I filmed a short at f0.95. Here's what I learned.
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- Опубліковано 29 сер 2024
- This is the science and the behind the scenes of filming with the Black magic pocket 4k with f0.95 lens in total darkness, using only the power of moonlight.
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LOL.......one of you dudes has already put in a request to rent my generator!....the video has been up like 12 minutes so far! LMFO....bit.ly/2HwxLpK
Bro whats up i rreally really miss your videos bro i review some of your old videos this days because you were missing in action this days.
For real good video bro keep making good content. I went the other day to lax to film after one of your videos but i didnt found the spot of the planes you got.
I m here on LA visiting son i figure to give it a try XD peace bro see u when i see you
MAKE. ART. NOW. You got to try the Voigtländer 0.95 series 10.5mm 17.5mm 25mm 42.5mm
They even got their own look. And just cost 1k not 16k
Voigtländer Nokturna. I can send you a documentary with them at 0.95
8978 the 25mm is soft as hell through... recommend to get the 10 and go straight to 42.5 and skip the 25...
Did you find you had to denoise a lot in low light with BMPCC 4K?
I’m finding that anything that isn’t properly exposed or over exposed at 600 or lower needs NR. 1250 is supposed to be native but even at 1250 over exposed I need to noise reduce always especially due to the shadows.
Now the grain is actually nice with the camera. But, if I want silk, it’s unavoidable. Am I doing something wrong?
"I filmed a short at f/0.95 because I hate my AC" ;)
Focus pulling must suck so hard lol
Me having trouble focusing on f1.8: Well shit.....
This lens because of the crop factor on mft is like a 100mm f/1.9 so if you are using a full frame 100mm f/1.8 lens, the depth of field is marginaly the same. Had he used the lens on full frame then we would talk about truly f/0.95 depth of field
@@bigstam1234567890 I'm using the Samyang 135mm F2 on APS-C. I know the pain
Such a joy when this guy uploads, quality content!
Sorry this is my takeaway, but thanks for honoring Sarah's memory with that disclaimer. Trains are no joke. Glad you're safe!
I WILL BRING IT UP AGAIN IN MY TIPS FOR GURIELLA FILMING...whenever i can get around to that video. very real, very sad. an oversight on my part.
Man you are the only UA-cam channel that I stop everything I'm doing just watch the new video, you are definitely the Goat❤
Please tell me your not an ER doctor. :)
@@MAKEARTNOWCHANNEL 😭😂
I had to pause the video to say; I love that you said “kind of affordable...” when talking about the $599 lens. So many camera gear UA-camrs act like $599 is a steal, smh 🤦🏻♂️
Yeah, i know how it is...I used to a 29-year-old camera guy with 1 camera and 1 lens and it wasn't that long ago. Ill try to do more videos with down to earth priced stuff--as a lot of what is super expensive can be done with much cheaper options and no one is the wiser.
@@MAKEARTNOWCHANNEL just make something like that
Cheaper-more expensive-cheaper-more expensive...
And everybody will be happy ;)
MAKE. ART. NOW. Would love to see more of that! 🙏🏼
I think it boils down to the professional's own situation... where finally advancing to a cycle of full-priced commissions allows for a larger budget, normalizing higher expenditures. The problem is that for most people who are just starting out and are literally scouring UA-cam for any sort of direction, the idea of being in such a place is laughable. Heck, I even just got my first full time job editing videos and I still see mid-range gear as mostly inaccessible. But its still very useful information for when I do get there.
So many people get butt hurt about this topic. Most of the people calling gear like that "cheap" are only meaning that it's cheap relative to other camera gear. Especially down to earth people like Josh
This is REALLY helpful!!! I don’t really intend to shoot at f/0.95, but advice on creatively overcoming field of focus issues (in my case because I’m an amateur) is insanely helpful. We got to see and hear the technical advice, while being able to also see the creative output in practice.
Your passion for making these cool ART is contagious! Keep it up!!!
It's kinda crazy going back now that the Marbl Orbit has been announced. You can really see it in all your old stuff......... It's crazy cool!
Please!! Sponsored this Man! Best Filmmaker here in YT Would 🤩 Best regards from Italy :)
Man... I learn so much from your videos... I just picked up the BMPCC4K with the 42.5 LUMIX 1.2... taking it to Hong Kong tomorrow to break it in... Thanks man, keep up the amazing videos...
Imagine Barry Lyndon being filmed with the Zeiss Planar 50mm f/0.7, back in 1975.
Thought about this while watching, incredible stuff.
Nice PSA at the end! If you're looking for unused tracks you can find ones that aren't shiny on the top.
been there. done that. bad idea. they can still run like once a week. just enough time for gras to grow between the tracks, and make it look completely unused.
Yeah Sharegrid, you better pay Josh for saying that sh*t 😂
#PAYTHEMAN
MAKE.MORE.STUFF.NOW
I mean, we miss you, boi! Great content, we keep wanting more and more and more.
Have watched a good 100 film UA-camrs in the past day while researching my next camera, this guy is by far the most enthusiastic/informational/artistic. Keep making content ASAP
Big fan, love your approach and ways of talking about things that aren't so typical. Keep it up, YO!
Man, every single time. Spot on. I teach video to kids between 12 and 16, and your videos help me not only to explain them technical stuff but also creative ways to improve their creations. I know I say it everytime, but you are really awesome. Other thing is that I know you are a busy guy, so where the heck do you get the time to make this man? hehehe
Half-life. In plain language - half of what I learn from your videos is about gear. No, that's wrong, a quarter maybe. Half is about the creative life, and it's incredibly valuable, thank you very much. The other quarter? Dunno. Age 77 and still creating and learning - yeah, you youngsters, life is what you make it at every age.
Never an empty promise! You deliver every time!
A
M
A
Z
I
N
G
VIDEO. YOU. ALWAYS. SHOCK. ME.
this is quality content right here
Josh, I’m a huge fan of yours. I get super jealous seeing all of the cool gear you get to play around with 😆
We dont need the empty promises, bring the new vids ASAP! Keep up the good work Josh!
That's some damn sweet B-roll my dude. :)
best filmmaking channel ever existed on youtube
This is one of the best vlogs I've seen, you're the man!!!
MUST. LIKE.IT
Okay, back to finish watching the rest of video now :D
Zack Snyder has entered the room.
Best filmaking channel by far.
Absolutely *_INCREDIBLE!_*
Fun video. The CA at 5:17 is crazy. With most manual follow focuses, you can also set A-B stops. You could also have shot it on a shoulder rig, easy rig, or even hand held with a manual follow focus (or even more hard-core/pro by just grabbing the barrel)
Dood, no more trains, that scared the shit out of me LOL. Excellent content as usual mang!
I own a mitakon 50/0.95. It has been one of my best and worst purchases ever. The lens is a beast, and the look is very different from the majority of other lenses. But it is so unique that now almost all my clients demand that I shoot their projects exclusively with it 😂
Yeah I like the lens a lot actually.
I've read " how to *FAIL* focus"...
This would have been an amazing video !
The teasing at the end for the other lenses is really interesting !
I'm' having Josh Yeo withdraws so it's time to binge-watch all the old episodes again. "Keep Creating" you're changing the world.
Wasn't Barry Lyndon shot with a 0.9 too? Damn, huge respect, I can never nail a 0.9 focus, you did so good !
it was, it was only lit by candlelight
Really appreciate you providing us this. Thank you. It’s fascinating and important info.
But I gotta say it reminds me so much of the dreaded look of under exposed midday sunlight that you would get from 35MM film, it dwarfs any potential aesthetic that may have been discovered. It feels like screening the footage of the group in film school who fucked up all their exposures. Lol.
Always a pleasure to watch
Great, as always. I would add, instead of riding focus on closeups with the focus ring, just match your subject's body movements, by leaning forward or back slightly as needed. Quicker, and you never go the wrong direction.
Every gun is always loaded. Every train track is always active. Words to keep you alive on set.
Every desert will put sand in your lens.
Very very Intresting, thanks... Can't wait for the next video
I was already missing the videos. I want more videos, Josh! please
Great video! You're killing it, man.
holy cow 0.95?! Thats insane....insanely cool
Voigtlander: hold my beer
Moon light as a key light. Nothing to say 😍
I have a 55mm f1.2 And im so proud to have it.
Great video man. Short, sweet, and entertaining.
please become a full time youtuber so we can see more content from you!
1:27 actually made me Lol 😂 great video Josh !
man you are too good!
Useful tips and some lovely footage. Thank you.
Haha, speaking of promises, I'm still waiting for the Mitakon review. Great stuff! Thanks!
Amazing video! I am filming in low light settings as well and need the brightest camera system possible. What about using a 0.71X speed booster WITH a F0.95 lens? Would that be the brightest combo possible for the Blackmagic Pocket cameras?
Wonderful Lens
Me in blender experiencing beautiful denoising artefacts because I rendered a shot with shallow dof at like 30 samples
When are we going to get that video on black magic raw work flow 🤔 #emptyPromises
😂😂😂😂
That lens costs more than my life
Mother: Was your screaming birth a joke to you??
smh u could have done better mom
I love how the follow focus was nearly as expensive as my main lens
I have a doubt.
The C70 has superb autofocus capabilities...
There's a speedbooster for the C70...
So if you use an f/1.2 autofocus lens, the booster will make it a f/0.95...
So technically, you can have autofocus on a f/0.95 wich i think is awesome but haven't found a single video testing that!
Another 7 min of joy. Great vid man! #4#
this is so good! funny and really helpful too. never heard of autofocus for manual focus dji
More videos please. Thank you.
When you said "Autofocus", I was about to click off, and then you said "No!" Haha!!
However, one thing to mention: @4:25 when you talk about hyper-focal distance, it's actually just changes in depth-of-field, not hyper-focal distance.
DOF is relative to the point in which you are focusing, and how far away that point is. Basically, when your focus point is at 1 m away, you have such-and-such an amount of DOF. When that focus point changes, to say 2m away, the relative amount of DOF changes. Hope that's helpful my friend :)
What's really hard is shooting a closeup wide open on a 50mm or above with a photo lens that has a very short focus throw - like the 50mm Sigma Art. I will probably buy a follow focus with a 0.8 38T gear to slightly broaden the throw. Or would a wireless follow focus that can map the throw on a broader scale be a better option?
This vid is weirdly...soothing
When there was only film, I found it hard enough to use an f1.2 lens. The depth of field is already so short. Using an SLR, I had enough light to manually focus. At the time, there was only the Canon rangefinder 50mm f.95 which didn't really seem to offer that much of an advantage since you are focusing through a rangefinder, not the lens. The lens also cut off nearly half of the rangefinder. I have a few f1.2 lenses, don't use them much. I prefer an f1.4 as my standard lens. Its sharper across the range.
This felt like a 7 minute tech commercial.. look at all my gear bla bla
I am here for it! Cheers.
YOU. MADE. ART. SOMETIME.
Great video buddy, it gives a very good scenario on superfast lenses for filmmakers like me undecided whether to buy one or not😁
This is art
Magical lens of life
That ending made it well worth watching through the very end😂
Great video. Has anyone ever told you, you look like Ash from Evil Dead? Lol
the laser auto-focus add-on thingy you showed us plus this lens equals super fast wide open footage with smartphone-like auto-focus, right? no? why-not? Lol
Hey man, I am like just turning 51, looking for you know my midlife crisis plan. I will admit to you that I have been watching Peter McKinnon don't be upset he is talented. However, you bud certainly know your Sh#t. Since I can't really buy that phenom300 jet just yet photography is certainly calling me. I really dig your videos and most importantly your talent and imaginative creative ways. I watch you guys half my age for inspiration and its great. I certainly don't have the bankroll you and Peter have why? Well, I have kids that I adore and spoil. So I have to be even more creative to even think about maybe getting one good shot. However, I will continue to watch and learn. Watch and learn...
Peter is the man, no shame in honoring him...he's certainly worthy. Appreciate the kind words you have for me......As far as your midlife crisis plan, you and I may be trading places soon-- The wife and I are plotting the course next year and I have no idea how I can divert attention away from my insulated self-interests..It could do 1 of 2 things, wear me down, or juice me up.....We shall see. Stay creative, and thanks for reaching out...
@@MAKEARTNOWCHANNEL Josh by the enthusiasm that comes forth in your videos you will be a great father. Having a wife and kids is a blessing and Dam hard, did I mention Dam hard. You will learn more about your self than ever before. Having that wonderful life places you on a different platform. Enjoy it .
Now show me more ways to break my Sony in interesting and useful ways! I’m never gonna do it, but I like watching YOU do it.
EPIC. THUMBNAIL.
your videos are amazing! Keep it up
Killin it.
Great content always...! Also make a video on how you shoot your products just like you film awesome footage of lenses in this video.
I like the Veydra mini primes for MFT the most. They’re just so close to the Panavision Primo look.
Terrific vid & content, thank you.
Hi Josh, I understand that when you're adapting to MFT you can bypass the crop-factor typical with cold adapters using a speedbooster. For example, going from a Nikon F mount with a cold adaptor to Canon EF, then mounting that on a Viltrox EF-M2 x0.71 to a MFT body. Would love a video on this because the details are confusing me a little! Thank you from Tasmania
glad i found you
Good on yah for #sarahjones, train tracks are no joke. Stay safe out there guys! 👍
I see notification. I punch it with my face. Another great one, keep them coming!
Thank you.
Thanks! As always very interesting content from you!!!👍
Yeah i know this was 2 years ago ....lol .... but i keep coming back to your viids :)
Surprised you didnt use the Voigtlander Nokton 0.95 on the bmpcc4k
Would of been perfect for this project with the moiré they produce!
I feel they are slightly better then the Noktons
I got to get my hand on the blackmagic the other day - besides the battery- it's a tight camera
Agreed.
Thank you for the upload. Your videos have been massively helpful. I just got my hands on my Blackmagic Pocket ...4k and an SLR magic 25mm, .95. Using it made me realize how far I have to go as a good camera operator. I was not keeping things in focus well at all. Do you have any recommendation of r nice wide angle lenses for the BMPCC 4k?
good shit brother!
thanks a lot dude for this video
Good shit bro! Much love from the UK
i am afraid the effective aperture calculation is flaut. the f0.95 is about a f1.9 on the m43 sensor. in particular since the speed booster was brought up. f1.4 will be f2.8 x 0.64boost. so effectively a f1.8 not like you suggested a f0.95. correct me, if i am wrong though.
You're probably correct. Only gives more credence to the power of a full moon and the low light capabilities of the BMPCC4k-- effective or not, including that in the video would create a head-scratching debate. :)
thanks for the video, i was about to invest on rehousing. #remembersarajones I never shoot on railroad tracks.
1. they are private property in the U.S
2. When you hear the train coming is most certain too late
Good advice.
So dope !
Zack Snyder shot a whole movie on a f/0.95 lens and it was fully wide open.
Yeah doing a video on it next week!. He shot it on a few lenses, Leica 35mm 1.4 and the canon rangefinder dream lens f0.95..... Wut a legend.
@@MAKEARTNOWCHANNEL thanks for acknowledging his work. Yes! He's a real deal.