If you like this lesson, definitely check out www.zombieguitar.com/ . It is a one of a kind site dedicated to teaching guitarists to understand the fretboard inside and out!!
I like this lesson a lot. As we discussed this week that is my area of improvement for 2023. Will look at the website as I am a member, what other resources are there for chord tone targeting.
@@duesenberger Hey thanks for the comment. To answer your question...I'd estimate that about 50% of the entire sites content is dedicated to chord tone targeting. There is A LOT of content on this VERY IMPORTANT topic!
Brian is like nobody else filling in the gaps with his teaching. He fingerpoints difficulties that are hard to explain, and therefore often not adressed by many other teachers. Like this lesson, playing the chord tones is an easy concept to introduce, but when trying to learn it, you run into difficulties like remembering chord shapes as well as finding notes and scales, many tasks to do at the same time. Brian with his concepts, makes it allot easier to get on the right track.
Absolutely right. Understanding it is one thing. Actually doing it on the guitar is the real difficult part. But if it wasn't for Brian I'd still be none the wiser. This will change my direction of practise.
I'm 50. Been playing guitar forever. You are the best teacher I've seen in my life. So glad I found your channel. Music is an escape for me and I truly thank you for your lessons.
Bro! That was the most useful soloing lesson that i have come across. I can play all natural and pentatonic scales already fluently over the neck but had troubles memorizing chord tones. the 50;50 method is a game changer. this allows to just play and over time, intuitively know where the tones are even if you might cant label it third or fifth etc. really thank you! ❤
Seriously man you are the best teacher on youtube! You've broken this intimidating concept down in a way that's manageable and understandable. Thanks s ton!
Brian does such a great job in making things simple. The cool thing is that he seems just to be talking to you as a friend. I think that this is what makes him a great teacher and why everyone takes away something that is useful, practical, and, with a little practice, easy to do. Appreciate you, bro! Thanks, Brian!
am loving your chord tone targetting lessons Brian ! thank you so much for teaching me mate :) thanks to you now i can play rhythm guitar, rhythm and lead together and lead guitar, riffs turnarounds arpegioes and lead guitar solos :)
The real Players I know, give them a song list for the weekend, and they will listen to them a few times and have them down, instinctively know which bits make up the song and how to bluff or jam over tricky bits, you cant do that, just learning stuff by rote from Tabs or copying people.
@@LOFIGSD very true, I’m not there quite yet but little by little! I’ve found the whole learning riffs for a couple years definitely stunted my growth as a musician. Like you mentioned being able to basically play along to anything is the pinnacle of musicianship
@@kane6529 one of the big differences between Pro and good Amateur Musicians, is the Pro's drive the song, with confidence,. For a guitarist, open mic nights are good for acquiring that skill as you just have the microphone and your Guitar, I quite enjoy it, Jam's are good fun too, for stepping up and doing stuff you dont know, Blues is quite formulaic, but yeah, ask my to do Jazz or read dots, and I'm outa there.
As a jazz musician this is essential material which has to be mastered to build musical phrases, of course also using approach notes to the traid notes which give that chromatic musical feel ( great stuff). You gave a thorough overview, good work. I'd say it's Corona time now boys, please no excuses of saying you don't have time or other distractions, unless you want to remain a "Weekend Warrior " ( with all respect).
“Timing is everything “…,This is the perfect lesson at this point in my playing… I have recently realized how Chord Tones add so much Feel! Thank you Brian, for your amazing lessons! You make what seems to be complex, easy to understand and to actually start playing! 🎸😂
Hey glad to hear these vids are helping for ya! Chord tone targeting can definitely be life changing for your playing when you first find out about it. Thanks for watching! 😀
@@zombieguitar Thank You Brian! Want to say, you should be proud of yourself… You’ve taken what you love so much, music and guitar, and you have turned that passion into something that has helped God knows how many thousands if not 10’s of thousands or more to understand… Thank you again!
Great stuff Brian. Thank You!! The graphics are very helpful. I find that focusing on the lower four strings, and a lower extension makes things much easier for me. I've also found that for me, instead of thinking about notes, I think about the intervals. I've been working with 1-4-5 progression backing tracks. Knowing that the 6th interval, is the 4 chord, and that sliding up a fret is the 5 chords works well in my brain. :)
1,3,5 relation tones from the 1, 4, 5 tones are 'relatively' easy to find as well as the 7th when all the notes are in a repeating 4 note cluster or very close by(the fifth). Thank you again Brian.
Your videos are perfect for those who are self learning regarding further information,tips and styles that can definitely enhance one's skills. Keep going man,you inspire a lot of guitarists out there who struggle learning by themselves and long for improvements. Lucky you're on youtube 💯
Outstanding lesson! I am familiar with all three steps however Brian put it all together with a clear explanation, visuals and playing examples. For me, this video is a great reminder to keep it simple and focus on what works. Now, the challenging part. “Practice makes perfect”. Thanks for the lesson Brian!
Really good stuff! What has helped me a lot was learning scales and/or patterns/shapes or groups of notes. I know what/where A# and Ab are but never think about notation when I'm playing or improvising a lead over a progression. For me "feeling" trump's speed every time. Shredding is impressive but other than emphasis... it's just a technique for me or a tool in the box. Thanks for all you do! Merry Christmas!
@@jberkley17 Teach yourself... Find do rei me fa so la ti do on the fretboard and notice that the pattern repeats itself. Learn that pattern. Know it in the sense you don't need tab or anything to play it on the entire fretboard. Get back to me when you've done that; it'll take a while...
Love both of those, but take a listen to Andy Latimer of Camel. A couple of good starters would be Stationary Traveller and Long Goodbyes (both on UA-cam). He's my favourite melodic player.
Thanks Brian for helping to simplify this concept I am in the category you mentioned of chasing chord tones and trying to put it into solo concept challenging but the less is more idea is great I look for to working on this. Thanks for great lesson mate.
I've watched a couple of your videos on this subject now and hands down, you answer most the questions in my head with out any bullshit added. You my friend, are legendary status. Could you make a video on structuring a solo? Like melody, repeat, freerun a bit, melody or whatever?
Excellent video! You really explain it so well that it's understandable. My challenge is first being able to recognize the chord changes and then trying to apply a triad that will work and sound good. Need to practice more! What you say about listening to what your ear says sounds good is really interesting too. I apply that concept a lot so I'll have to see if what I'm picking may be the chord tones.....hopefully so.
This is all so new to me. Just had the courage to start noodling two weeks ago. I would hit certain notes and it would sound so pretty. Now I know my sweet spots.
Another awesome tutorial Brian ..... Part 3 made me especially think of an old quote from Epictetus "“We have two ears and one mouth so that we can listen twice as much as we speak.” ..... so obviously supporting that, efficient and accurate absorption and understanding of a lesson, will not only increase personal knowledge considerably .... but will also avoid unnecessary misunderstandings and incorrect conclusions, resulting in maximum benefit from the tutorial. Thanks for your fantastic additions ......
Awsome lesson! David Gilmour is the main reason I ever wanted to learn guitar! You answered so much of what I've been hoping to learn on how to melody to chords like David 🎸🔺️ 🌈 🌳 👽 🚜
I've been playing over the CAGED chords and scales for a couple of years now; I've got the chords and scales pretty well memorized (but not the individual notes in either the chords or scales... right now, I couldn't tell you what the chord triads are to save my life other than they are I,III, V) but... it felt more like luck, or lack of ear training, to get that combination of notes that just fit and sounded like magic... I could get there but, quite frankly, I got there by accident or kind of stumbling on to it as I moved up and down and through the scales... but, this is that "key" I've been looking for... I'm a believer.
Your channel is awesome, this is too good for the average guitar noodler. Theory or anything that involves thinking intimidates simple minds. Thank you for your dedication
Excellent tutorial Brian. I noticed something the other day while I was referring to the circle of fifths, I’m sure you have noticed this also. This may help your viewers especially those who are struggling with learning the notes on the fretboard. If you start at the top of the circle at “C” and then move counter clockwise the notes that follow are F Bb Eb then if we add the dominant note G next giving us C F Bb Eb G then 1st string C we have C F Bb EB G C all the notes for the 8th fret position. This holds true for any position, for example the fifth fret, “A” we move counter clockwise from A on the circle giving us A D G C E A. Third fret “G” G C F Bb D G. 7th fret “B” B E A D F# B. It reveals again the amazing versatility and importance of memorizing the circle of fifths. I hope I explained it clearly, I found this to be another gift the circle of fifths offers us. Rock on Brother, keep up the good work.
Yup use all of the notes surround the chord tones. The scale notes will usually sound better than the non-scale notes, but the chord tones will always be those "golden notes" 😁
Came across this lesson by accident as I was researching carpentry tools. Anyway I have never seen a better video on this musical soloing concept and it was explained so well that after just watching this video once, I understand it all and a 50% chance of hitting a chord tone by accident even without trying is very interesting. For me soloing over a song and sounding great is now no longer a mystery.
Man, it's pretty easy to hear where you're from. I'm from S Jersey and you sound like a lot of people I know from Paulsboro NJ. It's that Philly outskirts on-the-river vibe. Good stuff cuz!
This could not have come at a better time I've been looking at where I go next on my journey, and it was like looking up at a mountain's summit from the very bottom
Brian, so many comments to read here so perhaps you already covered this but to my ears it’s knowing which notes to bend and when that makes all the difference. Have you (or will you) covered this before?
I do talk about common notes to bend here in this lesson: www.zombieguitar.com/solo-like-a-pro-in-8-weeks/ However to have a complete understanding of it, you'd want to know how to play the diatonic scale inside and out across the neck. This way you will always know which notes to bend a whole step or a half step (or even 1.5 steps)!
Gilmore is also my favorite. I notice with him, he is more scale than caged but he used that too. He very cleverly hits the cord tones that are outside of the key scale while on that cord which is within the scale That cord has notes not in the key scale. He mixes the scale tones with outside cord tones when it counts most for impact. It's simple but effective. One or two notes here and there have major impacts. He uses the cord tone that is not necessarily within the key scale when it can fit over that cord. Clapton does that too.
That's exactly right. If out of key chords are used, then you should absolutely target chord tones of that out of key chord... specifically the note(s) that are not part of the key. Chord tone targeting always applies!
Very helpfull. Been stuck in pentatonic noodling aimless for years with the goal being to learn to melody over chords like Gilmour since the start.. Hope you don't mind printing screenshots of that cord progression and scale box chord tone highlights to practice with looper 🎸 🔺️🌈 🤘
Man this lesson is awesome I've been doing this instinctually for a while already thx to you brain I've learned all the scale on all 12 keys and all 12 + chord all up and down the fret board I tell you there is no substitute for hard work and thx you brain I'm reaching new high everyday now and can transcribe and transpose any song in seconds now thx Brian your a super awesome teacher man and if anybody want to get better get into brain's course I did and it super sure paid off ++👍
I can say i like recomandation od Brian Kelly very much,he can set by these lesons the base od technic and solos and also how to get on with creating od everyone own guitar style for playing covers or new songs
Nice instruction, Brian. Get as much mileage from one section of the fretboard before moving on. May I also suggest to throw in strategic chromatics enveloping the chord tones for flavour. Keep up the gr8 work!
So (thinking out loud), if I am holding down the chord and I select my melody from all the strings held down, I am playing chord tones (aka arpeggio notes) without even thinking scale patterns... The dunce's way. :-D I must keep at learning scale patterns. :-) I really appreciate how this lesson links chord changes and scale concepts into one whole integrated teaching. I am going to screen capture the graphics onto one poster and stick it on the wall. Thanks for the great lesson,Brian.
I wouldn't say that the scale patterns are the "dunces way". The scale is just as important as the chord tones. The scale is the first layer, and the chord tones are the second layer. Both layers are equally as important and are interconnected with each other 😀
I’m learning that relative pitch really helped me with playing/phrasing melodic solos that sound like they have intent and a story. If I just use scale knowledge the solo sounds “scaley”. If I use chord tones then the solo sounds too simple or repetitive. Using licks doesn’t allow me freedom of expression and requires rehearsed riffs.
Good video, the more your ear becomes accustomed to the underlying chords (and Bass notes), the more instinctive this becomes, tbh I mainly sing and play rhythm Guitar, because, although I can do this stuff, I would rather play with really good lead Guitarists and let them do it better, at the end of the day, its the music that counts. Amazing how many guitarists you meet, when you ask them to play a song, actually dont know any!
Thankyou Brian for your time and efforts making these videos. You share a wealth of information that I think it would take year's to find out. Cheers fella. What's your thoughts on snowy white as a guitarist ?
If you like this lesson, definitely check out www.zombieguitar.com/ . It is a one of a kind site dedicated to teaching guitarists to understand the fretboard inside and out!!
Just watched this after the 12 bar blues video, 2 of the best lessons on UA-cam!!!🙏🏻
I like this lesson a lot. As we discussed this week that is my area of improvement for 2023. Will look at the website as I am a member, what other resources are there for chord tone targeting.
@@duesenberger Hey thanks for the comment. To answer your question...I'd estimate that about 50% of the entire sites content is dedicated to chord tone targeting. There is A LOT of content on this VERY IMPORTANT topic!
If you play every scale note of every chord in a song, are you by default playing every chord note in the song?
@@paulchristie8452 it's more like the other way around...all the notes of the chords combined together will likely give you the full 7-note key-scale
Brian is like nobody else filling in the gaps with his teaching. He fingerpoints difficulties that are hard to explain, and therefore often not adressed by many other teachers. Like this lesson, playing the chord tones is an easy concept to introduce, but when trying to learn it, you run into difficulties like remembering chord shapes as well as finding notes and scales, many tasks to do at the same time. Brian with his concepts, makes it allot easier to get on the right track.
Absolutely right. Understanding it is one thing. Actually doing it on the guitar is the real difficult part. But if it wasn't for Brian I'd still be none the wiser. This will change my direction of practise.
I'm 50. Been playing guitar forever. You are the best teacher I've seen in my life. So glad I found your channel. Music is an escape for me and I truly thank you for your lessons.
Me too greatest escape in the world, I play guitar almost every single night, can’t get enough
Bro! That was the most useful soloing lesson that i have come across. I can play all natural and pentatonic scales already fluently over the neck but had troubles memorizing chord tones. the 50;50 method is a game changer. this allows to just play and over time, intuitively know where the tones are even if you might cant label it third or fifth etc. really thank you! ❤
Hey thanks so much!! I'm glad to hear that this vid was helpful for you 😀
Seriously man you are the best teacher on youtube! You've broken this intimidating concept down in a way that's manageable and understandable. Thanks s ton!
Brian you are a great teacher. You deserve way more followers, and I think it’s just a matter of time until that happens..
Thankss!!
Easily the best video out there on chord tone targeting. Especially the part 3 section - your ear is the ultimate guide. Love your lessons Mr Kelly!
Just watching you speak as you break things down crisp and clear is what I like 👍 please keep up the good work 😊 Another inspiring video 🎸🎸👌
Brian does such a great job in making things simple. The cool thing is that he seems just to be talking to you as a friend. I think that this is what makes him a great teacher and why everyone takes away something that is useful, practical, and, with a little practice, easy to do. Appreciate you, bro! Thanks, Brian!
Thanks Michael! 😀
@@zombieguitar You're welcome
am loving your chord tone targetting lessons Brian ! thank you so much for teaching me mate :) thanks to you now i can play rhythm guitar, rhythm and lead together and lead guitar, riffs turnarounds arpegioes and lead guitar solos :)
Great lesson, I like the emphasis on being able to play an entire solo within a small area of the fretboard 👍
This separates the Men from the noodling boyz 😁 im at the point in my Journey it's beginning to become a little more clear!
The real Players I know, give them a song list for the weekend, and they will listen to them a few times and have them down, instinctively know which bits make up the song and how to bluff or jam over tricky bits, you cant do that, just learning stuff by rote from Tabs or copying people.
@@LOFIGSD very true, I’m not there quite yet but little by little! I’ve found the whole learning riffs for a couple years definitely stunted my growth as a musician. Like you mentioned being able to basically play along to anything is the pinnacle of musicianship
@@kane6529 one of the big differences between Pro and good Amateur Musicians, is the Pro's drive the song, with confidence,. For a guitarist, open mic nights are good for acquiring that skill as you just have the microphone and your Guitar, I quite enjoy it, Jam's are good fun too, for stepping up and doing stuff you dont know, Blues is quite formulaic, but yeah, ask my to do Jazz or read dots, and I'm outa there.
@@LOFIGSD kmnnkn2llllll. L. L. L. L. V
@@LOFIGSD .
You really are one of the best out there at explaining stuff.
As a jazz musician this is essential material which has to be mastered to build musical phrases, of course also using approach notes to the traid notes which give that chromatic musical feel ( great stuff). You gave a thorough overview, good work. I'd say it's Corona time now boys, please no excuses of saying you don't have time or other distractions, unless you want to remain a "Weekend Warrior " ( with all respect).
Can you post up a video of how to use approach to the triad notes?
“Timing is everything “…,This is the perfect lesson at this point in my playing… I have recently realized how Chord Tones add so much Feel! Thank you Brian, for your amazing lessons! You make what seems to be complex, easy to understand and to actually start playing! 🎸😂
Hey glad to hear these vids are helping for ya! Chord tone targeting can definitely be life changing for your playing when you first find out about it. Thanks for watching! 😀
@@zombieguitar Thank You Brian!
Want to say, you should be proud of yourself… You’ve taken what you love so much, music and guitar, and you have turned that passion into something that has helped God knows how many thousands if not 10’s of thousands or more to understand…
Thank you again!
I am going to watch this video over and over until I get it. The way you explain Tones and scales you are one of the best teachers online.
Thanks Andy! Much appreciated 😁
Great stuff Brian. Thank You!! The graphics are very helpful. I find that focusing on the lower four strings, and a lower extension makes things much easier for me. I've also found that for me, instead of thinking about notes, I think about the intervals. I've been working with 1-4-5 progression backing tracks. Knowing that the 6th interval, is the 4 chord, and that sliding up a fret is the 5 chords works well in my brain. :)
This video has actually given me some hope! Thank you.
1,3,5 relation tones from the 1, 4, 5 tones are 'relatively' easy to find as well as the 7th when all the notes are in a repeating 4 note cluster or very close by(the fifth). Thank you again Brian.
Another great lesson! Your graphics really help a lot too. Thanks dude!
im so glad i never practiced going up and down scales, until i understood this
Your videos are perfect for those who are self learning regarding further information,tips and styles that can definitely enhance one's skills. Keep going man,you inspire a lot of guitarists out there who struggle learning by themselves and long for improvements. Lucky you're on youtube 💯
Thank you! I really appreciate that 😀
I have learned so much from you thank you sir I appreciate your hard work🎉
Outstanding lesson! I am familiar with all three steps however Brian put it all together with a clear explanation, visuals and playing examples. For me, this video is a great reminder to keep it simple and focus on what works. Now, the challenging part. “Practice makes perfect”. Thanks for the lesson Brian!
Hey man ,it’s about time someone told the true way how to solo on the guitar,. FINALLY.
LEGEND !!! MY PUREST RESPECT FOR YOUR HARD WORK !!!!!
Good job of explaining and instruction. Big B. Thanks man 😎👍👌💯
I like this Big B name 😁😁😁
@@zombieguitar right on buddy 😎👍👌
Brilliant Brian, thank you. Once explained this concept becomes obvious. If only I'd realised this years ago. Thank you very much.
awesome video. he gets to the point right away. thank you so much
Really good stuff! What has helped me a lot was learning scales and/or patterns/shapes or groups of notes. I know what/where A# and Ab are but never think about notation when I'm playing or improvising a lead over a progression. For me "feeling" trump's speed every time. Shredding is impressive but other than emphasis... it's just a technique for me or a tool in the box. Thanks for all you do! Merry Christmas!
Do you have examples of the patterns and shapes you reference? Thx
@@jberkley17 Teach yourself... Find do rei me fa so la ti do on the fretboard and notice that the pattern repeats itself. Learn that pattern. Know it in the sense you don't need tab or anything to play it on the entire fretboard. Get back to me when you've done that; it'll take a while...
Personally for me Gilmore and Knoffler are the most colourfull in terms of soloing.
Me too!
Love both of those, but take a listen to Andy Latimer of Camel. A couple of good starters would be Stationary Traveller and Long Goodbyes (both on UA-cam). He's my favourite melodic player.
This is awesome Brian, well explained, thanks man
Thanks Brian for helping to simplify this concept I am in the category you mentioned of chasing chord tones and trying to put it into solo concept challenging but the less is more idea is great I look for to working on this. Thanks for great lesson mate.
Awesome teaching boss...
Clear and understandable thanks for sharing.
I've watched a couple of your videos on this subject now and hands down, you answer most the questions in my head with out any bullshit added. You my friend, are legendary status.
Could you make a video on structuring a solo? Like melody, repeat, freerun a bit, melody or whatever?
Very nice simplified explanation. Great video. Helps alot.🎸👍😎
Beautiful!👍🏽👍🏼🥇
Excellent video! You really explain it so well that it's understandable. My challenge is first being able to recognize the chord changes and then trying to apply a triad that will work and sound good. Need to practice more! What you say about listening to what your ear says sounds good is really interesting too. I apply that concept a lot so I'll have to see if what I'm picking may be the chord tones.....hopefully so.
Probably the best guitar lessons on any platform, thanks Brian, wish you all the best 🏴
This is all so new to me. Just had the courage to start noodling two weeks ago. I would hit certain notes and it would sound so pretty. Now I know my sweet spots.
Another awesome tutorial Brian .....
Part 3 made me especially think of an old quote from Epictetus "“We have two ears and one mouth so that we can listen twice as much as we speak.”
..... so obviously supporting that, efficient and accurate absorption and understanding of a lesson, will not only increase personal knowledge considerably .... but will also avoid unnecessary misunderstandings and incorrect conclusions, resulting in maximum benefit from the tutorial. Thanks for your fantastic additions ......
Thanks Phil. Much appreciated!! 😁
Awsome lesson! David Gilmour is the main reason I ever wanted to learn guitar!
You answered so much of what I've been hoping to learn on how to melody to chords like David 🎸🔺️ 🌈 🌳 👽 🚜
Please make more videos like this this with as much detail as possible
😮
I have lots of them on this channel about chord tone targeting...with just as much detail or more! 😁
I've been playing over the CAGED chords and scales for a couple of years now; I've got the chords and scales pretty well memorized (but not the individual notes in either the chords or scales... right now, I couldn't tell you what the chord triads are to save my life other than they are I,III, V) but... it felt more like luck, or lack of ear training, to get that combination of notes that just fit and sounded like magic... I could get there but, quite frankly, I got there by accident or kind of stumbling on to it as I moved up and down and through the scales... but, this is that "key" I've been looking for... I'm a believer.
I love your lessons,100 % easily explained and informative,much respect ✊ I’m 66 yrs and still practicing
Awesome lesson. Looking forward to trying it.
Just a quick word of encouragement - thanks Brian - for your highly relatable teaching style
Your channel is awesome, this is too good for the average guitar noodler. Theory or anything that involves thinking intimidates simple minds. Thank you for your dedication
Excellent tutorial Brian. I noticed something the other day while I was referring to the circle of fifths, I’m sure you have noticed this also.
This may help your viewers especially those who are struggling with learning the notes on the fretboard. If you start at the top of the circle at “C” and then move counter clockwise the notes that follow are F Bb Eb then if we add the dominant note G next giving us C F Bb Eb G then 1st string C we have C F Bb EB G C all the notes for the 8th fret position. This holds true for any position, for example the fifth fret, “A” we move counter clockwise from A on the circle giving us A D G C E A. Third fret “G” G C F Bb D G. 7th fret “B” B E A D F# B. It reveals again the amazing versatility and importance of memorizing the circle of fifths. I hope I explained it clearly, I found this to be another gift the circle of fifths offers us.
Rock on Brother, keep up the good work.
Nice find! There are so many patterns like this in music. It's crazy!!
Brian Kelly straight to the point lessons that works!
Thanks for getting some new concept to try 👍
This is cool. What about the leading tone or approach notes etc?
Yup use all of the notes surround the chord tones. The scale notes will usually sound better than the non-scale notes, but the chord tones will always be those "golden notes" 😁
Came across this lesson by accident as I was researching carpentry tools. Anyway I have never seen a better video on this musical soloing concept and it was explained so well that after just watching this video once, I understand it all and a 50% chance of hitting a chord tone by accident even without trying is very interesting. For me soloing over a song and sounding great is now no longer a mystery.
Excellent video, thank you Brian.
Man, it's pretty easy to hear where you're from. I'm from S Jersey and you sound like a lot of people I know from Paulsboro NJ. It's that Philly outskirts on-the-river vibe. Good stuff cuz!
Haha yup. You got it!
Great lesson, simplifying something that can be daunting for many, thanks Brian.
Thanks for another awesome lesson Brian.
This could not have come at a better time
I've been looking at where I go next on my journey, and it was like looking up at a mountain's summit from the very bottom
Glad it was helpful! 😁
Great lesson
Great great lesson
Thank you so much sir. I really appreciate making this best video for lessons. You made it very very easy.
Mind blowing! Oustanding lesson! Thank you!
One of the great teachers on the net
Brian, so many comments to read here so perhaps you already covered this but to my ears it’s knowing which notes to bend and when that makes all the difference. Have you (or will you) covered this before?
I do talk about common notes to bend here in this lesson: www.zombieguitar.com/solo-like-a-pro-in-8-weeks/
However to have a complete understanding of it, you'd want to know how to play the diatonic scale inside and out across the neck. This way you will always know which notes to bend a whole step or a half step (or even 1.5 steps)!
Really helpful. Thanks Brian.
Best teacher ever
Gilmore is also my favorite. I notice with him, he is more scale than caged but he used that too. He very cleverly hits the cord tones that are outside of the key scale while on that cord which is within the scale That cord has notes not in the key scale. He mixes the scale tones with outside cord tones when it counts most for impact. It's simple but effective. One or two notes here and there have major impacts. He uses the cord tone that is not necessarily within the key scale when it can fit over that cord. Clapton does that too.
That's exactly right. If out of key chords are used, then you should absolutely target chord tones of that out of key chord... specifically the note(s) that are not part of the key. Chord tone targeting always applies!
Very helpfull. Been stuck in pentatonic noodling aimless for years with the goal being to learn to melody over chords like Gilmour since the start.. Hope you don't mind printing screenshots of that cord progression and scale box chord tone highlights to practice with looper
🎸 🔺️🌈 🤘
Your awesome Brian!!!
this video was just what i was looking for thanks kelly
Great lesson!! Thank you!
Thank you 🙏
Man this lesson is awesome I've been doing this instinctually for a while already thx to you brain I've learned all the scale on all 12 keys and all 12 + chord all up and down the fret board I tell you there is no substitute for hard work and thx you brain I'm reaching new high everyday now and can transcribe and transpose any song in seconds now thx Brian your a super awesome teacher man and if anybody want to get better get into brain's course I did and it super sure paid off ++👍
Awesome thanks Ray!! Much appreciated 😀
Very helpful Brian
I can say i like recomandation od Brian Kelly very much,he can set by these lesons the base od technic and solos and also how to get on with creating od everyone own guitar style for playing covers or new songs
Much appreciated! Thank you 😀
Nice instruction, Brian. Get as much mileage from one section of the fretboard before moving on. May I also suggest to throw in strategic chromatics enveloping the chord tones for flavour. Keep up the gr8 work!
Absolutely! Chromatics are a great way to spice you your solos!!
your a great teacher
Thank you 😀
So (thinking out loud), if I am holding down the chord and I select my melody from all the strings held down, I am playing chord tones (aka arpeggio notes) without even thinking scale patterns... The dunce's way. :-D I must keep at learning scale patterns. :-)
I really appreciate how this lesson links chord changes and scale concepts into one whole integrated teaching. I am going to screen capture the graphics onto one poster and stick it on the wall. Thanks for the great lesson,Brian.
I wouldn't say that the scale patterns are the "dunces way". The scale is just as important as the chord tones. The scale is the first layer, and the chord tones are the second layer. Both layers are equally as important and are interconnected with each other 😀
Great stuff mate, thanks for that it helped me alot cheers mate
Very helpful thank you!
I’m learning that relative pitch really helped me with playing/phrasing melodic solos that sound like they have intent and a story.
If I just use scale knowledge the solo sounds “scaley”. If I use chord tones then the solo sounds too simple or repetitive. Using licks doesn’t allow me freedom of expression and requires rehearsed riffs.
great video.. awesome
Great lesson bro!
He made it look simple
Very good
Love your vid. This method sound easy to make it a try
Very helpful
Real good lesson!
This is really useful!! 🙏
Good video, the more your ear becomes accustomed to the underlying chords (and Bass notes), the more instinctive this becomes, tbh I mainly sing and play rhythm Guitar, because, although I can do this stuff, I would rather play with really good lead Guitarists and let them do it better, at the end of the day, its the music that counts. Amazing how many guitarists you meet, when you ask them to play a song, actually dont know any!
9:55 Thank you SO much for this! Also, I love your tone. Might I ask what amp and guitar settings and pedals your using? Thanks so much!
Excellent
Thankyou Brian for your time and efforts making these videos. You share a wealth of information that I think it would take year's to find out. Cheers fella. What's your thoughts on snowy white as a guitarist ?
I knew a Brian Kelly in Florida, a Long time ago.
Thanks 👍
I like videos with diagrams. I’ve always been a visual learner
I'm still often stuck playing just the scale of the key, because I can't usually remember the chord changes.
Great man
almost 100k! you're getting there!
I'm trying to beat Joe Rogan...He's at 10M. I'm right behind him!!
Oh my God! Why didn't I come here before? Brian Kelly's channel is a Treasure Island! 😯
Thank you! 😀