Davinci Resolve Color Grading Tutorial | SLOG2 Cinematic Warm Look | Davinci Resolve 18 Tutorial
Вставка
- Опубліковано 27 вер 2024
- In this Davinci Resolve color grading tutorial, I will explain how to do a cinematic warm look color grading on the slog2 10bit footage which I shot using my Sony A7IV. I really hope this cinematic color grading tutorial would be helpful for you and you learn something new out of it! If you like me to do more of these davinci resolve 18 color grading tutorials, please tell me in the comments! Your opinions are really appreciated!
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My Instagram: / mehranhadad_
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Gears Used For This Music Video:
Camera: Sony A7IV (Shot at 4K25FPS)
Lens: Sony Fe 85mm F/1.8
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Editing
Footage was shot in Slog2 and Color graded in Davinci Resolve 18
Edited In Premiere Pro
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Yes!!! Was waiting for this. Thanks for doing a tutorial on this.
I truly appreciate your support! Thanks for watching
Very very nice 💯💯💯❤️❤️❤️
Thanks so much
Once you explicitly use CST in nodes: S-LOG -> WG....... then WG to REC.709, you don't have to set any kind of things in Project settings either Timeline level nor Project level. First and Last nodes are CST - what is in between ALWAYS will be IN Wide Gamut
🔥🔥🔥
Thanks for checking
@@MehranHadad of course! looking forward to many more of these, I’m new to davinci but like your color grading and teaching style. Keep up the great work bro
@@kaushalp2055 I'm truly glad to hear this from you! Best wishes for you 🫶
Thank you
You're welcome mate
NICE BROTHER
Thanks mate
Thanks for this informative tutorial, please do you have free luts for davinci beginners i have I shoot this week and I want yo tryout davinci, I'll be very glad if you can help me with that.
thank you in Anticipation
Just subscribed!!! I'm just starting out in colour grading and this is super helpful - what picture profile number did you use in camera? -
Truly appreciate your support Thomas! I used PP7 which is Slog2 in sony A7IV, but these picture profile numbers are just a preset, you can change any of them to your liking
Do you have a preference between shooting in HLG3 or SLOG2 on 8-bit cameras? I'm curious to hear your thoughts
Furthermore, do have a preference on picture profiles for low light situations in 8-bit cameras?
If you check the original music video, the B camera is Sony ZV-E10 and it's 8bit shot on Slog2 and you can see that it also has a great quality compared to the main camera which is Sony a7IV and 10 bit, you need to learn how to correctly expose
Thanks for the video , truly helpful!
Could you make a video explaining how to match 8 bit and 10 bit footage 🙏🏼
@@melvinntuara6688 thanks for watching, appreciate your support! I will definitely keep it in mind
aliyh faght mishe bejai rec709 az film look estfadeh kard
aly zernevis farsi ham ezafeh konid
Excellent work! Thanks.
Great tutor i will try ❤
Thanks for watching mate
Thanks for this video. ive seen on youtube many people talking about Slog3 10bit and their footage is not as good as yours. do you prefer shooting with slog2 and 8bit and why? thank you for this educative video.
Truly appreciate your support, thanks for watching! It depends, I use both Slog2 and Slog3 depending on the situation, but my camera a7IV shoots 10bit, So I definitely choose it over 8bit option!