as well as it did because the designers didn't just adapt the tropes of the genre they were working with. What they did was adapting their art-style to the genre, integrating it into the overarching visual identity MTG has (to some degree). Duskmorn on the other hand just feels like someone took screenshots from some random, forgotten, cult-favorite, low-budget horror flick from the 80ies. This can be charming and nostalgic, but the designers did honestly nothing with the setting really, which is why it feels really hollow. There is no reverse engineering done on, say, the not-TV or the gear of the characters which is normally what MTG did style-wise. It's missing some oddness, for a lack of a better term, that signals "This is a design from the larger MTG mythos".
If properly translated people wouldn't mind the 80ies boots and what not, but, with how it is, it really sticks out a bit too much. This feels undercooked, like the designers needed a bit more time to give Duskmorn its own identity.
P.S.: Also, is it just me, or is the plot of the plane basically just Castlevenia minus Dracula?
We at the part that Neon Kamigawa is hailed as the "right way to do it" when most of us remamber how the majority of MTG players cried and moaned when it was released. Wild.
It was criticised on lead up, and praised on release. The set was a smashing success.
Exactly, Neon Dynasty was a great set. Meanwhile, Thunder Junction is based on a plane we've never seen before, and that could be extremely interesting, yet it ended up just being a battle royale of people from other planes, but with cowboy hats. Even New Capenna, as cool as it looked and with its interesting setting, still felt a bit like "let's pick 20s Chicago and throw a coat of fantasy on it". Who knows, maybe these next sets are properly fleshed out, but I don't have high hopes for them (especially for Duskmourn)
And yeah, now that you mention it, it IS basically Castlevania.
I'd also add that wotc may not be forgoing their original designs inspired by the source material. We may have this impression because of the cards spoiled ao far, and the flavorwise lackluster two last sets, but I kinda feel the room mechanic has potential to be very innovative. Fingers crossed!
what does the name duskmourn even have to do with campy 80's horror and analogue horror? it sounds like it should be evoking 1800's/early 1900's-era haunted house horror tropes but instead we're getting chainsaws, television sets and a cute fluffy mothman? there are so many disparate themes and motifs mixing here, what is this set's aesthetic and thematic identity?
Just finished reading planeswalker’s guide to duskmorn. I love how they’ve basically built an entire ecology into the House from house of leaves. The writing behind the concept is solid. Just wish it showed in the cards more. Anyone reading this should check it out.
As someone else said, if you need an entire other thing to understand the original thing, that original thing isn't designed too well.
So no, I am not going to check it out. Not buying that set either. Because I want WotC to do better and the most effective way to do so is by not giving their sites traction and not buying the product. Because WotC is a subsidiary of Hasbro and money talks.
@@ThorsShadow I mean, what do you want? Entire world building novels on the cards? In-depth character development on a removal spell? Its impossible for a card game to tell its whole story on the cards, they need some other medium to help out. Even digital CG's like Hearthstone or Shadowverse need their visual novel style solo modes to tell compelling stories.
it was okay the first time wizards did this with ravnica, but the whole "the entire plane is a mansion, or desert, or school, or art deco city" routine is running really thin for me. can they not make another dominaria? can't they explore other areas of planes to tell more interwoven stories? I just feel like the opportunities for storytelling are incredibly limited when they narrow their focus to just one mansion.
If by school you mean strixhaven. The entire plane isn't a school. Strixhaven just is a facility that exists on Arcavios.
As GamerGeek noted, it’s the same with Capenna. The New Capenna is the only city, and the rest of the plane is uninhabited because of a prior Phyrexian invasion.
I do agree because one problem I’ve had is they call them planes. Looking at our own plane of existence, there’s millions of stars, plenty that could have planets with life. No reason Capenna couldn’t have like, 5 more planets untouched by Phyrexians...
nah, Ravnica was stupid too.
And Kaladesh is basically just Ghirapur. I was introduced to it via the 'Plane Shift: Kaladesh' D&D sourcebook, which implicitly advised you to set the campaign in Ghirapur because the rest of the world wasn't built.
@@MetaKaios holy shit, really??? I guess that's what you get when you don't have competent writers: you jump from plane to plane, offering only the bare minimum in terms of world building. You could really tell when Magic's story started going downhill from the time they abolished the 3-set design they had until Tarkir.
What has always drawn me into Magic as a game is it's unique worlds, flavor, and how that translates into card design. Duskmourn seems to be pretty interesting in terms of having a unique setting, a bit silly, but a whole plane that is a haunted house is novel enough to get me, and the card designs themselves seem pretty cool as well- but the set's flavor is a travesty, it makes me want to claw my eyes out. I may be a bit hyperbolic, but the current era of top down design only manages to evoke a groan- every other card seems more on the nose than the last, prodding the player with it's mouth agape. No longer do cards tell their own story beyond a joke or piece of pop culture that could be gawked at like a wall of funko-pops. Magic isn't dying, but it's much less interested in itself and the stories it can tell.
Perfectly said, bravo!
Every time you post a "we need to talk" I think you're breaking up with me. Stop it, Vince. I can't handle the pit in my stomach every single time.
Contemporary MTG flavoring is like browsing the popular tab on Reddit
Exactly, not once have I seen a modern Magic designer but just by the look of their product I can see more than a thousand words could describe.
This is the most illustrative comment here.
Ouch.
I wish that the alternative artworks could be the 80s/present day theme and style, while classic frames show art with close to the older school era of magic where there’s only up to a Ravnican-standard level of technology. Does that make sense?
yeah, I know exactly what you mean. I want a way to play cool new horror cards without elements that feel really out of place in my deck or just grate against my sense of aesthetics
My thoughts exactly. I don't mind the 80s aesthetic in a vacuum, I just don't like it being the canon look and feel of a Magic plane. If they'd given the main set cards a more appropriate aesthetic and kept the more modern-looking stuff to alternate art treatments, it would have been so much better.
I got into Magic entirely for it's aesthetic and stuck around for it and the game's mechanics being fun.
For me and many others, this change of aesthetic will in fact begin to kill the game for us.
If I wanted ghostbusters and 80s tech I'd watch 80s movies, I want a fantasy card game that doesn't depict televisions and converse, or the fantasy styled story and characters being turned into a netflix team of teenagers that are ghost hunting.
Magic used to feel like they took cool modern concepts and incorporated those things well into their own story, characters and settings, now it feels like they're shoving the characters into those worlds and saying "Look consumer, your favorite character is a ghost hunter with cool sci fi tech, buy our stuff!".
I don't hate it but it clearly lost a lot of its identity. Also that's never a good sign for the long term health of any intellectual property
Im gonna guess you only started recently and yyou dont actually know magics identity.
@@DarkDiamondInc I started with mirrodin, so I guess I missed out on a significant chunk of the game's history. Still it's been like 20 years or so
@@urahi830well i mean, the identity of mtg from the begggining has included: eqypt, real life japan, real life middle east, vikings, pirates, cyberpunk, steampunk, gothic horror, eldritch horror... the list goes on. There has never been a single identity, which is the whole point. Magic has always been a multiverse.
@@DarkDiamondInc Come on, man. By that logic, there's nothing at all you could introduce to MTG that would lose its identity - Vince said as much in the video. You have to know that's disingenous.
@@DarkDiamondInc wrong. there's 3 periods to magic:
early magic which had no identity of its own. hence quotes by shakespeare and arabian nights, etc.
golden age magic took heavy inspiration from culture and mythology but made it it's own. the best sets ever came from this era (zendikar, innistrad, mirrodin, ravnica)
and current corpo magic. designed by hasbro and it's a cash grab pump and dump garbage with almost no world building.
it just makes sense given all of the universes beyond shit we've seen.
like, yes, those aren't within the magic universe, but I still have to sit down at a table and play against them and see them on magic cards.
The thing about the 80’s horror theme is that it’s based on films that came out 40 years ago. What I see in this set is that things like televisions, sneakers, flashlights are commercial goods that exist in our world, things that are mundane and grounded in reality. I think this clashes hard with a magical multiverse that is filled with fantastic creatures, divine power and dark magic. Neon Dynasty at least builds on well established preexisting plane and adds some technological themes with magic.
The new sets are just kind of doing referential themes without doing much to ground it fantasy or do any interesting world building. Thunder Junction was the same way as it was supposedly an empty plane (although I guess the cactus people don’t count for some reason) and characters from other planes come there but the references seem to be to spaghetti western films. They want to do all this referential stuff without really doing much hard work on worldbuilding or doing anything original or meaningful.
Either way they know piggies are gonna eat this slop anyways because more powerful cards are in it. They don’t have to try hard and they know it. This is why I opted out of buying new merchandise. It’s all the same stuff and I don’t want to loyal to some company that doesn’t actually care much about the products they make.
Innistrad is one of my favorite planes, so I was really into the idea of duskmourne, and while the horror and spooky stuff seems to be everything I wanted, I'm constantly irked by the psuedo-80s art direction they have taken in so many cards. A girl vanquishing monsters in jogging pants and a sweatband, Tyvar with a nailbat and a fanny pack, it all feels like suits chasing that stranger things popularity by cramming it all in here long after the hype has died down.
Pseudo-80s is a good term, almost nothing to do with the actual 80s. Fake nostalgia, I call it Fakeghties
I’m truly and honest shocked at how cheap and corny this set feels. From the theme to the art direction, this is a huge miss. Why even go for this in-universe when Stranger Things exists?
My ten year old saw the TV and asked "is that a magic box?" 😂😂😂
Worst part is he's correct. The booster box is the tv, so yes, it IS a "magic box".
Honestly, the kids are gonna love this "modern horror" is ancient to their FNAF creepypasta horror culture & the "mundane" of the past is awesome vintage tech to them
The dissonance in my commander deck when everything else is fantastical and then one card has trainers means I won't put it in the deck. That's the same for every universes beyond, if there's a strong dissonance with the rest of the deck, then it won't go in.
But if the art blends in with the rest of flavour of the deck it will go in.
That is one of the biggest issues I have with the Doctor Who cards, even though generally speaking I liked the set, pretty much every card doesn't fit in with my current decks. I was looking at the Titanic vehicle card for Edward Kenway, but a flying space ship is pretty jarring for a pirate on a sail ship
That TV art was definitely inspired by the VHS cover of the movie The Video Dead.
That, and Poltergeist I would assume.
@@PleasantKenobiCheckout the video dead cover. It's the same exact pose. reaching out with one arm like that. I'm not doubting other things being influences but that image is basically spot on. Been collecting that stuff forever and have seen that image countless times. When I first saw this one I immediately made the comparison. You could say it jumped out of the screen at me. I'm digging the art so far for the set.
I felt like the original preview art looked more like Silent Hill or Resident Evil but this looks like Stranger Things...
I dunno, the Abhorrent Oculus feels like a reference to the Eye of Cthulhu from terraria, even looks like the humans in art are gearing up for a boss fight
Love MTG, played it since Odyssey, haven't bought any new stuff since OG Eldraine (some of the new Ixalan singles too) . It's not a problem though. The game has enough cards for me that I associate with it so I really don't have to engage with any of the sets since I stopped buying new releases. By the looks of it I won't start any time soon. Maybe the core set thingy. If the price is not crazy. If you love this stuff, by all means buy it and support the design team that did it. For the curmudgeon-y among us, my last comment will do....
____
As someone that plays and collects since 2000, I never found another MTG story to be as immersive as the Weatherlight saga or sets like Odyssey (Novels were a thing then, a good thing...). Man, how I liked some of the characters... Tsabo, Gerrard, Seton, Kamahl, Urza, Ertai, Belbe, Yawgmoth, Sissay - It was an exciting, immersive fantasy setting that could offer the best strategic framework for a card game - ever! However these days it seems to be just that, a strategic gameplay framework where you can put anyhting in. Mechanics are for rent and the story went bankrupt.
Apart from the cool Ixalan set, a lot of them seem like some hearthstone style gimmick. (Streets of new capenna - mean streets of Gadgetzan (almost the same set symbol), Murder at Karlov Manor - Murder at Castle Nathria (lol!), Showdown in the Badlands - Outlaws of thunder junction etc). It's "MTG meets the".... yeah, I dislike that. I dislike it a lot. Came to magic to meet magic. Stuff like that is cheap tricks in comparison. I get it, everything in MTG is inspired by something else, from folk tales to complex mythologies. I'm fine with inspiration, less fine the harder design leans in on it, and fully disinterested when there is no line between that which inspires and that which shows up on the card. If someone enjoys it and engages with it...power to them, I love them for it. Doesn't have to be me. Won't be me.
Don't slander capenna wtf. There is no comparison in the art, flavor, power and mechanics of capenna to hearthstone, wtf. Just because you are an art history ignorant doesn't mean you can have the ability to criticize capenna flavor
@@jhonathanmondragon7162Wow, can't believe there are people that want to defend that tripe.
If you look at a majority of movies and TV shows in the last 5 years you'll notice that very few are original ideas. They are predominantly sequels, prequels, or remakes. It's as if truly innovative creativity is becoming more rare. Especially with MTGs ridiculous release schedule it's no wonder we seem to be recycling existing tropes and shoving MTG into them rather than designing an original MTG plane using the trope as inspiration at most.
Execs are trying to play it safe
@@TodayNot Which is understandable but unfortunate.
@@beerman2000 Yep, can't believe more people don't get this feeling of apathy (playing contemporary Magic literally feels like watching an endless less than mediocre blockbuster movie) and are still willing to hype up and consume this when there isn't any form of genuinity left in this product.
And there is never going to be another original set for as long as the main buyerbase doesn't acknowledge this.
@@TodayNot 100%
As a mono red player, I don't know if I can express how much I'm looking forward to playing Screaming Nemesis.
I’m fine with a Magic set that has modern tech, but I don’t like how scattered the horror theming is in Duskmourn. It seems to be trying to do ghostbusters, zombie apocalypse, eldritch, aliens, and ghost possession at the same time. I was excited for it when I thought it was just eldritch horror, but I’m worried the set will seem disjointed trying to reference this many things. It’d be like if Murders at Karlov Manor was themed after every kind of mystery story instead of just murder mysteries
Oh yes. When i think of the aesthetic of MTG, I think VHS players and wood-paneling.
Is the creative barrel truly tapped? What are we even doing here, man.
$20 says the Wandering Emperor is there because the spirits have started to spill into Kamigawa
Interesting note, the “digital glitching” effect seen in Neon Dynasty art was actually just portals to the spirit world-so there IS a precedent of them explaining modern motifs like these “CRT TVs” as spirit stuff
@vince do you think settings like duskmourn would have benefited from a two set structure instead of a one and done? Also the explanation about the tv sounds cool, but if it doesn’t explain that on the card, either with text or through art direction, then is anyone who didn’t know that going to think it’s anything other than a tv?
Yes. I think two block is the sweet spot.
@@PleasantKenobi I agree. It makes the environment feel more “lived in”
One guy is literally wearing football shoulder pads. Kinda destroys my immersion completely
Really surprised people play magic for its immersion, I always did it for the game and the flavor of the card, super interesting!
i bet you bought some of the universes beyond cards huh buddy?
boo hoo go play vintage and complain online more you boomer
@@PabloEder but card flavor IS part of immersion...
@@dmv99 love how much you are defending WOTC in multiple posts. But you don't seem to understand where people are coming from so allow me to educate you a little.
Football shoulder pads are more immersion breaking than something (people, items, locations) from WH40K or LOTR. Football doesn't exist in any fantasy realm. Meanwhile humanoid robots and hobbits do.
That's it. It's that simple. Hopefully you understand.
Not my flavour of cards I will have to buy some to stay in the game it kinda sucks that flavour is clashing so hard its like almost proxies feeling
For me, it's mostly mechanics and the emotional rollercoaster you get from a game of edh. I do really like a coherent aesthetic, and vibe and it does seem a card like come back wrong would feel out of place in my sauron lidless eye deck because of the art even though it fits perfectly mechanically and emotionally. Mixed feelings for sure
It's been shown multiple times that mechanics will trump theme. If everything plays well and we get new fun toys, it'll be ok.
Looks like leftovers from a failed Ghostbuster Universes Beyond with rejected Stranger Things cards.
It is most definitely an attempt at a stranger things set in standard
The unique Magic aesthetic was the whole reason I even got into this game. I don't want a modern vibe, even if they're using the "but the TV isn't a TV!" cop out here.
I love the magi-steampunk-ish-ness of Duskmourn. I cannot complain.
I loved all of the weird Ghost Tech in Innistrahd, and the Weird-MagiTech of Ravnica.
I can forgive WoTC for this.
Screaming Nemesis will only ever shut off damage to 1 player if you kill it with a board wipe, much better with Pyrohemia where you can easily muck everyone on a single turn before it dies.
the giant eyeball with teeth very much has the eye of Cthulhu from terraria vibes
HOLD UP, ARCHENEMY IS BACK BOYS!!!
I don't mind scifi in magic, i really dislike anything that could be modern in magic
Surprisingly we already have chainsaws in magic, just not a card called chainsaw. There is a draft chaff common from new capena who is weilding a chainsaw.
Saw On Half shows a clown with Chainsaws for hands! I cut it from this video haha.
And there was a chainsaw like artefact added in Innistrad Crimson Vow
Who else say Duskmourn and thought that it was going to be a return to Lorwyn. It sounds like perfect sense to me.
This and the Baldur's Gate sets (which I LOVED) should've been white-bordered, or at least some kind of non-black bordered.
my final ultimate take.
Remember when Walking Dead was announced and we all said it was a matter of time before essentially modern day imagery was in mainline MTG products?
Here we are.
That ship sailed before Duskmourn
Ive been looking forward to this set all year.
Cursed Recording is a huge nod to Ring, where a cursed recording ended up with the death (20 dmg in standard) within 7 (time counters) days of watching it.
I mean it’s not unimaginable that in a world of infinite planes, especially one set in a universe sized house, people made tools that look like ours.
I still remember back when WoTC said New Phyrexia was as far sci fi as they’re willing to go.
We've had weird little tech things since the early days of magic. Then in recent eras Kaladesh gave us electricity (sorry, sorry 'energy') and airships and other vehicles. The return to Kamigawa gave us cyberpunk.
This really isn't 'jumping the shark' as, if 'not being pure fantasy' is the issue, the shark has been jumped so long ago that it isn't even in the rearview mirror anymore.
Agree phyrexia is literally future earth as imagined in the 80s
It's a Stranger Things ripoff lol
There's a difference between "magical technology unique to a fantasy setting" and "this is just 1980s US suburbia on a magic card".
Are we gonna get "Magical Ronald Reagan" or nah?
@dac314 but that is magic. It's making anything into magic. It's making ny into magic by converting it new capenna. It's making 80s movies in brothers wars. Think of magic as anime, the genre, and each set as a an individual anjme like naruto or dragon ball. What makes magic so amazing is that it has a creative team that can make reality and reduce it to a game that works. Capenna, kamigawa, MoM, Lotr, they can make everything become a Magic card and we should evaluate them on how good they make it fit, rather than limit whay Magic can actually accomplish.
@STS-qi1qy but it on honest I'm fucking tired of seeing angels knights and glass windows and having people lose their minds. Like its so passe, derivative or unoriginal yet so many magic players expect me to lose my mind on the same concept over and over again.
People forget that OG Ravnica was literally evoking real eastern Europe.
I feel duskmorn should be looked at in its own seperate bubble, outside of the main magic universe. Take it as a short trip into a new world through our game and enjoy it. We'll go back to fantasy soon enough
One of my favorite stories, back when I used to read them, was the story for the original Gitrog. That story really is a great example of that hopeless horror that I love to see in MTG, where the good guys don't always win, and sometimes they even become horribly twisted and turn on the things they held most dear. It was a great story, and really put that card into great perspective. Since, somehow, Thalia just teamed up with this cosmic horror of a beast and turned it into almost a joke for me. Its hard to look at something that could turn somebody mad with just a look the same way when somebody has used it as their mount.
What’s the card to pair with cursed recording so your opponent takes the damage
Tropification is a good way to put it. The TV Tropes entry Planet of Hats keeps coming to my mind because of recent sets.
so far i love everything thats monsters and environments in duskmourn. everything with humans on it feels like universes beyond for something that doesnt exist.
When I was able to fully grasp the idea of the Multiverse many years ago, I thought to myself there must also be planes that are futuristic relative to the usual MTG settings. I was just waiting for planes with these (futuristic) themes.
I'm pretty much fine with the "tech Level" since the story of the set is that the characters are traveling there from (modern) Kamigawa. So going from rodded-out mech racers and global wi-fi to CRT television sets is fine. Works a whole lot better than "Ravnica in a cowboy hat" or "Ravnica in a fedora and trenchcoat" and "Ravnica, but it's endgame"
The set already won me over with Come Back Wrong. It's just such a fun little recursion card for black ETBs
Would honestly prefer this set (and Magic overall at this point) if they released it without card art at all.
All artistry and narrative has completely lost it's meaning within Magic.
Magic has lost its essence and personality. Is the Fortnite of card games.
Fortnite would never be this original
@@PleasantKenobiIt's literally the same. Giving up all originality to cannibalize tropes and characters from other successful products.
This set looks so visually cool. The more modern horror look and feel just hits such a scratch I didn't know I wanted from mtg
In short: I'm starting to come around on this set already. The Planeswalker's Guide giving more context to the central thesis of the plane was a big help in that regard. I'm still not a fan of the "haunted house horror set in the 80's" stuff but already there seems to be less of that than I first expected. Or rather, there's more of a different take on the idea, which I'm describing as "80's kids movie that probably shouldn't have been a kids movie". Dark Crystal, Legend, Neverending Story, Willow, Labyrinth. There's this juxtaposition between a kind of camp horror that's almost funny in how overwrought it is presented to us (like The Bog of Eternal Stench from Labyrinth) and a kind of shock at elements that are much darker than our expectations (Artax in the Swamp of Sadness from Neverending Story).
I'm a big fan of the Overlords that we've seen so far, Wandering Rescuer, Toby Beastie Befriender, the Spider doll, and the Glimmers. The televisions and the Proton packs are going to take a bit more getting used to. Chainsaw was on that list too, but I remembered that Ripsaws exist on Innistrad, so I guess I can reconcile with that.
Was not expecting to like this set at all, and now I'm probably at 50/50. So I'll definitely be interested to see what else is in store - just, let us get through Bloomburrow first please.
I really think the art for Doomsday Excruciator is perfect (it's regular art, not the action frame one). The demon looks imposing and all, but I love the callback to the 'Doomsday Orbs' from a25. 5 on the a25 card art for the 5 cards, 6 on Excruciator for the six cards.
The mirror of the eyes and the orbs on the demon also makes me happy. The mana cost being double doomsday feels thematic and it really evokes the feeling of MTG's 'Doomsday' both mechanically, thematically and referentially. I love it.
It says on the Website that we can find the first japanese ever show case in collector boosters. Are they talking about the war of the spark Liliana?
Thank you, btw, for mentioning that annihilator and infect are good at doing what they were meant to regardless of whether people think they are fun. They weren't meant t to be fun; they were meant to be terrifying. I'm always thankful to have been playing during the time that the Scars of Mirrodan and Zendikar blocks were in standard. Life issues occasionally push me out of the game for years on end, but I was glad to have played at a time where the mechanics of the game evoked horror so compellingly.
Now I see why they got rid of silver-bordered sets.
I much prefer the planes having a few sets on their own to tell a story before influence from other planes get introduced. That’s why I think the old block structure worked so well.
I really hope we get some sort of Betrayal at House on the Hill style board we can navigate battles through. Or dungeons we could navigate/piece together.
I think its kind of silly we draw the line at an 80s TV but for some reason NInjas and Samurais are totally okay in our magic slinging fantasy land.
I get how something might feel like a departure from the general feel that Magic has established over the years but at the same time canonically it's a multiverse where literally everything is possible.
Technically most of the different planes' inhabitants aren't even aware that other universes exist, so for them everything outside of their plane must feel equally alien.
For example I don't see how sneakers and TV's should feel more bizarre to a person from Tarkir or Innistrad than a powerstone powered construct or an anthropomorphic talking mouse.
I get how Neon Dynasty's mechs might feel like as much of an impossible fantasy to someone on Ixalan as they do to us here but at the same time Ixalan feels like an impossible fantasy to us and I'm sure that technically speaking, our world exists in Magic's multiverse so it would probably feel really strange to some of the inhabitants of other planes.
I'm liking that they removed "the battlefield" from the text box. Also not exactly sure when, but the shark has long since been jumped.
I think the whole thing is trying to touch on the Campy Horror troupes so by virtue it will be referential and ‘slapstick’; It’s the reason Terrifier is so well received, because it indulges in the intrinsic comedy of slashers
I don’t like that they said that it’s modern horror but it’s 80s slasher
are we putting Evil Dead and Poltergeist into the slasher category now?
It's stranger things
Well there is monsters inc card
I think the bigger issue with Kamigawa isn’t the fact it’s futuristic. It may have been received better as its own identity.
Whilst Bloomburrow is for sure my most exciting release this year, Duskmorn from what's been revealed already is shaping up to be my second (in terms of standard legal).
Fuck it Magic has already jumped the shark at this point.
I remember that video, i REALLY liked it from a scholarship perspective. I hope this is better.
I personally dont see the issue with this. Magic is Magic and the beauty of the game is just how many different things the game can do.
For me, as a modern horror lover, this set literally has me so incredibly excited. The tropes they are using, even down to thr basic land inspiration, is so cool. Magic can exist in tandem to tech, even recognizable tech.
As a kid of the 80s this set has me reved up ❤
I hate it i hate shoulder pads, the chainsaw i could buy at home Depot the normal ass fashion. None of it looks any type of fantasy or sci-fi
Has Magic changed? Yes. Magic is changing with every set. Duskmourn is a different plane of existence!!! The set looks cool and I'm going to enjoy it not because it looks fun, but because I want to have fun with it and not be a kill joy.
I really wonder how many people read the Planeswalkers Guide they released, it has some really good worldbuilding. Yeah all the pieces are taken disparate different points of inspiration, but the guide works well to tie them together into a cohesive whole.
I think that they were hoping for a stranger things universes beyond set, but the owners of stranger things said no, so we get this re hash set again.
Glad you touched on “tropification,” Vince. I read the planeswalker’s guide and absolutely love the world they’ve created here, but I wish they hadn’t leaned so hard into the 80s aesthetics and technology. It just sort of feels like Wizards doesn’t have the faith in their own creative to create resonance without the crutch of some kind of obvious pop-culture touchstone to lean on.
As a horror fan and specifically a 80s horror fan I’m super excited for this set. I’ve been waiting ever since they announced duskmourn like a year ago? Because horrors just my thing.
And funny enough I only got back into mtg because of Kaldheim for its DeathMetal style.
I think I'm gonna treat the same as universes beyond products with the idea of, I'm only gonna play with the cool cards from it (meaning they have to not be 80s movie stars), but overall I'm incredibly excited about this set. I love horror and the vibes in some of the artwork is amazing. I especially love the doll room thing and the giant eye. this is gonna be a fun set I can already tell
Kamigawa and ravnica both conquering nearby plans and bringing spreading their tech and culturem
I consider OTJ as more leaning onto the heist movie trope rather than cowboys. I would have been less shocked seeing George Clooney on an OTJ card than John Wayne.
Tbh i don't mind magic really taking the omenpath opening to explore tons of different worlds of magic, now I will say I was expecting Duskmoore to be more eldritch old school horror which i was super stoked about, with the 80s tv vibe I'm less hyped, but still looking forward to it tons. Didn't really notice the sneaker even, just thought the sneaker card was neat
Paranormal frame come back wrong should’ve been closer to the evil dead basement popped up door with the demon
The regular art gives me Evil Dead vibes. I'm sure that's on purpose
I feel like Kamigawa pretty definitively proves that not all planes are on the same timeline, though. It's not that it has tech that makes it a justification. It's that it introduces disparity in time between planes.
Regardless of what anyone says, there are 1200 years in between old Kamigawa and new. So that means the entirety of their history, including a period at roughly or technological level, is implicit. (And in fact, somewhat explicit if you read about the Saiba Futurists.)
All this does is establish that tech levels like ours are implicitly canon. Whether it was depicted was just a matter of time. (And personally, I think the excuse about the TV was cheap. They should have just bit the bullet.)
This set just reminds me of playing betrayal at house on the hill
The yellow vest makes me think Come Back Wrong IS Brad Vickers from Resident Evil 3 who turned into a zombie and "came back wrong"
The art reminds me of The Evil Dead when the girl comes back as a deadite. She was locked in the basement
So, the reason why the technology from Duskmourn hasn't spread to other realms has been explained in universe!! Duskmourn is effectively a plane that is a trap: before the omenpaths, it was incredibly difficult to get in there, and even harder to get out! With the advent of Omenpaths, doors to Duskmourn are opening up in more places, but it is still brutally hard to get out - the whole house of Duskmourn is controlled by the demon, almost all of the plane is controlled by it, meaning that an omenpath opening up that leads OUT of duskmourn is both hard to have happen, and extremely hard to reach! Easy to get in, hard to get out.