Nanlite Forza 500 | BMPCC 4K | Test

Traded in some of my Arri Tungsten fresnels for this Forza 500. I’m not completely done with tungsten bulbs by any means but as far week to week, day to day projects this light is a lot more powerful, I don’t have to wait after shoots for it to cool down, it’s just an all around work horse.
Being able to place a lamp outside is a big help with just saving space all together. Placing lamps inside and bouncing is now an option with the output of this light. I often find my self in situations when shooting films, in smaller spaces when I want a bigger keylight but can’t fit a big enough light into a room, bouncing into a wall where I want a light to be is a great solution to have in the back pocket.
I also love being able to utilize my favorite way to get a soft light shooting through a Softbox and then through a diffusion frame. This light packs that punch I’ve always wanted. Can’t wait to show you guys some projects using this light. Now I’m eyeing down some 300d’s or similar lights that give the same output and I think that’ll round out my package pretty well.
BRAW 3:1
Monitored and graded using P4K2Alexa LUT &
(Graded in Davinci Resolve)
Godox Sun Scrim and Reflector
BMPCC 4K
Super Takumar 50mm f1.4
Super Takumar 28mm f3.5
TTartisian 17mm f1.4
Nanlite Forza 500
Govee LED light bulbs
Pixel G1s LED RGB panel
Quasar Science T8
Godox Sl 60W

[@IrfanKhokharFilms]

nice!

[@jalenspencerfilm]

Thanks!

[@Llater]

Beautiful!!! Bravo !
What lens first shot ?

[@jalenspencerfilm]

Thanks a lot! I used the TTartisan 17mm F1.4.

[@BariStrikesback]

Color and Composition looks great in this. Where’d you get the lut?

[@jalenspencerfilm]

Thanks! No lut used.