Hey hey GlitchedStreams! Thank you so much for checking out this video and commenting! So glad the video game out on time and that it was helpful! This is easily the biggest competitor against the RODE GO to date in the 2.4ghz arena, I look forward to see how Saramonic continues to develop their systems as this is a huge update from the original Blink500 system! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Absolutely! It was thorough, well-spoken, and overall super informative. But I do agree with you, if Saramonics has anyway of tweaking the firmware of these, I would LOVE to see a meter instead of a waveform on the screen
Maybe even check out the Comica Boom X-U as well. I've had zero dropouts with it compared to nontop dropouts with the Rode. I shot a video outside standing maybe 10' from my camera with my transmitter on my hip and the audio cutout non-stop and wrecked my video.
@@c0pyimitati0n That’s my big concern - dropouts. I know I want two transmitters and one stereo receiver that can put each mic on it’s own track. Comica Boom XU, Boom XD, or this Saramonic? Decisions, decisions.
Literally have grown to trust and sincerely appreciate all your videos. They’re soooooo packed with information. I’m not audio savvy but man, you make it so easy to learn!!!!!
Hey hey HealthyJoeful! Thank you so much for checking out this video and commenting! I'm so glad you enjoy the format of this channel! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Daphne! Thank you so much for checking out this video and asking a question! I'm not entirely sure as I don't usually do a specific test for latency. The reason I don't is because I am already using the system to record the talking head portion of the review. If my eyes don't immediately notice it in my videos when editing, then I don't dive deeper into it. For context, this video was shot in 30p with 10+ wifi networks around and my smartphone and laptop nearby. I don't know if wifi being around causes more latency as I don't recall my Blink500 videos looking like they had a latency issue. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Ditto-would love if someone could do a test on this. I also did a test on my "old" Saramonic 500 and got 65ms. Terrible that they actually spec'd it at 12ms for the consumers-outright lie and it's cost me time and a lot of headache. Would love to know if they've improved that area-and Saramonic apparently are not great at getting back on the customer support end regarding this issue. Seems like they know they've been caught on this one.
Hey hey Kevin! Thank you so much for checking out this video and commenting! So glad you enjoy the format of this channel! I'll continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Mia! Thank you so much for checking out this video and commenting! So glad you enjoyed this video! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Ventus Media! Thank you so much for checking out this video and commenting! Heyooooo that's awesome! Enjoy! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Tan G! Thank you so much for checking out this video and commenting! I'll see if I'm able to get a review sample, I've heard some good things as well about the Lark. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I'm still surprised that it took this long for companies to create something that can beat the Rode, this seems like a great set, sounds great, good review! Have you tried the new SYNCO G1(A2) already, that's really a budget wireless set but i'm curious how the quality compares to this set.
Hey hey John! Thank you so much for checking out this video and commenting! I am too, it's really weird... I'd say Picomic is the only one that did, but it only holds for a specific type of filmmaking group. I'm not sure how the Synco compares, I'm sure there are some reviews of those out there that can give you an idea. Hopefully they will give you a raw unprocessed take so you can see what you can work with. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Saramonic is the best! I got UWMIC9 4 years ago, I got Blink500 b2 last year, and now looking at this real little dual mic masterpiece! Woaw! That micro usb is a bit weird. I wish somehow the headphone jack on the receiver could double as a third lav mic input so I could record myself behind the camera with a third wired lav when I interview two people at the same time. I have to always do realtime mic swaping among my interviewees in those situations which is a bit awkward. I want to know which lavs one could buy to upgrade the Blink 500 Pro's quality, if needed, is the lav quality the same as on my Blink500 or on my UWMIC9? It's the one thing I always kind of wonder about, if I should get other lavs (hopefully not too expensive ones) to upgrade the quality. Otherwise also I wonder what is the actual quality difference between my UWMIC9, Blink500 and Blink500 Pro, also I wonder what can be said of the quality difference between the Saramonics and a much more expensive dual wireless Sennheiser or Sony system. That charging case, I am so impressed, it is so brilliant. Yes one could attach (using gaffer tape or something) some kind of pouch to the side of that case it to transport all the cables, lavs and stuff. They fixed the battery, on Blink500 it's too short.
Hey hey again Charbax! The lav quality is more or less the same as the original Blink. These are all mass bulk lavs so I doubt they've changed all that much. The only thing that changes the sound a little bit is their preamp and processing inside the transmitters. A lot of people seem to like the JK branded mics, though I have yet to really try them out. However some 2.4ghz systems seems to cause interference in them based on some of the youtube reviews I've read, but I still would like to try them myself one of these days as their price isn't too bad. You already saw my massive comparison video where the the Uwmic9, BLink500 and Sennheiser were in the same tests. When it comes to these 2.4ghz budget systems, they all have a lot of processing going on cause they are meant to be a one and done solution (minus the Uwmic9) when you get to these other systems that do not process the audio that much, thats where you'll start to see some differences (if you can hear it) Otherwise these budget systems all do a good job to give you something to work with at a cost thats unheard of just 3 years ago. From there its up to your audio post production skill set to sweeten it for your own voice. As for the interview lav situation where you want 3 lavs total, to avoid any major problems when you start editing in post you most definitely would want to have a 3ch recorder so that if someone is making all sorts of noises you can cut that out. If you hard record all of it into the cameras 2 channel you run the risk of potentially ruining a take if someone keeps scratching at the mic or something. What you could do is just get a small recorder for yourself and you'd sync it up in post so that you can use your voice where needed. Not the best all in one solution, but its something easy for you to keep your in pocket with a lav so that you don't have to have a bulky 4ch recorder strapped to your camera.
Hey hey Matticulous Media! Thank you so much for checking out this video and commenting! So glad you enjoyed this review and that it was helpful! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thanks for this review. You are a trusted and fair voice for gear reviews, I appreciate and value your opinion. One question, what is the significance of the -12 dB calibration. Thanks in advance for your reply.
Hey hey Ricardo! Thank you so much for checking out this video and asking a question! The GH5 puts out a -12db test tone when I go into the SMPTE mode. From there I calibrate my Tascam DR40 to that -12db level. This ensures I stress every companies TX preamp at the same level so that when I go into the waveforms, I can see how much "post gain" I need to add to get my voice near the -6db mark. This tells me how aggressive is the audio processing in these units in terms of its Signal to Noise ratio. And what one can expect the noise floor to sound like. Essentially this is the only way I know where I can stress every system the same way so we can find the difference between each system I test. Hope this makes sense! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Kevin! Thank you so much for checking out this video and commenting! Definitely a great feature! I'm not sure I will have too much use for it unless I'm plugging into a mixer at a live event, but its good to know I can if needed! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker this would be super useful, ever since covid we have been doing a lot more live streaming at church events. This would be a great for streaming at a guest location where we can plug into someone's existing mixer on one transmitter, and maybe a shotgun on the other transmitter.. Already using a laptop and a LTE hotspot to stream now. Living in Hawaii, we do have a lot of events on other islands when visiting other churches, so having a portable streaming setup for live events has been on my mind, once travel opens up.
I’m sold on getting the saramonic kit. I was geared up for the rode wireless kit. The saramonic is the best deal for me. You can’t beat it. You get two mics and receiver. Plus you get a charging case perfect.
Hey hey Shannon! Thank you so much for checking out this video and commenting! So glad this video was helpful! I'll continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Ron! Thank you so much for checking out this video and commenting! Definitely would help for sure, if firmware is able to be injected somehow, that would be a great feature. We'll see if Saramonic see this and goes for the idea! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker So has there been any development on the db marks or whatever, and isn’t the problem of clipping quite avoidable with a little sound test and wearing headphones when possible? I appreciated your video. You are excellent at what you do. Thanks.
Man your audio sounds really good, I wonder how? I have this blink pro500. I wonder if it is because of the -12db that you mention a lot, do those settings make a difference? Or it is just your voice that it is really good LOL I am in a small room recording. Thanks
Hey hey D Mart! Thank you so much for checking out this video and asking a question! The -12db is where I like my voice to sit while talking, most cameras will have a audio level bar option that you can have show up on your camera screen so you can see how your voice is spiking up and down while talking. Idealy you can have it bouncing between -12dB and -6dB which are usually represented by the 3rd and 2nd dash in the soundbar (some cameras will have it labeled. With sony Cameras you want to watch this video: ua-cam.com/video/Bh_gfEsFGtA/v-deo.html If you have a Panasonic, disregard that video. Once you have your levels setup. Go search on youtube for "Curtis Judd Dialogue" a few videos will pop up, but it should be the first one, that teaches you how to get your audio sounding better. In this review video all I did was bump up my gain, but @Curtis Judd 's video will give you more ways to learn how to work with your voice. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker wow you are amazing, you always take the time to answer people's questions. I can't thank you enough and I hope you have some wonderful holidays. =)
Funny.... the saramonic drops audio every time ti walks outside and turns around (5:45). This is an issue for any professional recorder. Body blocking is an issue when you turn. This means that as you film moving around the subject, this will be an issue. Too bad that you cannot rely on this system for outdoor moving dialog.
Hey hey Orlando! Thank you so much for checking out this video and commenting! Keep in mind the distances I am walking in when my body blocks the TX. Generally speaking these systems are good up to about 20ft in the wide open outdoors. If there were buildings nearby or on a sidewalk, its a different story. This test is to give you an idea of the worst situation. That being said these systems are so small today, its not as big of a deal to hide it on the front side of the person depending on the setup. But yes, if your work needs good signal at all given times. The RODE Wireless GO II that I recently reviewed performs the best in the 2.4ghz freq system: ua-cam.com/video/3TOldrv9iEE/v-deo.html Otherwise a UHF system, depending on the country, is the preferable method for that type of run and gun work outdoors. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey fathi! Thank you so much for checking out this video and asking a question! Not necessarily, this completely depends on your needs and what frequency you choose to use. The Saramonic, currently, is the best overall deal when you consider budget and function in the 2.4ghz range of wireless mics. The RODE GO is still a golden standard that people prefer because of brand name and legacy of mic development. It will just come at a slightly higher price for a single unit and a much higher price when you need two. So if you only need one channel of audio, then you could go either way. If you are able to use UHF 500mhz in your country for free, the Comica Boom XU is my overall Budget UHF winner, its signal is very robust. My review can be found here: ua-cam.com/video/k6tDHGUb3f8/v-deo.html Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
What’s the upload process like? I am not liking what the Rode process looks like using their software. I’d also rather there be a way to lock the lav mics in and just use a memory chip.
Hey hey BetaClimbers! Thank you so much for checking out this video and asking a question! The offload processes of the new RODE GO II is super simple and not really a both, In my opinion. Mainly because if you're already offloading footage, its not different than offloading audio from a field recorder. I'm not sure if this is a potential translation error, but if you mean if you can use the RODE GO TX as a recorder only without the RX. Yes you can as of the newest firmware update, though I believe it will only record "uncompressed". Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey sharaihanah! Thank you so much for checking out this video and commenting! Hahah oh nooo... then you definitely shouldn't watch my RODE Wireless Go Version 2 review... 😂 Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey friend! Thanks for reviewing this, I was wondering what you thought. Any chance you'll be reviewing the Zoom F2 and Tentacle Sync Track E? That would be a great shootout because they're so similar. Hope you're well!
Hey hey Jose! You're most welcome! I don't know if I will be review the Zoom F2 and Track E. I personally would love to have those kits on my next feature film, but for now I don't have a use for it. They are really amazing though, I def have my eye on them for their functionalities. But idk, if Zoom and Tentacle contact me, I'll definitely give them a go! Hope you are well too my friend, stay safe and healthy!
Hey hey Francois! Thank you so much for checking out this video and commenting! So glad you enjoyed this video! I will continue to do my best with my review and content! I used to edit the crap out of the breaths, but I ultimately decided that I didn't like finding b-roll to hide it and the more jump cuts. So now I try to get through a through in one go to minimize cutting and incessant b-roll. I'm not perfect at it yet, but I want to perfect my ability to present without breathes lol! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I'd rather a breath (natural) than a jump cut. I can't tell you how many videos I've stopped watching because of jump cuts. There's a reason they don't do that on TV. It's irritating. This is much more natural and I appreciate it!
@@RustyOnTRAVEL on TV they actually cut scenes, you don't get to see TV shows with 10 minutes straight that are recorded in one cut :) and they probably do multiple takes when they need to do so
@@yuanyuanintaiwan yeah I know they cut scenes, I’m talking about jump cuts. Jump cuts are a UA-cam thing and really need to go. For me, if my scene needs that many jump cuts, then I either need to reshoot or learn how to manage my breathing and sentence construction better :)
How companies in 2020 are still using micro USB boggles my mind! I know it's not that important cause the case has USB-C, but this kinda put a meh in my mind.
Hey hey Vjaxa! Thank you so much for checking out this video and commenting! I hear ya, as Jesse said, it's more so how USB-C chipsets are put into the board of these things. My guess is with the larger battery than before, possible off the shelf USB-C chip port instead of a custom one placed onto the PCB could be the factor of why it doesn't technically fit. For me with the 7 hour battery life in my test, this puts it at a mark where I think it'll be fine for most creatives on a full day shoot with the TX and RX being placed in the case during lunch break. Once we see some of these companies try to rival the PicoMic's staggering 20hr operation, I'll be fine with any USB they choose haha. But in all seriousness, yes to wanting USB-C everything! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Two Shae Films! Thank you so much for checking out this video and commenting! Oh man! I myself also have two RODE GO's, bought two the moment they were announced. Now with a actual competitor in the 2.4ghz space the question becomes how are you going to use it? Sound difference aside, one would argue having two RODE is better because if one of the RX goes down, you're not left in the dust, but if you're not in a video situation where that is necessary, then the Blink 500 Pro is a great all in one system. Thats about the only talking case I can think of right now why someone would want two RODE's instead of a Two TX to one RX system. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker You rock man! Seriously! Thanks for all the effort you put into these videos. I have to hit the bell for you because you don't organically show up in my feed a lot, but I'm always glad when you do. Thanks again!
Hey hey TIKOY VLOG! Thank you so much for checking out this video and asking a question! I'm not sure exactly what the TX and RX battery capacity is. If I had to guess it would be around 400-500mah. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey again Mia! The Blink 500 Pro comes with another cable for cell phones that have a Headphone port, if your phone no longer has one, you'll need to purchase the appropriate adapter to give you that port out of your charging port. Plug the one end with the 3 color stripes into the phone, and the plug with the 2 color strips into the receiver of Blink 500 pro. And thats all there is to it! @Capricorn12 : No, as far as i know it is not because the pairing process between the two models are different.
Hey hey Padawan Play! Thank you so much for checking out this video and asking a question! The walls indoors are standard drywall, brick the moment I go outdoors. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
You kind of become my Leatherman multi-tool; I truly appreciate your systematic style and consistency. I always seem to receive the information I came for, thank you from me and from all the strong silent type who have not yet commented on your great content. Cheers Al
Hey hey again Al! I'm so glad you're enjoying the format of this channel and that I'm able to answer some questions you may have. I definitely try to think of those as much as I can, not perfect, but I'm always learning what people want to know :) Thank you so much for the kind words and I'll see you in the next one!
Hey hey RZ Experience! Thank you so much for checking out this video and asking a question! Not that I'm aware of, in this video you are listening to it plugged straight into the camera, no altering of audio timing what-so-ever. It's interesting that only recently I am hearing about the original Blink500 have latency. I tested those early on and didn't notice any latency, wonder if something changed in its design since then? Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker well in final video you won't see much of it, but try connect your headphones to your camera and blink 500 into micriphone port and you will basically get plate reverb. It's huge pain if you monitor yourself or somebody else. Thank you for reply and keep up good work 🙂
Love the features and it looks great too. Just one thing based on your demos and some other vids I was able to check out; the audio sounds muffled with the included lav mic comparing to the rode. Might it be the problem with the included mic being cheap? I mean I'd totally pull the trigger and swap for a better lav mic for all the nice features if that's the case... BTW the on board mic do sound pretty good by itself
Hey hey Shoot Edit Repeat! Thank you so much for checking out this video and commenting! Because I did not have RODE's official GO lav, I used my $100 Deity W.Lav for comparison. There is two things to consider about the difference in sound, mainly how the pre-amp and processing is done internally. The RODE's goal is to give the flattest EQ curve while the Saramonic is probably favoring a little more bass as thats usually whats missing in some people's voices. Between the two, the Saramonic would sound muffled in a straight comparison. This can be remedied in post with a little EQ adjustment. A better lav will help the Saramonic out, especially if the sounds gets too explosive, but the included lav will do pretty well for someone starting out with a little EQ to sweeten the persons specific type of voice. I agree, the built in mic sounded surprisingly good. For casual filming where I wouldn't need to lav someone up, the built in mic sounds really good! Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi, thanks for the painstaking tests through out! Did you try the Audio-Technica System 10, also 2.4Ghz, dual antennas on camera receiver with the body pad transmitter Lav mic and handheld dynamic mic with built in transmitter? It's worth comparing with the 2.4Ghz gears you tested Thank you!
Hey Hey again Gabriel! Funny enough I was helping my friend with a corporate shoot early this week and he had some system 10's. From what I heard on playblack, it sounded nice. But I would say its a different tier of products as it is more traditional in size vs these smaller ones. My guess is that it can sustain a stronger signal with its antennas, but the RODE GO II is doing quite well for its size and distance ability. When it comes down to it though, the common person is probably not going to be using a wireless system to film someone 100 feet away unless they specifically do conferences. If you are just at home, in a studio, vlogging, interviews etc where you're essentially always within 20-25ft of someone, all these systems will do decently well. It just depends on what form factor do you like, battery type, and any additional features you need to perform your task.
Hey hey Nation X! Thank you so much for checking out this video and commenting! Hahaha no, others have gotten the reference. It's a running joke now in my audio tests lol. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thx a lot for the informative review! I just got the Comica BoomX-D D2 (which your review had a hand in influencing my decision over the Rode WG) but I'm encountering an issue where the receiver is not showing the audio level for one channel (when used in Stereo mode). It's likely defective so now I'm thinking of replacing it with this. I'm intrigued by your comment that potentially the micro-USB port could be used for FW updates. Have you tried plugging it in to your PC/Mac to see if it recognizes it as a device? Would be awesome if the PC did recognize it __and__ be able to use it as a mic too.
Hey hey turboBB73! Thank you so much for checking out this video and commenting! You're most welcome! Hmm that sounds like it could be a defect, as of currently if I had to tell someone what dual channel 2.4ghz would I recommend. It is easily the Blink500 Pro. The Comica XD does not hold up against the Blink500 pro. As for the USB firmware function. The computer does not recognize it as anything and only just delivers powers. This is most likely one of those cases where Saramonic is going need to create a firmware injection app of some kind as that App would be the one to recognize a unit being attached to the computer. We'll see if this is something in the card for them not that I've mentioned it in my video and to them as well. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Brian! Thank you so much for checking out this video and commenting! These are technically out already, but depending on where you are the shipping to the sellers could be delayed. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
They have a few more settings. For instance, you can specify the mic gain manually. They also seem to be a little smaller and have a longer battery life. The case is a nice addition too. The only thing the BoomX-U has going for it is the - in my opinion - better looks and range; UHF tends to offer higher quality audio at greater distances.
Hey hey Manolo and DesertCookie! Thank you so much for checking out this video and commenting! Desertcookie answered all of it, thank you so much Desertcookie! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I choose the Saramonic Blink500 Pro. The BoomXD has a Lowcut filter you can't turn off. The Saramonic has a more fuller sound. The built in mic is actually quite good on its own if you don't want to use the lav.
I've got a project coming up next year. I hope the Blink500 Pro makes it to the European market before then. The extra cost of ~50€ over the BoomX-D seems worth it.
I’m planning a UA-cam Channel for a good cause with great concept and content...Seeking kind people to help in it...By the way love your video...Thanks...
Hey hey Hridai! Thank you so much for checking out this video and commenting! Glad this video was helpful! Wishing you all the best on your youtube channel! If you are a pure beginner, I actually made a video that details the most basic youtube setup to get you started from start to finished with lighting, audio, and camera settings: ua-cam.com/video/__dsOEMzrVA/v-deo.html Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey again Steven! Aside from the Picomic, these Saramonics definitely make me question my use of the RODE GO, the performance is good, the built in mic sounds better with my voice, that extra hour of battery power. Lots to enjoy for anyone that wants one or two TX's on a shoot!
I'm sad they are still sold out, I want a second set. While they are expensive, to the right filmmaker they are the cheapest most hassle free system to use. I've used them for Events and corporate, the immediate look on the executives faces when I don't need to wire them up, they are so happy. At the time before the pandemic, I got more work because of the experience each company had with how fast I got them in and out.
One thing to mention is the Rode has the in-unit record function, which was never an issue for me since I don't do separate audio/video recording. I chose the original Blink 2-person for our church video because it was $100 less than the Rode and I didn't need the record function. I was thrilled to see the new Blink Pro model, has all the right upgrades, and today was $70 off. I bought one for myself today. Yes, it is odd that they changed the on-unit charge port to USB micro from USB C on the original Blink. Not a deal breaker just a pain in the cable butt. Great review, thanks for this, liked and subscribed.
So glad you were able to snag the deal! Enjoy it until the next time you're looking for an upgrade! I will be here hopefully with a review for the next major one after the RODE Wireless GO II! Thanks for subbing!
Thank you sir, as a photographer and a creator I have been trying different mics and thought I found the perfect things in the PicoMics till I washed the mics in the washing machine... now I have to find new ones... looks like these are the ones!
Hey hey Jeffrey! Thank you so much for checking out this video and commenting! You're most welcome! Oh maaaaan about the PicoMics :( when I'm using them on set I have to constantly remind the people/actors to give them back because they never remember they have it on. Which is great...but not great lol. Hope these Blink500 Pro will be all that and a basket of fries for your needs! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Brian! Thank you so much for checking out this video and asking a question! Smartphones will use an auto gain setting, apps like FilmicPro will let you adjust. The iphones do a decently good job when you're indoors. Outdoors it may be a little off if there is background noise that it tries bring up in volume. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey again Dan! In terms of dual UHF, assuming 500mhz range is free to use in your country, hands down the Comica BoomXU. You can see my review of it here: ua-cam.com/video/k6tDHGUb3f8/v-deo.html Battery life isn't quite up to this new Blink500 Pro, but its distance ability is the biggest one I've seen in both Line of sight or No line of sight. Hope this helps!
Hey hey Jacob! Thank you so much for checking out this video and asking a question! I honestly don't really do latency testing unless I look back at my talking head portion, where its just the bare audio going into my camera, and it shows me a very noticeable amount of latency. When the Deity Connect came out having up to 16ms latency it was noticeable but only after someone made mention to it, I'm not sure if they've improved the firmware to help with that since then. So for me 16ms is probably where I would make mention of it, anything less I don't think is as big of a deal for the normal non-filmmaker person watching your video. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thank you for responding back! That makes sense. I may get these Saramonics. I just returned my Rode go because it always lost signal when someone barely turned their body. Also, I tried two RodeWirelessGo next to each other with two people talking, the signal constantly broke and I lost audio. It was terrible. I’m hoping this is more reliable. I want that Lark150, but man, do I hate the battery life on those. I wish it lasted a few hours longer. It seems promising.
Hey hey again MMC Streaming! Way ahead of you, already testing the RODE GO 2 as we speak and will be doing all the things. It's gonna be a long video, stay tuned! Hope to get it released next week.
Just non buy Saramonic!!! Dont do it!!! The system is not really!!!The system is ill-conceived and very illogical. A case with a capacity of 2000 masdolzhen to recharge 3 devices, each of which is 3000 mAh.... Stupidity. The saramonic is shut down in a room with other radio systems, while the rode is stable.
Hey hey КонстантинКо! Thank you so much for checking out this video and commenting! Hmm.. I'm sorry that the system did work for you, I wonder why it didn't work for your room, possibly a defective unit? How many Wifi signals were around? That'll give us an idea of how many wifi networks it can dodge before it shuts down. The battery of the charging case is indeed 2000mAh, but I believe each of the TX and RX is between 500-700mAh as it's close to the RODE GO's battery capacity thats around that. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I think it's okay to mention this since B&H comes up on your affiliate link: Today only, Thursday, December 23, 2021, until midnight eastern time, B&H has the Blink Pro 2-person on sale for $229. An incredible deal.
Hey hey Hewes news, views, and reviews! Thank you so much for checking out this video and commenting! Absoltuely, thats a good deal! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Turner! Thank you so much for checking out this video and commenting! Yea, the RODE GO's are so hard to come by this year. Kinda wonder if they are thinking about releasing a new version this year or if they are just having a harder time keeping up with demand. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
since you're very knowledgeable, what is your advice? I'm going to shoot a couple of web series using an iPhone (currently 8+ but will upgrade to 12/13). What equipment (mic, recording) would you recommend to shoot a scripted series with 2 to 4 actors? Also will be shooting fitness workouts with 1 trainer but I'm sure that could use the same equipment. please let me know.
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I had the Blink 500 and sold to buy the Comica Boomx-U B2 because of your video (of comica) But it had a lot of interferences in the Comica Boomx-U
Hey hey Anális! Thank you so much for checking out this video and commenting! Hmm, is the 500mhz a usable frequency in your country for wireless mic? I notice you're in Brazil so I do not know if Brazil uses a lot of lower UHF frequencies that could cause the interference with the Boom XU. Did you also try it with the antenna's raised upwards for maximum signal? Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
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frequencies law is very very big. But I saw that others UHF mics is ok in my country, then I think the Comics is ok too. I live next of 10 or more TV and radio antennas. And in my house, the Comica don't have (much) problems with interferrences. But I recorded a wedding very away of the city. The place was 1 hour of distance. And the comica droped a lot I used the receiver with the antenna's raised upwards and the transmitter downwards. Stay safe too
Does the saramonic have internal recording like the rode go ii? Also, will these settings be okay for a sit down interview... Sony A7iii audio Level: 3 Saramonic TX: Mic Gain 6. Will this be a good starting point before I adjust? Thanks for this video!!
Hey hey again LegendaryOn99! No, this Blink 500 pro when it came out was before RODE released their 2nd version that had internal recording. These will be fine for a sit down interview, no problem. Yes, those settings are a good starting point to see how loud your speaker is. On the A7iii you can go all the way up to +7 if you'd like. I move between +3 and +7 if needed without too much self noise.
Hey hey 4K I! Thank you so much for checking out this video and asking a question! Yes, this is what the dual system version does where you take both Transmitters to the one Receiver. The key feature is that Mono and Stereo split feature that I mentioned. The stereo split feature allows for more post editing options when you are working with two people talking to each other. I cover this very briefly in this video: ua-cam.com/video/3mtGjRTQL5w/v-deo.html Now the receiver does need to be plugged into a camera or a Recorder with a Stereo XLR split. The receiver itself does not record on its own. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thanks for your reply and the info, it is really appreciated :) Do let me know if I´m wrong, but as far as I´ve understood, it is possible to connect the saramonic system to a recorder (e.g: Tascam DR-60D/DR-22Wl) and capture stereo audio from both transmitters. Am I right?
Correct, you need to use a 3.5mm to XLR Stereo splitter so that you can record each TX to its own channel when using a recorder. Make sure your RX is set to Stereo output and NOT mono. DO NOT buy a 3.5mm to XLR cable, you will not get the split recording between the two TX. It will just mix it together into a mono signal because an XLR cable is only a single channel signal.
I have one, it really works great. But I’ve noticed that doesn’t matter how long I charge it, the battery simbol will never show up completely full. Why is that?
Hey hey Daniel! Thank you so much for checking out this video and asking a question! Hmm... it may mean the battery cell never quite hits the top voltage that it needs to register as a full battery. If you are able to get close to my battery life test results even with that last charge light blinking, then I wouldn't worry about it too much as it could just mean the calibration of the BMC (Battery management chip) could be off. But if you notice you're missing a decent amount of battery life, may want to exchange the unit. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi, Sensei I've been rewatching a few of your lighting videos the past few days so a lot of your videos are showing in my feed. This thumbnail looked so much like a previous thumbnail so I almost didn't watch this one. Glad I did watch, I'm asking Santa to get me this for Christmas.
Hey hey again IMDABROWN! You're right, this looks very very similar to a lot of my wireless mic thumbnails. I'm going to need to figure out a different kind of shot. Glad you got to check out this video and that its something that'll help with your productions!
comparing the "rode Wireless go", the "saramonic blink500 pro" and the "comica boomX-D" ... if they are compared using the same lavalier microphone on all three transmitters so that the comparison is fair and without adding recorder gain or post production ... which sounds better? Which has less noise? Which one has more signal at the transmitter output? Thanks :)
Hey hey Ew Ly! Thank you so much for checking out this video and asking a question! If they were all compared under those parameters, the RODE GO would be your winner. If you need a 2TX to 1RX setup, the Blink500 Pro would be your winner. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker thanks for answering. I love your videos. for 2 transmitters the "blink500 pro b2" is better in sound quality and lower noise than the "comic boomX-U2"?
You're most welcome! These are two different systems and you will need to make sure your country (if you're not in the USA) allows for the use of 500mhz to be used. Both noise is acceptable, neither one is drastically different from the other. I only do the -12dB calibration to even out the playing field, but if you were to calibrate it to your voice, you would have much lower noise than the -12db calbrated test that I show.
Thank you for this video, it was very helpful and I went and bought the Blink 500 Pro B2 set. I have a separate question... I'm trying to record videos using the Camera MX app. If I stop the video after 40 mins the file is just 27 mins long, if I stop the video after 32 mins the file is just 12 mins long. It's the strangest thing... When I check the screen the record sign is up and the clock is still running but when I press stop it the video file is just a tiny percentage of what I thought I recorded. I have about 40GBs free on my phone and a good processor. I've recorded 45 min videos before, but only with the shitty camera that comes with the phone and isn't suitable to use with an external microphone. I'm stumped! So I'm wondering are there any camera apps that you would recommend for using with the Blink 500 Pro? Thanks!
Hey hey Richard! Thank you so much for checking out this video and asking a question! That is very odd, I'm not sure what could be going on that its not recording the second half, does it break it up into two files maybe? Doesn't sound like it should. As for video apps, the one that is the most popular for mobile phones is "Filmic Pro". This was made very popular because it gives you all the same settings of a traditional camera so that you can manually set exposure to get the video look. Thats the only one I'm aware of and plan to play around with it in the future. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Saramonic blink pro or comics boom xd? Which is better to use for music set -1channel to voice recordings and -2 channel to cello (‘or flute ) to record directly in iOS? Or through zoom h1? ( live music setup) And any possibilities to use those as AMSR recording style? Comica is better in this case?
Hey hey Роман! Thank you so much for checking out this video and asking a question! I would select the Saramonic Blink Pro, the mic response is more natural than the Boom XD (which has Low Cut Filter on by default, you can't turn it off). However when it comes to recording audio like what you want to do. These budget mics are not meant for those applications. While they will work and you will get sound, it doesn't mean you'll get the richness that you may be aiming for. These are meant to just capture voices quickly and easily and there are lots of post processing happening in the background before it gets to your recorder, this may or may not give affect your desired sound. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hello I would like to know how does the receiver attached to a camera ? I am looking seriously in buying this product so thanks for the infos H&S 👩❤️👨👍🇨🇦
Hey hey Hélène & Serge! Thank you so much for checking out this video and asking a question! The receiver attaches onto your cameras hot shoe with the belt clip. If you are using a smartphone or action camera, you just need to make sure you have some sort of cage that gives you a hot or coldshoe mounting point. Of course some velcro or rubberbands can do the trick in a pinch. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Özcan! Thank you so much for checking out this video and asking a question! Make sure your audio levels on the Blink 500 pro are at max, to start, so that you can turn your recorder and or camera mic level as low as you can. This is to try and get the best recording possible with these mics. You can try one level lowers than max on the Blink if you would like, but your camera and recorder needs to have its mic level as low as possible. Then proper mic placement to keep your signal around -12 to -6dB as you talk. From there when you raise your levels in edit, it shouldn't be loud. Out of curiosity what is your noise floor registering as in your editor, what dB? Everyone has different ideas of what is acceptable noise floor. If you are looking for pure silence, that won't happen natively, you'd need to use a noise gate. If its under -50dB with you talking at the level at -6db. To me thats good enough range that any noise floor you do hear is natural enough. If all of these settings still produce a loud noise floor, then it could either be that your camera pre-amp is not great and is inherently noisy. Or you may have a defective product. I don't know what else it would be if all your settings and levels are set within range. Hope this helps. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I found that there is also a Saramonic Blink 500 Pro B2 (Lite Edition) which is around $67 cheaper than the normal Blink 500 Pro B2 in my country. The only difference is that the Receiver in Lite Edition does not have a display screen on it (the transmitters have the displays). Do you know if there are any other difference? Do you think it is a big loss without the display screen on the Receiver? The price diff. of $67 seems like pretty good deal!
Hey hey Nithiporn Pukalanant! Thank you so much for checking out this video and commenting! I unfortunately do not know if there are any major differences aside from the one you mentioned. I was not aware there was a Lite version. My guess is the receivers settings won't be manageable like the ability to put out a Stereo signal instead of mono signal when using two transmitters. I would just read the specifications and see if theres any features you needed that was done on the receivers end. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Nicholas! Thank you so much for checking out this video and asking a question! 2.4ghz frequencies are much shorter compared to a 500mhz frequency. So essentially it has a harder time transmitting its signal through my body. And because I am in the worst possible situation (out in the open field) the frequency has no way to reflect off of anything to eventually bounce its way back to the Receiver. This is why it cuts out in that specific situation vs indoors where I can move all around through walls and you'll still hear me until there are too many walls. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Amanda! Thank you so much for checking out this video and asking a question! As long as the Sony a5100 has a "mic" jack, the Blink 500 Pro will be compatible. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey D Bkr! Thank you so much for checking out this video and commenting! You're most welcome! So glad this video was helpful! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
RODE mics are susceptible to interference from nearby electronics including themselves. I have to separate the RX units by a foot or more when multiple units are in use. What about the Saramonic?
Hey hey XonX! Thank you so much for checking out this video and commenting! That is definitely correct, in my RODE GO 2 review I test two RX units close and far apart in my outdoor stress test, definitely want to keep them apart if possible. I'm not sure why it is this way, but I have a feeling all 2.4ghz will suffer from this in some ways when both RX's are close together. Although I have not had problems with the RODE GO II where it lost signal from other electronics. That being said, RODE implementing the internal recording feature helps mitigate this problem a little bit. I can't speak specifically on the Saramonic Blink500 Pro as I don't have two units to try it. But I feel it should exhibit the same problem as well because I once tried to do a distance shoot out where I had two competing brands clipped to my shirt and the receivers at the camera. They both started interfering with each other and I got horrible distance results. I feel the only way these cheaper 2.4ghz systems can negate these problems is if you can lock them into a specific frequency range instead of constantly scanning the frequency and hopping frequencies on the fly. Picomic does this where you can lock them into even or odd number frequencies between units so that they don't get in each others way. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Can someone tell me if there's a control over the output volume from the receiver to the camera? I believe the gain controls on the transmitters are input gain controls... but is there an output gain control?
Hey hey Johnny! Thank you so much for checking out this video and asking a question! There is only transmitter input gain controls and non at the receiver output level. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Angelo! Thank you so much for checking out this video and asking a question! Yes, this will work since the Videomic NTG has a regular 3.5mm port. I've tested it with the RODE GO II and it rejects 2.4ghz very well, so the Blink 500 pro should not be a problem. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Great review but these are nowhere near as reliable as the Wireless Go II. The audio was dropping out at less than 100 feet. The Rode package is only $50 more and has onboard backup recordings. If you rely on these for important work there is no comparison.
I'm curious ...when you were walking around through the studio were you using the lav with the saramonic or the built in mic? I really feel like lavs on a lot of these small systems act as antennas.
Hey hey again Roberto! I was using the build in mic for indoor obstruction tests. There's probably something to be said about the lavs acting like some sort of antenna. Though having tested multiple systems outdoors, some with or without the lavs. The results are also typically similar and I don't notice a drastic difference to distance between using the lav or not.
I am sorry for the noobie question but am I able to purchase 2 of these systems for a total of 4 microphones? I have been trying to research as much as I can but I think I am looking in the wrong places.
Hey hey HardCarry! Thank you so much for checking out this video and asking a question! No worries my friend, in theory you can run 2 total setups. You'll just need two cameras for each receiver or a 4ch field recorder. That being said I do not have access to two units to test how well they run in vicinity with each other, so your performance may vary. That being said, at this time, I would suggest the RODE Wireless Go II as the better option for money. I recently put out the review if you are interested in checking out that option. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi I have the Blink 500 B6, which I use with my Samsung mobile. Is the Blink 500 Pro compatible with the Blink 500 UC receiver? It would great if you could let me know. Cheers
Hey hey again Capricorn12! Incase you didn't see my response to the comment you also asked in. No, the pairing processing between the old and PRO system are different. Unfortunately they won't pair together :(
@@TLDR_filmmaker Thanks for letting me know. I will order the pro. I will also have to order a cable as the phone that I use has a usb type c port. So I will have to get 3.5 to usb cable. Thanks again for your help
Which do you think is better, this or the Comica Boom XD? And is there a connection issue when you use the blink 500 pro where there's a lot of wireless devices?
Hey hey feeldaus! Thank you so much for checking out this video and commenting! This is definitely better than the BoomXD in many ways...actually all the ways. This is hard for me to give perspective on as I know some people have had problems with wifi interference on the XD where as I didn't. All my testing situations are the same where I am within range of 10+ Wifi networks with my cell phone always nearby. So this is my only experience when it comes to wifi traffic. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Kevin! Thank you so much for checking out this video and commenting! Glad this video was helpful! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi, I've just bought the Blink 500 Pro. I expected the audio input level metre to show that I am talking, but it only seems to respond if I put it very close to my mouth, but when clipped on to my jacket it does not show any audio movement. Is that right? Am I doing something wrong? Thanks. I'm a newbie to all this!
Hey Hey Mick! Thank you so much for checking out this video and asking a question! The Soundbars on the devices, like I said in the video, don't really show much or give you an indication whats really going on. The for-sure way to know a signal is going through is to make sure your camera has the "sound bar" showing or just simply do a sample recording and see whats going on. Other than that the only thing I can say is make sure your your transmitters are set to "mic" and not "line" mode as you are wanting to use it as a mic. Also on the transmitter you can change the level of your mic up or down, you can try all the way up and see what your recordings sound like. As a newbie your best teacher is to try different settings and see which ones work. Asking others in this field will never give you the real answer because everyone situation is different. Don't worry, you're not going to break or destroy anything. Thats the beauty of the digital world, whatever you try can always be reversed if you don't like the setting or if the setting does work. Unlike the analogue world where if you mess up you sometimes gotta buy another unit just to give it a second try. So don't worry, be fearless, as a newbie this is the best time to be one! Have fun and good luck! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker excellent advice. Thanks. I must have missed the bit where you said the soundboard didn't really show much, so I was worried I had a duff. I've had a good play with it and I'm loving it, so once again, thanks for the review. 😊
Thanks for another amazing review. I’m glad I didn’t buy the Rode wireless go. I was actually looking at the Synco g2 yesterday but I must say Saramonic wins.
Hey hey again David! You're most welcome! Glad this video came in time! Definitely a very nice system and happy to see that Saramonic basically improved everything from the original!
Hey hey Witek! Thank you so much for checking out this video and commenting! You're totally right, at the time my eyes weren't really as trained to see it, but now that I have done more audio kit reviews. Rewatching this I can definitely tell there is latency. Normal person might not see if, but yea for others that work with editing and such, that latency won't be as fun to work with :( . Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Nice vid!! Which wireless mic system would you prefer for an iPhone; using while walking and vlogging on a trail and in a dance studio filming instructional vids. Thoughts? Which systems do you like? Thanks!!! I'm currently using the Sennheiser XS with Lav.
Hey hey TheTrailDancer! Thank you so much for checking out this video and asking a question! The Sennheiser XSW system you have is a great system for your wireless needs. If you haven't already, all you need is a TRS to TRRS cable to get it to work with your phone. If your phone doesn't have a audio jack, then you'll just need to get the adaptor for it. I understand this is more wireless than desired so there are systems that the Saramonic Blink has where you can plug a receiver directly into your phones charging port. Its convenient, but the chances of you snapping it off is a bit higher depending on your use case, and they usually don't have any passthrough charging port if you want to charge and use the system as the same time. So it's kind of a toss up on what works for you. Do you want to rig out the cellphone a little bit or do you want just a receiver attached and call it good. Hope this makes sense and helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I understand, what I mean when I said you should "rig out the cellphone" is to buy a cage frame setup so that you can attach your XSW to it and not have it hanging. Because you will still need to do this with the Rode Go 2. If you search for cellphone cage or cellphone filmmaker cage on amazon you'll see what I mean. Its not the most streamline solution, but it solves the problem for wireless audio. Hope this further helps.
Question, probably stupid, but.... should I remove the small piece of tape covering the contacts on the back of the units? It seems to light up the charging lights even with the tape.
Hey hey again Hewes! I'd say just remove the tape, just to ensure you have full contact. Nothing would be more frustrating that you think it was charging but it wasn't.
@@TLDR_filmmaker Ah, thanks! Now the units are actually charging. I was fooled by the red lights going on when I placed them in the tray. Now the display in the transmitters and receiver show the amount of charge. Thanks! Name here is Joe.
Hey hey nicehoopers! Thank you so much for checking out this video and asking a question! The clipping sound here and there was actually my Sony A7iii and not the Blink 500 Pro. I found out Sony's preamp settings are not what they seem and will cause you to clip even though you're recording to -12dB. If you're a Sony user and running into the same problem here and there, this might be it: ua-cam.com/video/Bh_gfEsFGtA/v-deo.html Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
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I wonder what the range outdoors is when line of sight is lost, in the video we see that 50 feet is to much for that, but what about 30 feet?
Hey hey Sigfús! Thank you so much for checking out this video and asking a question! This is very hard to give you a definitive answer as it really really really depends on where you are. In my stress test where RF cannot reflect off of anything. With a 2.4ghz system you will usually start getting spotty non-line-of-sight signal at around 15-20ft. If you were in a pedestrian mall area where there are more structures around, this will no be the case, at that point you'll potentially contend with too many wifi signals (again depends on where you are). Generally speaking, because these are so small, the line of sight should not be an issue to a user who is aware of where they are filming. What I mean by this is I will never purposely but it out of line of sight because it so small I can easily hide the TX in a jacket pocket or under my shirt (if I'm wired up). Back with older systems that were very chunky, this would not be desirable. But at this point I feel forcing a system to fail when it is already so small and compact is not a great way to just the usefulness of such a device. But I get it, there comes a certain level of a filmmaker where you do not want to have to worry about line of sight. In which case you should not be looking at a 2.4ghz system and rather look at a UHF system that is more robust. If you country (if you're outside of the USA) allows the use of 500mhz for free. Then you should definitely check out the Comica Boom XU: ua-cam.com/video/k6tDHGUb3f8/v-deo.html To date it is the most budget friendly UHF system I have tested. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
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@@TLDR_filmmaker thanks so much for this reply and answer, tremendous help, love your videos btw, I'll definitely get the blink 500 pro now and later if I absolutely need to film outside with my 70-200 gm I'll just get the comica also, just hope iceland allows 500mz for public use
You're most welcome! Iceland should have a website that will let you know what frequencies you can use. Search for something like "Wireless mic frequency Iceland" and something should come up. Hope this helps further!
Hey hey Gianne! Thank you so much for checking out this video and commenting! You're most welcome! I'm so glad this video was helpful! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey again High Sea Films! Yes, this does fit in the cold show mount. Pretty much every system after the introduction of the RODE GO has followed that design, so I don't really show that anymore. If there is ever a system that doesn't follow that design, I'll immediately make it known in the TLDR section...cause that is just silly! haha.
Looking several reviews of several products wireless audio recording. What is often missing: * How easy is it to export the recorded audio to your PC/Mac? * Is there a backup recorded audio on the transmitters ? * How easy is it to accidentally turn the transmitter of (in a pocket) * How easy is it to detach the attached microphone (also, e.g. if the transmitter in the speakers pocket) In most reviews those infos are missing, or just partially added. Please include such info in the future, thank you!
Hey hey Harald! Thank you so much for checking out this video and commenting! 1) This video is a bit old and the reviewed audio kits in the video did not have internal recording, so thus why I didn't talk about that. All my videos that have covered internal recording capable units I have talked about how easy it is to export. 2) All current internal recording capable audio kits do not have back up of the internal recording. The internal recording serves as a backup to your cameras own audio recording from the wireless audio kits Receiver 3) Sort of related to concern #4. It's not that easy in general to turn these things off in your pocket because the button placements are not on the front flat side by design. They are on the sides of the unit so that if you were to bend down with the Transmitter in your pocket, your body wouldn't be able to press onto the transmitter. Also a lot of these systems require you to hold down the power button for a couple seconds before it actually turns off; a safety measure by design. 4) Generally speaking if you are going to wire someone up, its a good practice to just clip the transmitter onto the persons pants or belt loop. If they are bing super active in which you want to put the transmitter into their pocket, I'd advice against this as you risk breaking the lavalier mics plug point. If they are not being too active but you just want the transmitter not on the rim of the pants. I would suggest to not toss the Transmitter into the pocket, but rather you just clip it to the rim of the pocket with the transmitter safely inside the pocket. This way your Mic plug won't get damaged as easily. That being said I have indeed just slipped my transmitter either in my pants pocket or jacket pocket before to get some audio. But I am standing or just walking around and not doing crazy large movements. The mic stayed in place and I was never in any danger of accidentally turn off the units. Hope this makes sense why I didn't talk about the topics you wanted covered, in general #3-4 aren't really concerns because of design. And #1-2 is dependent on the product I review if it actually has internal recording features built in. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thank you so much for the reply! I am not a film-make or so, but I do record tech talks from our developer meetup. So far, the Tascam DR-10L did an awesome job, but I would love to have something I can directly record into the video, since that would reduce my post 'production' time a lot. Speakers can do a lot of crazy things when they present and are nervous because of speaking in front of an audience, ... this is why I like to put the recorder into their pockets. But maybe with a wireless transmitter this is not a good idea anyway, and I will adopt that practice. Haven't decided yet what to buy, so I will watch some more or your videos. Thanks for sharing your experience, and keep on the great work !
Are you comparing the Saramonic Blink500 Pro B2 to the Rode Go II, or to the Rode Go? If you are comparing the rode Go, is the Rode GO II now better than the Saramonic?
Hey hey MgelinFilms! Thank you so much for checking out this video and commenting! I saw you found my RODE GO II video so I will continue over there with the comment. TLDR: RODE GO II is better and well worth the price point. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Asurai! Thank you so much for checking out this video and asking a question! Yes, the RX will mount onto the cameras hot shoe. Ever since RODE was the first company to do this, every other company has followed the same design. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey MMC Streaming! Thank you so much for checking out this video and commenting! Yes, indeed it does. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Charlotte, Mark, and Stephenson! Thank you so much for checking out this video and commenting! Mmm I'd say is closer to being a fly on the wall during a Jersey Shore episode, much much worse lol Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hello, Thank you for detailed reviews which looks like a masterclass and at the same time keeping it very simple. Appreciate the effort you take to test various parameters of each products before you come up with its review.👌 I just ordered my Comica Boom X-U2 after watching your review. I have not received it, but now I am in a dilemma. My straight question is: For a fictional filmmaking setup (just like yours), if you had to choose one of these two, which one would you go with? Also I guess it's almost time for another ultimate comparison review of these systems like the one you did last year. 😊
Hey hey Paul! Thank you so much for checking this video and asking a question! When it comes to Narrative work, I would choose the Boom XU over the Blink500 pro, simply because it is using 500hz instead of the more common 2.4ghz. In my testings the Boom-XU was just too good in and out of line of sight that gives me more peace of mine when using it in various areas. Haha I'll definitely need to do a new comparison of my favorite selections! Thanks again for stopping by! Stay safe, healthy, and I'll see you in the next one!
@@TLDR_filmmaker I agree fully; my 500 MHz wireless mics are unbeatable. (For the benefit of newbies: The Boom is 500 MHz, not 500 Hz. But increasingly, regulators are clawing back the 500 MHz to 700 MHz spectrum from wireless mics and reassigning it to other applications, thus rendering the wireless mics illegal to use, because they'll interfere with the other devices. In fact, all the 600 to 700 MHz might now be gone. I use three Sennheiser mics each configurable from 518 to 554 MHz in an area where the 500 MHz is still available, and I can transmit amazing quality about a half-mile with zero dropout.)
Hey hey The World of The LoL! Thank you so much for checking out this video and commenting! Hahahaha I know right?! Literally cut out at the perfect spot hahahaha! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey again Dude Diligence! You're most welcome! I show in the TLDR section that it's capable of Mono and Stereo depending on how you want the receiver to handle the two TX.
Hey hey Felipe! Thank you so much for checking out this video and asking a question! I personally won't test latency unless I notice something off during editing. The reason I say this is because on all my wireless mic reviews, you are listen to it going straight into camera with nothing done to it. So thats technically my latency test. If you didn't notice anything and needed to ask what the latency actually is, then that means your eyes didn't notice any latency as you watched. Now of course now that I've said it, you'll go back and try to see if you see it. But that defeats the point because wireless mics go anywhere between 8ms to 16ms (generally). So if you go looking for latency, you'll find it. I understand that some people may need that lowest possible for their application, but for now, its not a test I think is worth going after if the end result is not noticeable enough to cause concern. Hope this makes sense! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker I didn't notice delays, but as I not an english good speaker, my atencion wasn't on that. Also, I am a beginner on this subject, so its hard to say. Thanks for the video and your answer.
@@TLDR_filmmaker I didn't need to re-watch your video to see the latency; I saw it in the first screening. But... I was looking for it, because previously it was my deciding factor for not purchasing the non-Pro version. I haven't analyzed your video, but I would estimate the audio is running two frames late. Then again, I'm an old TV producer who pushed technicians to perfect analog lip synch, resolution, colour, and other video elements only to see their successes later flushed down the toilet by digital artefacts, pixellation, lag, and other interference that consumers seem happy to accept today. :-) You're work is well done! You are credible. After your video, next up on the UA-cam rotation was a 16-minute review of the Blink Pro, but I had to turn it off after less than 30 seconds. The guy's jump cuts were overpowering. It's tough to take seriously a review of video technology by someone who doesn't understand how the video medium works. Lotsa flash, no bang.
Great Vid! Just ordered this set. I currently have a Sony Dual Channel expensive setup with the SMAD3 adapter (For Weddings) so the audio goes right into my Sony MI hot shoe with no wires. The problem with that setup is that I can't use that with my top handle at the same time and I have to move my Ninja V to my handle grip as well because the Sony Setup for the MI shoe is dedicated for the top center of the cam. I have been looking for another dual audio set for smaller projects like YT Vids like the Picomic, but after Seeing your vid on the quality of the noise floor which was a tremendous help to me, I decided against that 😢. Now that I have purchased this set I'm immediately thinking about alternate Lavs that I could use with something like the invisiLav. Any Suggestions?
Hey hey Vid Headz! Thank you so much for checking out this video and asking a question! I'm not sure which video you saw on the Picomic as they have updated their firmware since my initial review that has really changed and cleaned up the audio more than before. The most recent sound tests are here: found here: ua-cam.com/video/t474Bu-7Ftg/v-deo.html It's a long one but I have timecodes in the pinned comment so you can jump around to the tests you want to see! The only problem is that Picomic are constantly backordered, so its hard to snag one. As far as alternative lavs, I don't really have a set of lavs to recommend. The most quality one I have is the Deity w.lav, but that may not be what you're looking for. @Curtis Judd has a great video about the lavs he has and uses as well as many reviews on various types. I would check his videos out to see what his thoughts are as his ears are more critical than mine. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Tarek! Thank you so much for checking out this video and commenting! I hear ya, it looks like it was a space thing as the USB-C would make the unit much bigger. But I have a feeling most people will be good with the much extended battery life for a day shoot and will just pop the TX and RX into the charging case during lunch or breaks if they really need to. I can't wait for the first company to get one of these smaller systems to last 10 hours straight. I feel at that point it won't matter anymore what USB port it has if it'll last a standard full day. But... preferably, USB C lol Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
how can I use the blink 500 pro B2 with my Note 20 Ultra? the quality of the dangle would make a difference? I know that probably a dangle that converts a 3.5mm input into a USB C type would do it but I am not sure if the quality of it will actually have an impact on my audio. Thank you
Hey hey again D Mart! The dongle itself wouldn't have an impact on your audio quality, it will be dependent on what program you decide to use to film with. Some will do audio automatically and some will let you have control. Either way I really wouldn't worry about it, the things I discuss are for people like me that want to have fine control of audio so that I can work with it later. If you have no desire to learn all of that and just need something to work. These budget systems will do just fine and you can hear it in the voice of my review as I do not process the audio at all except for raising the overall sound. So what you hear is essentially what you'll hear going into your Note 20.
Hey hey again Ideya! Definitely Yay! Finally someone has made a budget wireless mic that can compete with the RODE GO! Now this space is going to get interesting!
Hey hey Shaun李好! Thank you so much for checking out this video and asking a question! Between these two specifically, they both will work exactly the same outdoors. However with the release of the new RODE GO II. That one is my current recommendation for anyone looking to get a 2.4ghz style wireless audio pack. It has amazing distance outdoors and its onboard recording ensures you never lose audio no matter what. All my review videos on the RODE GO II are here: RODE GO II: ua-cam.com/video/3TOldrv9iEE/v-deo.html RODE GO II LAVS: ua-cam.com/video/jO49-HcwmQg/v-deo.html RODE GO SETTINGS: ua-cam.com/video/dakp_MPQO5Q/v-deo.html Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Your videos are incredible! One question, for live stream, what do you recommend more, the blink 500 pro or the boom x-u? distance is not really a problem, it is always very close. but I am interested in the cleanest possible audio quality, they will be connected to an L-8 zoom mixer. thanks!
Hey hey Douglas! Thank you so much for checking out this video and commenting! In my opinion, the Blink 500 Pro built in mic is quite good with a nice pleasant full sound (at least for my voice). If you're looking to wire up the talents, then both I feel perform about the same due to their lav mic begin the common factor. That being said, if you're in a country that allows for the free use of the 500mhz UHF frequency that the BOOM X-U uses. I would use that to avoid competing with other 2.4ghz frequency in the area when you are live streaming. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi there , i was wondering if the new receiver pair or connects to the old transmitter?? I currently have the older version of the blink b500 , i am wondering if i can connect my old transmitter with the new receiver
Hey hey Ali! Thank you so much for checking out this video and asking a question! Unfortunately I don't think you can, mainly because the way the Pro pairing ability is done through the charging case while the original had a Pair button on the TX and RX. So theres no way to get them to recognize each other. Also their chipset inside are probably more tuned for each other instead of being cross compatible across different companies own 2.4ghz systems. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hy Özcan! Thank you so much for checking out this video and asking a question! As far as I know you cannot but the transmitter a le carte like they did with the original Blink500. So unfortunately the answer looks like no :( Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Appreciate the review. Almost bought the older version just because the rode was sold out and I like the fact I can record two separate lav at once but didn’t buy cause felt like I was missing out in the rode functionalities. Now I see this. I’m buy the dual combo today once my client pays for my last shoot
Hey hey Nesquick! Thank you so much for checking out this video and commenting! You're most welcome! Glad this video was helpful! I feel this system checks a lot of boxes as a overall price thats a great starting point! Hope you get yours soon! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi, bought Blink500 Pro B2 after watched this video. Thanks. One question - there are no sound (and no waveform on the OLED) when I plugged in the supplied Lav mic (the TX set to Line in input). Same issue on both TX and lav mics. Any idea why? The TX’s built in mic worked perfectly. Update: Checked with Saramonic support - when use lav mic the transmitter must put to Mic In and not Line In.
Hey hey Marcus! Thank you so much for checking out this video and asking a question! Looks like you found the answer I was going to give. You're good to go! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I've heard there are some issues with dropouts on the Blink 500 Pro, so a lot of people are saying its not recommended for professional settings...have you had any trouble with them over the last year?
Hey hey Our Fantasy Life! Thank you so much for checking out this video and asking a question! This is really completely dependent on the filming situation. If you're outdoors like I show in my tests, there are limitations base on your location (City street versus an open park) and how far you are away from the receiver. If you are indoors, then it could depend on how many wifi signals are around you (Home vs Apartment building). Because all of these are 2.4ghz systems, these are the things you have to consider when using it in a professional setting. I personally have not had problems with any 2.4ghz settings because the sound operator is always very close by in clear line of sight so that the signal is always strong. For me I've never had my sound operator or receiver anywhere near the max distance range. That being said, a strong UHF system is still the preferred method for most professional jobs, there are cheap ones and expensive ones. Expensive ones are worth it for pro jobs. Otherwise the new RODE GO II with its internal recording allows you to save moments where a random signal loss occurs, and thus is my current recommendation for anyone looking to use a 2.4ghz system. That internal safety recording fixes a lot of concerns in my opinion. If you haven't already, I have done a review on the new RODE GO II Here: RODE GO II: ua-cam.com/video/3TOldrv9iEE/v-deo.html RODE GO II LAVS: ua-cam.com/video/jO49-HcwmQg/v-deo.html RODE GO SETTINGS: ua-cam.com/video/dakp_MPQO5Q/v-deo.html Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Was literally about to pull the trigger on the double RODE's today, then you released this video, I think I'm sold on the Saramonics!
Hey hey GlitchedStreams!
Thank you so much for checking out this video and commenting!
So glad the video game out on time and that it was helpful! This is easily the biggest competitor against the RODE GO to date in the 2.4ghz arena, I look forward to see how Saramonic continues to develop their systems as this is a huge update from the original Blink500 system!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Absolutely! It was thorough, well-spoken, and overall super informative. But I do agree with you, if Saramonics has anyway of tweaking the firmware of these, I would LOVE to see a meter instead of a waveform on the screen
Maybe even check out the Comica Boom X-U as well. I've had zero dropouts with it compared to nontop dropouts with the Rode.
I shot a video outside standing maybe 10' from my camera with my transmitter on my hip and the audio cutout non-stop and wrecked my video.
@@c0pyimitati0n That’s my big concern - dropouts. I know I want two transmitters and one stereo receiver that can put each mic on it’s own track. Comica Boom XU, Boom XD, or this Saramonic? Decisions, decisions.
@@AlbertNurick I've had no problem with dropouts or signal issues with the Comica Boom X-U and I am using a dual lav setup in very close proximity.
Literally have grown to trust and sincerely appreciate all your videos. They’re soooooo packed with information. I’m not audio savvy but man, you make it so easy to learn!!!!!
Hey hey HealthyJoeful!
Thank you so much for checking out this video and commenting!
I'm so glad you enjoy the format of this channel! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
the old blink 500 had a latency of 80 millisecond! thats a 2 frames late on a 25fps timeline, thats unacceptable! is the new pro better?
Hey hey Daphne!
Thank you so much for checking out this video and asking a question!
I'm not entirely sure as I don't usually do a specific test for latency. The reason I don't is because I am already using the system to record the talking head portion of the review. If my eyes don't immediately notice it in my videos when editing, then I don't dive deeper into it. For context, this video was shot in 30p with 10+ wifi networks around and my smartphone and laptop nearby. I don't know if wifi being around causes more latency as I don't recall my Blink500 videos looking like they had a latency issue.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Ditto-would love if someone could do a test on this. I also did a test on my "old" Saramonic 500 and got 65ms. Terrible that they actually spec'd it at 12ms for the consumers-outright lie and it's cost me time and a lot of headache. Would love to know if they've improved that area-and Saramonic apparently are not great at getting back on the customer support end regarding this issue. Seems like they know they've been caught on this one.
Dude your reviews rock. Simple, thorough and clear. Love the layout and timestamps. Thank you :)
Hey hey Kevin!
Thank you so much for checking out this video and commenting!
So glad you enjoy the format of this channel! I'll continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Very helpful! I like that you get lav mic with it!
Hey hey Mia!
Thank you so much for checking out this video and commenting!
So glad you enjoyed this video! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Great review. Just picked up a barely used B2 kit for £125 ($170) An absolute steal...
Hey hey Ventus Media!
Thank you so much for checking out this video and commenting!
Heyooooo that's awesome! Enjoy!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Please do a video on Saramonic Blink 500 B2 vs Hollyland Lark 150!!! I think Hollyland might have beat Saramonic!
Hey hey Tan G!
Thank you so much for checking out this video and commenting!
I'll see if I'm able to get a review sample, I've heard some good things as well about the Lark.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Agreed, very interested in this comparison
I'm still surprised that it took this long for companies to create something that can beat the Rode, this seems like a great set, sounds great, good review! Have you tried the new SYNCO G1(A2) already, that's really a budget wireless set but i'm curious how the quality compares to this set.
Hey hey John!
Thank you so much for checking out this video and commenting!
I am too, it's really weird... I'd say Picomic is the only one that did, but it only holds for a specific type of filmmaking group. I'm not sure how the Synco compares, I'm sure there are some reviews of those out there that can give you an idea. Hopefully they will give you a raw unprocessed take so you can see what you can work with.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Saramonic is the best! I got UWMIC9 4 years ago, I got Blink500 b2 last year, and now looking at this real little dual mic masterpiece! Woaw! That micro usb is a bit weird. I wish somehow the headphone jack on the receiver could double as a third lav mic input so I could record myself behind the camera with a third wired lav when I interview two people at the same time. I have to always do realtime mic swaping among my interviewees in those situations which is a bit awkward. I want to know which lavs one could buy to upgrade the Blink 500 Pro's quality, if needed, is the lav quality the same as on my Blink500 or on my UWMIC9? It's the one thing I always kind of wonder about, if I should get other lavs (hopefully not too expensive ones) to upgrade the quality. Otherwise also I wonder what is the actual quality difference between my UWMIC9, Blink500 and Blink500 Pro, also I wonder what can be said of the quality difference between the Saramonics and a much more expensive dual wireless Sennheiser or Sony system. That charging case, I am so impressed, it is so brilliant. Yes one could attach (using gaffer tape or something) some kind of pouch to the side of that case it to transport all the cables, lavs and stuff. They fixed the battery, on Blink500 it's too short.
Hey hey again Charbax!
The lav quality is more or less the same as the original Blink. These are all mass bulk lavs so I doubt they've changed all that much. The only thing that changes the sound a little bit is their preamp and processing inside the transmitters. A lot of people seem to like the JK branded mics, though I have yet to really try them out. However some 2.4ghz systems seems to cause interference in them based on some of the youtube reviews I've read, but I still would like to try them myself one of these days as their price isn't too bad.
You already saw my massive comparison video where the the Uwmic9, BLink500 and Sennheiser were in the same tests. When it comes to these 2.4ghz budget systems, they all have a lot of processing going on cause they are meant to be a one and done solution (minus the Uwmic9) when you get to these other systems that do not process the audio that much, thats where you'll start to see some differences (if you can hear it) Otherwise these budget systems all do a good job to give you something to work with at a cost thats unheard of just 3 years ago. From there its up to your audio post production skill set to sweeten it for your own voice.
As for the interview lav situation where you want 3 lavs total, to avoid any major problems when you start editing in post you most definitely would want to have a 3ch recorder so that if someone is making all sorts of noises you can cut that out. If you hard record all of it into the cameras 2 channel you run the risk of potentially ruining a take if someone keeps scratching at the mic or something. What you could do is just get a small recorder for yourself and you'd sync it up in post so that you can use your voice where needed. Not the best all in one solution, but its something easy for you to keep your in pocket with a lav so that you don't have to have a bulky 4ch recorder strapped to your camera.
Such an intuitive video!
Great job and thanks for the info!!!
Hey hey Matticulous Media!
Thank you so much for checking out this video and commenting!
So glad you enjoyed this review and that it was helpful! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thanks for this review. You are a trusted and fair voice for gear reviews, I appreciate and value your opinion. One question, what is the significance of the -12 dB calibration. Thanks in advance for your reply.
Hey hey Ricardo!
Thank you so much for checking out this video and asking a question!
The GH5 puts out a -12db test tone when I go into the SMPTE mode. From there I calibrate my Tascam DR40 to that -12db level.
This ensures I stress every companies TX preamp at the same level so that when I go into the waveforms, I can see how much "post gain" I need to add to get my voice near the -6db mark.
This tells me how aggressive is the audio processing in these units in terms of its Signal to Noise ratio. And what one can expect the noise floor to sound like.
Essentially this is the only way I know where I can stress every system the same way so we can find the difference between each system I test.
Hope this makes sense!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Nice mention about line level input.
Hey hey Kevin!
Thank you so much for checking out this video and commenting!
Definitely a great feature! I'm not sure I will have too much use for it unless I'm plugging into a mixer at a live event, but its good to know I can if needed!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker this would be super useful, ever since covid we have been doing a lot more live streaming at church events. This would be a great for streaming at a guest location where we can plug into someone's existing mixer on one transmitter, and maybe a shotgun on the other transmitter..
Already using a laptop and a LTE hotspot to stream now.
Living in Hawaii, we do have a lot of events on other islands when visiting other churches, so having a portable streaming setup for live events has been on my mind, once travel opens up.
I’m sold on getting the saramonic kit. I was geared up for the rode wireless kit. The saramonic is the best deal for me. You can’t beat it. You get two mics and receiver. Plus you get a charging case perfect.
Hey hey Shannon!
Thank you so much for checking out this video and commenting!
So glad this video was helpful! I'll continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I agree with you. Wishing they had put the sound levels with db marks.
Hey hey Ron!
Thank you so much for checking out this video and commenting!
Definitely would help for sure, if firmware is able to be injected somehow, that would be a great feature. We'll see if Saramonic see this and goes for the idea!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker So has there been any development on the db marks or whatever, and isn’t the problem of clipping quite avoidable with a little sound test and wearing headphones when possible? I appreciated your video. You are excellent at what you do. Thanks.
Man your audio sounds really good, I wonder how? I have this blink pro500. I wonder if it is because of the -12db that you mention a lot, do those settings make a difference? Or it is just your voice that it is really good LOL I am in a small room recording. Thanks
Hey hey D Mart!
Thank you so much for checking out this video and asking a question!
The -12db is where I like my voice to sit while talking, most cameras will have a audio level bar option that you can have show up on your camera screen so you can see how your voice is spiking up and down while talking. Idealy you can have it bouncing between -12dB and -6dB which are usually represented by the 3rd and 2nd dash in the soundbar (some cameras will have it labeled. With sony Cameras you want to watch this video: ua-cam.com/video/Bh_gfEsFGtA/v-deo.html
If you have a Panasonic, disregard that video.
Once you have your levels setup. Go search on youtube for "Curtis Judd Dialogue" a few videos will pop up, but it should be the first one, that teaches you how to get your audio sounding better.
In this review video all I did was bump up my gain, but @Curtis Judd 's video will give you more ways to learn how to work with your voice.
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker wow you are amazing, you always take the time to answer people's questions. I can't thank you enough and I hope you have some wonderful holidays. =)
Thanks so much Dude! Great review!
Hey hey again Hunter!
You're most welcome! I'll continue to do my best!
Funny.... the saramonic drops audio every time ti walks outside and turns around (5:45). This is an issue for any professional recorder. Body blocking is an issue when you turn. This means that as you film moving around the subject, this will be an issue. Too bad that you cannot rely on this system for outdoor moving dialog.
Hey hey Orlando!
Thank you so much for checking out this video and commenting!
Keep in mind the distances I am walking in when my body blocks the TX. Generally speaking these systems are good up to about 20ft in the wide open outdoors. If there were buildings nearby or on a sidewalk, its a different story. This test is to give you an idea of the worst situation.
That being said these systems are so small today, its not as big of a deal to hide it on the front side of the person depending on the setup. But yes, if your work needs good signal at all given times. The RODE Wireless GO II that I recently reviewed performs the best in the 2.4ghz freq system: ua-cam.com/video/3TOldrv9iEE/v-deo.html
Otherwise a UHF system, depending on the country, is the preferable method for that type of run and gun work outdoors.
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Is this the best wireless mic now? Im searching for the best right now. Hope you reply sir. Btw, you deserve more subs sir. Awesome review.
i am looking for the best wireless microphone for my phone and gopro
Hey hey fathi!
Thank you so much for checking out this video and asking a question!
Not necessarily, this completely depends on your needs and what frequency you choose to use. The Saramonic, currently, is the best overall deal when you consider budget and function in the 2.4ghz range of wireless mics. The RODE GO is still a golden standard that people prefer because of brand name and legacy of mic development. It will just come at a slightly higher price for a single unit and a much higher price when you need two. So if you only need one channel of audio, then you could go either way.
If you are able to use UHF 500mhz in your country for free, the Comica Boom XU is my overall Budget UHF winner, its signal is very robust. My review can be found here: ua-cam.com/video/k6tDHGUb3f8/v-deo.html
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
What’s the upload process like? I am not liking what the Rode process looks like using their software. I’d also rather there be a way to lock the lav mics in and just use a memory chip.
Hey hey BetaClimbers!
Thank you so much for checking out this video and asking a question!
The offload processes of the new RODE GO II is super simple and not really a both, In my opinion. Mainly because if you're already offloading footage, its not different than offloading audio from a field recorder. I'm not sure if this is a potential translation error, but if you mean if you can use the RODE GO TX as a recorder only without the RX. Yes you can as of the newest firmware update, though I believe it will only record "uncompressed".
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Right on thanks!
I dont even need a mic and this review of yours got me wanting to buy this. 😭
Hey hey sharaihanah!
Thank you so much for checking out this video and commenting!
Hahah oh nooo... then you definitely shouldn't watch my RODE Wireless Go Version 2 review... 😂
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Hey friend! Thanks for reviewing this, I was wondering what you thought. Any chance you'll be reviewing the Zoom F2 and Tentacle Sync Track E? That would be a great shootout because they're so similar. Hope you're well!
Hey hey Jose!
You're most welcome! I don't know if I will be review the Zoom F2 and Track E. I personally would love to have those kits on my next feature film, but for now I don't have a use for it. They are really amazing though, I def have my eye on them for their functionalities. But idk, if Zoom and Tentacle contact me, I'll definitely give them a go! Hope you are well too my friend, stay safe and healthy!
Thanks for the detailed video! side note don't hesitate to cut the video when you need to take a good breath before talking more 😅
Hey hey Francois!
Thank you so much for checking out this video and commenting!
So glad you enjoyed this video! I will continue to do my best with my review and content!
I used to edit the crap out of the breaths, but I ultimately decided that I didn't like finding b-roll to hide it and the more jump cuts. So now I try to get through a through in one go to minimize cutting and incessant b-roll. I'm not perfect at it yet, but I want to perfect my ability to present without breathes lol!
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I'd rather a breath (natural) than a jump cut. I can't tell you how many videos I've stopped watching because of jump cuts. There's a reason they don't do that on TV. It's irritating. This is much more natural and I appreciate it!
@@RustyOnTRAVEL on TV they actually cut scenes, you don't get to see TV shows with 10 minutes straight that are recorded in one cut :) and they probably do multiple takes when they need to do so
@@yuanyuanintaiwan yeah I know they cut scenes, I’m talking about jump cuts. Jump cuts are a UA-cam thing and really need to go. For me, if my scene needs that many jump cuts, then I either need to reshoot or learn how to manage my breathing and sentence construction better :)
How companies in 2020 are still using micro USB boggles my mind! I know it's not that important cause the case has USB-C, but this kinda put a meh in my mind.
It's a size problem. USB-C takes up more space and the primary charger is the case. See even the new SHURE USB of the SM7B.
Hey hey Vjaxa!
Thank you so much for checking out this video and commenting!
I hear ya, as Jesse said, it's more so how USB-C chipsets are put into the board of these things. My guess is with the larger battery than before, possible off the shelf USB-C chip port instead of a custom one placed onto the PCB could be the factor of why it doesn't technically fit. For me with the 7 hour battery life in my test, this puts it at a mark where I think it'll be fine for most creatives on a full day shoot with the TX and RX being placed in the case during lunch break. Once we see some of these companies try to rival the PicoMic's staggering 20hr operation, I'll be fine with any USB they choose haha. But in all seriousness, yes to wanting USB-C everything!
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Dang... these seem LEGIT!!! I just bought a second Rode! 😭😭😭
Hey hey Two Shae Films!
Thank you so much for checking out this video and commenting!
Oh man! I myself also have two RODE GO's, bought two the moment they were announced. Now with a actual competitor in the 2.4ghz space the question becomes how are you going to use it? Sound difference aside, one would argue having two RODE is better because if one of the RX goes down, you're not left in the dust, but if you're not in a video situation where that is necessary, then the Blink 500 Pro is a great all in one system. Thats about the only talking case I can think of right now why someone would want two RODE's instead of a Two TX to one RX system.
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@@TLDR_filmmaker You rock man! Seriously! Thanks for all the effort you put into these videos. I have to hit the bell for you because you don't organically show up in my feed a lot, but I'm always glad when you do. Thanks again!
Thanks for the kind words! You're most welcome! I will continue to do my best with my content!
charging case got 2000mah. how about the Transmitter and reciever? is it 500mah?
Hey hey TIKOY VLOG!
Thank you so much for checking out this video and asking a question!
I'm not sure exactly what the TX and RX battery capacity is. If I had to guess it would be around 400-500mah.
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I am so new at this part of video making....how would you attach the Blink Pro to a cell phone? Yes, I know, a cell phone! Help!
I have asked a similar question. Would love to know if the 500 pro is compatible with the 500 UC receiver
Hey hey again Mia!
The Blink 500 Pro comes with another cable for cell phones that have a Headphone port, if your phone no longer has one, you'll need to purchase the appropriate adapter to give you that port out of your charging port. Plug the one end with the 3 color stripes into the phone, and the plug with the 2 color strips into the receiver of Blink 500 pro. And thats all there is to it!
@Capricorn12 : No, as far as i know it is not because the pairing process between the two models are different.
@@TLDR_filmmaker thank you!
Great Video! I have a question: Your indoor test, your house or studio made by bricks or by drywall?
Hey hey Padawan Play!
Thank you so much for checking out this video and asking a question!
The walls indoors are standard drywall, brick the moment I go outdoors.
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You kind of become my Leatherman multi-tool; I truly appreciate your systematic style and consistency. I always seem to receive the information I came for, thank you from me and from all the strong silent type who have not yet commented on your great content. Cheers Al
Hey hey again Al!
I'm so glad you're enjoying the format of this channel and that I'm able to answer some questions you may have. I definitely try to think of those as much as I can, not perfect, but I'm always learning what people want to know :)
Thank you so much for the kind words and I'll see you in the next one!
Your review rocks! Does the new Blink 500 have same high latency the older one? IT makes me crazy during monitoring.
Cheers
Hey hey RZ Experience!
Thank you so much for checking out this video and asking a question!
Not that I'm aware of, in this video you are listening to it plugged straight into the camera, no altering of audio timing what-so-ever. It's interesting that only recently I am hearing about the original Blink500 have latency. I tested those early on and didn't notice any latency, wonder if something changed in its design since then?
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@@TLDR_filmmaker well in final video you won't see much of it, but try connect your headphones to your camera and blink 500 into micriphone port and you will basically get plate reverb. It's huge pain if you monitor yourself or somebody else.
Thank you for reply and keep up good work 🙂
Love the features and it looks great too. Just one thing based on your demos and some other vids I was able to check out; the audio sounds muffled with the included lav mic comparing to the rode. Might it be the problem with the included mic being cheap? I mean I'd totally pull the trigger and swap for a better lav mic for all the nice features if that's the case... BTW the on board mic do sound pretty good by itself
Hey hey Shoot Edit Repeat!
Thank you so much for checking out this video and commenting!
Because I did not have RODE's official GO lav, I used my $100 Deity W.Lav for comparison. There is two things to consider about the difference in sound, mainly how the pre-amp and processing is done internally. The RODE's goal is to give the flattest EQ curve while the Saramonic is probably favoring a little more bass as thats usually whats missing in some people's voices. Between the two, the Saramonic would sound muffled in a straight comparison. This can be remedied in post with a little EQ adjustment. A better lav will help the Saramonic out, especially if the sounds gets too explosive, but the included lav will do pretty well for someone starting out with a little EQ to sweeten the persons specific type of voice.
I agree, the built in mic sounded surprisingly good. For casual filming where I wouldn't need to lav someone up, the built in mic sounds really good!
Hope this helps!
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Hi, thanks for the painstaking tests through out!
Did you try the Audio-Technica System 10, also 2.4Ghz, dual antennas on camera receiver with the body pad transmitter Lav mic and handheld dynamic mic with built in transmitter?
It's worth comparing with the 2.4Ghz gears you tested
Thank you!
Hey Hey again Gabriel!
Funny enough I was helping my friend with a corporate shoot early this week and he had some system 10's. From what I heard on playblack, it sounded nice. But I would say its a different tier of products as it is more traditional in size vs these smaller ones. My guess is that it can sustain a stronger signal with its antennas, but the RODE GO II is doing quite well for its size and distance ability. When it comes down to it though, the common person is probably not going to be using a wireless system to film someone 100 feet away unless they specifically do conferences. If you are just at home, in a studio, vlogging, interviews etc where you're essentially always within 20-25ft of someone, all these systems will do decently well. It just depends on what form factor do you like, battery type, and any additional features you need to perform your task.
Hoping I’m not the only one who caught that Key and Peele reference 😏
Hey hey Nation X!
Thank you so much for checking out this video and commenting!
Hahaha no, others have gotten the reference. It's a running joke now in my audio tests lol.
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@@TLDR_filmmaker glad to know and will do! ✌️😎
Thx a lot for the informative review! I just got the Comica BoomX-D D2 (which your review had a hand in influencing my decision over the Rode WG) but I'm encountering an issue where the receiver is not showing the audio level for one channel (when used in Stereo mode). It's likely defective so now I'm thinking of replacing it with this. I'm intrigued by your comment that potentially the micro-USB port could be used for FW updates. Have you tried plugging it in to your PC/Mac to see if it recognizes it as a device? Would be awesome if the PC did recognize it __and__ be able to use it as a mic too.
Hey hey turboBB73!
Thank you so much for checking out this video and commenting!
You're most welcome! Hmm that sounds like it could be a defect, as of currently if I had to tell someone what dual channel 2.4ghz would I recommend. It is easily the Blink500 Pro. The Comica XD does not hold up against the Blink500 pro. As for the USB firmware function. The computer does not recognize it as anything and only just delivers powers. This is most likely one of those cases where Saramonic is going need to create a firmware injection app of some kind as that App would be the one to recognize a unit being attached to the computer. We'll see if this is something in the card for them not that I've mentioned it in my video and to them as well.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Great video!! When are these actually coming out? It says pre-order everywhere
Hey hey Brian!
Thank you so much for checking out this video and commenting!
These are technically out already, but depending on where you are the shipping to the sellers could be delayed.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Your video content is awesome! Glad I found it in order to make a decision on my wireless mic setup! See you on your next video!
are these better than the comica boom xu?
They have a few more settings. For instance, you can specify the mic gain manually. They also seem to be a little smaller and have a longer battery life. The case is a nice addition too. The only thing the BoomX-U has going for it is the - in my opinion - better looks and range; UHF tends to offer higher quality audio at greater distances.
Hey hey Manolo and DesertCookie!
Thank you so much for checking out this video and commenting!
Desertcookie answered all of it, thank you so much Desertcookie!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker thanks, but talking about overall audio quality, which of them will you recommend?
I choose the Saramonic Blink500 Pro. The BoomXD has a Lowcut filter you can't turn off. The Saramonic has a more fuller sound. The built in mic is actually quite good on its own if you don't want to use the lav.
I've got a project coming up next year. I hope the Blink500 Pro makes it to the European market before then. The extra cost of ~50€ over the BoomX-D seems worth it.
I’m planning a UA-cam Channel for a good cause with great concept and content...Seeking kind people to help in it...By the way love your video...Thanks...
Hey hey Hridai!
Thank you so much for checking out this video and commenting!
Glad this video was helpful! Wishing you all the best on your youtube channel! If you are a pure beginner, I actually made a video that details the most basic youtube setup to get you started from start to finished with lighting, audio, and camera settings: ua-cam.com/video/__dsOEMzrVA/v-deo.html
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I was just looking at these. I think I may have to sell my Rodes.
Hey hey again Steven!
Aside from the Picomic, these Saramonics definitely make me question my use of the RODE GO, the performance is good, the built in mic sounds better with my voice, that extra hour of battery power. Lots to enjoy for anyone that wants one or two TX's on a shoot!
@@TLDR_filmmaker Sadly the PicoMic is sold out :/ and a $450 is pretty expensive to the competition
I'm sad they are still sold out, I want a second set. While they are expensive, to the right filmmaker they are the cheapest most hassle free system to use. I've used them for Events and corporate, the immediate look on the executives faces when I don't need to wire them up, they are so happy. At the time before the pandemic, I got more work because of the experience each company had with how fast I got them in and out.
One thing to mention is the Rode has the in-unit record function, which was never an issue for me since I don't do separate audio/video recording. I chose the original Blink 2-person for our church video because it was $100 less than the Rode and I didn't need the record function. I was thrilled to see the new Blink Pro model, has all the right upgrades, and today was $70 off. I bought one for myself today. Yes, it is odd that they changed the on-unit charge port to USB micro from USB C on the original Blink. Not a deal breaker just a pain in the cable butt. Great review, thanks for this, liked and subscribed.
So glad you were able to snag the deal! Enjoy it until the next time you're looking for an upgrade! I will be here hopefully with a review for the next major one after the RODE Wireless GO II! Thanks for subbing!
Thank you sir, as a photographer and a creator I have been trying different mics and thought I found the perfect things in the PicoMics till I washed the mics in the washing machine... now I have to find new ones...
looks like these are the ones!
Hey hey Jeffrey!
Thank you so much for checking out this video and commenting!
You're most welcome! Oh maaaaan about the PicoMics :( when I'm using them on set I have to constantly remind the people/actors to give them back because they never remember they have it on. Which is great...but not great lol. Hope these Blink500 Pro will be all that and a basket of fries for your needs!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
What is the sound like going into a smart phone, such as an iPhone? Not sure smart phones have pre amps.
Hey hey Brian!
Thank you so much for checking out this video and asking a question!
Smartphones will use an auto gain setting, apps like FilmicPro will let you adjust. The iphones do a decently good job when you're indoors. Outdoors it may be a little off if there is background noise that it tries bring up in volume.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Great review! What’s ur recommendation for UHF wireless systems with two transmitters?
Hey hey again Dan!
In terms of dual UHF, assuming 500mhz range is free to use in your country, hands down the Comica BoomXU. You can see my review of it here: ua-cam.com/video/k6tDHGUb3f8/v-deo.html
Battery life isn't quite up to this new Blink500 Pro, but its distance ability is the biggest one I've seen in both Line of sight or No line of sight. Hope this helps!
Curious why you didn’t bring up the 12ms latency
Hey hey Jacob!
Thank you so much for checking out this video and asking a question!
I honestly don't really do latency testing unless I look back at my talking head portion, where its just the bare audio going into my camera, and it shows me a very noticeable amount of latency. When the Deity Connect came out having up to 16ms latency it was noticeable but only after someone made mention to it, I'm not sure if they've improved the firmware to help with that since then. So for me 16ms is probably where I would make mention of it, anything less I don't think is as big of a deal for the normal non-filmmaker person watching your video.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thank you for responding back! That makes sense. I may get these Saramonics. I just returned my Rode go because it always lost signal when someone barely turned their body. Also, I tried two RodeWirelessGo next to each other with two people talking, the signal constantly broke and I lost audio. It was terrible. I’m hoping this is more reliable. I want that Lark150, but man, do I hate the battery life on those. I wish it lasted a few hours longer. It seems promising.
Could you repeat this video but compare to the Rodo Go 2 ?
Hey hey again MMC Streaming!
Way ahead of you, already testing the RODE GO 2 as we speak and will be doing all the things. It's gonna be a long video, stay tuned! Hope to get it released next week.
Just non buy Saramonic!!! Dont do it!!! The system is not really!!!The system is ill-conceived and very illogical. A case with a capacity of 2000 masdolzhen to recharge 3 devices, each of which is 3000 mAh.... Stupidity. The saramonic is shut down in a room with other radio systems, while the rode is stable.
Hey hey КонстантинКо!
Thank you so much for checking out this video and commenting!
Hmm.. I'm sorry that the system did work for you, I wonder why it didn't work for your room, possibly a defective unit? How many Wifi signals were around? That'll give us an idea of how many wifi networks it can dodge before it shuts down.
The battery of the charging case is indeed 2000mAh, but I believe each of the TX and RX is between 500-700mAh as it's close to the RODE GO's battery capacity thats around that.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I think it's okay to mention this since B&H comes up on your affiliate link: Today only, Thursday, December 23, 2021, until midnight eastern time, B&H has the Blink Pro 2-person on sale for $229. An incredible deal.
Hey hey Hewes news, views, and reviews!
Thank you so much for checking out this video and commenting!
Absoltuely, thats a good deal!
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The Rode Wireless Go's are sold out everywhere.
I'm getting the Blink 500 Pro's RIGHT now thanks to this review
Hey hey Turner!
Thank you so much for checking out this video and commenting!
Yea, the RODE GO's are so hard to come by this year. Kinda wonder if they are thinking about releasing a new version this year or if they are just having a harder time keeping up with demand.
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@@TLDR_filmmaker I'm subbing because of your genuine comment.
since you're very knowledgeable, what is your advice? I'm going to shoot a couple of web series using an iPhone (currently 8+ but will upgrade to 12/13). What equipment (mic, recording) would you recommend to shoot a scripted series with 2 to 4 actors? Also will be shooting fitness workouts with 1 trainer but I'm sure that could use the same equipment. please let me know.
I had the Blink 500 and sold to buy the Comica Boomx-U B2 because of your video (of comica)
But it had a lot of interferences in the Comica Boomx-U
Hey hey Anális!
Thank you so much for checking out this video and commenting!
Hmm, is the 500mhz a usable frequency in your country for wireless mic? I notice you're in Brazil so I do not know if Brazil uses a lot of lower UHF frequencies that could cause the interference with the Boom XU. Did you also try it with the antenna's raised upwards for maximum signal?
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frequencies law is very very big.
But I saw that others UHF mics is ok in my country, then I think the Comics is ok too.
I live next of 10 or more TV and radio antennas. And in my house, the Comica don't have (much) problems with interferrences.
But I recorded a wedding very away of the city. The place was 1 hour of distance. And the comica droped a lot
I used the receiver with the antenna's raised upwards and the transmitter downwards.
Stay safe too
Does the saramonic have internal recording like the rode go ii? Also, will these settings be okay for a sit down interview...
Sony A7iii audio Level: 3
Saramonic TX: Mic Gain 6. Will this be a good starting point before I adjust? Thanks for this video!!
Hey hey again LegendaryOn99!
No, this Blink 500 pro when it came out was before RODE released their 2nd version that had internal recording.
These will be fine for a sit down interview, no problem.
Yes, those settings are a good starting point to see how loud your speaker is. On the A7iii you can go all the way up to +7 if you'd like. I move between +3 and +7 if needed without too much self noise.
@@TLDR_filmmaker thank you so much! i really appreciate you taking the time to respond and making these awesome informative videos.
Great vid! One question: Can I record audio simultaneously from both transmitters to a receiver?
Hey hey 4K I!
Thank you so much for checking out this video and asking a question!
Yes, this is what the dual system version does where you take both Transmitters to the one Receiver. The key feature is that Mono and Stereo split feature that I mentioned. The stereo split feature allows for more post editing options when you are working with two people talking to each other. I cover this very briefly in this video: ua-cam.com/video/3mtGjRTQL5w/v-deo.html
Now the receiver does need to be plugged into a camera or a Recorder with a Stereo XLR split. The receiver itself does not record on its own.
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@@TLDR_filmmaker Thanks for your reply and the info, it is really appreciated :) Do let me know if I´m wrong, but as far as I´ve understood, it is possible to connect the saramonic system to a recorder (e.g: Tascam DR-60D/DR-22Wl) and capture stereo audio from both transmitters. Am I right?
Correct, you need to use a 3.5mm to XLR Stereo splitter so that you can record each TX to its own channel when using a recorder. Make sure your RX is set to Stereo output and NOT mono.
DO NOT buy a 3.5mm to XLR cable, you will not get the split recording between the two TX. It will just mix it together into a mono signal because an XLR cable is only a single channel signal.
@@TLDR_filmmaker Great, thanks!! I´ve just bought it, i´ll try it out asap :)
I have one, it really works great. But I’ve noticed that doesn’t matter how long I charge it, the battery simbol will never show up completely full. Why is that?
Hey hey Daniel!
Thank you so much for checking out this video and asking a question!
Hmm... it may mean the battery cell never quite hits the top voltage that it needs to register as a full battery. If you are able to get close to my battery life test results even with that last charge light blinking, then I wouldn't worry about it too much as it could just mean the calibration of the BMC (Battery management chip) could be off. But if you notice you're missing a decent amount of battery life, may want to exchange the unit.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi, Sensei I've been rewatching a few of your lighting videos the past few days so a lot of your videos are showing in my feed. This thumbnail looked so much like a previous thumbnail so I almost didn't watch this one. Glad I did watch, I'm asking Santa to get me this for Christmas.
Hey hey again IMDABROWN!
You're right, this looks very very similar to a lot of my wireless mic thumbnails. I'm going to need to figure out a different kind of shot. Glad you got to check out this video and that its something that'll help with your productions!
comparing the "rode Wireless go", the "saramonic blink500 pro" and the "comica boomX-D" ... if they are compared using the same lavalier microphone on all three transmitters so that the comparison is fair and without adding recorder gain or post production ... which sounds better? Which has less noise? Which one has more signal at the transmitter output? Thanks :)
Hey hey Ew Ly!
Thank you so much for checking out this video and asking a question!
If they were all compared under those parameters, the RODE GO would be your winner.
If you need a 2TX to 1RX setup, the Blink500 Pro would be your winner. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker thanks for answering. I love your videos. for 2 transmitters the "blink500 pro b2" is better in sound quality and lower noise than the "comic boomX-U2"?
You're most welcome!
These are two different systems and you will need to make sure your country (if you're not in the USA) allows for the use of 500mhz to be used. Both noise is acceptable, neither one is drastically different from the other. I only do the -12dB calibration to even out the playing field, but if you were to calibrate it to your voice, you would have much lower noise than the -12db calbrated test that I show.
Thanks :)
You're most welcome!
Thank you for this video, it was very helpful and I went and bought the Blink 500 Pro B2 set. I have a separate question...
I'm trying to record videos using the Camera MX app. If I stop the video after 40 mins the file is just 27 mins long, if I stop the video after 32 mins the file is just 12 mins long. It's the strangest thing... When I check the screen the record sign is up and the clock is still running but when I press stop it the video file is just a tiny percentage of what I thought I recorded. I have about 40GBs free on my phone and a good processor. I've recorded 45 min videos before, but only with the shitty camera that comes with the phone and isn't suitable to use with an external microphone. I'm stumped!
So I'm wondering are there any camera apps that you would recommend for using with the Blink 500 Pro? Thanks!
Hey hey Richard!
Thank you so much for checking out this video and asking a question!
That is very odd, I'm not sure what could be going on that its not recording the second half, does it break it up into two files maybe? Doesn't sound like it should.
As for video apps, the one that is the most popular for mobile phones is "Filmic Pro". This was made very popular because it gives you all the same settings of a traditional camera so that you can manually set exposure to get the video look.
Thats the only one I'm aware of and plan to play around with it in the future. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Saramonic blink pro or comics boom xd? Which is better to use for music set -1channel to voice recordings and -2 channel to cello (‘or flute ) to record directly in iOS? Or through zoom h1? ( live music setup) And any possibilities to use those as AMSR recording style? Comica is better in this case?
Hey hey Роман!
Thank you so much for checking out this video and asking a question!
I would select the Saramonic Blink Pro, the mic response is more natural than the Boom XD (which has Low Cut Filter on by default, you can't turn it off). However when it comes to recording audio like what you want to do. These budget mics are not meant for those applications. While they will work and you will get sound, it doesn't mean you'll get the richness that you may be aiming for. These are meant to just capture voices quickly and easily and there are lots of post processing happening in the background before it gets to your recorder, this may or may not give affect your desired sound. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hello
I would like to know how does the receiver attached to a camera ?
I am looking seriously in buying this product so thanks for the infos
H&S 👩❤️👨👍🇨🇦
Hey hey Hélène & Serge!
Thank you so much for checking out this video and asking a question!
The receiver attaches onto your cameras hot shoe with the belt clip. If you are using a smartphone or action camera, you just need to make sure you have some sort of cage that gives you a hot or coldshoe mounting point. Of course some velcro or rubberbands can do the trick in a pinch.
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@@TLDR_filmmaker
Thanks for the info ! I just ordered this morning at B&H in USA
Happy holidays
H&S 🧑🏻🎄🎅🏻🌈🎄
@@TLDR_filmmaker
Also sub to you , please consider subscribing back !
I get a lot of floor noise with saramonic blink 500 pro b1. How can I solve this issue? Thank you already.
Hey hey Özcan!
Thank you so much for checking out this video and asking a question!
Make sure your audio levels on the Blink 500 pro are at max, to start, so that you can turn your recorder and or camera mic level as low as you can. This is to try and get the best recording possible with these mics. You can try one level lowers than max on the Blink if you would like, but your camera and recorder needs to have its mic level as low as possible.
Then proper mic placement to keep your signal around -12 to -6dB as you talk.
From there when you raise your levels in edit, it shouldn't be loud.
Out of curiosity what is your noise floor registering as in your editor, what dB? Everyone has different ideas of what is acceptable noise floor. If you are looking for pure silence, that won't happen natively, you'd need to use a noise gate. If its under -50dB with you talking at the level at -6db. To me thats good enough range that any noise floor you do hear is natural enough.
If all of these settings still produce a loud noise floor, then it could either be that your camera pre-amp is not great and is inherently noisy. Or you may have a defective product. I don't know what else it would be if all your settings and levels are set within range.
Hope this helps.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I found that there is also a Saramonic Blink 500 Pro B2 (Lite Edition) which is around $67 cheaper than the normal Blink 500 Pro B2 in my country. The only difference is that the Receiver in Lite Edition does not have a display screen on it (the transmitters have the displays). Do you know if there are any other difference? Do you think it is a big loss without the display screen on the Receiver? The price diff. of $67 seems like pretty good deal!
Hey hey Nithiporn Pukalanant!
Thank you so much for checking out this video and commenting!
I unfortunately do not know if there are any major differences aside from the one you mentioned. I was not aware there was a Lite version. My guess is the receivers settings won't be manageable like the ability to put out a Stereo signal instead of mono signal when using two transmitters. I would just read the specifications and see if theres any features you needed that was done on the receivers end.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Why did they cut out every time you turned around in the distance test?
Hey hey Nicholas!
Thank you so much for checking out this video and asking a question!
2.4ghz frequencies are much shorter compared to a 500mhz frequency. So essentially it has a harder time transmitting its signal through my body. And because I am in the worst possible situation (out in the open field) the frequency has no way to reflect off of anything to eventually bounce its way back to the Receiver. This is why it cuts out in that specific situation vs indoors where I can move all around through walls and you'll still hear me until there are too many walls.
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Is the saramonic receiver compatible with a point and shoot camera like a Sony 5100? Where can I connect it to? Thanks
Hey hey Amanda!
Thank you so much for checking out this video and asking a question!
As long as the Sony a5100 has a "mic" jack, the Blink 500 Pro will be compatible.
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man, you made me decide, thanks :)
Hey hey D Bkr!
Thank you so much for checking out this video and commenting!
You're most welcome! So glad this video was helpful! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker thank you for your kind words you stay safe bro cheers
RODE mics are susceptible to interference from nearby electronics including themselves. I have to separate the RX units by a foot or more when multiple units are in use. What about the Saramonic?
Hey hey XonX!
Thank you so much for checking out this video and commenting!
That is definitely correct, in my RODE GO 2 review I test two RX units close and far apart in my outdoor stress test, definitely want to keep them apart if possible. I'm not sure why it is this way, but I have a feeling all 2.4ghz will suffer from this in some ways when both RX's are close together. Although I have not had problems with the RODE GO II where it lost signal from other electronics. That being said, RODE implementing the internal recording feature helps mitigate this problem a little bit.
I can't speak specifically on the Saramonic Blink500 Pro as I don't have two units to try it. But I feel it should exhibit the same problem as well because I once tried to do a distance shoot out where I had two competing brands clipped to my shirt and the receivers at the camera. They both started interfering with each other and I got horrible distance results. I feel the only way these cheaper 2.4ghz systems can negate these problems is if you can lock them into a specific frequency range instead of constantly scanning the frequency and hopping frequencies on the fly. Picomic does this where you can lock them into even or odd number frequencies between units so that they don't get in each others way.
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Can someone tell me if there's a control over the output volume from the receiver to the camera? I believe the gain controls on the transmitters are input gain controls... but is there an output gain control?
Hey hey Johnny!
Thank you so much for checking out this video and asking a question!
There is only transmitter input gain controls and non at the receiver output level.
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Nice video dude, I would like to ask if video mic ntg is compatible to Saramonic blink 500 pro as wireless boom mic? Thanks a lot.
Hey hey Angelo!
Thank you so much for checking out this video and asking a question!
Yes, this will work since the Videomic NTG has a regular 3.5mm port. I've tested it with the RODE GO II and it rejects 2.4ghz very well, so the Blink 500 pro should not be a problem.
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Great review but these are nowhere near as reliable as the Wireless Go II. The audio was dropping out at less than 100 feet. The Rode package is only $50 more and has onboard backup recordings. If you rely on these for important work there is no comparison.
This is an old video before the RODE GO II came out. The internal recording is definitely super valuable
I'm curious ...when you were walking around through the studio were you using the lav with the saramonic or the built in mic? I really feel like lavs on a lot of these small systems act as antennas.
Hey hey again Roberto!
I was using the build in mic for indoor obstruction tests. There's probably something to be said about the lavs acting like some sort of antenna. Though having tested multiple systems outdoors, some with or without the lavs. The results are also typically similar and I don't notice a drastic difference to distance between using the lav or not.
I am sorry for the noobie question but am I able to purchase 2 of these systems for a total of 4 microphones? I have been trying to research as much as I can but I think I am looking in the wrong places.
Hey hey HardCarry!
Thank you so much for checking out this video and asking a question!
No worries my friend, in theory you can run 2 total setups. You'll just need two cameras for each receiver or a 4ch field recorder. That being said I do not have access to two units to test how well they run in vicinity with each other, so your performance may vary. That being said, at this time, I would suggest the RODE Wireless Go II as the better option for money. I recently put out the review if you are interested in checking out that option.
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Hi I have the Blink 500 B6, which I use with my Samsung mobile. Is the Blink 500 Pro compatible with the Blink 500 UC receiver? It would great if you could let me know. Cheers
Hey hey again Capricorn12!
Incase you didn't see my response to the comment you also asked in. No, the pairing processing between the old and PRO system are different. Unfortunately they won't pair together :(
@@TLDR_filmmaker Thanks for letting me know. I will order the pro. I will also have to order a cable as the phone that I use has a usb type c port. So I will have to get 3.5 to usb cable. Thanks again for your help
Which do you think is better, this or the Comica Boom XD? And is there a connection issue when you use the blink 500 pro where there's a lot of wireless devices?
Hey hey feeldaus!
Thank you so much for checking out this video and commenting!
This is definitely better than the BoomXD in many ways...actually all the ways. This is hard for me to give perspective on as I know some people have had problems with wifi interference on the XD where as I didn't. All my testing situations are the same where I am within range of 10+ Wifi networks with my cell phone always nearby. So this is my only experience when it comes to wifi traffic.
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Ok I think you sold me on the Saramonic. Great video.
Hey hey Kevin!
Thank you so much for checking out this video and commenting!
Glad this video was helpful! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi, I've just bought the Blink 500 Pro.
I expected the audio input level metre to show that I am talking, but it only seems to respond if I put it very close to my mouth, but when clipped on to my jacket it does not show any audio movement. Is that right? Am I doing something wrong?
Thanks. I'm a newbie to all this!
Hey Hey Mick!
Thank you so much for checking out this video and asking a question!
The Soundbars on the devices, like I said in the video, don't really show much or give you an indication whats really going on. The for-sure way to know a signal is going through is to make sure your camera has the "sound bar" showing or just simply do a sample recording and see whats going on. Other than that the only thing I can say is make sure your your transmitters are set to "mic" and not "line" mode as you are wanting to use it as a mic. Also on the transmitter you can change the level of your mic up or down, you can try all the way up and see what your recordings sound like.
As a newbie your best teacher is to try different settings and see which ones work. Asking others in this field will never give you the real answer because everyone situation is different. Don't worry, you're not going to break or destroy anything. Thats the beauty of the digital world, whatever you try can always be reversed if you don't like the setting or if the setting does work. Unlike the analogue world where if you mess up you sometimes gotta buy another unit just to give it a second try. So don't worry, be fearless, as a newbie this is the best time to be one! Have fun and good luck!
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@@TLDR_filmmaker excellent advice. Thanks. I must have missed the bit where you said the soundboard didn't really show much, so I was worried I had a duff.
I've had a good play with it and I'm loving it, so once again, thanks for the review. 😊
Thanks for another amazing review. I’m glad I didn’t buy the Rode wireless go. I was actually looking at the Synco g2 yesterday but I must say Saramonic wins.
Hey hey again David!
You're most welcome! Glad this video came in time! Definitely a very nice system and happy to see that Saramonic basically improved everything from the original!
@@TLDR_filmmaker That’s because they have have a dream 😊
LATENCY LATENCY LATENCY LATENCY 60ms is a little to much.
Hey hey Witek!
Thank you so much for checking out this video and commenting!
You're totally right, at the time my eyes weren't really as trained to see it, but now that I have done more audio kit reviews. Rewatching this I can definitely tell there is latency. Normal person might not see if, but yea for others that work with editing and such, that latency won't be as fun to work with :( .
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Nice vid!! Which wireless mic system would you prefer for an iPhone; using while walking and vlogging on a trail and in a dance studio filming instructional vids. Thoughts? Which systems do you like? Thanks!!! I'm currently using the Sennheiser XS with Lav.
Hey hey TheTrailDancer!
Thank you so much for checking out this video and asking a question!
The Sennheiser XSW system you have is a great system for your wireless needs. If you haven't already, all you need is a TRS to TRRS cable to get it to work with your phone. If your phone doesn't have a audio jack, then you'll just need to get the adaptor for it. I understand this is more wireless than desired so there are systems that the Saramonic Blink has where you can plug a receiver directly into your phones charging port. Its convenient, but the chances of you snapping it off is a bit higher depending on your use case, and they usually don't have any passthrough charging port if you want to charge and use the system as the same time.
So it's kind of a toss up on what works for you. Do you want to rig out the cellphone a little bit or do you want just a receiver attached and call it good.
Hope this makes sense and helps!
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@@TLDR_filmmaker Ta it's just tough to use with iPhone :( was looking at the Rode Go 2
I understand, what I mean when I said you should "rig out the cellphone" is to buy a cage frame setup so that you can attach your XSW to it and not have it hanging. Because you will still need to do this with the Rode Go 2.
If you search for cellphone cage or cellphone filmmaker cage on amazon you'll see what I mean. Its not the most streamline solution, but it solves the problem for wireless audio.
Hope this further helps.
@@TLDR_filmmaker It's just not convenient to carry a rig on the trail... too bulky.. :(
Question, probably stupid, but.... should I remove the small piece of tape covering the contacts on the back of the units? It seems to light up the charging lights even with the tape.
Hey hey again Hewes!
I'd say just remove the tape, just to ensure you have full contact. Nothing would be more frustrating that you think it was charging but it wasn't.
@@TLDR_filmmaker Ah, thanks! Now the units are actually charging. I was fooled by the red lights going on when I placed them in the tray. Now the display in the transmitters and receiver show the amount of charge. Thanks! Name here is Joe.
what is clipping?
Hey hey nicehoopers!
Thank you so much for checking out this video and asking a question!
The clipping sound here and there was actually my Sony A7iii and not the Blink 500 Pro. I found out Sony's preamp settings are not what they seem and will cause you to clip even though you're recording to -12dB. If you're a Sony user and running into the same problem here and there, this might be it: ua-cam.com/video/Bh_gfEsFGtA/v-deo.html
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I wonder what the range outdoors is when line of sight is lost, in the video we see that 50 feet is to much for that, but what about 30 feet?
Hey hey Sigfús!
Thank you so much for checking out this video and asking a question!
This is very hard to give you a definitive answer as it really really really depends on where you are. In my stress test where RF cannot reflect off of anything. With a 2.4ghz system you will usually start getting spotty non-line-of-sight signal at around 15-20ft. If you were in a pedestrian mall area where there are more structures around, this will no be the case, at that point you'll potentially contend with too many wifi signals (again depends on where you are). Generally speaking, because these are so small, the line of sight should not be an issue to a user who is aware of where they are filming. What I mean by this is I will never purposely but it out of line of sight because it so small I can easily hide the TX in a jacket pocket or under my shirt (if I'm wired up). Back with older systems that were very chunky, this would not be desirable. But at this point I feel forcing a system to fail when it is already so small and compact is not a great way to just the usefulness of such a device.
But I get it, there comes a certain level of a filmmaker where you do not want to have to worry about line of sight. In which case you should not be looking at a 2.4ghz system and rather look at a UHF system that is more robust. If you country (if you're outside of the USA) allows the use of 500mhz for free. Then you should definitely check out the Comica Boom XU: ua-cam.com/video/k6tDHGUb3f8/v-deo.html
To date it is the most budget friendly UHF system I have tested. Hope this helps!
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@@TLDR_filmmaker thanks so much for this reply and answer, tremendous help, love your videos btw, I'll definitely get the blink 500 pro now and later if I absolutely need to film outside with my 70-200 gm I'll just get the comica also, just hope iceland allows 500mz for public use
You're most welcome! Iceland should have a website that will let you know what frequencies you can use. Search for something like "Wireless mic frequency Iceland" and something should come up. Hope this helps further!
I've been waiting for your review of this mic setup. Thanks so much. Great work.
Hey hey Gianne!
Thank you so much for checking out this video and commenting!
You're most welcome! I'm so glad this video was helpful! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I don't think I saw this in your review, but does the clip fit in a cold shoe mount?
Hey hey again High Sea Films!
Yes, this does fit in the cold show mount. Pretty much every system after the introduction of the RODE GO has followed that design, so I don't really show that anymore. If there is ever a system that doesn't follow that design, I'll immediately make it known in the TLDR section...cause that is just silly! haha.
Looking several reviews of several products wireless audio recording. What is often missing:
* How easy is it to export the recorded audio to your PC/Mac?
* Is there a backup recorded audio on the transmitters ?
* How easy is it to accidentally turn the transmitter of (in a pocket)
* How easy is it to detach the attached microphone (also, e.g. if the transmitter in the speakers pocket)
In most reviews those infos are missing, or just partially added.
Please include such info in the future, thank you!
Hey hey Harald!
Thank you so much for checking out this video and commenting!
1) This video is a bit old and the reviewed audio kits in the video did not have internal recording, so thus why I didn't talk about that. All my videos that have covered internal recording capable units I have talked about how easy it is to export.
2) All current internal recording capable audio kits do not have back up of the internal recording. The internal recording serves as a backup to your cameras own audio recording from the wireless audio kits Receiver
3) Sort of related to concern #4. It's not that easy in general to turn these things off in your pocket because the button placements are not on the front flat side by design. They are on the sides of the unit so that if you were to bend down with the Transmitter in your pocket, your body wouldn't be able to press onto the transmitter. Also a lot of these systems require you to hold down the power button for a couple seconds before it actually turns off; a safety measure by design.
4) Generally speaking if you are going to wire someone up, its a good practice to just clip the transmitter onto the persons pants or belt loop. If they are bing super active in which you want to put the transmitter into their pocket, I'd advice against this as you risk breaking the lavalier mics plug point. If they are not being too active but you just want the transmitter not on the rim of the pants. I would suggest to not toss the Transmitter into the pocket, but rather you just clip it to the rim of the pocket with the transmitter safely inside the pocket. This way your Mic plug won't get damaged as easily.
That being said I have indeed just slipped my transmitter either in my pants pocket or jacket pocket before to get some audio. But I am standing or just walking around and not doing crazy large movements. The mic stayed in place and I was never in any danger of accidentally turn off the units.
Hope this makes sense why I didn't talk about the topics you wanted covered, in general #3-4 aren't really concerns because of design. And #1-2 is dependent on the product I review if it actually has internal recording features built in.
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Thank you so much for the reply!
I am not a film-make or so, but I do record tech talks from our developer meetup. So far, the Tascam DR-10L did an awesome job, but I would love to have something I can directly record into the video, since that would reduce my post 'production' time a lot.
Speakers can do a lot of crazy things when they present and are nervous because of speaking in front of an audience, ... this is why I like to put the recorder into their pockets. But maybe with a wireless transmitter this is not a good idea anyway, and I will adopt that practice.
Haven't decided yet what to buy, so I will watch some more or your videos. Thanks for sharing your experience, and keep on the great work !
Are you comparing the Saramonic Blink500 Pro B2 to the Rode Go II, or to the Rode Go? If you are comparing the rode Go, is the Rode GO II now better than the Saramonic?
Hey hey MgelinFilms!
Thank you so much for checking out this video and commenting!
I saw you found my RODE GO II video so I will continue over there with the comment. TLDR: RODE GO II is better and well worth the price point.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Okay. Thanks.
Haven't seen an answer to this but can you use the clip on the receiver to mount it on a camera's hot shoe?
Hey hey Asurai!
Thank you so much for checking out this video and asking a question!
Yes, the RX will mount onto the cameras hot shoe. Ever since RODE was the first company to do this, every other company has followed the same design.
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@@TLDR_filmmaker Perfect!! Just got mine today!
The rode go 2 now has onboard recording for redundancy.
Hey hey MMC Streaming!
Thank you so much for checking out this video and commenting!
Yes, indeed it does.
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This is like those Guantanamo torture sessions
Hey hey Charlotte, Mark, and Stephenson!
Thank you so much for checking out this video and commenting!
Mmm I'd say is closer to being a fly on the wall during a Jersey Shore episode, much much worse lol
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Hello, Thank you for detailed reviews which looks like a masterclass and at the same time keeping it very simple. Appreciate the effort you take to test various parameters of each products before you come up with its review.👌
I just ordered my Comica Boom X-U2 after watching your review. I have not received it, but now I am in a dilemma. My straight question is:
For a fictional filmmaking setup (just like yours), if you had to choose one of these two, which one would you go with?
Also I guess it's almost time for another ultimate comparison review of these systems like the one you did last year. 😊
Hey hey Paul!
Thank you so much for checking this video and asking a question!
When it comes to Narrative work, I would choose the Boom XU over the Blink500 pro, simply because it is using 500hz instead of the more common 2.4ghz. In my testings the Boom-XU was just too good in and out of line of sight that gives me more peace of mine when using it in various areas.
Haha I'll definitely need to do a new comparison of my favorite selections!
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@@TLDR_filmmaker
I agree fully; my 500 MHz wireless mics are unbeatable. (For the benefit of newbies: The Boom is 500 MHz, not 500 Hz. But increasingly, regulators are clawing back the 500 MHz to 700 MHz spectrum from wireless mics and reassigning it to other applications, thus rendering the wireless mics illegal to use, because they'll interfere with the other devices. In fact, all the 600 to 700 MHz might now be gone. I use three Sennheiser mics each configurable from 518 to 554 MHz in an area where the 500 MHz is still available, and I can transmit amazing quality about a half-mile with zero dropout.)
7:42 This is usually where everything starts......😂
Hey hey The World of The LoL!
Thank you so much for checking out this video and commenting!
Hahahaha I know right?! Literally cut out at the perfect spot hahahaha!
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Is it mono or stereo? Thanks for the review
Hey hey again Dude Diligence!
You're most welcome! I show in the TLDR section that it's capable of Mono and Stereo depending on how you want the receiver to handle the two TX.
TLDR Filmmaker hey, TLDR, thanks! wow, that’s a step up from the original Blink. 🙏👍🏼
You're most welcome! Definitely a step up!
Could you test if it has a latency delay, please?
Hey hey Felipe!
Thank you so much for checking out this video and asking a question!
I personally won't test latency unless I notice something off during editing. The reason I say this is because on all my wireless mic reviews, you are listen to it going straight into camera with nothing done to it. So thats technically my latency test. If you didn't notice anything and needed to ask what the latency actually is, then that means your eyes didn't notice any latency as you watched. Now of course now that I've said it, you'll go back and try to see if you see it. But that defeats the point because wireless mics go anywhere between 8ms to 16ms (generally). So if you go looking for latency, you'll find it. I understand that some people may need that lowest possible for their application, but for now, its not a test I think is worth going after if the end result is not noticeable enough to cause concern. Hope this makes sense!
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@@TLDR_filmmaker I didn't notice delays, but as I not an english good speaker, my atencion wasn't on that. Also, I am a beginner on this subject, so its hard to say. Thanks for the video and your answer.
@@TLDR_filmmaker
I didn't need to re-watch your video to see the latency; I saw it in the first screening. But... I was looking for it, because previously it was my deciding factor for not purchasing the non-Pro version. I haven't analyzed your video, but I would estimate the audio is running two frames late. Then again, I'm an old TV producer who pushed technicians to perfect analog lip synch, resolution, colour, and other video elements only to see their successes later flushed down the toilet by digital artefacts, pixellation, lag, and other interference that consumers seem happy to accept today. :-)
You're work is well done! You are credible. After your video, next up on the UA-cam rotation was a 16-minute review of the Blink Pro, but I had to turn it off after less than 30 seconds. The guy's jump cuts were overpowering. It's tough to take seriously a review of video technology by someone who doesn't understand how the video medium works. Lotsa flash, no bang.
Great Vid! Just ordered this set. I currently have a Sony Dual Channel expensive setup with the SMAD3 adapter (For Weddings) so the audio goes right into my Sony MI hot shoe with no wires. The problem with that setup is that I can't use that with my top handle at the same time and I have to move my Ninja V to my handle grip as well because the Sony Setup for the MI shoe is dedicated for the top center of the cam. I have been looking for another dual audio set for smaller projects like YT Vids like the Picomic, but after Seeing your vid on the quality of the noise floor which was a tremendous help to me, I decided against that 😢. Now that I have purchased this set I'm immediately thinking about alternate Lavs that I could use with something like the invisiLav. Any Suggestions?
Hey hey Vid Headz!
Thank you so much for checking out this video and asking a question!
I'm not sure which video you saw on the Picomic as they have updated their firmware since my initial review that has really changed and cleaned up the audio more than before. The most recent sound tests are here: found here: ua-cam.com/video/t474Bu-7Ftg/v-deo.html
It's a long one but I have timecodes in the pinned comment so you can jump around to the tests you want to see! The only problem is that Picomic are constantly backordered, so its hard to snag one.
As far as alternative lavs, I don't really have a set of lavs to recommend. The most quality one I have is the Deity w.lav, but that may not be what you're looking for. @Curtis Judd has a great video about the lavs he has and uses as well as many reviews on various types. I would check his videos out to see what his thoughts are as his ears are more critical than mine. Hope this helps!
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Micro USB cable is a deal breaker for any accessory in 2020
Hey hey Tarek!
Thank you so much for checking out this video and commenting!
I hear ya, it looks like it was a space thing as the USB-C would make the unit much bigger. But I have a feeling most people will be good with the much extended battery life for a day shoot and will just pop the TX and RX into the charging case during lunch or breaks if they really need to. I can't wait for the first company to get one of these smaller systems to last 10 hours straight. I feel at that point it won't matter anymore what USB port it has if it'll last a standard full day. But... preferably, USB C lol
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how can I use the blink 500 pro B2 with my Note 20 Ultra? the quality of the dangle would make a difference? I know that probably a dangle that converts a 3.5mm input into a USB C type would do it but I am not sure if the quality of it will actually have an impact on my audio. Thank you
Hey hey again D Mart!
The dongle itself wouldn't have an impact on your audio quality, it will be dependent on what program you decide to use to film with. Some will do audio automatically and some will let you have control. Either way I really wouldn't worry about it, the things I discuss are for people like me that want to have fine control of audio so that I can work with it later. If you have no desire to learn all of that and just need something to work. These budget systems will do just fine and you can hear it in the voice of my review as I do not process the audio at all except for raising the overall sound. So what you hear is essentially what you'll hear going into your Note 20.
@@TLDR_filmmaker awesome, thanks a lot!!
You're most welcome!
Yey a version with an LCD! good catch on that battery/shirt thing. :)
Hey hey again Ideya!
Definitely Yay! Finally someone has made a budget wireless mic that can compete with the RODE GO! Now this space is going to get interesting!
@@TLDR_filmmaker Yeah. so many choices now. This Blink or the Feidu, which would you choose?
So which one should I buy for outdoor recording?
Hey hey Shaun李好!
Thank you so much for checking out this video and asking a question!
Between these two specifically, they both will work exactly the same outdoors. However with the release of the new RODE GO II. That one is my current recommendation for anyone looking to get a 2.4ghz style wireless audio pack. It has amazing distance outdoors and its onboard recording ensures you never lose audio no matter what. All my review videos on the RODE GO II are here:
RODE GO II: ua-cam.com/video/3TOldrv9iEE/v-deo.html
RODE GO II LAVS: ua-cam.com/video/jO49-HcwmQg/v-deo.html
RODE GO SETTINGS: ua-cam.com/video/dakp_MPQO5Q/v-deo.html
Hope this helps!
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Your videos are incredible! One question, for live stream, what do you recommend more, the blink 500 pro or the boom x-u? distance is not really a problem, it is always very close. but I am interested in the cleanest possible audio quality, they will be connected to an L-8 zoom mixer. thanks!
Hey hey Douglas!
Thank you so much for checking out this video and commenting!
In my opinion, the Blink 500 Pro built in mic is quite good with a nice pleasant full sound (at least for my voice). If you're looking to wire up the talents, then both I feel perform about the same due to their lav mic begin the common factor. That being said, if you're in a country that allows for the free use of the 500mhz UHF frequency that the BOOM X-U uses. I would use that to avoid competing with other 2.4ghz frequency in the area when you are live streaming. Hope this helps!
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Hi there , i was wondering if the new receiver pair or connects to the old transmitter?? I currently have the older version of the blink b500 , i am wondering if i can connect my old transmitter with the new receiver
Hey hey Ali!
Thank you so much for checking out this video and asking a question!
Unfortunately I don't think you can, mainly because the way the Pro pairing ability is done through the charging case while the original had a Pair button on the TX and RX. So theres no way to get them to recognize each other. Also their chipset inside are probably more tuned for each other instead of being cross compatible across different companies own 2.4ghz systems.
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Excellent video,I think the charging case is a good design.And excuse me ,could I send you some products of the other brands for a test?
If I buy B1 and need to use dual microphones after a while, can I buy a single transmitter and convert it to B2?
Hey hy Özcan!
Thank you so much for checking out this video and asking a question!
As far as I know you cannot but the transmitter a le carte like they did with the original Blink500. So unfortunately the answer looks like no :(
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A comment under another video cited the Saramonic's answer, that we can complete the set with another transmitter.
@@ProfilaxAGM That's really great. I bought "pro b1" version due to it's enough for me but good to know that. Thank you.
Appreciate the review. Almost bought the older version just because the rode was sold out and I like the fact I can record two separate lav at once but didn’t buy cause felt like I was missing out in the rode functionalities. Now I see this. I’m buy the dual combo today once my client pays for my last shoot
Hey hey Nesquick!
Thank you so much for checking out this video and commenting!
You're most welcome! Glad this video was helpful! I feel this system checks a lot of boxes as a overall price thats a great starting point! Hope you get yours soon!
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Hi, bought Blink500 Pro B2 after watched this video. Thanks. One question - there are no sound (and no waveform on the OLED) when I plugged in the supplied Lav mic (the TX set to Line in input). Same issue on both TX and lav mics. Any idea why?
The TX’s built in mic worked perfectly.
Update: Checked with Saramonic support - when use lav mic the transmitter must put to Mic In and not Line In.
Hey hey Marcus!
Thank you so much for checking out this video and asking a question!
Looks like you found the answer I was going to give. You're good to go!
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I've heard there are some issues with dropouts on the Blink 500 Pro, so a lot of people are saying its not recommended for professional settings...have you had any trouble with them over the last year?
Hey hey Our Fantasy Life!
Thank you so much for checking out this video and asking a question!
This is really completely dependent on the filming situation. If you're outdoors like I show in my tests, there are limitations base on your location (City street versus an open park) and how far you are away from the receiver. If you are indoors, then it could depend on how many wifi signals are around you (Home vs Apartment building). Because all of these are 2.4ghz systems, these are the things you have to consider when using it in a professional setting. I personally have not had problems with any 2.4ghz settings because the sound operator is always very close by in clear line of sight so that the signal is always strong. For me I've never had my sound operator or receiver anywhere near the max distance range.
That being said, a strong UHF system is still the preferred method for most professional jobs, there are cheap ones and expensive ones. Expensive ones are worth it for pro jobs. Otherwise the new RODE GO II with its internal recording allows you to save moments where a random signal loss occurs, and thus is my current recommendation for anyone looking to use a 2.4ghz system. That internal safety recording fixes a lot of concerns in my opinion.
If you haven't already, I have done a review on the new RODE GO II Here:
RODE GO II: ua-cam.com/video/3TOldrv9iEE/v-deo.html
RODE GO II LAVS: ua-cam.com/video/jO49-HcwmQg/v-deo.html
RODE GO SETTINGS: ua-cam.com/video/dakp_MPQO5Q/v-deo.html
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!