translation Okada: I wonder, it was really hard for us because we couldn't think of a higher stage with the extra effort of TOKUSATSU, but since we're talking now, being able to draw like you is a versatile weapon for us. Shimamoto: Why? You guys can draw, right? Even Akai except Yamaga Okada: Do you remember the picture of the mug that Akai wrote at that time? I'll show you next time. I wish I could send it to Blue Braze next time. But it may not be possible due to rights. Well, after the daikon-three, I wanted to make goods for Akai, so when I asked him to draw a picture on a mug or an ashtray, he drew it. Then everyone said what they really were because they were young. For Akai-kun, who was easily hurt by his fragile heart. It's not malicious at all, but they said that the film is more cute. What that means is that Akai told me with tears while talking at that time. "A moving picture is stored in your head to create the best condition. That's why the girl in your head is more cute and natural than the girl I wrote. And compared to that, I've been told all the time." Shimamoto: It's okay because both of them are drawn by himself. I hope he draws well! Okada: Onii-chan, You are insensitive to the sensitive emotions of others. You make a loud just about your hurt. Shimamoto: No no, he can draw moving pictures, so when drawing an illustration, shouldn't he just make some modifications to make it look like an anime? .. Okada: That doesn't work. After all, both Anno and Akai realized that they were second class painters. That's why they thought that they should never compete with a still picture. They were conscious that they could compete with images and movements, but they couldn't be pure painters. So, as I said earlier, manga has a great all-purpose card on that other line, so even if you have a rivalry with anime at that point, I think maybe they don't know what to do. Shimamoto: I'm glad that one person in front of me read manga, but I envy anime can appreciate whole audience. Okada: No one can make anime many times that all the audience appreciates in their lifetime. Mostly everyone just says "Hmm". I have a painful memory when I went to sales at each anime magazine with one episode of "Aim for the Top! GunBuster". After all, everyone says Hmm. Now, I understand that there is a reason for such a reaction. Shimamoto: At Osaka University of Arts, everyone will make a three-minute video work and play it one by one. Then it's easy to see which one is interesting to everyone. About five of them are the most acclaimed works. All the other works are called boring aloud. Okada: What was the reaction of Shimamoto sensei's work? Shimamoto: Everyone was silent and ignore.
DAICON Film からGAINAXのメンバーとの軋轢を解いてからこういう話はするべきで、岡田斗司夫はそこを勝手に話をした相手に謝ったり、反省したりしないと。裏話するのはその後。活き活きと話したいのは分かるが、岡田斗司夫は資格がない。島本和彦には岡田斗司夫さんほどの柵が無いから資格があったわけで、同じ立場には無い。
桃谷のお店で、本人が書いたマグカップの絵がオープニングと違うから要らないと言った小学生は私です。
アニメーターは理論で描く、イラストレーターはセンスで描く、漫画家は感情で描く、みたいなのをどっかで見て、こういう話題のとき俺はなんとなくそう意識してる。
これを見ていてふと思ったのは今はイラストや漫画を主にしている貞本義行さんのことです。
貞本さんはテレコムに入った時に大塚康生さんから「宮崎駿以来の凄い新人が来た」と言われたそうですし
今も大塚さんから「彼はなぜ止め絵に行ってしまったのか」と残念がられていると聞いたことがあります。
そう考えると少し不思議な気分になりました。
これは他でまさに岡田さんが言ってる話なんだけど
貞本さんもともとずっと本人は「漫画をやりたかった」らしいのよ
なまじアニメ業界を入り口にして原画マンができるからって理由でアニメ屋に縛り続けたのはガイナの責任の話だ
くらいまで言ってる
まぁこの辺岡田さんが貞本さんに甘いのは多少別の理由もあるんだけど
桃谷のゼネプロで買った赤井のマグカップは家宝ですぜ～‼
「上手く描きゃいいじゃん！」
島本サイドとしての回答としては100点よな
お兄ちゃんて言ってるけど、岡田の方が島本より年上じゃん
translation
Okada: I wonder, it was really hard for us because we couldn't think of a higher stage with the extra effort of TOKUSATSU, but since we're talking now, being able to draw like you is a versatile weapon for us.
Shimamoto: Why? You guys can draw, right? Even Akai except Yamaga
Okada: Do you remember the picture of the mug that Akai wrote at that time? I'll show you next time. I wish I could send it to Blue Braze next time. But it may not be possible due to rights.
Well, after the daikon-three, I wanted to make goods for Akai, so when I asked him to draw a picture on a mug or an ashtray, he drew it. Then everyone said what they really were because they were young. For Akai-kun, who was easily hurt by his fragile heart. It's not malicious at all, but they said that the film is more cute.
What that means is that Akai told me with tears while talking at that time. "A moving picture is stored in your head to create the best condition. That's why the girl in your head is more cute and natural than the girl I wrote. And compared to that, I've been told all the time."
Shimamoto: It's okay because both of them are drawn by himself. I hope he draws well!
Okada: Onii-chan, You are insensitive to the sensitive emotions of others. You make a loud just about your hurt.
Shimamoto: No no, he can draw moving pictures, so when drawing an illustration, shouldn't he just make some modifications to make it look like an anime? ..
Okada: That doesn't work. After all, both Anno and Akai realized that they were second class painters. That's why they thought that they should never compete with a still picture. They were conscious that they could compete with images and movements, but they couldn't be pure painters. So, as I said earlier, manga has a great all-purpose card on that other line, so even if you have a rivalry with anime at that point, I think maybe they don't know what to do.
Shimamoto: I'm glad that one person in front of me read manga, but I envy anime can appreciate whole audience.
Okada: No one can make anime many times that all the audience appreciates in their lifetime. Mostly everyone just says "Hmm".
I have a painful memory when I went to sales at each anime magazine with one episode of "Aim for the Top! GunBuster". After all, everyone says Hmm. Now, I understand that there is a reason for such a reaction.
Shimamoto: At Osaka University of Arts, everyone will make a three-minute video work and play it one by one. Then it's easy to see which one is interesting to everyone. About five of them are the most acclaimed works. All the other works are called boring aloud.
Okada: What was the reaction of Shimamoto sensei's work?
Shimamoto: Everyone was silent and ignore.
よく聞き取れなかったところをこの英訳で確認できたｗ
なるほど
わからん
サイコパスが同情してる😅。
てことはイラストレーターがアニメ作ったらものすごいのか？
求められる能力が違う
@@motojiro 逆の例で北爪さんの漫画はわりと酷い。安彦さんはやっぱり異常なのかも。
そう単純なものでもない。故・金田伊功氏は原画マン、アニメーターとしては天才といわれましたが、一枚絵をバラして見ると、決してキレイでも上手くもない（むしろちょっとヘン）。動かして見て初めてスゴさがわかる、というタイプです。板野一郎氏もそんなアニメーターですね。
DAICON Film からGAINAXのメンバーとの軋轢を解いてからこういう話はするべきで、岡田斗司夫はそこを勝手に話をした相手に謝ったり、反省したりしないと。裏話するのはその後。活き活きと話したいのは分かるが、岡田斗司夫は資格がない。島本和彦には岡田斗司夫さんほどの柵が無いから資格があったわけで、同じ立場には無い。
GAINAXのメンバーとの軋轢って、岡田斗司夫は初期メンバーとは軋轢ないだろ