Dominant Chords Triads Trick - use major triads over 7th chords!
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- Опубліковано 21 жов 2017
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► Triads Course here: masterguitaracademy.com/triad
Major triads are great to use over Dominant chords. Even though the Dominant 7 chord has a minor 7th, it does have a major 3rd, which means you can play a major triad for this chord. A sweet triad pair appears when you move the triad down a whole-step. In this case, we play A major triad and G major triad - both will work fine over the A7, A9, A11 or A13 chord. Check it out! Very simple, and very powerful. You can do this on any Dominant 7 chord that doesn’t have any altered notes.
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I'm a guitar instructor in Canada, and I provide guitar playing lessons and gear advice, as well as gear demos.
For this lesson, I used a
► Suhr Pro C1: www.suhr.com
► Suhr Badger 18: www.suhr.com
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Robert, you are such a great teacher and player as well! As always, valuable and useable advice with complete clarity in as simple terms possible. One of my main problems as a guitar player has been developing a broad, useable vocabulary that I can fully understand and relate to existing knowledge of theory. Your videos fill that need each and every time! Excellent!
Thank you very much!
This is one of the most useful lessons. It’s a simple trick that adds so much to my playing.
Thanks for the lesson!
The BEST traid lesson I've seen. This opened a LOT of dorrs for me Robert!
Glad to hear it!
I can easily say I have never taken more from an online lesson than I did in the last few videos of yours I just watched. Almost certain I worked past a plateau I've been stuck at for a while, thanks to your wonderful teachings! Cheers man
Wow, thanks!
Such a great and grateful lesson as usual :) Definitely your channel's one of the primary sources I rely on to improve my improvisational skills.
Thank you, Robert. I going to try and make this part of my natural playing. Sounds beautiful!
Great lesson Robert !
Mr Renman you are just a magician! I ‘ve been looking so hard for not playing the mixolydian scale note for note over the I IV V , this lesson is the key! Now i understand i can also play the minor relative triad of G major, E minor triad ... Much more melodic and usable than the scale.... Triads are really usefull in music and you prove it . Thank you so much and merry christmas !
absolute class...I have just entered another world! how to break out of the predictable blues with resolving melody! keep it coming Robert
You sure are bringing out the Blues in me! Robert...!!! Thanks again...
This completes me in playing the blues and brings me further in other styles.
Thanks.
Great lessons!!
I’m about a month into it. One of these days I’ll be able to say the same for myself.
Amazing lesson and amazing playing
A lot of good useful information in the one lesson. Excellent!
Great lesson, thank you
Robert thanks for sharing . This is a great tool that is immediately useful and musical.
Thanks a lot Robert. Your lesson here is just what I've been looking for, Can you put some more of this type of material up.. Cheers, Dave..
Ohh really it's a very useful lesson.
It's a nice way to develop the soloing . thank you Robert for your detail demonstration .
Great teaching ! Thank you ! :)
Awesome! Thanks!
Great lessons here!
Wow! Really great stuff. Can't wait to play with it and work it in. Really awesome!
Yeah! This works...!!!
Good concept there is a lot of mileage in this. Once you leave to think in terms of one triad over another you get some great sounds
Brilliant concept that could never have sussed myself thanks much appreciated.
Good job!
Brilliant teacher
Great lesson Robert many thanks 👍🎸
cool beans! I'm going to work that into the bag of tricks.Very melodic.
Thank you Robert you are the best
I've always seen bluesmen and rockers do that thing where they keep moving a shape two frets back and wondered what the reasoning was behind it, and now it's goin' in my rock-n-roll toolbox. TY!
I’ve been noticing that 11 chord so many times recently without knowing what it is or how it’s used. Your video just provided yet another aha moment. Thanks Robert 👍.
Good Stuff Robert!!!
Seriously awesome
Good stuff Robert!
Thanks James!
Best lessons on the net: explained clearly and patiently, high usefulness factor, although could you please zero in on the fretboard for those of us with poor eyesight watching on a phone screen (I know you have done this for some videos), thanks.
Main teacher alright ...!! Thank you Sir .
Just ran across this video. All I can say is “outstanding”! Just unlocked a whole other level of playing ideas for me. Thank-you!
Wow, thanks!
Cool tone.
Outstanding!
You’ve opened up so many new possibilities in my guitar playing. Thanks
Glad to hear it!
Thankyou so much
That is some smooth sounding playing brother! Love to hear you just jam out !! Nice lesson however.
PEACE from Philadelphia
Soooooo goooooood, thanks Robert ✌️
Cool! 😉😊 Thank you very much, dear friend! Best regards from London! 😉😊
Robert thank you once again for sharing your brilliant insights...you are an amazing musician and tutor...god bless you 🙏🏼🙏🏼🙏🏼
Wow, thank you
I love your lessons thanks. Mr.d
You are very welcome
Bästa gitarrläraren jag hittills hört på YT. Kommer direkt till saken. Kanonbra Robert
Tackar
Fascinating
Awesome Lesson Robert!
+Daniel Lentinelo thanks!
Greetings from Calgary. Found your channel by total accident after downloading one of your baking racks off youtube.
really great !
Sweet !
Great lesson Robert. Would have been good to hear you playing these ideas over a loop so that we could hear them in context
word man
Totally!!
thank you
That guitar just sings. You can play Robert no doubt but that guitar and those pickups are an alchemy. Great tone.
Excelente , isso é uma aula 🎸
Wonderful stuff thanks Robert ! Opening new doors :)
Exquisite phrasing. And a great lesson even though it takes many re runs to fully comprehend
You'll get it...!!! Keep working it ....
Brilliant.....
Wow, I really need to resubscribe!
Fantastic explanation of the 11th chord...Im eating up your videos!
I used to watch you when you were with dolphinstreet. Same great lessons!
I push Thumbs up even b4 I finish watching bcoz I know it’s great.
you re great master
The most useful lesson ever! Immediatly came to my mind music by Vince Guaraldi!
Fantastic
Thanks Pedro
Like the intro music on this video before the lesson
Walter here, I myself think your a he'll of a guitar player,I have learned a lot watching your lessons, I thank you.
Robert here, I myself think that is a very nice comment. Thank you!
Smooth
You the man! I'm going to your website and buying a lesson! xo
Smart move
still the best online guitar tutor.
+jech santiago thanks a lot
I couldn't get it ,,, gotta lots to evolve til I get to this point , but thanks a lot
Hi Robert ,
Really love this lesson. Wish I found this lesson sooner. It's a game changer. Does it work because it's the flat 7th of the prior chord. Eg G is the flat 7th of A7 etc.
That's my question too. Why does it work?
Just watched your video on playing the triads of the harmonized G major scale...Would those harmonized triads work in this context?
I like man
I am John from USA DC
Sir please make a video where I can learn all the exesting chords
what kind of reverb do you have running in the back? It has such a long tail, but only when you really dig in. I'm curious.
I love what you do here. I’ve been playing for a long time and could use some 1:1 feedback and guidance if you offer that. Please kindly let me know at your convenience.
Contact me at Robert@masterguitaracademy.com
love the sound of this guitar and the reverb/delay effect can anyone disclose any info on this please?
I used a bit of Cathedral reverb in Final Cut Pro. YUUUGE reverb! Delay is a stereo delay plugin from Logic.
thank you Robert
Could've used some more visual cues on which chords are used at what time - as I don't play guitar, I'll have to research more on this, maybe I just need more ear training -
otherwise, this is a great lesson, Robert ;) Thanks!
Any dominant 7 chord - it always works to play a triad a whole-step down! Choose a chord - C7 maybe? Well then you can play C major triad and Bb major triad! Capisce?
Yo what modulation did u use for that?
Very good
Do you have any lessons like the into going from lead to chord,thanks
(Intro) my bad
+Ronald Howell I don’t know what you mean.
Triad harmony fits into the 7th harmony.....
nice lesson, nice shirt.
+Umur207 Akaydın Well thanks! My wife doesn’t like the shirt and says I should get rid of it.
So burn that shirt. it is true what they say :)
+Umur207 Akaydın She doesn’t watch my lessons so she will never find out...haha
ahahaha
Are you from Sweden?
Si senor, ju suis fra Sverige!
Great lesson. Help me understand a few things. You didnt really say the key, other than A. I am assuming A minor because you played pentatonic minor over it. Is that right? But then you are saying it would be A7 chord, which seems weird to me because dom7 has a major 3rd. Is that common for blues progressions? Then you play the minor 7th tone, one whole step back, with a major triad. Again, really messing with my mind, because diatonically thats not the right chord tone over the minor 7. G major (G B D) over A7 (A C E G) means you are playing the 2, 4 and 7 or.. 7, 9 and 11. Thinking the later, you turned the A7 into an A11. Is that basically what you did? Please explain cause it sounds great.
EDIT: I see later you got to mentioning the 11th.
As he is playing all dominant chords, regular diatonic theory kinda goes out the window. Look at each dominant chord on its own and each of them has a 1,3,5 and a flat 7. Since he is just playing an A major triad 1,3,5 and goes down a whole step to G, he is now playing the flat 7 a 9 and an 11 which all work great over a dominant chord. He also throws in standard A minor pentatonic and blues scale as that also works in the blues. He then follows the same concept on the 4 chord and the 5 chord. It really gives an interesting sound. Hope this helps.
why does this work ?
+Joseph Downey because I’m playing the mixolydian mode. Both these triads are inside this mode. Do you understand?
Sounds great solo, but if a band was on the A7, why does the D note not clash with the C#?
sound like Cocaine from EC. Cooooooooool
Am I going crazy or is there a very faint sound of the keyboards sounding the root chord as he plays a demo lick or run??
redrock1963 No, its a reverb
this is the 2nd lesson i have watched of this guy and the last one did not make sense and this is no different - why play a g major over an A chord??? never explained !!!
Too many drugs before this lesson, Robert. It sounds like another drunk guitar player trying to empty some club so he go home early.
I don’t do drugs. I don’t teach drunk either. Sorry to disappoint.
@@Dolphinstreets You don't do drugs? Well, maybe you should, so you don't make anymore stinker lessons!!! Good luck to all.
Meh...playing a G major triad over A7 frees you up to play the 9 (second) and the 11 (fourth) of A major scale (B and D). They are color tones that make the lick sounds interesting. Very basic concept.