A minor 9 arpeggios - Q & A with Robert Renman
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- Опубліковано 8 січ 2015
- Leaving the minor 7th out. A great way to create instant melodies! I use arpeggios a lot in my playing, but it may not always be obvious, because I don't like to just run them up and down. Instead, you should combine them with other concepts, and try to come up with something unique and tasty, rather than a plain arpeggio run from top to bottom. Let me know how you like this one!
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Lesson by Robert Renman from www.MasterGuitarAcademy.com
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I really appreciate the fact that you consistently place your ideas in real melodic situations - it's not just a lick, but meaningful and useful with ideas on where to possibly take it (as well as where it comes from) - that sets you apart from so many others. A lot of players aren't as willing to share such insight.
Thank you Robert!
gschrock313 Thanks, glad to hear your comments!
Great material! Thanks Robert.
Robert, you are so God sent to me with this 1 video , as well as your others, but oh my, this 1 very video , the runs , everything in it is what I have been looking for now for a couple of years on UA-cam. It is so Joe Bonamassa sounding also, and to find any guitar teacher on UA-cam that comes close to Joe Bonamassa with showing his licks , this has to be one of the best of the best . The quality of your videos are superb you speak very well English and you speak to where we can understand, you don't talk too fast or too slow , I mean everything is just so well polished with your videos and for you to share this wonderful knowledge and wisdom and understanding with your fellow man is just so superb , and I just praise God for putting you here on UA-cam , for those of us who love guitar and want to learn all we can learn. Your knowledge is deep and the videos are nice and close up and slow enough to where we can see just how you're performing these wonderful licks . You seem to be very humble also with your talent and that makes it even greater. Oh and I am so glad that you have not wasted your talent on just endless needless shredding . Shredding might have its place once in a great while, but sounds without melody, sounds that just doesn't soothe you but just is only conducive to maybe somebody losing their mind on an LSD trip, I don't call that music at all , and I do not honor or respect that as actually musical talent , no matter how fast they can do it. Generations of guitar lovers will prosper from your video lessons on UA-cam from generation to generation. Your personal family circle ,I'm sure your children your wife, everybody's very proud of you as their lives are enriched also having your talent right there in their midst at all times. Thanks so much for blessing your fellow man with your gifts and talents.
Thanks a lot!
Ohh Man you told everything I hope to tell to Mr Renman..
I just add this ..Robert you're a gentleman !! while others are heros for nothing..you're the best teacher ever..
PS: would like to know the name of those amazing sounding pickups, I get the same wonderful looking Fender with a texas special..I got an issue with buzz but this is another story..and the texas special don't handle some high gain tones as it I would and brings up all the buzzing strings in a clean tone...so would like to know how could I forge your tone and what are the lovely pickups on yours..thanks Master..
Hey Robert, what a great lesson!
Super easy to understand, but a little hard to master.
Keep your classes coming 'cause they are SUPER useful for amateurs like me.
Bueno te espero afuera del edificio de la mañana el sabado te doy amigo disculpa amigo tube q ir x laburo x material ya no más cover blues lesson que
Thanks Mr. Robert, every lesson is useful and great. HAGD!
I really like the diminished stuff you do as well.
thank you so much Robert ! This lesson really opened up lots of doors for my soloing :)
Thanks Robert, I love your playing. So melodic and tasteful
Thanks a lot!
totally the lick from Allman's Les Bres in A Minor - thanks Robert!
Fantastic pattern and theory. Much obliged.
Robert. Your lessons are wonderful. Thanks for sharing.
Captain Midnight Thank you!
Excellent ideas as always! I have to think more about playing arpeggios and with the changes. I do something similar as you when playing the blues scale however in my head I think about it more as mixing it up with a bit of the Aeolian mode for flavor. Sometimes it doesn't work out, with a note or two sounding wrong.
I love this lesson Robert. Hope for more. 😊 thanks!
Glad you liked it!
Powerful stuff. I need to chew on this and learn how to use it. I also dig your tone. Thanks for sharing, Robert.
Excelente, gracias Robert
great vídeos with cristal crear examples and theory explanations
Quick, effective and great sounding. That 9 adds lots of atmosphere! Great lesson Robert!
+Alles Gitarre Danke sehr!
Very useful lesson for me, I use major and minor arpeggio's but never thought much about 9th arpeggio's. Using this minor 9th arpeggio lesson against a (D) minor back-track, all of a sudden I had this, Carlos Santana, vibe going on. Thanks, Bob
Glad to hear! It's such a simple but powerful thing, isn't it?
Thanks Robert,
All of your videos have a nice melodic sense to them Robert.
Yes, I seem to often do that.
Yes!
I really like your playing style as well as your teaching style, new subscriber here, my friend
great lesson Robert.....
Good job!
Great lesson
Right on!!!
thanks alot Sir it helps alot in my playing Godbless.
That is just fantastic!! It's what I'm always thinking but could not articulate as well as you. I play frets 5 -7- 9, on strings E - A - D.
Stacking : and then bar strings
G - B - E. @ 5th fret. I play Japanese scale with it but i don't know if that actually applies to music theory. But using Hirojishi pentatonic is similar. Thank you,
You are probably the best I've seen. You knew what i was thinking, and that's almost impossible lol.
Love it!!
Thank you.
Tasty. Very nicely done.
Glad you like.
Super tasty! Love it!
Awesome!
Thanks!
Very beatiful melodic
goooood stuff!
Thanks the lesson thats cool. Mr.d
amazing shapes.
I want to learn how to connect solo over the changing chord...if it possible pls make a video in it... thanks for teaching us
Thanks for a great lesson. I hear lots of Santana in these licks.
tommc49 Thanks!
Hi Robert, this video is awesome and the only one I have ever seen on this particular arpeggio. I was wondering what you are playing through here - what pickups and amp are you using? That's one of the best Strat tones I've heard in a while.
Thanks for another great lesson, Robert! It all seems so easy when I watch you turning musical theory into such tasty, melodic lines! But the question torturing me for decades is: how the heck do I get all that scale/arpeggio stuff under my fingers, especially when having a job, a wife (!) and children to care for??? I believe, I have got some solid knowledge about intervals, chord construction etc. But which practice routine will bring the most success if time is short? I don´t feel that learning all the shapes by heart -which really is no fun- will bring me anywhere..
Best Regards from Germany!
Very nice, Santana even used that. Add the 6th f# and it's m7b5add4th
Nice sound from that strat
helps a lot thanks
Hello from France Robert
I love your teaching, you have à wondetfull touch, have you made à record ?
Not yet. Thank you!
Fabulous tutorials sir. Could you stop being so bloody good tho please . Thanks lol
Great tone and great teacher!
Do you have any arpeggio’s lessons in your page, Robert?
Yes, inside the MGA membership there are some.
really sounds like the style of camel. beautiful.
Thank you very much!
Excuse me sir, but can you tell me which PU's are u using on this strat? Really enjoyed the low gain driven sound!
Zexcoil pickups - www.zexcoil.com
Hey Robert : Do you have a mnemonic for remembering arpeggios or a chart ? Thanks in advance
I’m not sure what you mean. I recommend learning the intervals 1-3-5-7 for all the modes.
You can also add 9, 11 and 13 after you learn the first 1-3-5-7.
very useful for me..
thank you..
however, I know blues note in la minor is D# ?
however the minor 3rd is a C, you are correct the blues note b5 is a Eb/D#
Correct, as Marks SD said.
I have a favorite chord that is Aminor/major7(9) chord. Does that make sense.
Yep
Robert, I don't understand why you leave out the minor 7. Isn't it part of the minor 9 arpeggio? Does it just sound more melodic without it, or are you just trying to keep the arpeggio to 4 notes for ease of use and memorization?
spicy
Hail to the king solo use this scale
Is this technically an Aminor add9 arpeggio because your missing out the seventh ?
I would say so yes.
I got a "stairway to heaven" kinda feel
That's cause it happens to be in A minor.
Chester?