Very helpful. I was in very bright conditions and almost out of 50d. Had I seen this I wouldn’t have been so scared to use 200d. It’s not as good, but still performs
Good stuff. You have a really nice camera move coming off of the kid to the lady holding the baby.Only thing I would have liked to have seen were some shots using tungsten balanced light as well as some mixed lighting conditions. I would've liked to have seen some tripod shots, no law says all home movies must be handheld.
@@JonnyDeeFilms Which is actually harder to pull off than many realize. It's not just shaky and roving. You want your shots to be clear and well composed with just enough of the blurry swishes to look non pro. You want it to look like one of the better home movie makers. Unlike my Uncle SB who had a really nice 8mm Bolex in the 60s. He was a technician and knew how to operate it, but had no clue about composition and camera movement.
So a weird thing about super8mm cameras: they usually have a mechanism that tells the camera what the film is color balanced for (at least mine does haha) so the tungsten film canister tells the camera that it needs the orange light filter in the camera and then if its daylight it doesn’t engage that filter at all! Its sorta confusing at first but its nice because you don’t really have to worry too much about white balancing! (Which makes sense because these were generally marketed toward home video use) hope that helps!
Very helpful. I was in very bright conditions and almost out of 50d. Had I seen this I wouldn’t have been so scared to use 200d. It’s not as good, but still performs
It’s a happy compromise and you can get some usable shots indoors also.
Good stuff. You have a really nice camera move coming off of the kid to the lady holding the baby.Only thing I would have liked to have seen were some shots using tungsten balanced light as well as some mixed lighting conditions. I would've liked to have seen some tripod shots, no law says all home movies must be handheld.
That’s a great idea. I want to do a narrative film on the format using tripod shots. I bought the camera to do the classic handheld/messy home movies.
@@JonnyDeeFilms Which is actually harder to pull off than many realize. It's not just shaky and roving. You want your shots to be clear and well composed with just enough of the blurry swishes to look non pro. You want it to look like one of the better home movie makers. Unlike my Uncle SB who had a really nice 8mm Bolex in the 60s. He was a technician and knew how to operate it, but had no clue about composition and camera movement.
Thanks, very helpful! 👍👍
nice. thanks for the tests.
Amazing comparison - thanks much
Thanks for watching! Hope it helps and saves you a roll 😊
Reminds me of the American History X intro and outro
Thank you for that
amazing work :)
love this bro!
Appreciate it!!
LOVE!!!!!
with the tungsten light in daylight the camera setting is in daylight or ??
So a weird thing about super8mm cameras: they usually have a mechanism that tells the camera what the film is color balanced for (at least mine does haha) so the tungsten film canister tells the camera that it needs the orange light filter in the camera and then if its daylight it doesn’t engage that filter at all! Its sorta confusing at first but its nice because you don’t really have to worry too much about white balancing! (Which makes sense because these were generally marketed toward home video use) hope that helps!
@@willcasada couldn't have been clearer, thanks a lot brother