Anna Vinnitskaya | Robert Schumann: Kinderszenen. Leichte Stücke für Klavier op. 15 | SWR Classic
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- Опубліковано 29 вер 2018
- Robert Schumann: Kinderszenen. Leichte Stücke für Klavier op. 15 | Konzerthaus Freiburg, März 2017
Anna Vinnitskaya: Klavier
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![How to Play Schumann | Kinderszenen Op.15 No.1 [Tutorial]](/img/n.gif)
0:08 Von fremden Ländern und Menschen
1:34 Kuriose Geschichte
2:42 Hasche-Mann
3:11 Bittendes Kind
4:02 Glückes genug
5:08 Wichtige Begebenheit
6:04 Träumerei
8:35 "Am Kamin"
9:35 Ritter vom Steckenpferd
10:13 Fast zu ernst
12:03 Fürchtenmachen
13:38 Kind im Einschlummern
15:14 Der Dichter spricht
ich liebte es als Kind. Wenn ich es heute höre, kommen wieder die schönen Erinnerungen. Danke Anna Vinnitskaya für diese wunderbare Darbietung!
Danke für dieses schöne und tief berührende Spiel!
Beautiful and sensitive interpretation. She feels the music of Schumann.
Yes, she masterfully portrays all the emotional nuances of real life scenes.
What a sensitive, well thought-out interpretation! Wonderful, fresh and inspiring!
Abituati ad ascoltare pezzi virtuosistici, Anna, stavolta, ci sorprende per lo charme che emana
Such happy memories come to mind. I learned some of these pieces when I was in my first year of middle school.
The maestra plays them with great intelligence and sensitivity. Brava!
Lovely to listen. Well done Anna.
Incredibly beautiful playing!
Phantastische Interpretation. Wunderbar vorgetragen. Wie ein geschliffener Diamant.
Bezaubernd und glaubhaft vermittelt!
WoW! She's a Gifted Lady, I love all her renditions! And... She's so charming and lovely girl.
An absolutely wonderful performance. Every movement is mesmerizing.
I wish she would tour in the U.S. One of the best pianists alive.
Before watching this video, I've never known Anna Vinnitskaya shows such an expressive performance as Cyprien Katsaris or Lang Lang:-)
Lang lang😪? What an insult
Unaffected and forward playing with a beautiful sound.
아름다워요^^♥♥♥
Superbe interprétation
Excellent!!!!!!!!!!
Toll Seher schön
Schumann deve estar muito orgulhoso de ver sua obra interpretada por uma excelente pianista! Brava!!
😌
impressive
Träumerei T1-5 6:05, T6-9 6:22, T10-13 7:15, T14-17 7:49, T18-21 8:07
Mil me gusta.
As with Anna Vinnitskaya, I have noted many times that true physical beauty is often accompanied by profound sensitivity in musicality.
The emotions evoked by the music illuminate her face, manifesting her innermost Self.
As often as it is not.
You are right of course!
It is a question of what one means by physical beauty and the frequency of its concomitance with profound sensitivity in musicality.
I was primarily referrring to spiritual, expressed in physical, beauty.
I had the fortune, over the long span of my life, to have known, and shared the friendship of many musicians of the opposite gender.
Even when the initial attraction was perhaps also sensual, especially in my younger age, their spiritual beauty , once I knew them better, was alwas a revelation to me and the true basis for my admiration.
This includes the love of my life.
I confess that I am biased.
Die Kinderszenen sind gewiss nicht anspruchslos oder "leicht". Ich hoffe so war das nicht so gemeint.
Anspruchslos sind sie keinesfalls! "Leichte Stücke für Klavier" ist einfach der Originaltitel.
@@klassikswrkultur Dann ist es in Ordnung.
She has a good sound and technique, but Plamena Mangova is a better musician. Mangova should have got the first prize at Queen Elizabeth competition and Vinnitskaya the second prize, and not the other way.
Eccellente interpretazione. Sarebbe meglio però lasciar parlare solo le dita poiché le eccessive smorfie distraggono e non sono necessarie.
La gestualità e la mimica fanno parte, a mio avviso, del modo di vivere le emozioni della musica nella loro complessità....non le definirei così banalmente "smorfie"
This is a decent performance, but not much more. There is much of the same going on, a nice tone but not much variation in color. The fortes are too thick and the pianissimi too sweet. All in all a bit of a boring event. Nothing sticks in memory and at no instant I was captured by her interpretation, which was mostly absent. It ads nothing to the existing recordings. The piano didn't help either it seems not very lively and produces a sluggish, somewhat muffled tone. She might improve her presence on a Fazioli.