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My dad was a jazz drummer and Elvin Jones was his hero. About twenty five years ago, my dad had the opportunity to hear Elvin give a masterclass in Montreal at the Salle Gesu concert hall and actually got to play with him. My dad told me that besides marrying my mom and my birth, that day with Elvin was happiest day of his life.
A true gentle giant.. the kindest man I've ever met.. It was mid-seventies when I met him at Frank Ippolito's drum shop in NYC.. He was signed to Vanguard Records as was I at the time.. He invited me to his session that evening which to this day remains the highlight of my life.. When I remember that evening I think of the man before his drumming.. He was a powerful sweet soul and in my heart I still feel him deeply.. Thank you for this video.. much appreciated.
Hey Bill I worked at Frank's at that time and my fondest memories are of Elvin and spending time with him , what a beautiful soul and got to hear him so many nights around N.Y. at that time....I feel truly blessed Paul Kimbarow
Elvin was such an amazing drummer;a real force of nature who could just swing so hard,and those triplets! Man,what an individual,and a great collaborator too - the way he answered a soloist with his call and response was uncanny. Every drummer,no matter what genre,should be required to listen to him.
When I was a teenager my dad took me to see elvin jones at the blue note in nyc. It was a magical and pivotal moment in my life and it forever cemented my love for drums and was instrumental in me wanting to becoming a professional musician. After the show he shook my hand and it was a moment I will never forget. I knew he was just a man with all of the faults of a human being but it also felt as if I were in the presence of something outside of ourselves and timeless. Just to note he had an *extremely* firm handshake.
Ive realized over the years that Elvin Jones was a big reason for me loving Tranes great quartet. He opened up the sound of the band with his melodic drumming for Trane to improvise and at the same time propelled it rhythmically along with Tyner. John Coltranes urgency set the table. What a great jazz drummer!
When I started drumming many decades ago a friend introduced me to Elvin's playing. I thought it was horrible. I couldn't understand it. Decades later I finally got it. A whole new rhythmic world opened up!
I still can't completely get it, but my bandmates have referenced Elvin in regards to my playing, and now I guess I don't get my own playing, lol. I'm starting, too, though. I have a habit of triplet/poly/hemiolas and I just had to google what hemiolas are.
I fortunate enough to see Elvin many times in lower Manhattan in the late 80’s…I loved how explosive he could … and how you also had a gentle touch. None were like him before and no one after… He was that unique…!!
Probably my favorite acoustic jazz drummer ever. Elvin’s awareness of rhythmic time, knowledge of song form, his swagger in driving his ensembles, his touch and feel - such a massive continuing influence on my own playing.
Holy shit the timing of this video couldn't be more perfect. I just listened to A Love Supreme last night and was blown away by the drumming. throughout the whole day I was watching his videos and searching around the internet for his albums. And then boom, Drumeo releases this video. I guess it's all meant to be.
Oh man, I’m jealous you got to listen to *A Love Supreme* for the first time. It’s like an awakening moment. Everything going on in those tracks is just… wow. Each player just next-level’ed the crap out of music.
I love the wonder, revelation and enthusiasm you experienced regarding Elvin's playing last month. And the subsequent acceptance you experienced!! Then you decided to share it all with us in an innocent and charming way,!! You're cool af. Keep on coolin. Continue with the humility. Its charming on you.
Thank you Drumeo and Brandon for this AMAZING discussion and celebration of Elvin Jones. Elvin Jones is just the best - as a drummer and a person. It's no wonder he and John Coltrane made such beautiful music. As for what I have learned from Elvin Jones, it has to be the majesty and thunder of triplets. For me, Elvin Jones when he's just laying down a mid-tempo swing over the blues - like Spiritual or Village Blues or anything from Wayne Shorter's "Night Dreamer," "Juju" or "Speak No Evil." When I think back about what really made me fall in love with the drums, I think about the part in Afro Blue when Elvin and McCoy are holding things down and Elvin ratchets up the dynamics with those thunderous triplets just before John Coltrane comes back in. It still gives me goose bumps and brings a smile to my face. Thank you again for the love and care you put into this honoring of the great Elvin Jones. Yours, Todd Berg
Thank you for this video… the first time I heard Elvin Jones I learnt that I was actually in love with drums. As he said, he was a fighter… such a great!
Very nice. In 1984 I studied with Elvin, 3 weeks, amazing. There were a couple things he showed me and demonstrated that are interesting. A different way he practiced and actually played his signature triplet ride pattern. Your playing demos were good. Elvin used a red wood bass drum beater when I was with him. His touch was really light but explosive. He was a genius.
I hung out with him at the Village Vanguard all night long one night in 1982. He showed me that he didn't use his high hat when he soloed. He would turn his foot to the right a little and rest it with the high hat closed. He also wold cup his palm and pour some cologne and then put it on the top of his head. It works.
..thank you for this one..he will always be my favourite drummer..he was a great artist on his drums..and an awesome musician..r.i.p. mr elvin jones 🖤🖤❤️
I love this stuff. I happily admit I may have heard the name before, but nothing more. I recognize the people he played with. This is why I adore Drumeo.
Great semi-documentary of Elvin Jones' style and about many of specifics that made him so great. The use of 4-limb polyrhythms was very interesting to learn. It's also very interesting (although not shocking) to learn John Bonham and other rock greats got many of their techniques from Elvin Jones. God bless his memory and may he be always remembered for the seminal genius he was.
Back in ‘67, when I first discovered Elvin Jones and Tony Williams, I also discovered accidentally I guess, that a 6 stroke roll (RLRRLL) played as triplets, Right hand on ride, Left hand on snare, once it was played fairly up-tempo, was a key that cracked open a doorway to Mr. Jones’ basic style… Just the START of a long, long, process!
One drummer I can never quite wrap my head around, which makes listening to his work a continuous fascination. Bravo for taking this on, always interesting to hear someone analyze his style.
Elvin Jones and Tony Williams are at the very core of my drumming psyche as the essential ingredients among the many historic and important influences that have helped shape my total musicality as a drummer, percussionist, and all around musician!!! I am most grateful, thankful, and humble to have been born to experience such greatness in my lifetime!!!
Great tribute and analysis, Brandon. I saw Elvin play the most of any of my idols, his wife Keiko and him were both always very nice, even sometimes inviting us drummers backstage. Seeing your beautiful video about him and reminding us of his contributions to our instrument is just what I needed today!
Excellent report. Elvin is there with the best of history. I enjoyed him in "Time is of the essence" from Michael Brecker. The most African of drummers.
I have been “Jonesing” for an Elvin Jones documentary for a while and this is very well done. i esp. love his physicality when playing, I.E. his power when bearing down on this amazing instrument. Thanks for this!!
This man is a monster . Guitarist John McLaughlin wrote a song for him called tones for elvin jones its a great jazz tribute to this incredible drummer
Great! I'll never forget seeing him at the Blue Note in NYC shortly before he passed. Cecil Taylor was guesting with The Jazz Machine. I was really curious to hear Elvin in this context. As I waited on line outside, occasionally music could heard from the band's first set. It was great. When I got in for the 2nd set, the lights dimmed and an announcement was made on the P.A.: "Ladies and Gentlemen, we now have a special presentation. A duet between Ceil Taylor and Elvin Jones." For about a 1/2 hour, it was 100% Cecil-style free jazz improv. Throughout the entirety, Elvin used only mallets on the kit. It was powerful to say the least.
ELvin never nailed a bass drum to the floor. He or Keiko would sometimes put nails in front of the bass drum but never through the drum or hoop. When I asked Elvin why he didn't just use a carpet he said that he didn't like how something soft under the drums absorbed the beautiful reflections.
Impressive to see an acknowledgement and tribute to a Musician 🪘🪘"ELVIN", that focuses on the 'Artist' and His🥁🥁 work, rather than explaining His creativity and innovation by crediting those that "copy" or are 'heavily Influenced' by the Originator!! 👏Thanks👏 It's about 'Time'...✊✊💯💯✊✊
The wealth of knowledge and artistry on display here is awe inspiring! Thank you Elvin Jones for your artistic vision and thank you to Brandon Towes and Drumeo for bringing detail to things that, for most of us, can seem opaque about jazz drumming. I have a whole new appreciation for the form and, even if I can quite play the exercises yet, this video deepens my listening! Love what you do! (A happy Lifetime member!)
@@BrandonToews Thank YOU so much (and sorry about the name mis-spell!) Seriously, Brandon, it's awesome to watch you break down all my favorite drummers - and the pinnacle so far was the Rush Canon surrounded by drums! Love your work!
Elvin Jones has always been my favourite drummer, and this is a great journey into looking at his tecniques around the kit. Thankyou for putting it all together...
Excellent analysis of Elvin's approach to the drums and music. I would go and listen to Elvin often at the Village Vanguard. It was a privilege and a joy. His dynamic range was exceptional and he gave every performance his all. His energy was infectious as was his love for music. As great as he was, his kindness and manners were equal to it. His legacy will never die. Thanks for the great video Brandon!
I was lucky enough to see Elvin Jones live 4 times and study at one of his workshops in Italy in Ravenna. the last live was in 2003 at the Blue Note in New York and in 2004 he left us. Different Drummer. The only thing I can say for sure. Unique. Thank you so much for this video ❤
Remarkable Job and supreme tasty compilation of images, quotes, words of Drumeo Team and Mr Brandon Toews!! I'm watching slowly , going back to watch again to try to learn. Very inspirational video to us drummers!!
A master class, an absolute master class on a fabulously influential drummer. Drumeo continues to provide extremely professional, in-depth, relatable, understandable content for drummers and anyone interested in the percussive arts. I so enjoyed this. Thank you for putting this together and sharing.
Fellow drummers the MOST important thing I learned from Elvin came from watching him warm up just before start time. It was not his time keeping or his soloing it was his mastery of the double stroke press roll. Before anyone came in the club he was executing the press roll starting slow and quite and soft and building it up so smooth and yet POWERFUL! The other great masters of the press roll was Buddy Rich and Art Blakely. In spite on the fact that Buddy played perhaps the fastest single stroke rolls ever it was his press rolls that would make the hair on my arms stand up.
I’ve been playing the drums professionally mainly in rock bands throughout the years, but only now begin to understand the brilliant minds of the founding fathers of the instrument. Thank you Drumeo for this well researched lesson, I learned a ton of new ideas. Already subscribed to the site and working with it daily, also with my students. Tnx guys keep it up!
As a student at McGill, I saw him at the Rising Sun nightclub in Montreal in the late 70’s. The two things I remember best: his regal Japanese wife attentively listening, watching over him, and my ears ringing for hours after his group’s set. It was a great night.
To my eyes and ears, Evin always explored his joy in a composition playing what was needed to elevate the experience for all musicians he drumed with! And, he never dialed it in on record or live! To me,he is T the most unique drum/percussion master who ever kept time!
The greatest drummer who ever breathed and my exemplar on the kit. His lyricism on that instrument is unparalleled in my opinion and his incorporation of the crash symbols as a vital and capacious cog in the total expression of the drum set is quite breathtaking, haunting and unexampled to this day (e.g., the song Alabama by Coltrane with Jones on the kit - he paints like Van Gough with his sticks adding an extra dimension and middle earth depth to that tune) . He is what every drummer should aspire to and he was an an essential ingredient on some of the most important records ever recorded (and far, far more important records than Buddy Rich ever played on after he went solo). His surpassingly adroit knack for the tempestuous and fierce or subtle and delicate is quite rare. His wide ranging and majestic solo albums are only beginning to be revisited with a proper sense of awe. I recommend them all as models of percussion craft.
@@Martin_Bernard Yes there is. I agree that the term greatest is overused by overly opinionated persons who simply grasp at what they like for superlatives, but the simple fact is that Elvin checks every box with a bolder hand. Ability, contribution, influence, important recordings, live performance, indelibility, innovation, range, etc. By each of these metrics he sits atop his discipline or nearabout. There is no other drummer who a student or fan of percussion would be better suited to.
@@MaximusWolfe One of the greatest, not the greatest, too many great drummers, too many different aspects of drumming, different times, different techniques, different styles, different types of music, different tastes, etc. impossible to compare esp music is not a competition like a sport
Wow. A very well done tribute to the master. I have loved Elvin's playing since I was introduced to it in my early days of playing drums. I wish I could have seen him live. Thanks Brandon!
Excelent vídeo, THANKS! I saw Elvin 4 times, in Brazil, Village Vanguard 2times and in the San Xavier Spain st same fest. tha I was playing with Don Pullen and we all were hanging at back stage listening Elvin telling beautiful stories… Congratulations for this video about virtuose Elvin Jones!
The most complete exposure of Elvin Ray Jones ever. Thanks a lot Brandon . l has the enormous fortune of being his friend.As a teenager l felt in love without listening to him. l used to love to watch the Gretsch adds on Down Beat magazines. Than l got started on drums.( Thanks to Ringo)By 1970 l bought my first Elvin LP didn't like it( way to advanced) but as me went by l started to dig it. Being a rock drummer l used to play covers by Hendrix, Cream, Vanilla Fudge and Led Zeppelin. I was hooked on Elvin Then l got started playing jazz digging Trane, Miles, Art Blakey, Max Roach, Buddy Rich & Joe Morello. By 1973 Elvin came to my home town.La Paz Bolivia. He was so kind de became friends. l found myself in NY in 1975 and called Elvin his lovely wife Keiko told me " Elvin and Art are playing at the Top of the Gate tonight. There I was in front of his 18 " inch yellow Gretsch bass drum. He recognized me and than told me to go to Frank Ippolito's to get the Camco Stradivarius kit l was looking for. The show was incredible Elvin & Art played superbly. Than he recommended me to Frank.Next time I saw him in Toronto. Than de met at a clinic in San Jose.He was very kind to invite me to his hotel room and we talked drums; Spirit and Mother Africa. He told me about knowing the melody of the song while playing a solo..about using the whole kit as a musical Instrument. No one knows more about polyrhythms and syncopation than Elvin, his phrasing, timing and dynamics above excellent. But the most important THE COSMIC TRANCE WHILE YOU PERFORM ETERNAL LOVE FOR THE SUPREME MASTER INFINITE GRATITUDE.
Great retrospective on Elvin Jones playing style. One thing I learned, or wa sreminded of, was Elvin's overtly aggressive playing inside the form while the melody was being played by other band members. Thank you - watching and listening to this video was time well spent!
A great video Brandon,very well done. I saw him many times,the first time I saw Elvin was in 1971 at the Museum of Modern Art in Manhattan. I still have the sticks he gave me. I can certainly hear the influence he had on another drummer idol of mine Mitch Mitchell.
FIRST TIME I HEARD ELVIN JONES I WAS BLOWN AWAY BUT CONFUSED AT FIRST I FELT LIKE I WAS HEARING A PAIR OF SNICKERS SHOES ROLLIN AROUND IN A DRYER MACHINE I JUST COULDN'T EXPLAIN IT
These genius series are absolutely fantastic! And this one is certainly no exception. I can only imagine the amount of work that goes into these; everything from the research, script, playing, transcribing, to the production, and editing. Thanks for putting this up for free.
I use a lot of variations of triplet rolls! Bonzo and Ian Paice were some of my main inspirations during my initial stages of learning how to play a Kit, and I have to add Hal Blaine as another major Inspiration at the time, and Playing to; "Have fun!!! Play Drums!!!" album was how I learned my first Rock Beats...It was great to learn where They both got their inspiration from.... great job!! And Thanks Elvin !!
When I first learned of Elvin, I was 18 years old. I had little knowledge of jazz music, but John Coltrane, Freddie Hubbard, and Herbie Hancock fixed that up quick. If I had learned of Elvin Jones at a younger age, I might have been compelled to pursue professional drumming instead of electric guitar. Thank you, Elvin, for your brilliant contribution to the drum kit. If not for your innovative playing, jazz and rock drummers alike would not know how to play smooth grooves without making massive mistakes all throughout. Cheers to the chops of folks like Elvin Jones!
The expansiveness of his playing. The depth of his knowledge played with seemingly effortless facility. Most useful was knowing where he was before I first discovered him with Coltrane and Wayne Shorter. Very fine.
Brandon that’s a treasure chest full of unbelievable real drumming! Thanks for that! Love your vibe while talking! And interesting that you play matched and super cool that you aren’t unsure to play matched in this strong Traditional state of the art! Super work ! Want more 🙏
This was very, very well done. The inclusion of so many audio, video, as well as actual playing examples of the many concepts presented is invaluable. I think Elvin scares a lot of drummers because his style and technique was so unique. This video goes a long way to help us mere mortals come to grips with this drumming god. I hope you will do similar videos for other seminal jazz players like those listed on you tee shirt (especially Art, Max and Tony). It would be good to explore newer guys like Weckl or Erskine. Amazing job, thank you.
Thanks a lot, Raymond! Appreciate the kind words and really glad to hear you enjoyed the video. I would love to do an episode on all of those drummers at some point!
I know Elvin Jones did many, many, great things with those drums! But my heart, mind, ears, & spirit are stuck on the John Coltrane quartet he was part of. I'm addicted to the "Warrior" music that this all time great Quartet produced 4-ever!❤️🎷🥁🎹 + the bass🎶
Yet another great video Brandon. I love seeing these inspirational drummers of some of my drummer heroes and the way you break down some of the simple, yet difficult techniques that are building blocks to better and better drumming. The R-L-K and L-R-K example in this video is a great example.Vids like this one got me interested in Drumeo and Drumeo has helped me improve so much in my drumming journey.
Excellent presentation and illustration of the techniques Elvin used! I got to see the Jazz machine twice once at the Lighthouse and a few weeks later at the Village Vanguard! Around the holidays 1976.
This was fantastic! I have seen many of these clips before, and the way you all organized them along with the transcriptions was professional and valuable to Elvin’s legacy. I sent this to a few of my jazz studies students at Christopher Newport University where I’m an adjunct professor this semester as an artist in residence. Thank you for putting the time into making this, and congratulations on your work!
Drumeo members get access to notation and practice tools (to loop/slow down sections) for all of the tracks mentioned above. Click here to try Drumeo free for 7 days: drumeo.com/trial-10008
Somebody is wearing Clarks 7:05
Do Frank Beard please and thank you!
My dad was a jazz drummer and Elvin Jones was his hero. About twenty five years ago, my dad had the opportunity to hear Elvin give a masterclass in Montreal at the Salle Gesu concert hall and actually got to play with him.
My dad told me that besides marrying my mom and my birth, that day with Elvin was happiest day of his life.
A true gentle giant.. the kindest man I've ever met.. It was mid-seventies when I met him at Frank Ippolito's drum shop in NYC.. He was signed to Vanguard Records as was I at the time.. He invited me to his session that evening which to this day remains the highlight of my life.. When I remember that evening I think of the man before his drumming.. He was a powerful sweet soul and in my heart I still feel him deeply.. Thank you for this video.. much appreciated.
Thank you, Bill!
He was the best.
Hey Bill I worked at Frank's at that time and my fondest memories are of Elvin and spending time with him , what a beautiful soul and got to hear him so many nights around N.Y. at that time....I feel truly blessed
Paul Kimbarow
Elvin was such an amazing drummer;a real force of nature who could just swing so hard,and those triplets! Man,what an individual,and a great collaborator too - the way he answered a soloist with his call and response was uncanny. Every drummer,no matter what genre,should be required to listen to him.
He was a tall man! Not Howlin Wolf imposing but just insane on the drums. Over looked in my humble opinion
When I was a teenager my dad took me to see elvin jones at the blue note in nyc. It was a magical and pivotal moment in my life and it forever cemented my love for drums and was instrumental in me wanting to becoming a professional musician. After the show he shook my hand and it was a moment I will never forget. I knew he was just a man with all of the faults of a human being but it also felt as if I were in the presence of something outside of ourselves and timeless.
Just to note he had an *extremely* firm handshake.
So cool!
Awesome Keith yea the old masters had that ascended vibe
Was that The Truth band with Michael Brecker?
@@Osnosis it was the Jazz Machine, not with Brecker, but I think Darren Barrett was in the lineup at that time.
The level of intelligence and seriousness that Elvin Jones was on is something to behold!
Ive realized over the years that Elvin Jones was a big reason for me loving Tranes great quartet. He opened up the sound of the band with his melodic drumming for Trane to improvise and at the same time propelled it rhythmically along with Tyner. John Coltranes urgency set the table. What a great jazz drummer!
One of the greatest drummers of all time. Rest in Peace to a legend.
I saw him play live in a small club in 1990. I was 20 feet from the stage. It was epic.
i was fortunate enough to see elvin play at jazz alley in seattle just before he passed away. one of the best musical experiences of my life
Even the people who have never heard of Elvin Jones have been listening to him coming through when they hear their favorite bands.
Well stated, interesting how most music listeners think their favorites were the 1st.
Yes that's me.
When I started drumming many decades ago a friend introduced me to Elvin's playing. I thought it was horrible. I couldn't understand it. Decades later I finally got it. A whole new rhythmic world opened up!
🔥🔥🔥
YESSS.
I still can't completely get it, but my bandmates have referenced Elvin in regards to my playing, and now I guess I don't get my own playing, lol. I'm starting, too, though. I have a habit of triplet/poly/hemiolas and I just had to google what hemiolas are.
i can't believe it took you decades to recognize he was good
Good for u, i still don't understand...
Best and most understandable breakdowns of Elvin's drumming I've ever seen! Lesson learned: Don't be afraid to be yourself.
Thanks, Tom!
Somebody is wearing Clarks 7:05
I fortunate enough to see Elvin many times in lower Manhattan in the late 80’s…I loved how explosive he could … and how you also had a gentle touch.
None were like him before and no one after…
He was that unique…!!
Probably my favorite acoustic jazz drummer ever. Elvin’s awareness of rhythmic time, knowledge of song form, his swagger in driving his ensembles, his touch and feel - such a massive continuing influence on my own playing.
GENIUS... loved that man, what a great artist he was and still is through extensive recordings....RIP, Mr. Jones.
After watching this I realized that much of my teacher's lessons had its origins in Elvin Jones' playing.
This is the first Drumeo vid I've seen in this deep dive history format.
I LOVE IT!!!
I love the other stuff, too, but this is outstanding.
Thanks, Roy! Appreciate it. We’ve done about 10 other Genius Of videos in this style that you can check out too!
Holy shit the timing of this video couldn't be more perfect. I just listened to A Love Supreme last night and was blown away by the drumming. throughout the whole day I was watching his videos and searching around the internet for his albums. And then boom, Drumeo releases this video. I guess it's all meant to be.
Oh man, I’m jealous you got to listen to *A Love Supreme* for the first time. It’s like an awakening moment. Everything going on in those tracks is just… wow. Each player just next-level’ed the crap out of music.
It was meant to be!
First time I saw him was in 1968. Got a copy of A Love Supreme soon afterwards. I was 19.
I love the wonder, revelation and enthusiasm you experienced regarding Elvin's playing last month. And the subsequent acceptance you experienced!! Then you decided to share it all with us in an innocent and charming way,!!
You're cool af. Keep on coolin. Continue with the humility. Its charming on you.
Thank you Drumeo and Brandon for this AMAZING discussion and celebration of Elvin Jones. Elvin Jones is just the best - as a drummer and a person. It's no wonder he and John Coltrane made such beautiful music. As for what I have learned from Elvin Jones, it has to be the majesty and thunder of triplets. For me, Elvin Jones when he's just laying down a mid-tempo swing over the blues - like Spiritual or Village Blues or anything from Wayne Shorter's "Night Dreamer," "Juju" or "Speak No Evil." When I think back about what really made me fall in love with the drums, I think about the part in Afro Blue when Elvin and McCoy are holding things down and Elvin ratchets up the dynamics with those thunderous triplets just before John Coltrane comes back in. It still gives me goose bumps and brings a smile to my face. Thank you again for the love and care you put into this honoring of the great Elvin Jones. Yours, Todd Berg
Thank you so much, Todd!
Thank you for this video… the first time I heard Elvin Jones I learnt that I was actually in love with drums.
As he said, he was a fighter… such a great!
Love it!
I got to see Elvin in Oakland just before his passing. I was in high school at the time and I am so lucky that that happened!!
Very nice. In 1984 I studied with Elvin, 3 weeks, amazing. There were a couple things he showed me and demonstrated that are interesting. A different way he practiced and actually played his signature triplet ride pattern. Your playing demos were good. Elvin used a red wood bass drum beater when I was with him. His touch was really light but explosive. He was a genius.
I hung out with him at the Village Vanguard all night long one night in 1982. He showed me that he didn't use his high hat when he soloed. He would turn his foot to the right a little and rest it with the high hat closed. He also wold cup his palm and pour some cologne and then put it on the top of his head. It works.
Elvin taught me how to “talk” to people behind my kit. He taught me the language of drumming and fueled my love for post-bop.
..thank you for this one..he will always be my favourite drummer..he was a great artist on his drums..and an awesome musician..r.i.p. mr elvin jones 🖤🖤❤️
Cheers!
I love this stuff. I happily admit I may have heard the name before, but nothing more. I recognize the people he played with. This is why I adore Drumeo.
Cheers, Johnny!
Thanks, Johnny!
Great semi-documentary of Elvin Jones' style and about many of specifics that made him so great. The use of 4-limb polyrhythms was very interesting to learn. It's also very interesting (although not shocking) to learn John Bonham and other rock greats got many of their techniques from Elvin Jones. God bless his memory and may he be always remembered for the seminal genius he was.
Back in ‘67, when I first discovered Elvin Jones and Tony Williams, I also discovered accidentally I guess, that a 6 stroke roll (RLRRLL) played as triplets, Right hand on ride, Left hand on snare, once it was played fairly up-tempo, was a key that cracked open a doorway to Mr. Jones’ basic style… Just the START of a long, long, process!
This is one of the best Jazz drummer teaching method! Thanks Drumeo!
I was fortunate enough to see The Elvin Jones Jazz Machine in the 90s in São Paulo, Brazil. Such a powerful act.
One drummer I can never quite wrap my head around, which makes listening to his work a continuous fascination. Bravo for taking this on, always interesting to hear someone analyze his style.
Thanks Trey!
Amazing! We want more jazz stuff especially Elvin!
Thanks, Dan! I've got lots of other jazz lessons in the Drumeo members area, too!
Elvin Jones and Tony Williams are at the very core of my drumming psyche as the essential ingredients among the many historic and important influences that have helped shape my total musicality as a drummer, percussionist, and all around musician!!! I am most grateful, thankful, and humble to have been born to experience such greatness in my lifetime!!!
The one thing I've learned from the video about Elvin is why I love his sound so much. Cause he played like every time would be his last! Great video!
Great tribute and analysis, Brandon. I saw Elvin play the most of any of my idols, his wife Keiko and him were both always very nice, even sometimes inviting us drummers backstage. Seeing your beautiful video about him and reminding us of his contributions to our instrument is just what I needed today!
Excellent report. Elvin is there with the best of history.
I enjoyed him in "Time is of the essence" from Michael Brecker.
The most African of drummers.
So much of what I learned from my rock drummer influences came from Elvin. True legend.
I have been “Jonesing” for an Elvin Jones documentary for a while and this is very well done.
i esp. love his physicality when playing, I.E. his power when bearing down on this amazing instrument. Thanks for this!!
Cheers Evan!
I'm loving the jazz content! Elvin was a genius and has perhaps the most recognizable sound in the world of jazz drums.
This is the Best overview of Elvin Jones style on UA-cam. Great Video Drumeo. Thanks.
Thanks Michael!
This man is a monster . Guitarist John McLaughlin wrote a song for him called tones for elvin jones its a great jazz tribute to this incredible drummer
wow thanks for sharing, i wonder if thats because Elvin had synesthesia
Somebody is wearing Clarks 7:05
@@kapiltrivis that when you hear or see colors, if so I heard him say that's how he played his kit.
Great! I'll never forget seeing him at the Blue Note in NYC shortly before he passed. Cecil Taylor was guesting with The Jazz Machine. I was really curious to hear Elvin in this context. As I waited on line outside, occasionally music could heard from the band's first set. It was great. When I got in for the 2nd set, the lights dimmed and an announcement was made on the P.A.: "Ladies and Gentlemen, we now have a special presentation. A duet between Ceil Taylor and Elvin Jones." For about a 1/2 hour, it was 100% Cecil-style free jazz improv. Throughout the entirety, Elvin used only mallets on the kit. It was powerful to say the least.
Why didn't I think of nailing my bass drum to the floor!!!🤣 The guy is such a LEGEND!!💯🙌💯
ELvin never nailed a bass drum to the floor.
He or Keiko would sometimes put nails in front of the bass drum but never through the drum or hoop.
When I asked Elvin why he didn't just use a carpet he said that he didn't like how something soft under the drums absorbed the beautiful reflections.
Modern drum spurs are 1000% better than what were available in the past, usually no need to nail.
I’m not a drummer but this gets me thinking out of the box with rhythm 😮
Whenever I listen to Elvin Jones the word that always comes to mind is “oceanic.”
Impressive to see an acknowledgement and tribute to a Musician 🪘🪘"ELVIN", that focuses on the 'Artist' and His🥁🥁 work, rather than explaining His creativity and innovation by crediting those that "copy" or are 'heavily Influenced' by the Originator!! 👏Thanks👏 It's about 'Time'...✊✊💯💯✊✊
Elvin is one of my Top 5 Drummers of all time. A must for serious drummers.
The wealth of knowledge and artistry on display here is awe inspiring! Thank you Elvin Jones for your artistic vision and thank you to Brandon Towes and Drumeo for bringing detail to things that, for most of us, can seem opaque about jazz drumming. I have a whole new appreciation for the form and, even if I can quite play the exercises yet, this video deepens my listening! Love what you do! (A happy Lifetime member!)
Cheers Jack!
Thanks so much, Jack! So glad to have you with us!🙌🏻🥁
@@BrandonToews Thank YOU so much (and sorry about the name mis-spell!) Seriously, Brandon, it's awesome to watch you break down all my favorite drummers - and the pinnacle so far was the Rush Canon surrounded by drums! Love your work!
@@jackgreenman - Thanks!!
Elvin Jones has always been my favourite drummer, and this is a great journey into looking at his tecniques around the kit. Thankyou for putting it all together...
Thank you for sharing this beautiful music. It is so great to celebrate this GIANT.
Just BLAZED & jammed while Listing to This. LOVE SUPREME ❤️ 🎶 one of The BEST. THANK YOU DRUMEO
My favourite drummer of all time honestly
I learned that no matter how good I get, I’ve still got a lot to learn.
It's a never-ending journey :)
And you'll still get better every time you practice :)
Excellent analysis of Elvin's approach to the drums and music. I would go and listen to Elvin often at the Village Vanguard. It was a privilege and a joy. His dynamic range was exceptional and he gave every performance his all. His energy was infectious as was his love for music. As great as he was, his kindness and manners were equal to it. His legacy will never die. Thanks for the great video Brandon!
Wow! That would be amazing to see him perform live. So glad you enjoyed the video!
@@BrandonToews You did a great job of breaking his style down. It was a pleasure to watch.
As you stated, his greatness was in his person: you can only play what you are.
The different orchestrations for the displaced paradiddlediddle sounds great!
Thanks Eddie!
I was lucky enough to see Elvin Jones live 4 times and study at one of his workshops in Italy in Ravenna. the last live was in 2003 at the Blue Note in New York and in 2004 he left us. Different Drummer. The only thing I can say for sure. Unique. Thank you so much for this video ❤
Remarkable Job and supreme tasty compilation of images, quotes, words of Drumeo Team and Mr Brandon Toews!! I'm watching slowly , going back to watch again to try to learn. Very inspirational video to us drummers!!
Awesome - so glad you enjoyed it, Carlos!
A master class, an absolute master class on a fabulously influential drummer. Drumeo continues to provide extremely professional, in-depth, relatable, understandable content for drummers and anyone interested in the percussive arts. I so enjoyed this. Thank you for putting this together and sharing.
Appreciate that! Thank you very much!
I forget who said if but it was put best like this-- "If you want to understand Elvin's impact on drumming, listen to jazz before Elvin, and after"
@RonCarterBassist
@@MrEmanuelw excellent. thanks.
Fellow drummers the MOST important thing I learned from Elvin came from watching him warm up just before start time. It was not his time keeping or his soloing it was his mastery of the double stroke press roll. Before anyone came in the club he was executing the press roll starting slow and quite and soft and building it up so smooth and yet POWERFUL! The other great masters of the press roll was Buddy Rich and Art Blakely. In spite on the fact that Buddy played perhaps the fastest single stroke rolls ever it was his press rolls that would make the hair on my arms stand up.
Greatest jazz drummer ever in my book. Just an amazing musician and he inspired so many others. Great work again Drumeo😁✌
Cheers Dan!
I’ve been playing the drums professionally mainly in rock bands throughout the years, but only now begin to understand the brilliant minds of the founding fathers of the instrument. Thank you Drumeo for this well researched lesson, I learned a ton of new ideas. Already subscribed to the site and working with it daily, also with my students. Tnx guys keep it up!
Thanks a lot!
As a student at McGill, I saw him at the Rising Sun nightclub in Montreal in the late 70’s. The two things I remember best: his regal Japanese wife attentively listening, watching over him, and my ears ringing for hours after his group’s set. It was a great night.
To my eyes and ears, Evin always explored his joy in a composition playing what was needed to elevate the experience for all musicians he drumed with! And, he never dialed it in on record or live! To me,he is T
the most unique drum/percussion master who ever kept time!
Love the shirt there. Those are pretty much my favorite jazz drummers from that period.
Thanks!
What an amazing analyst, educator, presenter and Drummer you are Sir. thank you very much for your work
The greatest drummer who ever breathed and my exemplar on the kit. His lyricism on that instrument is unparalleled in my opinion and his incorporation of the crash symbols as a vital and capacious cog in the total expression of the drum set is quite breathtaking, haunting and unexampled to this day (e.g., the song Alabama by Coltrane with Jones on the kit - he paints like Van Gough with his sticks adding an extra dimension and middle earth depth to that tune) .
He is what every drummer should aspire to and he was an an essential ingredient on some of the most important records ever recorded (and far, far more important records than Buddy Rich ever played on after he went solo).
His surpassingly adroit knack for the tempestuous and fierce or subtle and delicate is quite rare. His wide ranging and majestic solo albums are only beginning to be revisited with a proper sense of awe. I recommend them all as models of percussion craft.
Always this "greatest" comment under every drums video, sick and tired of it, there's no greatest
@@Martin_Bernard
Yes there is. I agree that the term greatest is overused by overly opinionated persons who simply grasp at what they like for superlatives, but the simple fact is that Elvin checks every box with a bolder hand. Ability, contribution, influence, important recordings, live performance, indelibility, innovation, range, etc. By each of these metrics he sits atop his discipline or nearabout. There is no other drummer who a student or fan of percussion would be better suited to.
@@MaximusWolfe One of the greatest, not the greatest, too many great drummers, too many different aspects of drumming, different times, different techniques, different styles, different types of music, different tastes, etc. impossible to compare esp music is not a competition like a sport
@@Martin_Bernard
Greatest
@@MaximusWolfe That's only your preference
Wow. A very well done tribute to the master. I have loved Elvin's playing since I was introduced to it in my early days of playing drums. I wish I could have seen him live. Thanks Brandon!
I wish I could've seen him live too. Glad you enjoyed the video!
Legend Elvin lives on.
Always 💙
I love this guy. He always inspire me to be myself on drums. Thanks Drumeo.
Cheers!
I haven't listened to his music for a long long time but man, I still love it!
More of this jazz historical wholesome level of content please. Well done!
Thanks!
Excelent vídeo, THANKS!
I saw Elvin 4 times, in Brazil, Village Vanguard 2times and in the San Xavier Spain st same fest. tha I was playing with Don Pullen and we all were hanging at back stage listening Elvin telling beautiful stories…
Congratulations for this video about virtuose Elvin Jones!
The most complete exposure of Elvin Ray Jones ever. Thanks a lot
Brandon . l has the enormous fortune of being his friend.As a teenager l felt in love without listening to him. l used to love to watch the Gretsch adds on Down
Beat magazines. Than l got started on drums.( Thanks to Ringo)By 1970
l bought my first Elvin LP didn't like
it( way to advanced) but as me went by l started to dig it. Being a rock
drummer l used to play covers by
Hendrix, Cream, Vanilla Fudge and Led Zeppelin. I was hooked on Elvin
Then l got started playing jazz digging Trane, Miles, Art Blakey, Max Roach, Buddy Rich & Joe Morello.
By 1973 Elvin came to my home town.La Paz Bolivia. He was so kind
de became friends. l found myself in
NY in 1975 and called Elvin his lovely
wife Keiko told me " Elvin and Art are playing at the Top of the Gate
tonight. There I was in front of his 18 " inch yellow Gretsch bass drum. He recognized me and than told me to go to Frank Ippolito's to get the Camco Stradivarius kit l was looking
for. The show was incredible Elvin & Art played superbly. Than he recommended me to Frank.Next time I saw him in Toronto. Than de met at a clinic in San Jose.He was very kind to invite me to his hotel
room and we talked drums; Spirit and Mother Africa. He told me about
knowing the melody of the song while playing a solo..about using the
whole kit as a musical Instrument.
No one knows more about polyrhythms and syncopation than
Elvin, his phrasing, timing and dynamics above excellent. But the most important THE COSMIC TRANCE WHILE YOU PERFORM
ETERNAL LOVE FOR THE SUPREME
MASTER INFINITE GRATITUDE.
I know this is about Elvin,but Brandon you're amazing! One of the most versatile players out there. 🥁❤️
Thank you so much, John! Really appreciate it!
Great retrospective on Elvin Jones playing style. One thing I learned, or wa sreminded of, was Elvin's overtly aggressive playing inside the form while the melody was being played by other band members. Thank you - watching and listening to this video was time well spent!
Thank you so much!
A great video Brandon,very well done. I saw him many times,the first time I saw Elvin was in 1971 at the Museum of Modern Art in Manhattan. I still have the sticks he gave me. I can certainly hear the influence he had on another drummer idol of mine Mitch Mitchell.
Thanks much to makers of this video and brian tichy 5 must know bonham licks thank for music notation very helpful....
Thanx a lot! What a great + thorough vid about the One&Only 💚 💙 ❤
Thanks!
You did a fantastic job with this video. Thank you for making this and thank you to Elvin for all the wonderful music!
I heard him at Clark University's Coffee House around 1968 or 9. It was one of the most fantastic performances of musicality I ever heard.
FIRST TIME I HEARD ELVIN JONES I WAS BLOWN AWAY BUT CONFUSED AT FIRST I FELT LIKE I WAS HEARING A PAIR OF SNICKERS SHOES ROLLIN AROUND IN A DRYER MACHINE I JUST COULDN'T EXPLAIN IT
Thanks for a great Homage and to Elvin! some producers I hear would write " Play like Elvin" in the band notes to the drummer
Glad you enjoyed it, David!
Wow, definitely an innovative artist following his heart and passion. Thanks for the presentation!
These genius series are absolutely fantastic! And this one is certainly no exception. I can only imagine the amount of work that goes into these; everything from the research, script, playing, transcribing, to the production, and editing. Thanks for putting this up for free.
I use a lot of variations of triplet rolls! Bonzo and Ian Paice were some of my main inspirations during my initial stages of learning how to play a Kit, and I have to add Hal Blaine as another major Inspiration at the time, and Playing to; "Have fun!!! Play Drums!!!" album was how I learned my first Rock Beats...It was great to learn where They both got their inspiration from.... great job!! And Thanks Elvin !!
I’m a rock guy, and Elvin Jones is my favorite jazz drummer of all time.
When I first learned of Elvin, I was 18 years old. I had little knowledge of jazz music, but John Coltrane, Freddie Hubbard, and Herbie Hancock fixed that up quick. If I had learned of Elvin Jones at a younger age, I might have been compelled to pursue professional drumming instead of electric guitar. Thank you, Elvin, for your brilliant contribution to the drum kit. If not for your innovative playing, jazz and rock drummers alike would not know how to play smooth grooves without making massive mistakes all throughout. Cheers to the chops of folks like Elvin Jones!
Simply great job you guys did, Congrats!! Elvin, the enlightened drummer.
Thanks Pedro!
This video brought back memories of seeing EJ at Keystone Corner in San Francisco What a great show!
The expansiveness of his playing. The depth of his knowledge played with seemingly effortless facility. Most useful was knowing where he was before I first discovered him with Coltrane and Wayne Shorter. Very fine.
Brandon that’s a treasure chest full of unbelievable real drumming! Thanks for that! Love your vibe while talking! And interesting that you play matched and super cool that you aren’t unsure to play matched in this strong Traditional state of the art! Super work ! Want more 🙏
Glad you enjoyed it, Toni!
This was very, very well done. The inclusion of so many audio, video, as well as actual playing examples of the many concepts presented is invaluable. I think Elvin scares a lot of drummers because his style and technique was so unique. This video goes a long way to help us mere mortals come to grips with this drumming god. I hope you will do similar videos for other seminal jazz players like those listed on you tee shirt (especially Art, Max and Tony). It would be good to explore newer guys like Weckl or Erskine. Amazing job, thank you.
Thanks a lot, Raymond! Appreciate the kind words and really glad to hear you enjoyed the video. I would love to do an episode on all of those drummers at some point!
I know Elvin Jones did many, many, great things with those drums! But my heart, mind, ears, & spirit are stuck on the John Coltrane quartet he was part of. I'm addicted to the "Warrior" music that this all time great Quartet produced 4-ever!❤️🎷🥁🎹 + the bass🎶
Yet another great video Brandon. I love seeing these inspirational drummers of some of my drummer heroes and the way you break down some of the simple, yet difficult techniques that are building blocks to better and better drumming. The R-L-K and L-R-K example in this video is a great example.Vids like this one got me interested in Drumeo and Drumeo has helped me improve so much in my drumming journey.
Thanks a lot, Robert! Appreciate your comment and so glad you're finding these videos helpful. Cheers!
Excellent presentation and illustration of the techniques Elvin used! I got to see the Jazz machine twice once at the Lighthouse and a few weeks later at the Village Vanguard! Around the holidays 1976.
Thanks! And very cool!
Thank you Drumeo! What a wonderful team you are and what incredible and important work you do.
These videos such a gift to our musical community!
Thank you so much!
Great job Brandon! Makes me want to listen to Elvin even more.
This was fantastic! I have seen many of these clips before, and the way you all organized them along with the transcriptions was professional and valuable to Elvin’s legacy. I sent this to a few of my jazz studies students at Christopher Newport University where I’m an adjunct professor this semester as an artist in residence. Thank you for putting the time into making this, and congratulations on your work!
Thank you, Joe!
@@BrandonToews are you in a band or working on your own music projects?
that was a lovely half hour. thank you.
Thank you!
One of the Greats!! Awesome