Whoever played this has went beyond sicko mode. I feel like I would rather try flight of the bumblebee than to exhaust myself with this insane monstrosity
Honestly not even that difficult of a piece, the 1,2 and 4th movements are all very doable, and the third one as well, as long as you give it a very fair amount of practice. That final movement, however, is quite the fucking beast
Yawn! The final variation is the easiest of the three once you have your triple tonguing down. The first two variations are very difficult to single tongue at this tempo, even if technically they aren't too bad, and unless you are extremely proficient at double tonguing then you won't be able to play them using that technique either. The slow movements and the theme are relatively easy for a reasonably experienced player, however all in all this is a very difficult solo to pull off unless you are a very good player indeed.
@@catherinewilson3880 Obviously this is among the harder repertoire for Euphonium i've seen, and yes it'd take quite and experienced player to achieve it. I more so meant by my original comment that the 3rd and 5th movements are by faaaarrr and away the hardest, Even dwarfing that 2nd movement in comparison. I'm not sure what you are referring to in regards to the 2nd variation, I think it's achievable while single tonguing, even at the tempo in the video. You'd be better off dividing them into more triple tongued segments but I almost feel it's a little too slow! Definitely in a grey area tempo wise i guess, can always slow it down to make it much more playable anyway. And the first variation is quite easy... not sure what you were getting at there. . . However, pretending the final variation is by any means easy/"yawn" is absurd! 😂 Again, 4 years ago me (who was a lot less educated! lol!) was simply just pointing out the sheer difference in difficulty between the 5 movements...
Hey don't hate me for this but since this is Baritone Treble Clef but can't I do this on a tenor sax since baritone t.c is an alternative for tenor sax music? Just asking. I know not all the notes since it can't go that low but some of it I mean
I think the composer wants the player to start the staccato note with a legato tongue such as “la” and end the note with a short gap between the next note if that makes sense.
They're both B-flat instruments, so yes, the fingering is practically the same. Assuming the Trumpet you play is in B-flat as well and not C or any other key.
There were a couple spots where the music called for slurring and staccato at the same time. You may be a virtuoso, but I don't think you can pull it off.
Quick tip: for treble clef, where you base B would go (second staff line) is were your C would go (first ledger line). Hope that helps. Then from there you can rewrite it into bass.
Many baritone/euphonium parts from British/English composers and musical literature are written in treble clef. Not sure why or what started that, but it’s true all the same. It turns into a transposing instrument just like Bb trumpet when written in treble clef, so maybe it was done so that trumpets and baritones could swap more easily between the two instruments but use the same notes/fingerings.
Julián Alexander González euphonium is technically a brass band instrument, and low brass mostly play treble clef in brass band. If you want to play euphonium you have to learn treble.
In europe every Euphonium player or Tenorhorn player wich is the europe version of an Euphonium originally learn the treble clef and dont use the bass clef
British brass bands, and increasingly European too, always have the euphonium parts in treble clef due to historical precedents. Military and wind bands will tend to use bass clef for the euph parts, but you really should know both if you are a euphonium player.
This is concert Bb ( C for this instrument), and its in 4/4 if you can’t count notes I guess that’s a problem. You could also learn to read both clefs🤷♀️
I feel like a cup of tea right about now.
That some serious triple tonguing
more like quintillionth tonguing my god
as a saxophonist i never understood brass's double tonguing. i dont know what i've witnessed....
@@unovasfinest2623 its complicated....... like my relationship with my ex
SeanTheMan34 Damn, someone quote that.
first part I was like, I could do that
second, holy shibidubudap!!!!!
and third made me faint
S Baseman You could do the 1st part on tenor but 2nd part, NOOO!
I could do 1st and second but the third one uh hell no
That vibrato is stunning.
The andante sostenuto is so beautiful. Then, the final variation, OMG! The soloist is beyond genius.
Very Beginning - yeah I can do this
Second half of intro - what
Slow portion - ok that's a bit easier
Ending - nevermind
This some Carnival of Venice shit (meaning that escalated real quick)
Exactly
Wow, Rule Britannia really is out of bounds
Nobody can rule Britannia
like the British Empire!
Such a pretty piece! Lots of fun to play too! All the melodies and harmonies flow in to each other so effortlessly!
Whoever played this has went beyond sicko mode. I feel like I would rather try flight of the bumblebee than to exhaust myself with this insane monstrosity
I agree. Can I have your number.
Has gone, Samantha.
@@memegod4433 down horrible
its morgan griffiths
hes insane like
hes really fucking good as u can see
That's not that hard tbh, that's just the chromatic scale
Not only exquisite tone but incredible speed!
5:35 - 5: 36, I went 5 meters away from my screen
Pratham Patil how the gel do you even play that
Coming out of musical retirement to learn this piece. It's simply beautiful!
Morgan plays differently to the other eupho players. You can always tell it's him.
Fantastic performance! Bravo!!!!!
5:36 INCOMING! MACHINE GUN FIRE!
This is pure beauty
Beautiful instrument, IMHO, much more beautiful than a baritone.
IMO better than any other instrument
Это вы не слышали настояших баритонистов😂 Мензуры разные, отсюда и наполнение и тембр.
Beautiful sound
Beautiful
This is crazy and impressive
Listened more than 10 times
As a player who can read all clefs i read these comments in a disgusting smirk absorbing your anxiety for not knowing what to finger.
I can read all clefs too. I know what to finger, but I don't think I can do the extremely fast parts.
Pratice more then man
nelson arias Let us gloat and celebrate our superiority, my comrade
nelson arias same, I have to read both because I play euphonium and piano
I can read bass tenor and alto clef but can not read treble clef well
Wonderfull!!
That's beautiful!
This is insane.
Look up carnival of Venice adapted for slide trombone
+Samuel Rey Ive seen that! Its crazy
I can also keep up with the rests
Bass clef! Bass clef!
WOW!!!!!! i have no other words!!!!
Quel magnifique voyage
Respect! Well done!
Brb, heading back to the practice room...
Honestly not even that difficult of a piece, the 1,2 and 4th movements are all very doable, and the third one as well, as long as you give it a very fair amount of practice. That final movement, however, is quite the fucking beast
Yawn! The final variation is the easiest of the three once you have your triple tonguing down. The first two variations are very difficult to single tongue at this tempo, even if technically they aren't too bad, and unless you are extremely proficient at double tonguing then you won't be able to play them using that technique either. The slow movements and the theme are relatively easy for a reasonably experienced player, however all in all this is a very difficult solo to pull off unless you are a very good player indeed.
@@catherinewilson3880 Obviously this is among the harder repertoire for Euphonium i've seen, and yes it'd take quite and experienced player to achieve it. I more so meant by my original comment that the 3rd and 5th movements are by faaaarrr and away the hardest, Even dwarfing that 2nd movement in comparison.
I'm not sure what you are referring to in regards to the 2nd variation, I think it's achievable while single tonguing, even at the tempo in the video. You'd be better off dividing them into more triple tongued segments but I almost feel it's a little too slow! Definitely in a grey area tempo wise i guess, can always slow it down to make it much more playable anyway. And the first variation is quite easy... not sure what you were getting at there. . . However, pretending the final variation is by any means easy/"yawn" is absurd! 😂
Again, 4 years ago me (who was a lot less educated! lol!) was simply just pointing out the sheer difference in difficulty between the 5 movements...
5:36 get out the Lewis Gun
Mr. Epic Man over the top, lads!
That last part sort of comes out of nowhere
so good
he played it rather masterfully *sips tea*
really insane!
i cant read bass clef yet so this is very nice
Jonathan Elliott this is treble
That's what i meant. Usually everything is bass clef for euphonium, and this is in treble so i am happy
Jonathan Elliott i cant read treble cleff 😂 i have to have my euphonium music in bass
just learn to read both, I've learned to read treble, Bass, Alto and Tenor.
Jonathan Elliott same here lol
straight out of the top drawer, an effortless and faultless rendition.
So nice
This looks fun. I Wish it was in bass clef, I really hate transposing
There is a version for euphonium and piano on Adam Frey's story website that comes with parts in bass and treble clefs.
real brass players play T.C. lol
Aiden Wilcock real low brass players read bc
Real brass players read their music the wrong way up and 8 feet away from themselves whilst playing kazoo and wearing binoculars the wrong way around
If you're impressed by this, go watch Bob McChesney play the Carnival of Venice on Trombone.
Or Joe Alessi play The Blue Bells of Scotland
I wish I was like that.
Oh boy,
Alguém tem o fundo musical da música? Só a parte da banda? Quem tiver manda uma mensagem pra mim aqui que viu ver. Obrigada pela atenção! ❤️🥰
In my mind: *dugadugadugadugaduga*
Can anyone give me whole solo piece of this? Thank you so much in advance.
Zseniális 👍😎
When Baritones see long rests:
YES
YES
YES
YES
YES
YES
YES
YES
YES
YES
YES
YES
YES
Does anyone know what arrangement this is and where I can get it please?
Hey don't hate me for this but since this is Baritone Treble Clef but can't I do this on a tenor sax since baritone t.c is an alternative for tenor sax music? Just asking. I know not all the notes since it can't go that low but some of it I mean
El Jefe both Baritone horn/euph and tenor sax are keyed in Bb so technically you could use a treble clef baritone part for tenor sax.
This reminds me of Bluebells of Scotland...
Mr. HashTagdaYOLO twelve am Dr. Professer YOLOman many of these theme and variations are extremely similar
AKCEuph It's true. Like, the coda is very similar.
Can someone explain to me how you can have staccato with slur?
Search you about the channel "matonizz" in UA-cam, he can help you.
I think the composer wants the player to start the staccato note with a legato tongue such as “la” and end the note with a short gap between the next note if that makes sense.
Its starts off fine then goes just progressively gets harder and harder
variations of a theme
Playing this after I wrap up with Blue Bells
Wes ok
Anyone have a copy of the sheet music?
Bass clef ?
Jerry Reyes Brass Band always plays in Treble Clef, even the trombone section.
***** Treble clef you mean?
***** Not sure about the trombone tho
+Natheniel Becken even tuba sometimes
Natheniel Becken In a traditional brass band the only bass clef instrument is Bass trombone (and timpani)
Hi. Have You got a notes for all brass?
Upper Woodwinds look at this and scoff 🤣
Ashley Mazanhi Easy as an Anderson Etude
@@Borderlands2lova hence why we do scales and arpeggios 🤣
@@ashmaz4811 Yeah, but you're still just woodwind players, and brass is far superior. 😉
Is the soloist Lyndon Baglin?
Morgan Griffiths, says in the description
Where can i buy the partitur
Just like reading a trumpet line isnt it? Similar fingering as well?
They're both B-flat instruments, so yes, the fingering is practically the same.
Assuming the Trumpet you play is in B-flat as well and not C or any other key.
Dang it’s trouble clef
So many triplets
who is the euphonium in this piece
Morgan Griffiths
I think you'll find it's John Clough - no one else sounds anything like him.
I like playing from 5:36
I will do it ❤️😍
*The cunnilingus god*
Why in treble clef
Different version of euphonium
You wanna write a top c in bass clef?
Euphoniums where traditionally played in treble clef in brass bands that this is arranged for
I can read treble but would appreciate a bass part
Samee
Can anyone tell me what grade level this is officially on the 1-7 scale?
Solid 8
25
100
Yes
30
Place where I may purchase?
get soloist companion volume 3 it contains this with a few others. if you're looking for the band arrangement you're best looking at just music
Jesus
There were a couple spots where the music called for slurring and staccato at the same time. You may be a virtuoso, but I don't think you can pull it off.
Why treble? That’s not how the instrument is supposed to be played.
www.quora.com/In-english-brass-bands-why-is-bass-trombone-the-only-instrument-to-play-in-bass-clef
do you have this in bass clef?
caleb clarke base clef? who needs a base clef?
me, i read bass clef baritone.
Quick tip: for treble clef, where you base B would go (second staff line) is were your C would go (first ledger line). Hope that helps. Then from there you can rewrite it into bass.
thanks,im gonna try to transpose it
musescore.com/user/1339806/scores/2193606
want
Why's it in the treble clef
Many baritone/euphonium parts from British/English composers and musical literature are written in treble clef. Not sure why or what started that, but it’s true all the same. It turns into a transposing instrument just like Bb trumpet when written in treble clef, so maybe it was done so that trumpets and baritones could swap more easily between the two instruments but use the same notes/fingerings.
@@sccrguy610 thanks for the clarification
@@sccrguy610 British brass bands are the reason.
bass clef musescore.com/user/1339806/scores/2193606
oh shit my tongue fell off
5:36 Jesus Christ
steven mead
Treble clef for euphonium : /
Julián Alexander González euphonium is technically a brass band instrument, and low brass mostly play treble clef in brass band. If you want to play euphonium you have to learn treble.
In europe every Euphonium player or Tenorhorn player wich is the europe version of an Euphonium originally learn the treble clef and dont use the bass clef
British brass bands, and increasingly European too, always have the euphonium parts in treble clef due to historical precedents. Military and wind bands will tend to use bass clef for the euph parts, but you really should know both if you are a euphonium player.
It would've been great if we got a key signature..... or time signature..... or bass clef (my preference)
This is concert Bb ( C for this instrument), and its in 4/4 if you can’t count notes I guess that’s a problem. You could also learn to read both clefs🤷♀️
No
piece of ca-
🤭
0 to 100 too fast
EW TREBLE CLEF
EWW BASS CLEF
+Kuiper TM at least we actually are straight about our notes...
+Kuiper TM Straight?
+Kuiper TM that is exactly the note on treble, on bass it is what the composer hears
musescore.com/user/1339806/scores/2193606