I have taken up photography again from my college days where I worked at the photo lab of my art & design school, and I’ve been emulating your workflow and implementing your tips on how to get good exposure, where to find good light and to strive for character in the work. I gravitate toward your portraiture. I’ve started with natural light outside. I’m glad the less techie and more artistic of us have you to learn from. You are unique in the UA-cam space because you teach art with photography as your medium rather than just photography. And when you do get techie it’s easy to follow. Thanks again. Cheers from Miami.
My wife’s grandad had a Leica M3, he used it to take some pictures at our wedding. His pictures were far superior to the ones provided by our “professional” wedding photographer!
Many thanks for this video. @Bec: Many thanks for posing for this video. @Peter: Many thanks for sharing your direction from now on, without the need to be bounded to any vendor. In your face and voice I can perceive the feeling of freedom. I think you are now ambassador of those whose goal is the photography, the images, and not the camera as a tool. I wish you all the best!
I can't believe that Hasselblad have ditched their loyal H-series users. I love my H6 and prior to that my H4 and H3D2. I can't believe that they have ceased servicing and repair of these cameras. What most of us probably viewed as a life-long investment, has turned into so much junk should they malfunction or break. Way to go Hasselblad..never again will I invest in any system that they bring to market. It's not as if their equipment was inexpensive. Thanks for highlighting all of this Peter. Regards..David in the UK.
@@PeterCoulsonPhotographer PETER STOP SPREADING FALSE INFORMATION that Hasselblad stop servicing the H camera. I just had my H6D serviced last month and confirmed with Hasselblad customer service that they're still servicing the H cameras. You shouldn't make public statements when you have no proof of what you're talking about.
@@infox6671 I had both my H6D-50c cameras repaired in December, I was told this that this might be the last time they can repair the 50c backs as they have very little spare parts for that back. I made a phone call yesterday and was told the same thing. PS I said my cameras H6D 50c they are still selling X Demo models of the H6D 100c
I was recently stunned that Hasselblad had no fast response or solution for my H5D-40 CCD sensor that has a 1 pixel corruption line across it. Took them 3 weeks to say that they found a loaner back. I the meantime I bought an X1Dii and am enjoying it. I am seriously thinking about a second as a backup (I really don't need the 100MP files size of the X2D). Hasselblad then told me there was a delay of at least a month (or more) if I wanted to send the 40 CCD to Sweden for repair. Claimed it was a shipping issue. I am heavily invested in H-System lenses, so I don't want to throw money away! I do love the X1Dii for the CMOS and live view (mostly a product/studio shooter).
Can't really justify/afford more than one system, but I'm happy with my Sony cameras and lenses. The old mechanical cameras are so cool. Sort of like old precise mechanical watches. I always liked the old Hasselblad ad showing how horse hair, rice, etc. were used in making the camera.
Peter, see if you can source a Hasselblad Quick Focus Handle (40-80 CF Lenses Only) 51700. This item drastically speeds up using a 500 Series camera. The quick focus allows your left hand to support the camera and activate the shutter release button, whilst the right hand can activate focus and turn the "rapid" film wind. It's actually quite efficient in that configuration. And a PM or PME prism allows you to stabilize that camera to your eye and see a correct/upright image. The PME also features an EV meter reading which can be locked onto the lens with the cross-coupling button. Cheers!
I am going out on limb here, Its my impression that you would be fine with any camera. Its not to say that evey camera addresses your needs, just speaking to your ability. Its great you found another camera, lets get shooting.
Hi Peter, although many people seem to concentrate on the machines; i'm quite sure you can do "Peter Coulson" on many devices. Thank you for sharing all you do. Love your approach and way of creating. How you create and what you create is an inspiration for me. Wishing you a great day; enjoy life and work!
I was so surprised to hear that ' Hasselblad ' no longer provide support for a top of the line Pro camera such as H6. I don't know when this happened, but without trying to be controversial, Hasselblad ceased to be Hasselblad when a Chinese stabliser manufacturer DJI, aquired majority shares in the company. I still have my 500CM , and 503 ELX plus the Leica trio of M2, M3 and M6. Good of you to let your views be known.
I don’t know. Hasselblad seems more Hasselblad to me since DJI. They seem to have more independence now than under Shriro group. They have had various foreign owners since the 1990s and Hasselblad hasn’t been owned by Hasselblad since the 1970s.
@@tor2919 Thanks for the info, Peter. I didn't know they had been taken over before. If that company was Japanese, that would explain the swap from Zeiss to Fuji for the lenses.
Nicely put, Peter. I absolutely adore shooting film on my Leica M3s (both a double stroke 1954 and a single stroke 1964) with their vintage lenses. My favorites are the pre-ASPH Summicron 90 and the pre-ASPH Summilux 50. Meeting you (and Bec) and getting to shoot with your guidance on the streets of Geneva last year was great fun. I'm still working on setting aside other people's opinions and really getting behind my own art. Your generous tutelage and your example as a successful pro are inspiring and appreciated. I look forward to seeing you again in the future.
That Polaroid camera backer, is a unseen before, way of obtaining instant pictures. Using Polaroid branded cameras, was the only way I knew of, to take those self developing pictures. Thanks for explaining more about cameras.
Hi Peter, trust all is well. H6D’s do come onto the market occasionally. Hasselblad worldwide buy and sell, buy and sell on the Hasselblad forum, and I did manage to acquire a low count body and lens locally on gumtree last year at a decent price. The 16-32 film backs are now going for approx $1,500 usd 😮, and in demand with the resurgence in film. Shame Fuji discontinued the FP-100C peel apart Polaroid film. There’s a guy in Germany ( Han Chen) that’s doing instax Polaroid square backs for Hasselblad 500 series and Mamiya RB/RZ’s.
It is so annoying when a manufacturer discontinues a system you have come to love/depend on, it's why I keep buying Nikon D700 bodies, I'm basically stockpiling them so I can continue to use what I love into the future, I'm just lucky a) They can be picked up relatively cheap, b) They are so well built they tend to last well past their expected shutter count. Unfortunately I don't think the option of stockpiling Hasselblad's is a realistic option due to their price and scarcity :(
While I wouldn't call it, "stockpiling"........I have purchased a second Pentax 67, Nikon F2AS, and third Nikon D3 for the exact same reasons you provided.
I started using Hasselblad cameras over 30 years ago and still have my anniversary 500cm classic. I love the work you do with the H6 and at one time was contemplating getting one but now they are discontinued and parts are not available and the latest offering is only a shadow of the H6 camera so I think I'll just have to look elsewhere and leave digital medium format on the shelf for the time being. The Leica SL2 is a really interesting proposition for it's viewfinder and the choice of lenses coupled with in-body image stabilization. I think I'll wait for the moment to see what Leica will offer with the SL3 and then decide. Best Regards to you and Bec.
Always love hearing about gear, especially multiple systems. While I’ve only had some (great) experiences w/Hassleblads I’ve rented I’m still rocking my R5, which I love. Big fan of the channel and great insight to your workflow and work as usual! Invaluable artistic content!
Having had two Leica cameras in my lifetime and many others. Even as a keen amateur, the quality of the photographs the camera and lenses took, were night and day, compared to other cameras. Sometimes, you couldn't put your finger on exactly why it was better, but Leica manage to sprinkle some fairy dust on most of the photographs I took at the time. Something that no other camera I've had since, has managed to do.
If you're talking about their jpeg motor, I think you're on to something. Beyond that, it's likely confirmation bias. Not that there's anything wrong with it or that we don't all do it.
I was surprised to hear you only use SL2 for constant lighting. Profoto finally came up with the HSS trigger for Leica (we have been asking for it for years!), and it works fine.
Hasselblad H6 was my favorite camera! I was forced to sell it since Hasselblad discontinued service and service for this camera it ridiculous ! Hasselblad X1d is nice but found it slow shooting portraits and I need a min shutter speed of 1/200th or increase iso to get shoot sharp pictures.Hand holding it in low light is a lost cause so I purchased a Leica Q and SL which seems to be fine for now . I am also going back to film Hasselblads and large format cameras!
Thank you, Mr. Coulson! LOVE, LOVE, LOVE this! I am going to guess that 99% of the people watching your videos (are like me, and do NOT earn a full-time living making photographs). I type that because.........too many professional photographers act like "gear" does not matter. I think Leica, Hasselblad, Sinar, Toyo, Phase One, etc. would vigorously challenge that notion. I LOVE hearing a professional photographer talk about his, "favorite" camera, as opposed to those who are dispassionate about cameras and commodify them. I would think that the "right" tool fits your hands perfectly, becomes an extension of yourself, and makes it easier to do your job, not to mention a specific lens lineup and, (with digital), the photographer liking the IQ/color palette of a specific manufacturer. Doubt you will see this however, I am curious about your feelings toward film? For instance, do you ever shoot it for your own special projects or, in your limited free time just for fun?
Really love hearing about what you are using and why!! I just started using older manual focus lenses over my new auto lenses and am really loving the engagement in the process more❤. Thank you for the video
Hello Peter I work for the Hasselblad’s Italian distributor and I can assure you that you can repair it in Europe, you’ll be able to do it for at least 5 years, they are still repairing H4D cameras (introduced in 2010).
I was told Hasselblad has practically run out of spares for the H6D 50c back but if this is not the case can you please email me with the contact details of the people that can repair the 50c back, peter@koukei.com.au
sorry I have to answer again, I have been an ambassador for Hasselblad for over 10 years. I was devastated when I was told by Hasselblad there is limited possibility of my Hasselblad 6D-50 C have been repaired in the future. I do not have any Ulterior motive to why I posted this, but I understand you as an hasselblad distributor are very protective of future sales of Hasselblad. I have just bought my third Hasselblad Hache 6D 50 C to Future Proof myself because it is my favourite camera in the world, and I'm devastated that I was told it may never be repaired.
@@PeterCoulsonPhotographer Dear Peter I don't know what happened between you and Hasselblad but everywhere in the world customers have support and even if a product goes "end of life" repairs will be guaranteed for some year also because there are laws that protect the customers. So our Italian customers don't have to look for spare camera, we'll sure repair their camera for 7 years. I'm not worried about Hasselblad's sales since the new X2D 100C is the best camera, by far, I have have seen in 23 years of my career and we are super happy about the sales.
@@gianlucaparodi So what happened between me and Hasselblad is I resigned as a Hasselblad ambassador when I was told by Hasselblad there is limited possibility of my Hasselblad 6D-50c digital back been repaired in the future. So are you saying you can Repair the H6D-50c digital back because Hasselblad has not answered my last email asking the same question, This seams the same as what they did with the Imacon flexcolor scanners
I just got my new Lumix S5II with the new L2 technology developed by Panasonic and Leica and is L mount and love it and will be getting some SL lenses for it. I'm all in on the Leica L mount just with panasonic with the new hybrid phase detect autofocus.
Hi Peter, very informative. I am using a Nikon dslr with manual focus lenses for my portraits right now, and planning to go to mirrorless. Because I have for example F mount Zeiss lenses switching to the Nikon Z9 is most obvious, but in doing mostly portraits with character lenses I have oriented for the SL2 in stead of the Z9. Now I am tending more to the SL2, so that I can use next to the Zeiss “old” M mount lenses in future for portraits. I really don’t like the too clinical digital look. Greetings from The Netherlands, Rien Gieltjes.
@@PeterCoulsonPhotographer I saw in the same video that you said that the SL2s is more than enough compared to the SL2. For me it is mainly for studio work like art nudes, fashion and headshots.
@@PeterCoulsonPhotographer thanks a lot. I will never going to use the camera for video. So I can save money and buy a SL2s combined with a great 50mm.
Each to their own 🤷🏻♂️ I couldn’t personally work with 4 systems, batteries, accessories, lens mounts, menu and control layouts, processing software. Surely one or two systems can cover all these niches? I struggle picking up my old canon 5Ds’s since I’ve switched to the Fuji GFX. My muscle memory keeps throwing me. Honestly you’ve impressed that you can switch between them so effortlessly especially in a high pace scenario. Much more adaptable than I am!
Nice to see the variety of gear you use.. A lot of us, including me, are stuck to one brand, but I like the way you have different kit for different situations 👍
Camera choices are always so interesting to hear. For medium format I use Fujifilm's GFX system and it is far and away my favorite way to shoot, and much more preferable the Hasselblad's stuff which I found clunky and annoying to use. I love Leica's stuff but for most work I end up doing, the bodies can't really keep up(typically weddings and such) so I've gone from Sony, whose bodies I dislike as far as usability goes, and moved to Canon R5 which I've been having a great experience with. I love Leica's Q cameras and of course the film cameras but I couldn't use them for WORK, just casual shooting. Which at that point begs the question, why not just use one of the smaller Fujifilm cameras that are 3/4 of the camera for 1/5 of the price? I guess most of this depends on budget, and I am not a wealthy person, lol. At the end of the day I kind of view Leica's more like jewelry rather than dependable cameras that I need to be a workhorse. Really hoping for a Q3 soon, though with maybe an updating lens.
So I understand that you use both Fuji GFX and Canon R5? Which for which purpose? I own Fuji GFX 50S as well as XT4 . Now thinking if upgrade to 100s for IBIS and faster AF or to switch to Canon R5? I tend to 100s. What is your experience and recommendation?
@@christophsauer2857 So I was using the Fuji X system for both some light professional work(families/portraits/couple weddings, etc) but I found that I wanted more out of my system. Didn't NEED more, just had the funds and felt out the Canon R6/5 system and really liked them so I went into it pretty hard and sold most of my X system stuff. Moving from the Fuji X stuff to Canon R5 is a massive change of pace for me. The size is much larger which puts a lot of people off but it fits better in my large hands, which makes it more pleasant to work with. The glass is on a GFX level of quality and the body is just much more capable overall. Is it worth 3x the price for a body and 2x-4x the price for glass vs. the small Fujis? Only you can answer that for yourself. But the features of the Canon stuff and the glass is what got me there. I've also had the GFX 50R for about 4 years now and I've had the chance to use the 100 and the 100s. If all you are worried about is the best image quality with that medium format aesthetic, then any of the GFX cameras will be great. But even the newest bodies will absolutely not be shooting any type of sports/action/wildlife whatsoever. If someone is even walking at a brisk pace you may have trouble catching them in focus. The GFX stuff is really only usable with more or less stationary subjects. I still love my GFX and see no need to get the 100s(unless there's a substantial sale) and the quality out of the Canon R5 is amazing on it's own while affording me extreme focus speed and shutter speed. I'd say if you are 100% you do not need said focus/shutter speed, then GFX is a great system to be in. If you're ever going to need to be shooting moving subjects in any capacity, I'd go with Canon(or equivalent in other systems like Sony, but that's personal preference.)
@@DCAMM720 Thanks for your detailed reply! What I appreciate about the medium format that it has that the potos have an almost threedimensional impression. Is this similar with the R5? Because this is what fascinates me in a good portrait. Your pro's and con's are excellent. I will think about.
@@christophsauer2857 My GFX certainly has a different "feel" to the photos vs. the R5. It's just that medium format look that we can all sort of notice. The R5 still has incredible image quality though and will not disappoint anyone.
Hi Peter, thank you for the scoop on your kits. Additionally It shows that you’re dropping some weight and are looking more healthy. You have so much knowledge and I’m happy you can share it with us. 👍
Still shoot film!? Cool! I've desired to go back to the b/w garage darkroom ever since I went digital. I still have my enlarger and film processing tanks. What is your favorite b/w film?
I found an m6 yesterday for less than 2000$, works flawlessly and is only cheap cause the previous owner put a ton of stickers and other pin like things on it. Still debating if i should just go get it or forget about it (also I mainly shoot MF…) what you think?
To be honest this was interesting bit of news on H6D and repairs. Considering Hassy is selling them on their webpage and dealers sell them and there is not a single beep about them being discontinued Seems they went to mirrorless market and left the big boy toys to phase one only. But nevertheless it is good to know (not that its good news but it is good to know) that Hassy wont service H6 anymore.
Just wondering, will Hasselblad discontinue the H-series or just the H6D-50c because of lack of spare parts? I’m currently using my H4D-50ccd. I love it. One day it may fail and then I want to upgrade since I have a set of beautiful HC lenses.
@@PeterCoulsonPhotographer Agree - I've spent a fortune in our studio trying to get it right - even though the new XCD 2.5mm range - I had to wait two years for the 90mm and am still awaiting the 28mm -are pin sharp - I struggle with them - we run a Fuji GFX100II as well and its the same story - the lenses are terrific - the cameras are a horrible nightmare mish mash of things you don't need or worse things you've switched on but don't know how to turn them off or vice versa-- time for another Fuji/Hass collaboration? What was wrong with a Prism? It at least protects the sensor when gingerly changing lenses?
I still think the Leica SL2 is an amazing camera system, I just wish I could afford it, and then Justify it for the part-time shooting I do. I am feeling the itch to get another 35mm film rig. When I was in my 20's (a long time ago) I shot a Canon A-1 for a few years before switching to the Olympus OM-1 for the Zuiko glass and the Leica like build quality and size. I always found the Olympus to be plenty durable enough for field use and studio work and the Zuiko glass I would put up against any of the Japanese photgraphy manufacturer's lenses, and even some of the European optics. I have an Olympus OM-D EM-5 with a few lenses now, so I'll likely stick with Olympus in getting a 35MM SLR (Yup, another OM-1) and I had been looking at the Sigma Quattro H medium format digital but I might hold back for a few months to see what happens with pricing, especially on the lenses. Thanks for the huge amount of information, I always find your advice useful, Peter. Thank-you!!
Oh dear that’s a bummer. I agree with you regarding XD1, but the X2D is a different beast, my only minor criticism was the spring loaded door that covered the connectors, a sliding door would be far better. X2D has a far better quality feel to it. It definitely worth a closer look?
Thanks for sharing your thoughts. I have H5D-60. And X1D2. What puts you off with regards to X2D? Also, with H5D, I see Polaroid back, only part of it is used for the image. So, haven't been using it. Is it the same with H6D? I still see film and Polaroid backs available on eBay every so often.
I don't like talking bad about gear, but the things I didn't like about it outweigh the things I did like, there will be people out there that will love it it's just not for me.
Never been able to afford hasselblad or leica a!l of my filmwork was with a Canon F1 or occasionally a cheap (back then) Yashicamat 124. I added a couple of Graflex Crown Graphics (4x5 and 2x3) and just a week ago, a poor man's m3, a Canon P with a 50f1.4. I'm looking forward to this spring when I get my first (very own) darkroom finished. I initially watched this when it first dropped. I'm sometimes slow to get on y-t.
Hi Peter, I am curious to know whether you have ever considered moving to Phase One from Hasselblad. It is the only real medium format that is closest to the cameras and backs you have been using. Wondering why not make that switch. Much appreciated.
@@PeterCoulsonPhotographer Thanks for the quick reply Peter. I had an inkling you might say that, but wanted to make sure. I shot Hasselblad for a while and wanted to return to medium format. The new X series does not grab me, the H is discontinued, Fuji is well... Fuji and Phase I also find too clinical for portraits. I guess Leica it is then :) Almost tempted to buy and H6 and count my blessings with support...
The H6 is my favorite camera, it is very risky buying one because if you have any problems with the digital back you gant get it repaired, But Leica comes in as a close 2nd
@@vlcheish I prefer to shoot in colour and turn it to black and white myself so I have control over the toning of the photo, monochrome cameras just give you the one look
I love my H6D-100c, pretty sad that DJI ended such a wonderful camera. I have been in touch with Hasselblad and at least they will still be doing repairs in Sweden but who knows what the spare parts situation is like. Really nice to see the Leica standing out. In the meantime, like you, I'll be cherishing my H6D's too :)
Hello Peter. Maybe you've already made a video, where you test photos with 4/3 cameras like Lumix G9 or similar. Yes, I know they are cameras not considered professional because they are not full frame, but consider one thing many of the people who follow you have 4/3 cameras and they would like to become as professional as you are but in the meantime, they are still with the entries level cameras and showing them that excellent results can be achieved even with a 4/3 camera will be appreciated by many from all over the world. If you have already made a video with 4/3 then I apologize if I missed it. If you haven't already then consider doing it it will be well appreciated.
Its a shame Hasselblad is moving away from their H system. Peter, have you shot with Phase One backs before? Would would like to know your thoughts on that system and how it compares to Hasselblad's H system.
Good information as always Peter. I still have my Hasselblad H5D 40 in mint condition, I can't push myself to part with it. I brought it back around 2017 brand new. What I am sad about is for what I paid for it back then (Around $18-20K) with the 82/120 lens if I where to get around $ 10K today for it I would be lucky :( On Bay I see them for around $5-7K. The H6D had just come out right after the I brought the H5D, I was a little upset about that. My friends keep telling me to sell it but to me it's still an outstanding camera and getting another Hasselblad is not cheap . I do have other camera's such as Fuji, Nikon, Canon, Sony and Mamiya etc. I am like you the right camera for the job. I still see a few H6D's for sale on line but over priced to me. I also still shoot film, still nothing like it. I am very thankful to have legendary photographers as very close friends. And one of them was Mary Ellen Mark (RIP) who was a big Leica user. And for a long time she stuck to film, she would tell me "Analog Baby". Leica is about the only camera I don't own (On my bucket list). I really have gravitated towards Fuji, I have the Fuji H1 I have been shooting with for some time as a entry point into the Fuji system, thinking about getting a Fuji GFX. But I do prefer a Hassey or Phase One, they are more the type of medium format camera for my tase but they cost $$$ :(
Go for the GFX system for digital MF....you won't regret it...especially since the GFX 100S came out...that's pretty much at the price of good Full Frame digitals are at....and the IBIS in it really makes shooting a breeze with that large sensor. Fuji glass is great too, although I have fun playing with adapting old glass to it....fun to put a Hassy 500 era lens on the new GFX...with a speed booster adapter...wow.
@@chilecayenne All my friends suggested the same thing, and it's on my mind :) What I have a problem with is how much I paid for the camera at the time :( I can't get nowhere near for what I paid for it now :( If I only knew. And the Hassey it true medium format, I know that's up for debate and lastly I would never get another Hessy on same level again because how expensive they are. Have you seen the cost of the Hassey 100 MP and agreed the question is do I need such a camera. Listen in reality I know your right in the long run I know the GFX is a more updated camera with better features per say. I go through my mind on this everyday, Look I still shoot with my Nikon D3/D4, Canon 5D/7D etc I just love shooting. So I am debating about keeping the Hassey H5D and just but a GFX.
Hi Peter. Very interesting video. Do you perhaps find the Nikon or Canon mirrorless imagery more palatable than the Sony? Also with the Leica SL2 you mention excellent functional reasons to use it but what about the image quality. Thank you.
I haven't shot with the Nikon or Cannon for over 10 years, so I'm not sure about their imagery compared to sony, as for the Leica I absolutely love the image quality, here's a link to what I'm looking for in a CAMERA ua-cam.com/video/IcoztZgG6ZM/v-deo.html
That's pretty sad news to hear about Hasselblad killing the H6 camera (H-System in general). I heard this earlier in the year and dismissed it but now I believe it. I'm sure the 907X is next. I'm not the biggest fan of the X1D or X2D cameras, in fact I sold mine. I'd rather spend money on a Leica SL2 instead (if I needed a digital camera). Like you, I still use my Hasselblad film camera as well because I love the process of it all. Cheers!
You may have noticed that in the X2D presentation when they show all the cameras in Hasselblad history the H was not present. Hasselblad has become a company without a heart: the only reason to exist is to recover the investment and die. You may think that is to extreme, and you may be right, but there is no other way to justify that the X2D does not have a remote trigger or a GPS module. They not only remove the internal module but did not pay a programmer a few hours to make the old module compatible. It's SAD. I remember as if it was today the first time I saw through the viewfinder of the H4D with the100mm f2.2 . It was amazing, and the feel of the camera. So it seems to be a bygone era.
This is a respectable overview and really authentic. Great to hear the view of a senior expert. Just switched to the X2D and like it but am not amazed by it. Probably I expected too much. Overall, the key message for me is: There is probably not „one camera to rule them all“ and the choice can be a very personal one. The output is what matters. Would love to shoot on an H6D some time… Thanks for putting the effort into such videos. You have one more follower now ;-) Cheers from Berlin!
Hey Peter, thanks for the (as always) educational video. You have an x1d but said you don't like the x2d, I'm super curious why as I was considering getting it. I also shoot sony and leica at the moment. I really appreaciate your insight. Thanks again!
I guess the biggest issue for Pete perhaps is the lack of 1: focus peaking 2:live histogram 3:no zebra/highlight warning in live view ( from watching hours of Pete's vidoes ) Also speaking for myself as a current user of X2D... there are many cases that you have no rooms for errors and the lack of above features make X2D not a reliable tool. It only has histogram and highlight warning(extremely annoying one) when you view the images. If you work in very slow / own pace OR you don't work with it, it's fine. Tbh the firmware is worse than the X1D in terms of features. Unless they update the firmwares, I don't recommend it for the current state. Hope this helps.
I mainly shoot fully manual and have set up my custom buttons and profiles, so I don't have to go into menu systems, but it did take a couple months to get all the cameras set up the way I need them too
Doesn't the Sony do everything the Leica does photo wise? Focus peaking and zebras in the viewfinder and the ability to adapt pretty much every kind of old lens? Also I think the viewfinder of the A1 is a higher resolution than the Leica. Just curious as to what it was about the Sony that made you chose the Leica when it can basically do all the same things.
As I said in the video, I love the Sony for my auto, focus work, but the camera feels to digital in the images, and the resolution on the viewfinder might have a higher resolution, but the viewfinder on the like cruise much bigger, also the menu system on the Sony kills me. If I never tried the Leica, I would still be 100% happy with the Sony, but this is just my taste and everybody should choose the camera that suits their taste the best.
@@PeterCoulsonPhotographer Thanks Peter! I've shot Sony and Canon so I'm familiar with their menus. I played with a friend's Leica SL2 and thought the menus were confusing and hard to navigate but I probably didn't spend enough time with it to learn what buttons do what. I'm currently shooting with Sony and I agree about the digital look. I've been looking for ways to counteract it either with lenses, screw on filters or in post.
Hi Peter, I can't see Hasselblad won't be able to repair the H6 because I have an H 4 with a H5 digital back and I just had it repaired for a shutter problem. Can you explain what is going on with the H6 not being able to repair your H6's.
Hasselblad jumped the shark. This is akin to Fujifilm ditching instant sheet film at at time when the entire genre was starting to boom. ) Instax is a toy.... ) This may explain the hockey stick rise in prices for used manual Hasselblad. One can add digital - V-50 or Phase 1 - and Bob's you uncle.
Curious why you don’t like the X2D. I loved the Leica SL2S I had, but it was too heavy for my liking for general photography. Not rich enough to keep it just for model work.
I don't like talking bad about gear but the things I didn't like about it outweigh the things I did like about it, there will be people out there that will love it it's just wasn't to my taste.
@@PeterCoulsonPhotographer i am in europe, i just found a H5D for less than 2000 euros, thats a 5th the cost of x2d, so i will just go ahead and get it at that price, can resell it anytime if i dont like it but i trust your opinion. :)
How much does a camera's (or camera manufacture's ) color/image system come into account when choosing which to use? For example, I prefer Nikon's color science over my comrade's Canon in most situations, but his EOS's skin tones are hard to beat. Does that even come into your evaluation? I really like the idea of being able to use any lens ever made to get "the look". Cheers.
Hi Peter, I'm glad to hear you're happy with the SL2. I'm curious why you only use it for natural/ambient light? I love mine for both studio and location, and now with the Profoto Connect Pro it *finally* has HSS/TTL. I'd love it if you did a video on how you set up your SL2 screens and buttons and why.
I love my Hasselblad H6D-50c for flash so I didn't buy my Leica for that, Give me a couple of months and I will do a video on How I set up my Leice SL2 and SL2s
It is sad to see the H6 go. Competition is always good, and Phase One needs it. Did you ever consider to move over and use the XF with their Schneider lenses and 150MP backs? If yes, what was your reasoning not to jump ship?
Why the lack of love for the X2D Peter? I understand the limitations of the X system versus the H for the work you do, but I can't see a downside over the X1s - better focusing and more resolution. I bought mine for the form factor because, outside of the leaf shutters, I have to admit that I think the Fuji GF is a better overall system for compact MF.
Hi Peter, Max from Italy here… I own an H6D too and I’m pretty sure they are not spelled anymore but still plenty serviced and repaired … where you found infos about not being any more repaired?
@@PeterCoulsonPhotographer Ok, if it helps you.. I received opposite feedback that it's ABSOLUTELY still serviced and repaired for many years to come (and it's coherent with the brand history)... don't know if it's a matter of the Australian distributor (I'm from Italy so it's undoubtedly easier to have it serviced
I have taken up photography again from my college days where I worked at the photo lab of my art & design school, and I’ve been emulating your workflow and implementing your tips on how to get good exposure, where to find good light and to strive for character in the work. I gravitate toward your portraiture. I’ve started with natural light outside. I’m glad the less techie and more artistic of us have you to learn from. You are unique in the UA-cam space because you teach art with photography as your medium rather than just photography. And when you do get techie it’s easy to follow. Thanks again.
Cheers from Miami.
Thanks so much
My wife’s grandad had a Leica M3, he used it to take some pictures at our wedding. His pictures were far superior to the ones provided by our “professional” wedding photographer!
I have the M3 and M4 and they are great for street photography! I also have the Hasselblad 500 C/M which I use for landscape and portraits.
Many thanks for this video.
@Bec: Many thanks for posing for this video.
@Peter: Many thanks for sharing your direction from now on, without the need to be bounded to any vendor. In your face and voice I can perceive the feeling of freedom. I think you are now ambassador of those whose goal is the photography, the images, and not the camera as a tool. I wish you all the best!
I can't believe that Hasselblad have ditched their loyal H-series users. I love my H6 and prior to that my H4 and H3D2. I can't believe that they have ceased servicing and repair of these cameras. What most of us probably viewed as a life-long investment, has turned into so much junk should they malfunction or break. Way to go Hasselblad..never again will I invest in any system that they bring to market. It's not as if their equipment was inexpensive. Thanks for highlighting all of this Peter. Regards..David in the UK.
Thanks David
@@PeterCoulsonPhotographer PETER STOP SPREADING FALSE INFORMATION that Hasselblad stop servicing the H camera. I just had my H6D serviced last month and confirmed with Hasselblad customer service that they're still servicing the H cameras. You shouldn't make public statements when you have no proof of what you're talking about.
@@infox6671 I had both my H6D-50c cameras repaired in December, I was told this that this might be the last time they can repair the 50c backs as they have very little spare parts for that back. I made a phone call yesterday and was told the same thing. PS I said my cameras H6D 50c they are still selling X Demo models of the H6D 100c
I was recently stunned that Hasselblad had no fast response or solution for my H5D-40 CCD sensor that has a 1 pixel corruption line across it. Took them 3 weeks to say that they found a loaner back. I the meantime I bought an X1Dii and am enjoying it. I am seriously thinking about a second as a backup (I really don't need the 100MP files size of the X2D). Hasselblad then told me there was a delay of at least a month (or more) if I wanted to send the 40 CCD to Sweden for repair. Claimed it was a shipping issue. I am heavily invested in H-System lenses, so I don't want to throw money away! I do love the X1Dii for the CMOS and live view (mostly a product/studio shooter).
@@PeterCoulsonPhotographer Yeah, I see that 100 MP models still out there, but dang they are not cheap! X1Dii was a good replacement for me.
Can't really justify/afford more than one system, but I'm happy with my Sony cameras and lenses. The old mechanical cameras are so cool. Sort of like old precise mechanical watches. I always liked the old Hasselblad ad showing how horse hair, rice, etc. were used in making the camera.
Peter, see if you can source a Hasselblad Quick Focus Handle (40-80 CF Lenses Only) 51700. This item drastically speeds up using a 500 Series camera. The quick focus allows your left hand to support the camera and activate the shutter release button, whilst the right hand can activate focus and turn the "rapid" film wind. It's actually quite efficient in that configuration. And a PM or PME prism allows you to stabilize that camera to your eye and see a correct/upright image. The PME also features an EV meter reading which can be locked onto the lens with the cross-coupling button. Cheers!
Thank you
Peter, you’re so good you could win awards with a 1963 Kodak Instamatic
lols thank you
I am going out on limb here, Its my impression that you would be fine with any camera. Its not to say that evey camera addresses your needs, just speaking to your ability. Its great you found another camera, lets get shooting.
Hi Peter, although many people seem to concentrate on the machines; i'm quite sure you can do "Peter Coulson" on many devices. Thank you for sharing all you do. Love your approach and way of creating. How you create and what you create is an inspiration for me. Wishing you a great day; enjoy life and work!
Thank you
I was so surprised to hear that ' Hasselblad ' no longer provide support for a top of the line Pro camera such as H6. I don't know when this happened, but without trying to be controversial, Hasselblad ceased to be Hasselblad when a Chinese stabliser manufacturer DJI, aquired majority shares in the company. I still have my 500CM , and 503 ELX plus the Leica trio of M2, M3 and M6. Good of you to let your views be known.
I don’t know. Hasselblad seems more Hasselblad to me since DJI. They seem to have more independence now than under Shriro group. They have had various foreign owners since the 1990s and Hasselblad hasn’t been owned by Hasselblad since the 1970s.
@@tor2919 Thanks for the info, Peter. I didn't know they had been taken over before. If that company was Japanese, that would explain the swap from Zeiss to Fuji for the lenses.
Nicely put, Peter. I absolutely adore shooting film on my Leica M3s (both a double stroke 1954 and a single stroke 1964) with their vintage lenses. My favorites are the pre-ASPH Summicron 90 and the pre-ASPH Summilux 50. Meeting you (and Bec) and getting to shoot with your guidance on the streets of Geneva last year was great fun. I'm still working on setting aside other people's opinions and really getting behind my own art.
Your generous tutelage and your example as a successful pro are inspiring and appreciated. I look forward to seeing you again in the future.
Thanks so much James
Pretty solid flex too sir. Lol
Here’s a better question: why is that your thumbnail?
Because I love this photo
@@RameyFamily Yes. RameyFamily is asking the right question. Truly the right question.
That Polaroid camera backer, is a unseen before, way of obtaining instant pictures. Using Polaroid branded cameras, was the only way I knew of, to take those self developing pictures. Thanks for explaining more about cameras.
Bam. Great video. Love it when you talk about your process.
Thank you, Glad you enjoyed it!
Hi Peter, trust all is well. H6D’s do come onto the market occasionally. Hasselblad worldwide buy and sell, buy and sell on the Hasselblad forum, and I did manage to acquire a low count body and lens locally on gumtree last year at a decent price. The 16-32 film backs are now going for approx $1,500 usd 😮, and in demand with the resurgence in film. Shame Fuji discontinued the FP-100C peel apart Polaroid film. There’s a guy in Germany ( Han Chen) that’s doing instax Polaroid square backs for Hasselblad 500 series and Mamiya RB/RZ’s.
Thanks heaps for that I will check it out
@@PeterCoulsonPhotographer I think they are called Vinstax
One HELL OF A THUMBNAIL❤ (what camera)? You good sir are a magnificent photographer and thank egotism sharing. Cheers from Outback Western Australia
Thanks Hasselblad H6D-50c
I really enjoyed the review, and explanations of the use of your multitude of digital cameras!
Well done, Sir!
Glad it was helpful!
I love Leica cameras.ive got a collection of vintage film units that I still use.
It is so annoying when a manufacturer discontinues a system you have come to love/depend on, it's why I keep buying Nikon D700 bodies, I'm basically stockpiling them so I can continue to use what I love into the future, I'm just lucky a) They can be picked up relatively cheap, b) They are so well built they tend to last well past their expected shutter count.
Unfortunately I don't think the option of stockpiling Hasselblad's is a realistic option due to their price and scarcity :(
While I wouldn't call it, "stockpiling"........I have purchased a second Pentax 67, Nikon F2AS, and third Nikon D3 for the exact same reasons you provided.
I started using Hasselblad cameras over 30 years ago and still have my anniversary 500cm classic. I love the work you do with the H6 and at one time was contemplating getting one but now they are discontinued and parts are not available and the latest offering is only a shadow of the H6 camera so I think I'll just have to look elsewhere and leave digital medium format on the shelf for the time being. The Leica SL2 is a really interesting proposition for it's viewfinder and the choice of lenses coupled with in-body image stabilization. I think I'll wait for the moment to see what Leica will offer with the SL3 and then decide. Best Regards to you and Bec.
Yes very smart choice maybe even the SL3s 😊
@@PeterCoulsonPhotographer thanks Peter .... Keep up the awesome, incredible, superb and most inspiring work ..... and have a great day !!
I was afraid that you will forget a word about legendary 500 c/m, but you didn't 😉 Great video, with great argumentation as usual Peter.
👍
Always love hearing about gear, especially multiple systems. While I’ve only had some (great) experiences w/Hassleblads I’ve rented I’m still rocking my R5, which I love.
Big fan of the channel and great insight to your workflow and work as usual!
Invaluable artistic content!
Thanks heaps
Having had two Leica cameras in my lifetime and many others. Even as a keen amateur, the quality of the photographs the camera and lenses took, were night and day, compared to other cameras. Sometimes, you couldn't put your finger on exactly why it was better, but Leica manage to sprinkle some fairy dust on most of the photographs I took at the time. Something that no other camera I've had since, has managed to do.
Yes there is something special, until you use one for a few months you will never know and you can't explain what it is
If you're talking about their jpeg motor, I think you're on to something. Beyond that, it's likely confirmation bias. Not that there's anything wrong with it or that we don't all do it.
😂😂😂😂😂😂😂 bullshitttttt 😂😂😂😂😂
I was surprised to hear you only use SL2 for constant lighting. Profoto finally came up with the HSS trigger for Leica (we have been asking for it for years!), and it works fine.
I don't use ETTL, I shoot full manual and in the studio I use the Hasselblad for flash shooting
Hasselblad H6 was my favorite camera! I was forced to sell it since Hasselblad discontinued service and service for this camera it ridiculous ! Hasselblad X1d is nice but found it slow shooting portraits and I need a min shutter speed of 1/200th or increase iso to get shoot sharp pictures.Hand holding it in low light is a lost cause so I purchased a Leica Q and SL which seems to be fine for now . I am also going back to film Hasselblads and large format cameras!
Thank you, Mr. Coulson! LOVE, LOVE, LOVE this! I am going to guess that 99% of the people watching your videos (are like me, and do NOT earn a full-time living making photographs). I type that because.........too many professional photographers act like "gear" does not matter. I think Leica, Hasselblad, Sinar, Toyo, Phase One, etc. would vigorously challenge that notion. I LOVE hearing a professional photographer talk about his, "favorite" camera, as opposed to those who are dispassionate about cameras and commodify them. I would think that the "right" tool fits your hands perfectly, becomes an extension of yourself, and makes it easier to do your job, not to mention a specific lens lineup and, (with digital), the photographer liking the IQ/color palette of a specific manufacturer.
Doubt you will see this however, I am curious about your feelings toward film? For instance, do you ever shoot it for your own special projects or, in your limited free time just for fun?
Yes I working on some personal projects
Really love hearing about what you are using and why!! I just started using older manual focus lenses over my new auto lenses and am really loving the engagement in the process more❤. Thank you for the video
You are so welcome!
wow dream cameras. thanks for sharing.
Glad you like them!
I'm the same way. Bunch of different bodies and lenses. Minolta and Mamiya for film, Fuji and Nikon for digital, but I'll try anything once.
Hello Peter I work for the Hasselblad’s Italian distributor and I can assure you that you can repair it in Europe, you’ll be able to do it for at least 5 years, they are still repairing H4D cameras (introduced in 2010).
I was told Hasselblad has practically run out of spares for the H6D 50c back but if this is not the case can you please email me with the contact details of the people that can repair the 50c back, peter@koukei.com.au
sorry I have to answer again, I have been an ambassador for Hasselblad for over 10 years. I was devastated when I was told by Hasselblad there is limited possibility of my Hasselblad 6D-50 C have been repaired in the future. I do not have any Ulterior motive to why I posted this, but I understand you as an hasselblad distributor are very protective of future sales of Hasselblad. I have just bought my third Hasselblad Hache 6D 50 C to Future Proof myself because it is my favourite camera in the world, and I'm devastated that I was told it may never be repaired.
@@PeterCoulsonPhotographer Dear Peter I don't know what happened between you and Hasselblad but everywhere in the world customers have support and even if a product goes "end of life" repairs will be guaranteed for some year also because there are laws that protect the customers. So our Italian customers don't have to look for spare camera, we'll sure repair their camera for 7 years. I'm not worried about Hasselblad's sales since the new X2D 100C is the best camera, by far, I have have seen in 23 years of my career and we are super happy about the sales.
@@gianlucaparodi So what happened between me and Hasselblad is I resigned as a Hasselblad ambassador when I was told by Hasselblad there is limited possibility of my Hasselblad 6D-50c digital back been repaired in the future. So are you saying you can Repair the H6D-50c digital back because Hasselblad has not answered my last email asking the same question, This seams the same as what they did with the Imacon flexcolor scanners
I just got my new Lumix S5II with the new L2 technology developed by Panasonic and Leica and is L mount and love it and will be getting some SL lenses for it. I'm all in on the Leica L mount just with panasonic with the new hybrid phase detect autofocus.
Looks like a great camera
Hi Peter, very informative.
I am using a Nikon dslr with manual focus lenses for my portraits right now, and planning to go to mirrorless.
Because I have for example F mount Zeiss lenses switching to the Nikon Z9 is most obvious, but in doing mostly portraits with character lenses I have oriented for the SL2 in stead of the Z9.
Now I am tending more to the SL2, so that I can use next to the Zeiss “old” M mount lenses in future for portraits.
I really don’t like the too clinical digital look.
Greetings from The Netherlands, Rien Gieltjes.
Thanks I'm loving the Leica SL2s it has great iso
@@PeterCoulsonPhotographer I saw in the same video that you said that the SL2s is more than enough compared to the SL2. For me it is mainly for studio work like art nudes, fashion and headshots.
@@fineartviewfotografie3742 The SL2s has much better iso but not as good video, I don't like the SL2 iso much over 1600 but both cameras are great
@@PeterCoulsonPhotographer thanks a lot. I will never going to use the camera for video. So I can save money and buy a SL2s combined with a great 50mm.
Each to their own 🤷🏻♂️
I couldn’t personally work with 4 systems, batteries, accessories, lens mounts, menu and control layouts, processing software. Surely one or two systems can cover all these niches?
I struggle picking up my old canon 5Ds’s since I’ve switched to the Fuji GFX. My muscle memory keeps throwing me.
Honestly you’ve impressed that you can switch between them so effortlessly especially in a high pace scenario. Much more adaptable than I am!
Nice to see the variety of gear you use.. A lot of us, including me, are stuck to one brand, but I like the way you have different kit for different situations 👍
Thanks
Camera choices are always so interesting to hear. For medium format I use Fujifilm's GFX system and it is far and away my favorite way to shoot, and much more preferable the Hasselblad's stuff which I found clunky and annoying to use. I love Leica's stuff but for most work I end up doing, the bodies can't really keep up(typically weddings and such) so I've gone from Sony, whose bodies I dislike as far as usability goes, and moved to Canon R5 which I've been having a great experience with.
I love Leica's Q cameras and of course the film cameras but I couldn't use them for WORK, just casual shooting. Which at that point begs the question, why not just use one of the smaller Fujifilm cameras that are 3/4 of the camera for 1/5 of the price? I guess most of this depends on budget, and I am not a wealthy person, lol. At the end of the day I kind of view Leica's more like jewelry rather than dependable cameras that I need to be a workhorse. Really hoping for a Q3 soon, though with maybe an updating lens.
So I understand that you use both Fuji GFX and Canon R5? Which for which purpose? I own Fuji GFX 50S as well as XT4 . Now thinking if upgrade to 100s for IBIS and faster AF or to switch to Canon R5? I tend to 100s. What is your experience and recommendation?
@@christophsauer2857 So I was using the Fuji X system for both some light professional work(families/portraits/couple weddings, etc) but I found that I wanted more out of my system. Didn't NEED more, just had the funds and felt out the Canon R6/5 system and really liked them so I went into it pretty hard and sold most of my X system stuff.
Moving from the Fuji X stuff to Canon R5 is a massive change of pace for me. The size is much larger which puts a lot of people off but it fits better in my large hands, which makes it more pleasant to work with. The glass is on a GFX level of quality and the body is just much more capable overall. Is it worth 3x the price for a body and 2x-4x the price for glass vs. the small Fujis? Only you can answer that for yourself. But the features of the Canon stuff and the glass is what got me there.
I've also had the GFX 50R for about 4 years now and I've had the chance to use the 100 and the 100s. If all you are worried about is the best image quality with that medium format aesthetic, then any of the GFX cameras will be great. But even the newest bodies will absolutely not be shooting any type of sports/action/wildlife whatsoever. If someone is even walking at a brisk pace you may have trouble catching them in focus. The GFX stuff is really only usable with more or less stationary subjects.
I still love my GFX and see no need to get the 100s(unless there's a substantial sale) and the quality out of the Canon R5 is amazing on it's own while affording me extreme focus speed and shutter speed.
I'd say if you are 100% you do not need said focus/shutter speed, then GFX is a great system to be in. If you're ever going to need to be shooting moving subjects in any capacity, I'd go with Canon(or equivalent in other systems like Sony, but that's personal preference.)
@@DCAMM720 Thanks for your detailed reply! What I appreciate about the medium format that it has that the potos have an almost threedimensional impression. Is this similar with the R5? Because this is what fascinates me in a good portrait. Your pro's and con's are excellent. I will think about.
@@christophsauer2857 My GFX certainly has a different "feel" to the photos vs. the R5. It's just that medium format look that we can all sort of notice. The R5 still has incredible image quality though and will not disappoint anyone.
Hi Peter, thank you for the scoop on your kits.
Additionally It shows that you’re dropping some weight and are looking more healthy. You have so much knowledge and I’m happy you can share it with us. 👍
you are like a photography Yoda, Peter. REALLY enjoy and appreciate your explanations and reviews. Thank you!
Wow, thanks!
Still shoot film!? Cool! I've desired to go back to the b/w garage darkroom ever since I went digital. I still have my enlarger and film processing tanks. What is your favorite b/w film?
Yep Kodak Tri-x 400
I found an m6 yesterday for less than 2000$, works flawlessly and is only cheap cause the previous owner put a ton of stickers and other pin like things on it. Still debating if i should just go get it or forget about it (also I mainly shoot MF…) what you think?
go for it
Thanks for doing this, much appreciated.
My pleasure!
To be honest this was interesting bit of news on H6D and repairs. Considering Hassy is selling them on their webpage and dealers sell them and there is not a single beep about them being discontinued Seems they went to mirrorless market and left the big boy toys to phase one only. But nevertheless it is good to know (not that its good news but it is good to know) that Hassy wont service H6 anymore.
A humble Pentaxian adoring your gear 😊 (I have the K-1 and K3iii)
Very cool!
Thank you for this one to one with us. 🙏👍
My pleasure!
Why not get a Leica S? (S2, 006, 007 or S3). You can use all your HC lenses
I'm trying one soon
@@PeterCoulsonPhotographer as far as I understood you love to focus manually. You can get a split/prism screen for the Leica S
Just wondering, will Hasselblad discontinue the H-series or just the H6D-50c because of lack of spare parts?
I’m currently using my H4D-50ccd. I love it. One day it may fail and then I want to upgrade since I have a set of beautiful HC lenses.
I think right now the just the H6D-50c
love the content, like always.
Thanks for your support
I ditched the H system for the X series a(X2D and 907x CFV100) and not only is it not as good quality wise but I don't like using smaller cameras
I really don"t like anything hasselblad has done since the H6D
@@PeterCoulsonPhotographer Agree - I've spent a fortune in our studio trying to get it right - even though the new XCD 2.5mm range - I had to wait two years for the 90mm and am still awaiting the 28mm -are pin sharp - I struggle with them - we run a Fuji GFX100II as well and its the same story - the lenses are terrific - the cameras are a horrible nightmare mish mash of things you don't need or worse things you've switched on but don't know how to turn them off or vice versa-- time for another Fuji/Hass collaboration? What was wrong with a Prism? It at least protects the sensor when gingerly changing lenses?
Thanks for the info. All great cameras.
You bet!
Welcome to Leica Peter (officially after this video!) 😎
Thanks Matt, I'm looking forward to Europe
I still think the Leica SL2 is an amazing camera system, I just wish I could afford it, and then Justify it for the part-time shooting I do. I am feeling the itch to get another 35mm film rig. When I was in my 20's (a long time ago) I shot a Canon A-1 for a few years before switching to the Olympus OM-1 for the Zuiko glass and the Leica like build quality and size. I always found the Olympus to be plenty durable enough for field use and studio work and the Zuiko glass I would put up against any of the Japanese photgraphy manufacturer's lenses, and even some of the European optics. I have an Olympus OM-D EM-5 with a few lenses now, so I'll likely stick with Olympus in getting a 35MM SLR (Yup, another OM-1) and I had been looking at the Sigma Quattro H medium format digital but I might hold back for a few months to see what happens with pricing, especially on the lenses. Thanks for the huge amount of information, I always find your advice useful, Peter. Thank-you!!
Thanks for sharing 😊
wHY nOT?
I'm working on my 2nd lens I love it..
Hi Peter question for you, for your Hasselblad H6D what are the lens you use and which lens do you use the most please?
80mm & 100mm most used, my fav 100mm f2.2 and I also use the 50mm and the 150mm
@@PeterCoulsonPhotographer Thanks Peter!
Oh dear that’s a bummer. I agree with you regarding XD1, but the X2D is a different beast, my only minor criticism was the spring loaded door that covered the connectors, a sliding door would be far better. X2D has a far better quality feel to it. It definitely worth a closer look?
PETER IS THE BEST
Thank you
Thanks for sharing your thoughts. I have H5D-60. And X1D2. What puts you off with regards to X2D? Also, with H5D, I see Polaroid back, only part of it is used for the image. So, haven't been using it. Is it the same with H6D? I still see film and Polaroid backs available on eBay every so often.
I don't like talking bad about gear, but the things I didn't like about it outweigh the things I did like, there will be people out there that will love it it's just not for me.
Never been able to afford hasselblad or leica a!l of my filmwork was with a Canon F1 or occasionally a cheap (back then) Yashicamat 124. I added a couple of Graflex Crown Graphics (4x5 and 2x3) and just a week ago, a poor man's m3, a Canon P with a 50f1.4. I'm looking forward to this spring when I get my first (very own) darkroom finished.
I initially watched this when it first dropped. I'm sometimes slow to get on y-t.
Hi Peter, I am curious to know whether you have ever considered moving to Phase One from Hasselblad. It is the only real medium format that is closest to the cameras and backs you have been using. Wondering why not make that switch. Much appreciated.
Phase One is looks to digital for my taste
@@PeterCoulsonPhotographer Thanks for the quick reply Peter. I had an inkling you might say that, but wanted to make sure. I shot Hasselblad for a while and wanted to return to medium format. The new X series does not grab me, the H is discontinued, Fuji is well... Fuji and Phase I also find too clinical for portraits. I guess Leica it is then :) Almost tempted to buy and H6 and count my blessings with support...
The H6 is my favorite camera, it is very risky buying one because if you have any problems with the digital back you gant get it repaired, But Leica comes in as a close 2nd
@@PeterCoulsonPhotographer Have you ever thought about going to a Monochrome sensor camera for black and white work?
@@vlcheish I prefer to shoot in colour and turn it to black and white myself so I have control over the toning of the photo, monochrome cameras just give you the one look
I love my H6D-100c, pretty sad that DJI ended such a wonderful camera. I have been in touch with Hasselblad and at least they will still be doing repairs in Sweden but who knows what the spare parts situation is like. Really nice to see the Leica standing out. In the meantime, like you, I'll be cherishing my H6D's too :)
It is so sad this icon company is coming to it's end 😢
Hello Peter. Maybe you've already made a video, where you test photos with 4/3 cameras like Lumix G9 or similar.
Yes, I know they are cameras not considered professional because they are not full frame, but consider one thing many of the people who follow you have 4/3 cameras and they would like to become as professional as you are but in the meantime, they are still with the entries level cameras and showing them that excellent results can be achieved even with a 4/3 camera will be appreciated by many from all over the world. If you have already made a video with 4/3 then I apologize if I missed it. If you haven't already then consider doing it it will be well appreciated.
Yes I made a video using a Sony A6000 and I would be happy to use these images commercially ua-cam.com/video/7vX_XSz3qRM/v-deo.html
@@PeterCoulsonPhotographer and G9 or Lumix similar I mean 4/3 one not psc but thanks to answer me
I bought a bronica 6x7 because it was less expensive than hassie 15 years ago. last time i used it a spent a moment looking for the histogram button.
lols it's on the preview screen 😂
Nice setup and explination, thanks.
Glad you liked it
Its a shame Hasselblad is moving away from their H system. Peter, have you shot with Phase One backs before? Would would like to know your thoughts on that system and how it compares to Hasselblad's H system.
I can't get my look with Phase One or Capture One
Good information as always Peter. I still have my Hasselblad H5D 40 in mint condition, I can't push myself to part with it. I brought it back around 2017 brand new. What I am sad about is for what I paid for it back then (Around $18-20K) with the 82/120 lens if I where to get around $ 10K today for it I would be lucky :( On Bay I see them for around $5-7K. The H6D had just come out right after the I brought the H5D, I was a little upset about that. My friends keep telling me to sell it but to me it's still an outstanding camera and getting another Hasselblad is not cheap . I do have other camera's such as Fuji, Nikon, Canon, Sony and Mamiya etc. I am like you the right camera for the job. I still see a few H6D's for sale on line but over priced to me. I also still shoot film, still nothing like it. I am very thankful to have legendary photographers as very close friends. And one of them was Mary Ellen Mark (RIP) who was a big Leica user. And for a long time she stuck to film, she would tell me "Analog Baby". Leica is about the only camera I don't own (On my bucket list). I really have gravitated towards Fuji, I have the Fuji H1 I have been shooting with for some time as a entry point into the Fuji system, thinking about getting a Fuji GFX. But I do prefer a Hassey or Phase One, they are more the type of medium format camera for my tase but they cost $$$ :(
Go for the GFX system for digital MF....you won't regret it...especially since the GFX 100S came out...that's pretty much at the price of good Full Frame digitals are at....and the IBIS in it really makes shooting a breeze with that large sensor. Fuji glass is great too, although I have fun playing with adapting old glass to it....fun to put a Hassy 500 era lens on the new GFX...with a speed booster adapter...wow.
@@chilecayenne All my friends suggested the same thing, and it's on my mind :) What I have a problem with is how much I paid for the camera at the time :( I can't get nowhere near for what I paid for it now :( If I only knew. And the Hassey it true medium format, I know that's up for debate and lastly I would never get another Hessy on same level again because how expensive they are. Have you seen the cost of the Hassey 100 MP and agreed the question is do I need such a camera. Listen in reality I know your right in the long run I know the GFX is a more updated camera with better features per say. I go through my mind on this everyday, Look I still shoot with my Nikon D3/D4, Canon 5D/7D etc I just love shooting. So I am debating about keeping the Hassey H5D and just but a GFX.
Hi Peter. Very interesting video. Do you perhaps find the Nikon or Canon mirrorless imagery more palatable than the Sony? Also with the Leica SL2 you mention excellent functional reasons to use it but what about the image quality. Thank you.
I haven't shot with the Nikon or Cannon for over 10 years, so I'm not sure about their imagery compared to sony, as for the Leica I absolutely love the image quality, here's a link to what I'm looking for in a CAMERA ua-cam.com/video/IcoztZgG6ZM/v-deo.html
Hi Peter have you looked at any of the Fuji Film camera's like the GFX line?
Great cameras but not for me
That's pretty sad news to hear about Hasselblad killing the H6 camera (H-System in general). I heard this earlier in the year and dismissed it but now I believe it. I'm sure the 907X is next. I'm not the biggest fan of the X1D or X2D cameras, in fact I sold mine. I'd rather spend money on a Leica SL2 instead (if I needed a digital camera). Like you, I still use my Hasselblad film camera as well because I love the process of it all. Cheers!
Yes it is very sad to see what has happened to Hasselblad
You may have noticed that in the X2D presentation when they show all the cameras in Hasselblad history the H was not present. Hasselblad has become a company without a heart: the only reason to exist is to recover the investment and die. You may think that is to extreme, and you may be right, but there is no other way to justify that the X2D does not have a remote trigger or a GPS module. They not only remove the internal module but did not pay a programmer a few hours to make the old module compatible. It's SAD. I remember as if it was today the first time I saw through the viewfinder of the H4D with the100mm f2.2 . It was amazing, and the feel of the camera. So it seems to be a bygone era.
I wish Sony would buy Hasselblad
@@PeterCoulsonPhotographer That would be the greatest thing to happen to them.
When you bought the Otus lens which mount did you get? Nikon ? Thanks, Peter.
Canon with a metabones adaptor to sony and Leica L
@@PeterCoulsonPhotographerIs a Nikon version also adaptable?
Yes
@@PeterCoulsonPhotographer Thanks very much ! Best Regards
Thank you for another very informative video, Peter. Cheers!
Glad you enjoyed it
This is a respectable overview and really authentic. Great to hear the view of a senior expert. Just switched to the X2D and like it but am not amazed by it. Probably I expected too much. Overall, the key message for me is: There is probably not „one camera to rule them all“ and the choice can be a very personal one. The output is what matters. Would love to shoot on an H6D some time…
Thanks for putting the effort into such videos. You have one more follower now ;-) Cheers from Berlin!
Thanks heaps, cameras are like cars you would never take a Ferrari off road or a 4x4 to a race track
Hey Peter, thanks for the (as always) educational video. You have an x1d but said you don't like the x2d, I'm super curious why as I was considering getting it. I also shoot sony and leica at the moment. I really appreaciate your insight. Thanks again!
I guess the biggest issue for Pete perhaps is the lack of 1: focus peaking 2:live histogram 3:no zebra/highlight warning in live view ( from watching hours of Pete's vidoes )
Also speaking for myself as a current user of X2D...
there are many cases that you have no rooms for errors and the lack of above features make X2D not a reliable tool.
It only has histogram and highlight warning(extremely annoying one) when you view the images. If you work in very slow / own pace OR you don't work with it, it's fine.
Tbh the firmware is worse than the X1D in terms of features. Unless they update the firmwares, I don't recommend it for the current state. Hope this helps.
@@kucekto thanks, that really helps!
and over sharpened in camera images
@@PeterCoulsonPhotographer thanks! You guys saved me a huge investment.
@@PeterCoulsonPhotographer Yes...That is very true
Does Leica use Sony sensors the way Nikon or Canon do?
Leica latest sensors are made by CMOSIS
With three different systems for professional work - how do you get used to the buttons and controls. Is there a more minimalistic formula 🙏🏽
I mainly shoot fully manual and have set up my custom buttons and profiles, so I don't have to go into menu systems, but it did take a couple months to get all the cameras set up the way I need them too
Doesn't the Sony do everything the Leica does photo wise? Focus peaking and zebras in the viewfinder and the ability to adapt pretty much every kind of old lens? Also I think the viewfinder of the A1 is a higher resolution than the Leica. Just curious as to what it was about the Sony that made you chose the Leica when it can basically do all the same things.
As I said in the video, I love the Sony for my auto, focus work, but the camera feels to digital in the images, and the resolution on the viewfinder might have a higher resolution, but the viewfinder on the like cruise much bigger, also the menu system on the Sony kills me. If I never tried the Leica, I would still be 100% happy with the Sony, but this is just my taste and everybody should choose the camera that suits their taste the best.
@@PeterCoulsonPhotographer Thanks Peter! I've shot Sony and Canon so I'm familiar with their menus. I played with a friend's Leica SL2 and thought the menus were confusing and hard to navigate but I probably didn't spend enough time with it to learn what buttons do what. I'm currently shooting with Sony and I agree about the digital look. I've been looking for ways to counteract it either with lenses, screw on filters or in post.
Peter just get a PhaseOne, the IQ3 not the 4, not as fast as the H6D but does the job, the lenses are just sublime, much better that the Hasselblad
The PhaseOne doesn't suit my look, too digital for me, but it is a greate camera
Hi Peter, I can't see Hasselblad won't be able to repair the H6 because I have an H 4 with a H5 digital back and I just had it repaired for a shutter problem. Can you explain what is going on with the H6 not being able to repair your H6's.
I was told they have on spare parts for the H6D-50c
Hasselblad jumped the shark.
This is akin to Fujifilm ditching instant sheet film at at time when the entire genre was starting to boom. ) Instax is a toy.... )
This may explain the hockey stick rise in prices for used manual Hasselblad. One can add digital - V-50 or Phase 1 - and Bob's you uncle.
Curious why you don’t like the X2D. I loved the Leica SL2S I had, but it was too heavy for my liking for general photography. Not rich enough to keep it just for model work.
I don't like talking bad about gear but the things I didn't like about it outweigh the things I did like about it, there will be people out there that will love it it's just wasn't to my taste.
So Peter, if i were to choose between X2D and H4D or H5D, you would really prefer the older H series, am i hearing this right?
me personally, I would prefer the H5D over the X2D
@@PeterCoulsonPhotographer what about your x1dii, you like that better than x2d? Thanks for replying btw, appreciate it
For me yes, go try some and see what one works for you
@@PeterCoulsonPhotographer i am in europe, i just found a H5D for less than 2000 euros, thats a 5th the cost of x2d, so i will just go ahead and get it at that price, can resell it anytime if i dont like it but i trust your opinion. :)
How much does a camera's (or camera manufacture's ) color/image system come into account when choosing which to use? For example, I prefer Nikon's color science over my comrade's Canon in most situations, but his EOS's skin tones are hard to beat. Does that even come into your evaluation? I really like the idea of being able to use any lens ever made to get "the look". Cheers.
You can grade the colour in post to suit your own taste.
@@PeterCoulsonPhotographer Yep. So color science concerns for a shoot. Gotcha.
@@macsandsquid528 ?
@@PeterCoulsonPhotographer Apologies. Should have proofread better. Color science not a factor in determining which camera to use for a shoot.
@@macsandsquid528 Yes 90% of my images are B&W
I should have put my drool bib on for this vid. Nice collection!
Thank you
Very interesting thanks for sharing.
Thanks for watching 😁
Hi Peter, I'm glad to hear you're happy with the SL2. I'm curious why you only use it for natural/ambient light? I love mine for both studio and location, and now with the Profoto Connect Pro it *finally* has HSS/TTL. I'd love it if you did a video on how you set up your SL2 screens and buttons and why.
I love my Hasselblad H6D-50c for flash so I didn't buy my Leica for that, Give me a couple of months and I will do a video on How I set up my Leice SL2 and SL2s
Great video thank you for sharing this information with us, really like your set up.
Thank you
@@PeterCoulsonPhotographer your welcome
>got 2 hasselblad
>worried about damage
just get 3rd and shelve it before they get "collectibles" in prices
Yes that's the plan
I would love to hear what your thoughts are on the Nikon z series. I know they're not your top choice but I have a feeling you'll like them.
I haven't used one
Can't remember, but have you ever done a shoot here with only the M3? Or is that simply not practical?
No its not practical for tutorials
I heard the firmware update on the SL2 has a very much improved its eye detection!
I'm not sure, I mainly use manual focus
Amazing to think about the retail cost of the gear on that table.
Yes please don't tell my wife
I find it unbelievalble that Hasselblat doesn't suooprt their expensive camera system for a longer time.
Hi Peter, how much commercial work do you nowadays vs shooting your on portfolio?
Everything I shoot is for sale, but I refuse to work without directors now
I love the thumb nail you put on this video, very nice !!! I like to have a 8x10 or larger for framing...;)
Glad you like it!
It is sad to see the H6 go. Competition is always good, and Phase One needs it.
Did you ever consider to move over and use the XF with their Schneider lenses and 150MP backs? If yes, what was your reasoning not to jump ship?
the XF is a good camera but not for me
Your clickbait thumbnails freaking rule, dude. But then there's great content behind them.
Thanks, not clickbait just my photos 😁
Peter, do you find the image quality on the SL significantly an upgrade over your Sony A1?
Tha image SL2 is more to my taste,
After how long do Leica M cameras need calibration for rangefinder ?
I would love to hear your opinion on Fuji’s GFX.
Never used one, I'm happy with the gear I'm currently using
Lead in the film back? I never heard about that.
The Lead content was to high for europe
Why the lack of love for the X2D Peter? I understand the limitations of the X system versus the H for the work you do, but I can't see a downside over the X1s - better focusing and more resolution. I bought mine for the form factor because, outside of the leaf shutters, I have to admit that I think the Fuji GF is a better overall system for compact MF.
X2D is not the type of camera I enjoy using
Hi Peter, Max from Italy here… I own an H6D too and I’m pretty sure they are not spelled anymore but still plenty serviced and repaired … where you found infos about not being any more repaired?
I was told by Hasselblad
@@PeterCoulsonPhotographer Ok, if it helps you.. I received opposite feedback that it's ABSOLUTELY still serviced and repaired for many years to come (and it's coherent with the brand history)... don't know if it's a matter of the Australian distributor (I'm from Italy so it's undoubtedly easier to have it serviced
I really hope your right there are no spares parts for the H6D50 in Australia