Every time I watch one of your videos, I feel like I'm slowly learning to overcome my mental block and truly enjoy the process of painting. Thank you, Mikko, for being my inspiration
That makes me really happy to hear. Also I’m so glad I was able to release this video. I worked so hard on it that getting the video pulled by a false copyright claim was really scary. I’m glad it got sorted in the end but honestly that was just sheer luck.
"there is a time and place for painting eyelashes" love that part ❤️ On a serious note, I love how you use colors, it's like a dance of warm and cold in the painting 🤗
Aww no. If I could have an artist in my pocket it would be you. You could paint whatever makes you happy and whatever is your heart. That is why I pay to be part of your UA-cam: because it’s “Mikko”. You are you and I’d give all my money to pay for an artist’s joy. Any artist who shares joy and creativity to anyone who wishes to learn is a teacher. In my humble opinion. I’d give everything I earned to see and share your work
I thought about it for a long time but right now I'm really glad that I started the membership because it gives me freedom to make videos that I just know wouldn't work with the algorithm. The lessons are also more fun to design than the ones I've done for schools because I never have that moment of "we don't have time for this or this is too advanced for this amount of lectures". I'm now more aware of how much stress there is in making content for youtube because of people expecting certain type of content and the membership stuff has really never felt at all stressful. Because I keep the tutorial relatively on one topic they're also super fun to edit as they don't take me all week to fine tune. I always knew it would be more work but I didn't anticipate that making them would benefit my public uploads so much too because I don't have to try making one video to be about everything at once. This video for example was way more enjoyable to make because I knew I could focus on giving all information required for this way of practicing art. Had I also tried to cram in colour,blending and brush strokes it would have just been an unfocused mess to watch and a nightmare for me to edit.
I think I would really love editing if the programs and systems were a bit more stable. When everything works though I geek out on the silliest things. The story clip on my ig for this probably won’t be seen with audio by most people but when the timing of it settled into place it was so satisfying to tweak 🎵
Awesome video! I struggle so much with bold brushstrokes, usually rendering the crap out of everything (especially with digital). And when I try to be bold, it's all junk. Good to see a few solid things to try.
I tried drawing like high rendered stuff but I am so impacient that I cant do that. So I started with acrylics and swaped that same workflow to digital art. So I always leave in my lines and paint over it. I was amazed that there are so many ppl who dont paint like that, but I find it easier than going the way of sketching, lineart, color, render. I just go from mess to render. Really good vid Mikko
If I can afford to do one someday I will. Right now I’m working from 5 to 9 to make content for this channel, meet my commission deadlines, answer comments and to plan and shoot tutorials for the channel members. I’ve never had this long workdays in my life so adding one more expensive project on top is simply something I can’t afford to do right now.
I picked the default gouache brush last week and I find myself changing brushes less and less. Unless I need a different shape, I normally stick with one brush. Thanks for the tip! It was very helpful.
It was a bit scary situation. Luckily I found my own workaround that fixed it. Waiting for all the parties to come together and solve it would have taken ages. I’m glad that my agency understood the situation right away and they didn’t mind this video being late a few days. I worked on this from morning to night every day after getting back from Lapland. Honestly I was most worried about losing the right to publish this at all after the dozens of hours it takes to put one of these together. It might not be that obvious but doing a video is a creative process on its own and the thought of that work going to waste is just the worst feeling I can imagine.
Thank you for this video Mikko! This is a beautiful piece and I, as always, feel so inspired to paint after watching. While clients might rarely say, “paint it how you want Mikko!” I believe that the angry mob are collectively saying, “paint whatever you want, exactly how you want Mikko!”
I really feel like that already. Right now having this membership option on this channel is like having an absolute dream client once every 3 months. For a week I can just paint what I want to paint and I don't have to hide the piece because of NDA clauses but I can share it here. A week in every 3 months might not sound like much to some but everyone subscribed to this channel, not just the members benefits from it when I have one extra video done during that time that would otherwise have been spent with client work that I can almost never show here.
This approach makes the brush strokes look even more drastic in print but personally it’s something I like to look at on my walls. Those paintings just hold my attention longer when it’s a physical object in the room as opposed to something flat and graphic.
Thanks for this video! Every time I start drawing, art lines are always messy, and that's how I have the most fun doing. But then going into coloring my coloring and drawing don't match and I hate it. This is major help 👀
Have you SEEN my sketches 🤣 go look at the first seconds of any of my livestreams where I have a sketch ☝️ your lines are probably not at that level of mess so don’t worry about it. When you are in the middle of the process work the entire piece not just colours or lights but everything including the lines until they eventually stop fighting each other.
This video made me chuckle. I have finished a digital painting. ... hair and eyelashes etc... ....🧐🧐🧐🤣🤣🤣😡🤬🥵. Who knows so I slap the paint down like I just don’t care in an approximation. I can’t do perfectionism. This is an AMAZING VID. and you took away my guilt as I only ever paint on one layer and I thought that was bad for digital painting.
One layer is the ultimate hard mode in painting. Layers aren't difficult to use. You can absorb all that information in one hour by just reading that section of the manual of whatever program you're using. Learning to plan and paint the piece is much harder and having tons of layers can slow down that process a lot if you don't already have a clear idea on how having one element on a separate layer will help with the workflow. Whenever I have one of those dead-end moments with a piece I've been working on for a long time. I just flatten down everything because that frees me to make bigger more drastic changes. The guardrails of the layers stop being helpful and become a hinderance when they aren't guiding a pointing towards a planned outcome.
I think the fluffiness is the hardest part with the limitations mentioned in this video. One way to fool the eye is optical blending with a textured brush. It needs low value contrast to work but can be very satisfying when those colours are next to each other in soft colour transitions.
@@angrymikko thanks! I painted a jellyfish in my latest artwork and used a 25% opacity desaturated light blue colour for the base. Do you suggest painting a desaturated version of the background over that specific area?
I’ve done that a few times in my livestreams but I think that’s a good idea for a short tutorial that people can see how to use that feature to improve their ergonomics.
This was painted with Pastel on Wood. I share my new experimental brushes each month for the channel members. The next one will be up in a few days and that will replace Pastel on Wood brush in the monthly downloads. I might make a ”best of” collection out of these one day if it’s something people want to see.
This exercise is free and something I have assigned to my students during concept art classes. I'd never be able to give this talk to thousands of people like I have by releasing this video. Right now I'm focusing on creating free content for this channel and also new tutorials each month to my "From Beginner to Advanced"-series that is available for the members who have joined this channel. I'm not doing a live class this spring so that gives me more time to work on both. I might teach a class again later but for online teaching I think videos are a better option due to time-zone differences and they're not as limited as live classes. I've never liked class sizes that are bigger than 20 but if I made something like that then I'm sure most people would dislike the fact that I can't open it up for more people. I'm sure overtime I'll have something for everyone but creating these things takes time. Also I want to keep making free content for this channel a priority.
The 100% opacity rule is so brutal. I'm happy to use one brush, bigger size, one layer only, but whenever I try to paint at 100% opacity, my work invariably turns into a garish mess. I guess my midtone game is not up to scrap yet.
If you have opacity set to the way you use the stylus there should always be access to softer brush strokes when you feel like that’s what you want and need to do. My opacity is set to steep angle threshold so that I don’t accidentally trigger it when I don’t mean to do so. Easy place to start is a linear pressure curve but I found that to lead into most of the brush strokes being blended on both ends so I tweaked it to have a high minimum opacity.
Do you know much if its worth to get an ipad or digital monitor, I will be focus on tattoo artist stuff but want it portable also. But I want to create best art possible. Nice fox also i like the style.
No, all my free time goes into these videos and making my Beginner to Advanced series of lessons for the members of this channel. Without their help I wouldn’t be able to make so many pieces just for youtube videos.
@@angrymikko so sorry if this is a stupid question but does that mean you have videos that we can pay to watch that are tutorials? Or just what I can see . Sorry I’m new to this , but if you have a paid subscription I would definitely pay to see your tutorials your works amazing.
There are channel memberships on youtube now. I started mine in the beginning of this year. At first it was just a few videos but it has grown over time to more stuff like monthly download packs, livestreams and extra palettes. It's still new to me so I'm sure it'll evolve over time as I experiment with what works for it.
Why not keep the painting the way it was at 7 minutes into the video? I really appreciate being able to see those praised bold brush strokes, but later in the painting they sadly disappear
I have to admit the return to editing was a bit drastic after skiing on lakes for a week. It also felt like coming from the coldest icy winter to the warmest part of spring just by taking the train home.
Hi, this might get long so please bare with me. I’m an early teen, and I just.. really want to know how you bring your paintings to life. I always feel as though I have a great, detailed piece and idea in my mind, but I can never translate that into an actual painting. I am just so confused on how you work with brushes and it’s magical to look at, but very difficult to understand. I’m sorry if my question is vague and difficult to answer, but how do you make objects out of the colours that you put in every way? It seems so aimless and then you make it wonderful at the end. Your skill and talent is amazing, I really wish someday I can at least be half as good as you. And is there any other way I can ask you questions? I have many, but I don’t know where to ask without making it look like a spam paragraph. I really wish you were my art teacher. All the best!
The suggestions I have here for how to develop your brush strokes aren’t really all that different from how to start learning digital art. The only way to make learning the fundamentals quicker is to stop giving valuable time to tricks. I’m not going to say it will be fast or easy but if that end goal is something you want then it’s definitely worth it.
If you know how to set colour and opacity of a brush then you already know everything you need to know about the app you are using. Don’t get sidetracked by technical tutorials on software. Focusing on the area of illustration you want to do and fundamentals on composition, colour, line rhythms, mood, brush strokes, storytelling and such are way more important.
How did you do that you dont have this annoying checkquered pattern in the background? Damn that this frustrates me so much, that i use Art Studio Pro instead of Procreate.
@@angrymikko Yeah this pattern and unnatural line smoothing in procreate is 2 reasons i tried ArtStudio, and i dont use Procreate since then, maybe i will use both if i can get rid of the pattern.
You don’t need to use procreate if you already have an app you like. Painting is painting, the differences between the apps are so trivial that I don’t feel like it matters at all.
I’m just stating to paint digital, I got an iPad Pro. My art is all done with a single brush, I put values in place then just use the same brush as a blend tool and smudge it until I’m happy. It’s usually on 1 layer. Can you check my Instagram @utopia_artist and tell me if I’m on the right track? I really enjoy your videos and where I’m really struggling is trying to integrate the backgrounds with my subject. Do you have any videos that talk about this?
Whatever method of making art that gets you to publish the maximum amount of art is always the way you should choose for yourself. Having said that, if you want to practice brush strokes sometime I’d recommend leaving the smudge tool and one day you might notice you don’t need it at all.
I do use photoshop for editing my paintings. If you have watched this video you should know that using either program doesn’t make a single bit of difference to either my workflow nor to the way I paint. If this was done 100% in PS it would have been done in this exact same way. This is also what I meant with the description of this video.
@@angrymikko 😍, how many time did you change your pencil tip? Is that run out quickly? Because i want to buy an ipad and i need some tips or recomendation from you, hehe😊
Haven’t changed it even once. However I have changed my intuos nib during 10 years twice 🤷♂️ Btw I did one PS editing livestream for the Angry Mob but I will probably do more when I find out how to display all of the pop-up windows through OBS. I don’t think most viewers on this channel would be interested in me clicking adjustment layers for 2 hrs though... The editing of this one was over 4hrs of just mouse work. 🐁 Might have been great material to cure insomnia tho’ (Any tips guys would be appreciated🌸)
@@angrymikko wah seriously never change it 😵? Thanks a lot for your answer thats so helping me...I hope my question wasn't bothering you at all🤧, thanks angrymikko...
![HOW FAST Should You Be PAINTING? [procreate painting process]](http://i.ytimg.com/vi/qSjGpROd-PU/mqdefault.jpg)
![HOW FAST Should You Be PAINTING? [procreate painting process]](/img/tr.png)
The first 1000 people to use the link will get a free trial of Skillshare Premium Membership: skl.sh/angrymikko04211
Sir Can you adobe fresco tutorial
@@vishnuvijayan1507 please no
Joined! But are you a teacher and if yes, how do I find your classes?
@@bridgetory5943 I can’t find them either
did anyone ever find his classes I can't find them either?
Every time I watch one of your videos, I feel like I'm slowly learning to overcome my mental block and truly enjoy the process of painting. Thank you, Mikko, for being my inspiration
Your videos have seriously made such an impact really appreciate it
That makes me really happy to hear. Also I’m so glad I was able to release this video. I worked so hard on it that getting the video pulled by a false copyright claim was really scary. I’m glad it got sorted in the end but honestly that was just sheer luck.
"there is a time and place for painting eyelashes" love that part ❤️
On a serious note, I love how you use colors, it's like a dance of warm and cold in the painting 🤗
This was not the time nor the place ☝️
Aww no. If I could have an artist in my pocket it would be you. You could paint whatever makes you happy and whatever is your heart. That is why I pay to be part of your UA-cam: because it’s “Mikko”. You are you and I’d give all my money to pay for an artist’s joy. Any artist who shares joy and creativity to anyone who wishes to learn is a teacher. In my humble opinion. I’d give everything I earned to see and share your work
I thought about it for a long time but right now I'm really glad that I started the membership because it gives me freedom to make videos that I just know wouldn't work with the algorithm. The lessons are also more fun to design than the ones I've done for schools because I never have that moment of "we don't have time for this or this is too advanced for this amount of lectures". I'm now more aware of how much stress there is in making content for youtube because of people expecting certain type of content and the membership stuff has really never felt at all stressful.
Because I keep the tutorial relatively on one topic they're also super fun to edit as they don't take me all week to fine tune.
I always knew it would be more work but I didn't anticipate that making them would benefit my public uploads so much too because I don't have to try making one video to be about everything at once.
This video for example was way more enjoyable to make because I knew I could focus on giving all information required for this way of practicing art. Had I also tried to cram in colour,blending and brush strokes it would have just been an unfocused mess to watch and a nightmare for me to edit.
Thanks!
damn not even a like
Your art videos have a magical aesthetic to them. Absolutely love them. 😁
I think I would really love editing if the programs and systems were a bit more stable. When everything works though I geek out on the silliest things.
The story clip on my ig for this probably won’t be seen with audio by most people but when the timing of it settled into place it was so satisfying to tweak 🎵
I love your rough and bold touchness of brush and deeply touching color collection theme.
I'm a traditional artist that is trying digital art and I have to say that I appreciate bold brush strokes. Thanks for this great video.
A PS: for those who haven’t used Skillshare: I’d grab the 14 free days from Mikko’s post. It’s brilliant. Loads of brilliant classes.
Awesome video! I struggle so much with bold brushstrokes, usually rendering the crap out of everything (especially with digital). And when I try to be bold, it's all junk. Good to see a few solid things to try.
Your videos are always like art therapy, you bring so much light and it honestly makes me excited to start something new.
Starting is the exciting part but even more fun is finishing a piece when my inner voice tried to make me quit.
Thank you, this is so helpful!!! I was actually just wanting to learn how to make my brushstrokes more bold and visible 💛
I tried drawing like high rendered stuff but I am so impacient that I cant do that. So I started with acrylics and swaped that same workflow to digital art. So I always leave in my lines and paint over it. I was amazed that there are so many ppl who dont paint like that, but I find it easier than going the way of sketching, lineart, color, render. I just go from mess to render. Really good vid Mikko
Can you pls pls pls do a skillshare class ? It will be so helpful :)
If I can afford to do one someday I will. Right now I’m working from 5 to 9 to make content for this channel, meet my commission deadlines, answer comments and to plan and shoot tutorials for the channel members. I’ve never had this long workdays in my life so adding one more expensive project on top is simply something I can’t afford to do right now.
@@angrymikko I totally understand. Please take your time and care for your health because that's the most important thing one can have.
I honestly like the chunky brush strokes! Ty for the video!
These videos are amazing and very helpful, please don’t ever stop making videos
As long as I still have a pulse and general belief in the goodness of people then I’m sure new videos will keep coming if I can afford to make these.
AMAZING video very thankfull!!
I picked the default gouache brush last week and I find myself changing brushes less and less. Unless I need a different shape, I normally stick with one brush. Thanks for the tip! It was very helpful.
I love the colors in this piece
I'm glad you managed to get around the logo issue.
Great work as always with the video!
It was a bit scary situation. Luckily I found my own workaround that fixed it. Waiting for all the parties to come together and solve it would have taken ages. I’m glad that my agency understood the situation right away and they didn’t mind this video being late a few days.
I worked on this from morning to night every day after getting back from Lapland. Honestly I was most worried about losing the right to publish this at all after the dozens of hours it takes to put one of these together.
It might not be that obvious but doing a video is a creative process on its own and the thought of that work going to waste is just the worst feeling I can imagine.
Thank you for this video Mikko! This is a beautiful piece and I, as always, feel so inspired to paint after watching. While clients might rarely say, “paint it how you want Mikko!” I believe that the angry mob are collectively saying, “paint whatever you want, exactly how you want Mikko!”
I really feel like that already. Right now having this membership option on this channel is like having an absolute dream client once every 3 months. For a week I can just paint what I want to paint and I don't have to hide the piece because of NDA clauses but I can share it here.
A week in every 3 months might not sound like much to some but everyone subscribed to this channel, not just the members benefits from it when I have one extra video done during that time that would otherwise have been spent with client work that I can almost never show here.
Great tip and advice thanks!
I really love chunky brush strokes, I was very excited for this video!
This approach makes the brush strokes look even more drastic in print but personally it’s something I like to look at on my walls. Those paintings just hold my attention longer when it’s a physical object in the room as opposed to something flat and graphic.
Thanks for this video! Every time I start drawing, art lines are always messy, and that's how I have the most fun doing. But then going into coloring my coloring and drawing don't match and I hate it. This is major help 👀
Have you SEEN my sketches 🤣 go look at the first seconds of any of my livestreams where I have a sketch ☝️ your lines are probably not at that level of mess so don’t worry about it. When you are in the middle of the process work the entire piece not just colours or lights but everything including the lines until they eventually stop fighting each other.
@@angrymikko Haha, messy is fine anyway 😏 Thanks for the advice though. Love your work and way to approach painting!
You’re inspiring. Thank you for your content.
Thank you for finding these videos :)
Great video. Instant subscribe. I think it will help me alot in painting more confidently.
How can your procreate work at that resolution? My ipad says it’s too large :’(
This video made me chuckle. I have finished a digital painting. ... hair and eyelashes etc... ....🧐🧐🧐🤣🤣🤣😡🤬🥵. Who knows so I slap the paint down like I just don’t care in an approximation. I can’t do perfectionism. This is an AMAZING VID. and you took away my guilt as I only ever paint on one layer and I thought that was bad for digital painting.
One layer is the ultimate hard mode in painting. Layers aren't difficult to use. You can absorb all that information in one hour by just reading that section of the manual of whatever program you're using.
Learning to plan and paint the piece is much harder and having tons of layers can slow down that process a lot if you don't already have a clear idea on how having one element on a separate layer will help with the workflow.
Whenever I have one of those dead-end moments with a piece I've been working on for a long time. I just flatten down everything because that frees me to make bigger more drastic changes.
The guardrails of the layers stop being helpful and become a hinderance when they aren't guiding a pointing towards a planned outcome.
lovely picture Mikko great colours, brilliant Video
Thankyou for this video mikko! It’s exactly what I needed to boost my motivation.
I am so glad I found your channel!
We were looking for you all this time! 🐻☝️💕
Such and inspiration. Im definitelly going to try your challenges for my next piece.
Remember to take it easy. No point stacking on all this at once. Hope you have fun with it 🐻
The fox fur looks so lush and fluffy.
I think the fluffiness is the hardest part with the limitations mentioned in this video. One way to fool the eye is optical blending with a textured brush. It needs low value contrast to work but can be very satisfying when those colours are next to each other in soft colour transitions.
Hola, question. How are you switching from black and white to color so quick? And does color picking st a desaturated mode cancel the colors?
Thanks. Mikko, this is awesome!
Amazing video!! I love all those colors, and the texture, plus that's my favorite animal from the forest. 😄
Have you ever done an artwork on B&W? 😸
Love it! Thank you for all the pointers!
Thx for the tutorial Miko.Keep up the great.U are so close to 100k
Literally counting individual numbers now 🐝🎨🌸
Thank you very much! You have precious advices! ;) And you art is so beautiful!
What’s your advice for painting transparent objects?
That depends entirely on what the object is. I wouldn’t personally change the brush or opacity for most translucent materials.
@@angrymikko thanks! I painted a jellyfish in my latest artwork and used a 25% opacity desaturated light blue colour for the base. Do you suggest painting a desaturated version of the background over that specific area?
Hi @angryMikko Do you use reference?
Hey can you show how much you set your apple pencil pressure curve in setting?
I’ve done that a few times in my livestreams but I think that’s a good idea for a short tutorial that people can see how to use that feature to improve their ergonomics.
Inspiring
Wait how do I get this brush? I love your brushes
This was painted with Pastel on Wood. I share my new experimental brushes each month for the channel members. The next one will be up in a few days and that will replace Pastel on Wood brush in the monthly downloads. I might make a ”best of” collection out of these one day if it’s something people want to see.
@@angrymikko oh you definitely should, that would be really awesome!
Did you have any Procreate painting in-depth videos or courses available?
This exercise is free and something I have assigned to my students during concept art classes. I'd never be able to give this talk to thousands of people like I have by releasing this video. Right now I'm focusing on creating free content for this channel and also new tutorials each month to my "From Beginner to Advanced"-series that is available for the members who have joined this channel.
I'm not doing a live class this spring so that gives me more time to work on both. I might teach a class again later but for online teaching I think videos are a better option due to time-zone differences and they're not as limited as live classes.
I've never liked class sizes that are bigger than 20 but if I made something like that then I'm sure most people would dislike the fact that I can't open it up for more people. I'm sure overtime I'll have something for everyone but creating these things takes time. Also I want to keep making free content for this channel a priority.
@@angrymikko Well thanks for the content, and if you plan to make some Udemy, etc course I'll buy it :)
The 100% opacity rule is so brutal. I'm happy to use one brush, bigger size, one layer only, but whenever I try to paint at 100% opacity, my work invariably turns into a garish mess. I guess my midtone game is not up to scrap yet.
If you have opacity set to the way you use the stylus there should always be access to softer brush strokes when you feel like that’s what you want and need to do. My opacity is set to steep angle threshold so that I don’t accidentally trigger it when I don’t mean to do so.
Easy place to start is a linear pressure curve but I found that to lead into most of the brush strokes being blended on both ends so I tweaked it to have a high minimum opacity.
@@angrymikko thank you, I will give it a try.
Thanks man
i love your videos and your art soooo much ♥
Thank you :)
Do you know much if its worth to get an ipad or digital monitor, I will be focus on tattoo artist stuff but want it portable also. But I want to create best art possible. Nice fox also i like the style.
Whichever tool makes you finish and publish more art is what I’d go with. I have a cintiq I never use if that makes a difference.
Hi. I have one question. What brush do you use?
Btw your art is amazing
Like said in the video and the description; this brush is Pastel on Wood.
Do you have classes on Skillshare ? I tired searching but came up with nothing .
No, all my free time goes into these videos and making my Beginner to Advanced series of lessons for the members of this channel. Without their help I wouldn’t be able to make so many pieces just for youtube videos.
@@angrymikko so sorry if this is a stupid question but does that mean you have videos that we can pay to watch that are tutorials? Or just what I can see . Sorry I’m new to this , but if you have a paid subscription I would definitely pay to see your tutorials your works amazing.
There are channel memberships on youtube now. I started mine in the beginning of this year. At first it was just a few videos but it has grown over time to more stuff like monthly download packs, livestreams and extra palettes. It's still new to me so I'm sure it'll evolve over time as I experiment with what works for it.
Why not keep the painting the way it was at 7 minutes into the video? I really appreciate being able to see those praised bold brush strokes, but later in the painting they sadly disappear
New Mikko VIDEO!! I got my brush (apple pencil lol) let's do some art :) :)
I have to admit the return to editing was a bit drastic after skiing on lakes for a week. It also felt like coming from the coldest icy winter to the warmest part of spring just by taking the train home.
Hi, this might get long so please bare with me. I’m an early teen, and I just.. really want to know how you bring your paintings to life. I always feel as though I have a great, detailed piece and idea in my mind, but I can never translate that into an actual painting. I am just so confused on how you work with brushes and it’s magical to look at, but very difficult to understand. I’m sorry if my question is vague and difficult to answer, but how do you make objects out of the colours that you put in every way? It seems so aimless and then you make it wonderful at the end. Your skill and talent is amazing, I really wish someday I can at least be half as good as you. And is there any other way I can ask you questions? I have many, but I don’t know where to ask without making it look like a spam paragraph. I really wish you were my art teacher. All the best!
The suggestions I have here for how to develop your brush strokes aren’t really all that different from how to start learning digital art.
The only way to make learning the fundamentals quicker is to stop giving valuable time to tricks. I’m not going to say it will be fast or easy but if that end goal is something you want then it’s definitely worth it.
@@angrymikko where would you recommend I start? Do you know any good (free) Procreate painting courses? Or similar things like that
If you know how to set colour and opacity of a brush then you already know everything you need to know about the app you are using. Don’t get sidetracked by technical tutorials on software. Focusing on the area of illustration you want to do and fundamentals on composition, colour, line rhythms, mood, brush strokes, storytelling and such are way more important.
@@angrymikko Well I’ll try 😅
thank you for answering my questions!
Why can’t I see the brush available? I’m a channel member. ;’\
Hey :) Its under the community posts section, a few posts down you can see he released his brush in a post!
Can you post how to draw the background ？ This video not show the details ！ Many Thks
How did you do that you dont have this annoying checkquered pattern in the background?
Damn that this frustrates me so much, that i use Art Studio Pro instead of Procreate.
Nothing wrong with art studio. They’re all pretty similar apps.
@@angrymikko Yeah this pattern and unnatural line smoothing in procreate is 2 reasons i tried ArtStudio, and i dont use Procreate since then, maybe i will use both if i can get rid of the pattern.
Line smoothing can be turned off.
@@angrymikko Yes i know, i want it but more natural, Art Studio have 3 types of smoothing to choose for, thats why i decided to try it.
You don’t need to use procreate if you already have an app you like. Painting is painting, the differences between the apps are so trivial that I don’t feel like it matters at all.
and here I am, drawing with my finger, with the iPad on my lap. I don’t even have an Apple Pencil.
Do I need to change that? (i think so)
Apple Pencil has the added benefit of being pressure + angle detection both of which enable more possibilities than just a finger.
@@angrymikko Thanks
Im sorry .. i love your artwork... But i only can do subs and like... Your Landscape is the best... ❤️
no closed captions😭😭😭
Ohh are you also an teacher on Skillshare?! I cannot find you...
I’m not on that platform myself. Currently focusing on creating content for this channel.
Well I love watching you here as well, thank you for making all this content! I learn so much every time.
❤️👌
👏👏👍🎨😊
I’m just stating to paint digital, I got an iPad Pro. My art is all done with a single brush, I put values in place then just use the same brush as a blend tool and smudge it until I’m happy. It’s usually on 1 layer. Can you check my Instagram @utopia_artist and tell me if I’m on the right track? I really enjoy your videos and where I’m really struggling is trying to integrate the backgrounds with my subject. Do you have any videos that talk about this?
Whatever method of making art that gets you to publish the maximum amount of art is always the way you should choose for yourself.
Having said that, if you want to practice brush strokes sometime I’d recommend leaving the smudge tool and one day you might notice you don’t need it at all.
Please use photoshop, in one single time in your videos, i love your style..., oh, btw, how many time did you change your apple pencil's tip?
I do use photoshop for editing my paintings. If you have watched this video you should know that using either program doesn’t make a single bit of difference to either my workflow nor to the way I paint. If this was done 100% in PS it would have been done in this exact same way.
This is also what I meant with the description of this video.
@@angrymikko 😍, how many time did you change your pencil tip? Is that run out quickly? Because i want to buy an ipad and i need some tips or recomendation from you, hehe😊
Haven’t changed it even once.
However I have changed my intuos nib during 10 years twice 🤷♂️
Btw I did one PS editing livestream for the Angry Mob but I will probably do more when I find out how to display all of the pop-up windows through OBS.
I don’t think most viewers on this channel would be interested in me clicking adjustment layers for 2 hrs though... The editing of this one was over 4hrs of just mouse work. 🐁 Might have been great material to cure insomnia tho’
(Any tips guys would be appreciated🌸)
@@angrymikko wah seriously never change it 😵? Thanks a lot for your answer thats so helping me...I hope my question wasn't bothering you at all🤧, thanks angrymikko...
That’s what I’m here for 🐻
@4:28 what are you drinking
Coffee
🤕 😯 😳 🤩 😓
I love your art but I hate they way you forced your self to talk like that
There are plenty of other channels that are probably better suited for you.
Don’t listen to this fool. His accent is awesome