Love the video! Second the recommendation for Things I Learned from Barry Harris and want to add the channel Labyrinth of Limitations to the list. His "elevator" concept of moving through different voicings on a scale is really awesome.
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You are awesome, man. Please keep uploading this tutorials!
Hello ! I recently discovered your channel, this is such great content ! Your playing is beautiful and I really like the way you explain things ! BRAVO !
Nice connection ! A lot of Motown musicians learned music with Barry Harris. What did you play for the Bb dominant ? Barry Harris way would be either Bmin6, or Fmin6 or Bdim, but I think you did something else, just curious..
@@JustinHenricks I see so basically your replacing the Bb6-dim by Bb7-dim, ok got you, never tried that one, cool :) You can use Fmin6-dim instead of the literal Bb7, as you know, and it gives you a similar sound.
Great video. Would love to hear more about your experience learning Barry's ideas.
Love the video! Second the recommendation for Things I Learned from Barry Harris and want to add the channel Labyrinth of Limitations to the list. His "elevator" concept of moving through different voicings on a scale is really awesome.
You are awesome, man. Please keep uploading this tutorials!
thank you!! Will do :)
Very useful and clear
Hello ! I recently discovered your channel, this is such great content ! Your playing is beautiful and I really like the way you explain things ! BRAVO !
Thank you so much!
Parabéns pelo vídeo falo do Brasil e estou querendo aprender esse estilo maravilhoso. Obrigado por esse vídeo
Nice connection ! A lot of Motown musicians learned music with Barry Harris.
What did you play for the Bb dominant ? Barry Harris way would be either Bmin6, or Fmin6 or Bdim, but I think you did something else, just curious..
Thanks for checking it out! Which Bb dominant exactly?
@@JustinHenricks great video, The one on JP Morton song timestamp 4:30 and for the Ab7 too same song, thanks.
@@jazzsecrets just a regular ol Bb7 there! Just root, 5th, b7, 3rd
@@JustinHenricks I see so basically your replacing the Bb6-dim by Bb7-dim, ok got you, never tried that one, cool :) You can use Fmin6-dim instead of the literal Bb7, as you know, and it gives you a similar sound.
@@jazzsecrets yes exactly! You can add that b6 note to any of the chord qualitities and run with it