I am happy to see your reactions and comments. 👍 And don't forget to subscribe! ua-cam.com/users/OlgaPeretyatkoOfficial На моем официальном канале - каждую неделю новые видео ;) Смотрите, ставьте лайки и комментируйте. Я рада вашей живой реакции! И не забудьте подписаться, если вы этого еще не сделали 😉 ua-cam.com/users/OlgaPeretyatkoOfficial
Une histoire tragique, mais une musique de Verdi d'une telle beauté avec Violetta, interprétée par Olga Peretyatko avec cette belle voix et son talent de comédienne si extraordinaire ! ❤️❤️❤️
@@OlgaPeretyatkoOfficial Io ti ho visto nell'Adina di Vienna qualche settimana fa e mi è piaciuta tantissimo. A dir il vero non ti conoscevo, ma da allora ho cominciato a seguirti. Sei bravissima.
I watched this live concert at Wiener Staatsoper with my wife during our honeymoon trip. It's an unforgettable highlight in that 15-day journey especially we visited Wiener and Staatsoper for first time. Such a great performance and beautiful voice! Today, I unexpected find this familiar concert in your channel and happy to see whole concert again. Thank you for posting this video and be a part of our sweet memory. Wish you have a wonderful career and enjoy every performance! Greeting from Taiwan.
Большие! Слушаешь отрывками и то счастье с красотой, браво! Спасибо, что долго учитесь! Каждый имеет счастливый доступ к индивидуальности артистов певцов, просто спасибо, что вы так умеете и делитесь, что сливаетесь с музыкой! Вы вдохновляете и забываешь о спорах. Благодарю вас Ольга и ваших коллег! 👏👏👏👏👏
Perhaps the best Germont I have ever witnessed! Up to now, I saw only the duet - Peretytko got better and better as it proceeded, and she became extremely moving!
The best Germont you have "witnessed" you say. I don't know about witnessing, but I entreat you to listen to some of the great Germonts of the XXth century. There are plenty of great recordings to choose from.
The confirmation that #OlgaPeretyatko is the new Opera Star of her generation is the repertoire that she is singing in her brilliant career. Violeta, perhaps one of the sweetest characters, has a very technically difficult First Act that she sings as if she were singing a lullaby, without any problem. Some will say and where is the High Eb at the end of Semper Libera? My answer is, a High Eb does not make the characterization of a character, it is everything together that defines a character, and wow, Olga gives us one of the brightest Violeta, so feminine, so beautiful, so delicate, passionate, emotional and in the end tears ran down my face. Something had broken inside me, it was my heart and my soul, used to listening to other sopranos who are cold, who think that the First Act is saved with a High Eb, who in duet with Giorgio Germont, are as cold as if each singer was on different stages, there is no communication, they turn Violeta into a mechanical doll. Olga convinced me that #VioletaValery is a human being of flesh and blood, that in her life for a moment she lost her way, but with Alfredo's love she redeemed herself, and that in the end, her Addio del Passato and the final minutes your heart aches, because that's where you know the greatness of this woman, when she gives her portrait to Alfredo. Technically she is perfect, tenderness in her singing, her singing line is perfect, her breathing technique unwavering, her musical phrases perfectly constructed, her singing is a caress for our ears and for our hearts. Thank you Olga God bless you, she continues with your immense career, take care of #Maya, your husband, your family and loved ones. And perhaps the most important creation of #OlgaPeretyatko was the very difficult #MatildeDiShabran available on DVD and BLURAY, there she is impressive, along with Juan Diego Flórez and a great cast. Brava Olga, a well deserved victory. Just BRILLIANT. ❤❤❤🤩🤩🤩
Me resulta curioso oír los murmullos del apuntador, oculto bajo la concha del escenario, es una figura que prácticamente ha desaparecido de todos los teatros.
My favourite opera mangled by a mediocre regisseur, who has imposed his personal misconceptions to the point of ignoring the essence of the characters, making the singers perform actions that bear no relation to the text or to the music. Not to mention the meaningless handling of clothes and shoes and make-up kit until it becomes really tiresome. Also, what's with this trend of setting a XIXth century melodrama in supposedly modern times. It's not only anachronistic, it makes no sense: who'd give a damn today if the lady has had "a past" or if she and her love interest aren't married! I'm sorry for Ms Peretyatko to have had to participate in this pitiful production.
I totally agree.. too often seen these days, period settings replaced by modern day settings,. it does NOT work and in fact it ruins the original concept.
Потому что в Баден-Бадене у меня не было трахеита! Кстати, тут, если Вы внимательно посмотрите конец арии, я решаю не идти наверх в самый последний момент. И отчаянно отрицательно махала дирижёру головой в надежде, что он поймёт))))
А я обожаю Ольгу Перетятько. Но здесь , на мой взгляд , чересчур медленное исполнение . Ольга при ее владении голосом обычно поет в хорошем темпе!! ( Тенор " не тянет"?)
Una penosa puesta en escena, habría sido preferible realizar la ópera en concierto, es una puesta en escena de un teatro de provincias, no está a la altura de uno de los teatros más importantes del mundo. En cuanto a las interpretaciones me ha gustado mucho Violeta, y Giorgio Germont, también Alfredo. Buena versión pero echada a perder por la puesta en escena, nada que ver con Solti y Gheorghiu en la Royal Opera House, ni con Conlón y Renee Fleming en la Ópera de los Ángeles. Lo siento mucho porque soy fan suyo, pero tengo que decir lo que pienso.
#HISTORIASOCIALXXI També aquí cal remarcar els diàlegs dramàtics de Verdi que són decisius on el COR hi intervé i es requerixen ESCENIFICACIONS CONTINUADES, els moviments, per tal de comprendre l’emotivitat sublimada, inherent i global de l’obra.
![Опера на все времена. Д.Верди "Травиата" [документальный фильм]](/img/n.gif)
I am happy to see your reactions and comments. 👍 And don't forget to subscribe! ua-cam.com/users/OlgaPeretyatkoOfficial
На моем официальном канале - каждую неделю новые видео ;) Смотрите, ставьте лайки и комментируйте. Я рада вашей живой реакции! И не забудьте подписаться, если вы этого еще не сделали 😉
ua-cam.com/users/OlgaPeretyatkoOfficial
Sehr natürlich und wirklichkeitsnah. Eine herausragende Aufführung. DANKE
Это моя самая любимая опера! Могу слушать её в любом исполнении бесконечно! Браво великому Верди!
Une histoire tragique, mais une musique de Verdi d'une telle beauté avec Violetta, interprétée par Olga Peretyatko avec cette belle voix et son talent de comédienne si extraordinaire ! ❤️❤️❤️
Merci bien!
Bravissima! Bellissima voce. L´ho vista e sentita nel ruolo di Adina, anche li fantastica.
Grazie!! E Adina dove? A Napoli?
@@OlgaPeretyatkoOfficial Io ti ho visto nell'Adina di Vienna qualche settimana fa e mi è piaciuta tantissimo. A dir il vero non ti conoscevo, ma da allora ho cominciato a seguirti. Sei bravissima.
Olga sei fantastica!
Bravissima!
Thank you for this performance and for your warm amazing voice .
Нежный и чистый, как ручей голос Ольги - прекрасно!
Thank you so much for sharing this wonderful performance. I love your voice From Chile
Thank you!!
большое спасибо за Труд! . рад встрече с Вами , с Вашим талантом!
Спасибо!!
БРАВИССИМО !!!!👍👍👍👍👍👍❤💖❤💖
Qué hermosa voz Olga y maravillosa interpretación!! Saludos desde Perú
💓💓💓💞 Как же Ваше исполнение прекрасно! Спасибо!!!
I watched this live concert at Wiener Staatsoper with my wife during our honeymoon trip. It's an unforgettable highlight in that 15-day journey especially we visited Wiener and Staatsoper for first time. Such a great performance and beautiful voice! Today, I unexpected find this familiar concert in your channel and happy to see whole concert again. Thank you for posting this video and be a part of our sweet memory. Wish you have a wonderful career and enjoy every performance! Greeting from Taiwan.
Большие! Слушаешь отрывками и то счастье с красотой, браво! Спасибо, что долго учитесь! Каждый имеет счастливый доступ к индивидуальности артистов певцов, просто спасибо, что вы так умеете и делитесь, что сливаетесь с музыкой! Вы вдохновляете и забываешь о спорах. Благодарю вас Ольга и ваших коллег! 👏👏👏👏👏
Wonderful! Very inspired performance.
Thanks!
Божественная Ольга,не зря великая Елена Образцова приглашала её на свои юбилейные концерты❤❤❤
Danke.
Eine wunderbare Vorstellung. Sehr schönes Duett mit Paolo Rumetz
Magnifique
Merci!
olga sublime y maravillosa
Perhaps the best Germont I have ever witnessed! Up to now, I saw only the duet - Peretytko got better and better as it proceeded, and she became extremely moving!
The best Germont you have "witnessed" you say. I don't know about witnessing, but I entreat you to listen to some of the great Germonts of the XXth century. There are plenty of great recordings to choose from.
Прекрасно!!
Спасибо!
Molti dubbi e riserve sulla regia. Detto ciò, Violetta SUBLIME? 👍👏
Rarely singers can choose staging directors…
Olga I love you !!!
Венская опера !
Русская певица Ольга Перетятько в партии
Виолетты Валери !
2.10.2017 !
❤🎉❤🎉❤🎉❤🎉❤
Bravissima Olga
Оленька,желаю вам здоровья!!!!!! Пусть вашему нежному,лёгкому,прекрасному голосу ничего не мешает звучать!!!!!!
Muy bien la direccion musical y excelente los cantantes
Ob es die Adina ist oder wie hier die Violetta, Ihnen steht jede Rolle gut. Sie können Oper. Danke. Ich mag Sie.
Danke!
Excelente. Brava
Olguita divina
😇🙏🏻
Wunderbar.-)
Muchas gracias por compartir el video.
👏👏👏👏👏👏👏👏👏👏💐💐💐💐💐
Спасибо за интерес!
My favorite Opera
También la mía, destruida en este caso por una regie malísima.
magnifica !
Linda! Pena que não tem legenda.💓
Divina. La adoro.
🥰
Tousemplemen sublim la voi le jeu tou vien droi de votre ceur plus votre bautée Merci a vou et Bravo.
Bravi 🎼🌷🌷🌷🌷🎼
I didn’t realize Jean Francois Borras was on this❤
Is there anyway you could include English Subtitle. It greatly adds value to this wonderful and full of emotions performance.
❤
👍
❤️‼️
15:30 song
The confirmation that #OlgaPeretyatko is the new Opera Star of her generation is the repertoire that she is singing in her brilliant career.
Violeta, perhaps one of the sweetest characters, has a very technically difficult First Act that she sings as if she were singing a lullaby, without any problem. Some will say and where is the High Eb at the end of Semper Libera? My answer is, a High Eb does not make the characterization of a character, it is everything together that defines a character, and wow, Olga gives us one of the brightest Violeta, so feminine, so beautiful, so delicate, passionate, emotional and in the end tears ran down my face.
Something had broken inside me, it was my heart and my soul, used to listening to other sopranos who are cold, who think that the First Act is saved with a High Eb, who in duet with Giorgio Germont, are as cold as if each singer was on different stages, there is no communication, they turn Violeta into a mechanical doll. Olga convinced me that #VioletaValery is a human being of flesh and blood, that in her life for a moment she lost her way, but with Alfredo's love she redeemed herself, and that in the end, her Addio del Passato and the final minutes your heart aches, because that's where you know the greatness of this woman, when she gives her portrait to Alfredo.
Technically she is perfect, tenderness in her singing, her singing line is perfect, her breathing technique unwavering, her musical phrases perfectly constructed, her singing is a caress for our ears and for our hearts. Thank you Olga God bless you, she continues with your immense career, take care of #Maya, your husband, your family and loved ones.
And perhaps the most important creation of #OlgaPeretyatko was the very difficult #MatildeDiShabran available on DVD and BLURAY, there she is impressive, along with Juan Diego Flórez and a great cast.
Brava Olga, a well deserved victory. Just BRILLIANT. ❤❤❤🤩🤩🤩
Me resulta curioso oír los murmullos del apuntador, oculto bajo la concha del escenario, es una figura que prácticamente ha desaparecido de todos los teatros.
35:40
1:02:40 beautiful
5':51" *Вступление* оркестра !
My favourite opera mangled by a mediocre regisseur, who has imposed his personal misconceptions to the point of ignoring the essence of the characters, making the singers perform actions that bear no relation to the text or to the music. Not to mention the meaningless handling of clothes and shoes and make-up kit until it becomes really tiresome. Also, what's with this trend of setting a XIXth century melodrama in supposedly modern times. It's not only anachronistic, it makes no sense: who'd give a damn today if the lady has had "a past" or if she and her love interest aren't married! I'm sorry for Ms Peretyatko to have had to participate in this pitiful production.
I totally agree.. too often seen these days, period settings replaced by modern day settings,. it does NOT work and in fact it ruins the original concept.
Ольга! Почему в разных спектаклях ТРАВИАТЫ Вы берете ми- бимоль в 1 действии,а в других нет. В записи Мариинского не брали, а БАДЕН БАДЕНЕ брали?
Потому что в Баден-Бадене у меня не было трахеита! Кстати, тут, если Вы внимательно посмотрите конец арии, я решаю не идти наверх в самый последний момент. И отчаянно отрицательно махала дирижёру головой в надежде, что он поймёт))))
@@OlgaPeretyatkoOfficial Большое спасибо за ответ.
Mamacita
А я обожаю Ольгу Перетятько. Но здесь , на мой взгляд , чересчур медленное исполнение . Ольга при ее владении голосом обычно поет в хорошем темпе!! ( Тенор " не тянет"?)
Una penosa puesta en escena, habría sido preferible realizar la ópera en concierto, es una puesta en escena de un teatro de provincias, no está a la altura de uno de los teatros más importantes del mundo.
En cuanto a las interpretaciones me ha gustado mucho Violeta, y Giorgio Germont, también Alfredo.
Buena versión pero echada a perder por la puesta en escena, nada que ver con Solti y Gheorghiu en la Royal Opera House, ni con Conlón y Renee Fleming en la Ópera de los Ángeles.
Lo siento mucho porque soy fan suyo, pero tengo que decir lo que pienso.
you resemble Tori Black
#HISTORIASOCIALXXI També aquí cal remarcar els diàlegs dramàtics de Verdi que són decisius on el COR hi intervé i es requerixen ESCENIFICACIONS CONTINUADES, els moviments, per tal de comprendre l’emotivitat sublimada, inherent i global de l’obra.
Lamentable escenografia y lamentable vestuario.
D’accordo
Alfredo Germont è senza voce e soprattutto fascino,non pare punto innamorato
👍