Can you break down the different type of lens? You have ef, ef-s, ef-m and who knows what else for just canon. What lens to use? What alternatives are not trash? What is the difference between these?
If you're aiming for speed, consistency, and simplicity, Rec. 709 is recommended and for 99% of the time what I recommend currently but for the BEST you have to look at Rec 2020 and beyond. In effort to answer what I think you're inquiring about, is you want to shoot LOG on you're camera i.e. R6II flattest picture profile is Clog3 and on Canon Cinema cameras most have C-log 2 and this will provide you most flexibility in post production to Grade footage and if you're not great a grading Canon Provides Conversion LUTs for free which are designed for Rec 709 color space and this pretty much applies to majority of other camera manufacturers.
im searching for why my R6 markii has a long buffer after recording video or will force stop a video recording less than 10 seconds in (im assuming for buffer/saving) . I get a busy message and cant adjust any settings until its over. im using 128GB 250MB/s V60 SD cards. I thought the answer my be my cards but they are almost at your suggested speed. They are Lexar professional brand. This happens at all frame rates and resolutions. Is this normal? I am missing shots because of this, only taking about 5 second clips.
My main Card for Canon R6 Mark ii is SanDisk Extreme Pro 300 mb/s 128 GB but my 2nd car is that same exact Lexar 128GB 250 mb/s 1667x v60 card and I've never had a buffer problem ever. I'm not sure where you're located but I'm in Los Angeles where the weather is ideal for shooting, I mention this because only advantage SanDisk has over other brands in my experience is being known to operate in Extreme Hot or Freezing temperatures. I'll recommend buying a SanDisk card off amazon so you can test if it's the card and if not you can easily return and that leaves the Camera Unit it self having an issue which Canon is great at finding a solution.
Bro thanks for the video! I need to shoot FHD with r6 ii and it's really really really bad!! I can't shoot 4k because of the post production... I read somewhere that it's better to shoot 1080 in crop mode.. Do you have any advice? Please help me! Cheers!!
I appreciate the support bro 🙏🏽 ... I only shoot 4K because normally after I edit the footage I archive footage in 4K H.265 10bit file that's comparable to the native 1080p but with that said I think you can continue to shoot with FHD and perfect you work flow as some many editing softwares now have Resolution Upscalers where you can turn well shot 1080p into 4k or even 8K if needed. I'd advise sticking with Full Frame mode as it should introduce less noise and provide more shallow depth of field but if you're on vacation and shooting outdoors with alot of like and don't need shallow depth of field and extra reach in Crop mode helps I think that will be great choice.
@@KamalJones thanks for the reply! Can you explain me please what Exactly are you doing with the 4k footage to store it after editing and save space? Maybe it can help me for organising my work?
@@User04143No problem, I’ll drop a video this weekend to illustrate but whether you’re using Final Cut or Resolve saying footage in H.265 mp4 format should reduce file by 1/3
@@User04143no as individual clips 95% of time but on rare occasions if I have noisey footage and I’m using neat video I might combine all broll into 1 clip but Aroll always individual
Awesome video, I’m already doing everything but shooting in Clog3 because I get a lot of noise in the shadows/blacks. How are you exposing or any advice for what to do in post? I’ve almost given up on trying to shoot in Clog3 with my R6ii because of the noise. I shoot the same as you with C1,C2, and C3. ISO is at 800. Any help?
Thank you and in terms of getting Clog3 right it’s Trial & Error to figure out your perfect recipe but some starting points will be to use ISO 400 as base even though 800 is native, I also over expose by half a stop to minimize noise and if I think highlight are too blown out I use Pro Mist 1/8 to soften … don’t let the challenge of perfecting your image frustrate you, instead understand your separate you’re self by mastering your technique and when it’s finally solved it’s automatic!!!
@@GMRiverBoys let me know how that works out also what NLE you’re using? I mainly use FCPX out of familiarity but Resolve is in my workflow for batch export with applied Luts and Noise reduction for individual clips which makes footage look clean so I can minimize file size and optimize image quality
Can you break down the different type of lens? You have ef, ef-s, ef-m and who knows what else for just canon. What lens to use? What alternatives are not trash? What is the difference between these?
Got you, I'll put something together for you
If we want straight out of camera colors is Rec.709 the best option?
If you're aiming for speed, consistency, and simplicity, Rec. 709 is recommended and for 99% of the time what I recommend currently but for the BEST you have to look at Rec 2020 and beyond. In effort to answer what I think you're inquiring about, is you want to shoot LOG on you're camera i.e. R6II flattest picture profile is Clog3 and on Canon Cinema cameras most have C-log 2 and this will provide you most flexibility in post production to Grade footage and if you're not great a grading Canon Provides Conversion LUTs for free which are designed for Rec 709 color space and this pretty much applies to majority of other camera manufacturers.
@@KamalJones I see, I record clog off in my R6 mark2.
The you’re doing the right way
@@KamalJones Thank you
You’re welcome and continue being great!
Straight to the point, appreciate the information, buying one soon
Thanks and you're going to have blast when you get yours
im searching for why my R6 markii has a long buffer after recording video or will force stop a video recording less than 10 seconds in (im assuming for buffer/saving) . I get a busy message and cant adjust any settings until its over. im using 128GB 250MB/s V60 SD cards. I thought the answer my be my cards but they are almost at your suggested speed. They are Lexar professional brand. This happens at all frame rates and resolutions. Is this normal? I am missing shots because of this, only taking about 5 second clips.
My main Card for Canon R6 Mark ii is SanDisk Extreme Pro 300 mb/s 128 GB but my 2nd car is that same exact Lexar 128GB 250 mb/s 1667x v60 card and I've never had a buffer problem ever. I'm not sure where you're located but I'm in Los Angeles where the weather is ideal for shooting, I mention this because only advantage SanDisk has over other brands in my experience is being known to operate in Extreme Hot or Freezing temperatures. I'll recommend buying a SanDisk card off amazon so you can test if it's the card and if not you can easily return and that leaves the Camera Unit it self having an issue which Canon is great at finding a solution.
was this video taken on the r6ii?
Yes with Canon RF 35 f/1.8 lens @f/1.8
Bro thanks for the video!
I need to shoot FHD with r6 ii and it's really really really bad!! I can't shoot 4k because of the post production... I read somewhere that it's better to shoot 1080 in crop mode.. Do you have any advice? Please help me! Cheers!!
I appreciate the support bro 🙏🏽 ... I only shoot 4K because normally after I edit the footage I archive footage in 4K H.265 10bit file that's comparable to the native 1080p but with that said I think you can continue to shoot with FHD and perfect you work flow as some many editing softwares now have Resolution Upscalers where you can turn well shot 1080p into 4k or even 8K if needed. I'd advise sticking with Full Frame mode as it should introduce less noise and provide more shallow depth of field but if you're on vacation and shooting outdoors with alot of like and don't need shallow depth of field and extra reach in Crop mode helps I think that will be great choice.
@@KamalJones thanks for the reply! Can you explain me please what Exactly are you doing with the 4k footage to store it after editing and save space? Maybe it can help me for organising my work?
@@User04143No problem, I’ll drop a video this weekend to illustrate but whether you’re using Final Cut or Resolve saying footage in H.265 mp4 format should reduce file by 1/3
@@KamalJones so you export them all together in one sequence as a long video?
@@User04143no as individual clips 95% of time but on rare occasions if I have noisey footage and I’m using neat video I might combine all broll into 1 clip but Aroll always individual
Awesome video, I’m already doing everything but shooting in Clog3 because I get a lot of noise in the shadows/blacks. How are you exposing or any advice for what to do in post? I’ve almost given up on trying to shoot in Clog3 with my R6ii because of the noise. I shoot the same as you with C1,C2, and C3. ISO is at 800. Any help?
Thank you and in terms of getting Clog3 right it’s Trial & Error to figure out your perfect recipe but some starting points will be to use ISO 400 as base even though 800 is native, I also over expose by half a stop to minimize noise and if I think highlight are too blown out I use Pro Mist 1/8 to soften … don’t let the challenge of perfecting your image frustrate you, instead understand your separate you’re self by mastering your technique and when it’s finally solved it’s automatic!!!
@@KamalJones I’m on autopilot with everything but clog3 cinema gamut, shadows are so noisy. I’ll try ISO 400
@@GMRiverBoys let me know how that works out also what NLE you’re using? I mainly use FCPX out of familiarity but Resolve is in my workflow for batch export with applied Luts and Noise reduction for individual clips which makes footage look clean so I can minimize file size and optimize image quality
Very informative not sure how I missed this one!!!
Glad it was helpful and appreciate you brotha
This was super helpful!
Glad to hear bro and lmk if you have other topics that could help
Excellent video. Thank you
Glad you liked it!