I first watched this video two months ago and cried. I am watching it again for the n-time and I am still crying. It is like angels singing about love here in below. Kuddos and may these singers sing forever and ever here on Earth thanks to UA-cam. #admiration
Plutarch testifies that thus in 401 BC. e. The Persian warrior Mithridates was executed for killing Cyrus the Younger on the battlefield, but the Persian king Artaxerxes II decided to attribute the murder of Cyrus to himself and remove the witnesses. The unfortunate man died only 17 days later[1][2].
À mon avis, cette interprétation toute de pudeur et de dignité d'un air simple, mais d'une immense beauté, est à placer parmi les sommets de l'art lyrique.
Удивительное собрание всех ведущих мировых контртеноров на одной сцене. Блистательный Филипп Жарусски в роли Артаксеркса, мягкий, лиричный Ценчич - Мандана, техничный, артистичный Фаджиоли - Арбак. Так окунуться в эпоху барокко, с таким проникновением и мастерством.
Браво! Какое мастерство, какое чудесное исполнение! О Боже, столь достойных, и голосом, талантом наделенных, храни, Господь! Пусть славные мужи, стараньем воскресившие Барокко, живут и здравствуют, поют и пеньем чувства освежают.
Постановка спектакля и оркестровое сопровождение стилистически абсолютно безупречны Не говоря о солистах, - это вообще шедевр, который можно смело вписывать в историю музыки!
This is an aria of exceptional beauty in an opera packed with magnificent arias. Outstandingly sung by Cencic, with great warmth. The two characters are both broken hearted at this point, and this is superbly conveyed by the silent Sabadus.
"In 1730, when Artaserse, Leonardo Vinci's last opera (1690-1730, nothing to do with the painter), on a Metastasis booklet, was premiered in Rome, women were prohibited from performing ... by virtue of a papal ordinance which was not to be denied in 1798. All the roles were thus devolved to male singers, in particular these famous castrati who shared the prominent male characters ... and female figures. "I wanted to recreate one of these Roman operas" 100% men ", explains Max Emanuel Cencic, initiator of the project. It is possible today, thanks to the excellent countertenors who can assume the virtuosity required by this formidable score. Furthermore, Artaserse’s very effective political and sentimental intrigue, with its plots, its betrayals, but also its aspiration to virtue and forgiveness, goes very well in our time. Between ancient Persia and our 21st century, there are many similarities… ”
I have seen criticism of Maestro Cencic's performance in this production. Just in case anyone wants to, just remember he was ill with influenza, but still turned out a stellar performance.
Раз я любовь тиранску Надеюсь превозмочь, Позволь мне обмануться, Позволь же мне считать, Что не люблю я. Раз ненависть мой долг, И ведаешь сие ты, Зачем же убеждать, Что тщетно рвенье. (Акт 2, Сцена 6) Перевод: А. Шарапов
Très belle interprétation Toute en retenue mais passionnée. Quelle chance nous avons d'avoir ces merveilleux artistes et de pouvoir les écouter à volonté ! !
Se d'un amor tiranno Credei di trionfar, Lasciami nell'inganno, Lasciami lusingar Che più non amo. Se l'odio è il mio dover, Barbara, tu lo sai, Perché avveder tu fai Che invan lo bramo.
Costumi magnifici. Apprezzo molto la scelta che fate dei pezzi operistici, portando a conoscenza tesori poco noti della musica barocca. I cantanti sono sempre di grande levatura, come in questo caso.
3 роки тому+2
Savršenstvo! Velika, zaboravljena umetnost. Max je neverovatan, svetski. Bravo!
Se d'un amor tiranno credei di trionfar, lasciami nell'inganno, lasciami lusingar che più non amo. Se l'odio è il mio dover, barbara, e tu lo sai, perché avveder mi fai che invan lo bramo. (parte)
Se d’un amor tiranno credei di trionfar, lasciami nell’inganno, lasciami lusingar che più non amo. Se l’odio è il mio dover, barbara, e tu lo sai, perché avveder mi fai che invan lo bramo.
Hay un tiempo en los primeros compaces que no se como explicarlo, se me pega a las costillas como un sueño de tristezas amarillas, fragantes de soledad y poemas florecientes entre los muslos frios, que me quita el aliento y mi alma se vuelve piedras en el pecho del sobrecogimiento tan inefable de sentir las cuerdas subir hasta mis cabeza perdida en esta noche que se duele de ser y se alegra de ser que se entrega al filo de la tiranía perfecta, aquí esta sonando en mi carne nocturna.
I loved the idea of men playing women, as it was done in the 18th century Rome, for me the most historically accurate is always the best... But... Well, sorry, the actual result is... questionable, if not ridiculous. Cencic looks too manly in any field to be credible here. That really looks like a joke, you know, the quarterback in drag for Halloween.
18th Century singers didn't have 21st Century technology (mores the pity) shoved in uncomfortable and exquisite close up. Re-imagine the performers candlelit and incandescent with their voices soaring and majestic, or achingly beautiful, as it is here, above the stage...
@@darthdiddums845 Well, actually that's true, you're right. The problem is the close-ups, it was not planned like that at the time. From a distance, on stage, the illusion had to work.
I first watched this video two months ago and cried. I am watching it again for the n-time and I am still crying. It is like angels singing about love here in below. Kuddos and may these singers sing forever and ever here on Earth thanks to UA-cam. #admiration
Ich besitze auch das Video und bin immer wieder begeistert.
Plutarch testifies that thus in 401 BC. e. The Persian warrior Mithridates was executed for killing Cyrus the Younger on the battlefield, but the Persian king Artaxerxes II decided to attribute the murder of Cyrus to himself and remove the witnesses. The unfortunate man died only 17 days later[1][2].
À mon avis, cette interprétation toute de pudeur et de dignité d'un air simple, mais d'une immense beauté, est à placer parmi les sommets de l'art lyrique.
Удивительное собрание всех ведущих мировых контртеноров на одной сцене. Блистательный Филипп Жарусски в роли Артаксеркса, мягкий, лиричный Ценчич - Мандана, техничный, артистичный Фаджиоли - Арбак. Так окунуться в эпоху барокко, с таким проникновением и мастерством.
Majestuoso, sobrenatural, bella voz, interpretación y puesta en escena. Absolutamente eterno 😍😍😍😍
Браво! Какое мастерство, какое чудесное исполнение! О Боже, столь достойных, и голосом, талантом наделенных, храни, Господь! Пусть славные мужи, стараньем воскресившие Барокко, живут и здравствуют, поют и пеньем чувства освежают.
Very True
Постановка спектакля и оркестровое сопровождение стилистически абсолютно безупречны Не говоря о солистах, - это вообще шедевр, который можно смело вписывать в историю музыки!
Such a voice, knowledge of singing & artistry. What a wonder.
Превосходное пение! Талантливые певцы-теноры и контр - теноры. Есть что-то необъяснимо притягательное и обаятельное в этом мужском пении.
This is an aria of exceptional beauty in an opera packed with magnificent arias. Outstandingly sung by Cencic, with great warmth. The two characters are both broken hearted at this point, and this is superbly conveyed by the silent Sabadus.
"In 1730, when Artaserse, Leonardo Vinci's last opera (1690-1730, nothing to do with the painter), on a Metastasis booklet, was premiered in Rome, women were prohibited from performing ... by virtue of a papal ordinance which was not to be denied in 1798. All the roles were thus devolved to male singers, in particular these famous castrati who shared the prominent male characters ... and female figures.
"I wanted to recreate one of these Roman operas" 100% men ", explains Max Emanuel Cencic, initiator of the project. It is possible today, thanks to the excellent countertenors who can assume the virtuosity required by this formidable score. Furthermore, Artaserse’s very effective political and sentimental intrigue, with its plots, its betrayals, but also its aspiration to virtue and forgiveness, goes very well in our time. Between ancient Persia and our 21st century, there are many similarities… ”
Its so beautiful❤️💙💛💜🌺🌷
I have seen criticism of Maestro Cencic's performance in this production. Just in case anyone wants to, just remember he was ill with influenza, but still turned out a stellar performance.
I would never have known he was sick. This was a wonderful performance
Very true & real artist.Through his interpretation, no one can believe or say that he was unwell.
Как красиво!!!Слушать можно бесконечно.....!
❤️💙💛💜🌺🌷Is this ever beautiful. Shes so beautiful and she has such a beautiful voice.
Senza tema di smentita :delicata e semplice interpretazione. Assolutamente meravigliosa!!!
Раз я любовь тиранску
Надеюсь превозмочь,
Позволь мне обмануться,
Позволь же мне считать,
Что не люблю я.
Раз ненависть мой долг,
И ведаешь сие ты,
Зачем же убеждать,
Что тщетно рвенье.
(Акт 2, Сцена 6)
Перевод: А. Шарапов
Thanks for the English translation
20-ть раз прослушал. Еще столько же ...
Gorgeous, bravo Maestro
Потрясающе!такой совершенный вокал, стилистически безупречно, проникновение в образ. Слушаю бесконечно. Браво, маэстро!
instaBlaster
Was für eine unaussprechlich schöne Stimme !
как перестать это слушать?!!! Bravo!!!
Genio Italiano !
Très belle interprétation Toute en retenue mais passionnée. Quelle chance nous avons d'avoir ces merveilleux artistes et de pouvoir les écouter à volonté ! !
De toute beauté!! Il est empreint de la douleur de son personnage!
Fantastic performance.
Una vetta della musica di tutti i tempi....
Sublime ! BRAVO MAESTRO MAX EMANUEL ! INOUBLIABLE opéra ARTASERSE ! A quand une REPRISE ? Je ne m'en lasserai JAMAIS !
This is beauty, in all its facets.
Ну, очень. волшебно... Талант от Бога!
Bravo!🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹
Dolcissimo Cencic!
Se d'un amor tiranno
Credei di trionfar,
Lasciami nell'inganno,
Lasciami lusingar
Che più non amo.
Se l'odio è il mio dover,
Barbara, tu lo sai,
Perché avveder tu fai
Che invan lo bramo.
Thanks for the text and the divine music with great pathos.
What a suave , soft, gentle but at the same time very melancholic aria and music alongside.
Pure perfection: beauty and passion.
Costumi magnifici. Apprezzo molto la scelta che fate dei pezzi operistici, portando a conoscenza tesori poco noti della musica barocca. I cantanti sono sempre di grande levatura, come in questo caso.
Savršenstvo! Velika, zaboravljena umetnost. Max je neverovatan, svetski. Bravo!
Superb- wish I had been there!
Moya Duffy I was. It was the best production I have seen in about 20 years.
Супер 👏
Perfección
Отличное исполнение !
Przepiękne są arie w tej operze. A jak zaśpiewane! Nie można skończyć ich słuchać!
Merci beaucoup pour ce merveilleux partage
Se d'un amor tiranno credei di trionfar, lasciami nell'inganno, lasciami lusingar che più non amo. Se l'odio è il mio dover, barbara, e tu lo sai, perché avveder mi fai che invan lo bramo. (parte)
Grazie ❤
👏👏👏simplement parfait
ça lui va tellement bien, une tuerie
Beautiful voice.. 💕
😭😭👏👏👏👏👏👏
Mind blowing! Beautiful!
W Vinci
Belo. Sensível... Magnífico!
Very interesting. Drag Queens in Opera !
Precioso Dúo..
Francisco Ferrer Galiana ;
Brill.
Travestidos, se ven raros, graciosos, su voz es tan hermosa.
Se d’un amor tiranno credei di trionfar, lasciami nell’inganno, lasciami lusingar che più non amo. Se l’odio è il mio dover, barbara, e tu lo sai, perché avveder mi fai che invan lo bramo.
Hay un tiempo en los primeros compaces que no se como explicarlo, se me pega a las costillas como un sueño de tristezas amarillas, fragantes de soledad y poemas florecientes entre los muslos frios, que me quita el aliento y mi alma se vuelve piedras en el pecho del sobrecogimiento tan inefable de sentir las cuerdas subir hasta mis cabeza perdida en esta noche que se duele de ser y se alegra de ser que se entrega al filo de la tiranía perfecta, aquí esta sonando en mi carne nocturna.
Absolutely
The changeable purple hopefully chew because punch correspondingly drain amongst a uttermost grain. ordinary, disagreeable farmer
I loved the idea of men playing women, as it was done in the 18th century Rome, for me the most historically accurate is always the best... But... Well, sorry, the actual result is... questionable, if not ridiculous. Cencic looks too manly in any field to be credible here. That really looks like a joke, you know, the quarterback in drag for Halloween.
Maybe try thinking outside of the "cisgender" box and you might understand it one day.
Better to stick to country and western, I'd say..
18th Century singers didn't have 21st Century technology (mores the pity) shoved in uncomfortable and exquisite close up. Re-imagine the performers candlelit and incandescent with their voices soaring and majestic, or achingly beautiful, as it is here, above the stage...
@@darthdiddums845 Well, actually that's true, you're right. The problem is the close-ups, it was not planned like that at the time. From a distance, on stage, the illusion had to work.
Музыка главное....