As a teacher who uses this track often, I would suggest training your ear to know where the chord changes are. In the key of G major the music “resolves” at the G chord. Listen for the progression that starts at Am7, gets more tension on D7, and releases or “chills” on Gmaj7. Also the G is 2 measures compared to the other chords being 1 measure. Hearing the changes in notes can easily make up for no visual representation once you get used to it.
![[BackingTrack] Bossanova 1-6-2-5 in G major](http://i.ytimg.com/vi/cC7LluQmtLw/mqdefault.jpg)
![[BackingTrack] Bossanova 1-6-2-5 in G major](/img/tr.png)
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Love this foe practicing my locrian scales and tri tones
Literally same lol
Super helpful. I am learning the whole tone scale and I am in love with this track
Thanks for this.... just starting and got into this
;)
😱😱😱😻😻😻🆙
I am hoping to show my transformation soon!
thank you
thanks for create this !
I like the fact it goes for 4:33 -- a very cagey/Cagey choice.
Thanks so much
Is it suitable to play this with E-shape G major scale throughout?
Try the 1, 3, 5 and 7 of each chord.
Super helpful
Glad you think so!
can you make it show the chord changes?
Only 3 chords... Am7 / D7 / Gmaj7 / %
@@BackingTracksChannel I want the chords to switch in the video so I can keep track while playing along ;)
you can probably find that on the channel "guitare improvisation"
As a teacher who uses this track often, I would suggest training your ear to know where the chord changes are. In the key of G major the music “resolves” at the G chord. Listen for the progression that starts at Am7, gets more tension on D7, and releases or “chills” on Gmaj7. Also the G is 2 measures compared to the other chords being 1 measure. Hearing the changes in notes can easily make up for no visual representation once you get used to it.
why do i hear an Eb note in there...?@@BackingTracksChannel