Quick Tip 417 - Read Red Right
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- Опубліковано 14 бер 2023
- It is not only the red colors of fall leaves that need to look realistic. Artist/art teacher Dianne Mize takes you through the steps on how to interpret and produce real looking reds.
www.diannemize.com
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I love this woman
Thanks!
Me too!
The art education I missed in college 51 years ago! Thank you for your excellent, informative delivery!
You are so welcome!
Always important to understand using the complementary for desaturations. Good review, Diane! Awesome teaching!
My pleasure!
I love how clearly you explain these very complex topics. Thank you 🙏🏻😊
You're so welcome!
Thanks Diane for the great details you share. They are thorough and carefully explained. I appreciate you posting these tips in bite sized videos!
My pleasure.
Thank you for all your giving my lady ❤
You are so welcome
Very interesting Dianne I will be trying this out. thank you for all your Quick Tips, they are very useful.
Have fun with it, Catherine.
I knew some of this, but you have fixed it into my visual brain. Thank you, my dear.
Excellent! Have fun with it.
Thank you! Very informative.
You bet.
I love learning from you! Thank you for sharing your talent with us.
My pleasure.
Thank you still learning awesome!!
Enjoy the journey.
Thank you for this tip video! Now painting autumn landscapes will be a little bit easier! Thanks🙏 take care💐
My pleasure.
Very detailed info. I have a quick question a little off topic about the color red; people call red a WARM color and I've been thinking it's a warm color myself, but I now believe that it's a NEUTRAL or NEUTRAL WARM color and not just a warm color.
Think about it like this: the traditional color wheel represents all hues. On one side of the wheel are our warm hues, and on the other side are our cool hues. The warm hues include all those between yellow and red. The word "neutral" is used for what happens to hues when their complements are mixed into them. If you watch the intro video from my May UA-cam chat, perhaps you can get clarity on that. You can find it at ua-cam.com/users/live8_2CBifPYN4?si=690qSF6smYzJBlC0
Thank you for your wonderful lesson
You are welcome!
Always learn so much!
And isn't it fun!
Very illuminating!
Thanks
I always learn so much from you. This is another “packed” video, and I really need to take notes every time I watch. Just a quick aside, as an example: Not more than an hour ago I was trying to mix black using cad red and viridian, and it had that somewhat chalky look to it, in addition to the fact that I could not get the mixture to go black. I think the brand of the viridian might be Lukas, though, which would explain a lot given what you were saying about using Rembrandt brand. Anyway, thank you!
The best way to get the most out of these Quick Tips is to do the exercise I do in the Tips. Usually, chalky results with dark colors happens because you are using opaque colors to mix them. Rather than cad red, try alizarin crimson which is transparent and be sure your viridian is the Rembrandt brand which is totally transparent.
You are absolutely right. I sometimes do the exercises and sometimes not. I didn't with this one, I will be doing it today (wish I'd done it before!). Yes, I forgot alizarin is more transparent. I'm SO glad we have you! Thank you again.
A bit off topic, but on my mind nonetheless; the best warm red I have personally ever used is Perylene Red - (or Crimson Lake to some manufacturers). Being transparent, it mixes with a little more acquiesce than cadmium, is more gentle in tint strength, and modulates greens nicely.
And I've never used it, but I've heard that Rembrandt's Permanent Madder Deep is a bang on like-for-like replacement for genuine (PR83) Alizarin Crimson, and it's a single pigment too. So I may add it to my next cart and use it in conjunction with Perylene for a two prong primary red palette. They say Perylene can replace Alizarin, but it doesn't turn pink with white and it won't make easy purples when mixed with blue - you'll get something else in both scenarios...
Literary reflections... Feel free to ignore me. I just enjoy cogitating over pigments.
I appreciate what you wrote. :) I will make a note of it. Thanks!
@@starvictory7079 Keep in mind that it's what works for ME. Pigment selection is as individual as tastes in music. But I think Perylene Red and Rembrandt's Madder Deep are solid choices for primary reds. And I say primary, because I feel the door should be left open for frivolous purchases as well. If a pigment gets you going just buy it. I don't believe in deprivation.
Mr Snrub, I agree to a point that pigment selection is a matter of taste, but the hue, the value, the saturation and transparency of a tube color contain its potential to do what we want it to do when we mix it with other tube colors.
Thank you, this is so very helpful!
You're so welcome! Enjoy the journey!
A humble complete beginner, moreover, due to illness I am forced to use the brush with both hands, I am turning to you with the following question: How to dose the required amount of paint and how to desaturate it?
We gauge the right amount of paint by the size of the canvas plus the thickness we prefer using. One important pointer--always err on the side of too much rather than not enough. Experience will guide you on the amount
We desaturate by mixing in the complement of the color. You might benefit from watching my free video on the color wheel at diannemizeacademy.com/courses/how-to-use-the-color-wheel/
@@IntheStudioArtInstruction Thanks for the reply. I would like to ask. Do you mix the paint for each brush stroke separately or do you use the prepared paint in several places?
As happens so much, I am currently painting a still life with big ripe tomatoes, and so this video about reds is SO timely. It isn't easy to figure the reds out, but this was very, very helpful.
I meant what happens so much is you just hit on that very thing I need to know about!
Have fun with it, Pamela.
Insightful. Thanks
You bet.
Hello 👋 🫂 my friend very beautiful work congratulations for beautiful painting thanks have a beautiful evening 😊 😀 ❤️
Thanks for watching!
Thank you, red secrets reveled !!!
Have fun with it.
Gracias
You are welcome
Hi Dianne. Could you do a video using water based oil paints? I'm struggling with how quickly they skin over and trying to understand which mediums to use when. Love your instruction. Thank you
I would love to do that for you IF I had experience using water-based paints, but I don't have that experience, so it wouldn't be fair to do a Quick Tip on something I know nothing about.
I wish she would demonstrate with more paint on her brush !
She does when more is needed.
great clear lesson thank you Diane 😊 im really struggling with getting greys and the texture of a Rhino i am painting in oils do you have any helpful tips please 🙏
Trish, you can find whatever gray you need by mixing complements. Orange and blue are always a good bet for neutral colors of animals. If you value correct before mixing, then adjust the proportions, it should be easy.
@@IntheStudioArtInstruction great thank you very much 😊