The Fastest Way To Memorize 251s / FREE PDF DOWNLOAD
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- Опубліковано 15 лип 2024
- FREE PDF DOWNLOAD: scottpaddocksaxschool.com/251...
In this video, I’m going to show you the fastest way to learn and memorize all of your 251s. Using one simple pattern, we are going to lock that 251 sound into your ears and fingers and get them to a point where they are just falling out of your instrument. Make sure you download the free PDF so that you can follow along.
UA-cam Videos
251 Breakdown: • THE 2 5 1 CHORD PROGRE...
Recognizing 251s: • RECOGNIZING 2-5-1's
The Scott Paddock Sax School is OPEN FOR ENROLLMENT!
www.scottpaddocksaxschool.com
It's time to take the guesswork out of what to practice, how to practice & what to practice next. The Scott Paddock Sax School is laser focused on helping you become a better sax player by guiding you along a direct path, structured to help you hear immediate results.
The Sax School is an online subscription based membership made up of courses that are set up in the exact same way that I teach private lessons. The courses range from beginner through early advanced and guide you through a step by step approach to learning songs, scales, theory, technique, improvisation, and special sax skills that are appropriate for your playing level. ENROLL TODAY
INSTAGRAM: @scottpaddocksax
www.scottpaddock.com
Scott Plays:
P. Mauriat 67RX Influence alto sax
Barkley Brazil Kustom Pop 7 Blue mouthpiece
Legere American Cut 2.25 reeds
BG Silver Duo ligature
Scott again.. delivering & facilitating knowledge; I feel thankful for every thing I have learned from his videos.. and from the school too. Great communicator when it comes to teach.. a pleasure.
Thank you so much David! Glad you are enjoying the videos & the Sax School 👍🎷
Awesome Scott. Thank you.
Sweet! Making it seem simple 🎵
Thank you so much 👍
Gracias por el trabajo. Muy bien explicado. Me gustó el vídeo. Ya descargue la tarea.
Thanks Scott. I really appreciate how you simplify theory so it's easy to understand. Not only that but you are a good teacher.
Thank you!!! I try to make it simple and very easy to understand. Let me know if you have any suggestions for videos.
Really interesting post Scott thanks for sharing 🇬🇧🎷👍
Thanks!!
And thanks for the pdfs.
No problem!!
Parece difícil pero con la practica y si sobre todo paciencia, se puede lograr y dominar. Gracias por el aporte. Me gustó el vídeo.
Cheers and thanks a mil
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Merci Scott .. super cool .. l'approche du majeur pour aller au mineur et les enchainer .. tres cool .. Fastidieux pour commencer mais c'est sur que ca donnera un bon resultat ..
j'aime bien aussi DO FA*Sib Mib* LAb REb etc etc etc ..
Enfin merci pour tout ton travail que tu nous offres ici .. ;-)
Fino, gracias por compartir... suena como todo alegrón ese 251
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Great exercise! Also I highly recommend Scott’s sax school. Great help when learning improv.
Thanks so much Bruce!!!
I second that. Great investment.
thanks bro
You're welcome.
I recently moved from a "link"....to a D'addario.... jazz Select.... A lot more focused and workable with creating...... tone.
With all this information I'm sure gonna be blowin'......SWEET...!!
A lot of people have switched to the jazz select and really like them. Have fun!!
Yeah...getting things under my fingers. That's what I'm working on. As a guitar player, I have that relationship between my ear and my fingers sorted. On sax....not so much. I have to visualize a guitar fretboard when I'm improvising on sax. The C Melody helps with that. Thanks for the exercise. I'll definitely work on it. Hope to see you at SG on the 19th!
That’s exactly what I’ve been facing. I never had too much of a problem memorizing the guitar or piano, but man am I having trouble memorizing on sax. I learned on piano first so I’ve got to actually visualize piano keys when trying to remember chord progressions.
@@robfairbrother3014 Yeah, piano and guitar are both visual...you can see your fingers. The piano keyboard is linear so it's easy to visualize intervals and chords and progressions. The guitar fretboard is a grid, so it's geometric...scales and chords are shapes and patterns that you can SEE. Sax is like....algebra. Numbers and formulas that you have to memorize...until you get them under your fingers and build some muscle memory. And I'm not a mathemusician... for 40 years I've only had to count to 4...sometimes 6.😅
Hey! Yeah, I plan on swinging by SG on the 19th. I hear you, I've been trying to work on my piano chops while in Ko Samui, and the whole time I'm thinking saxophone, but like you said, at least with the piano, I can look at that note and visualize what it sounds like. On the sax, you're flying blind! 🤣 Also, I changed the transposition of my keyboard so that it always plays in the key of the alto. That was a huge step forward in working on both instruments at the same time.
Always informative. @Scott Paddock What pedal are you using for that sound
Hey! I'm not sure what you're asking? I'm not using any pedals.
You referred to these exercises as being for the sax. I play the trumpet.... wouldn't it be workable for me on the trumpet?
Good stuff Question: What A#/B Flat finger do you use on the BMaj7 when going from A# to B and back to A#? Do you use the Biz? Am finding that transition tricky. Thx!!
Might be a little late here but, F# to Bb, Play F# next play B while keeping middle right finger on F# key only for that 1st A#/Bb (alternate Bb played with either B and F key together or B and F# key together). Up to B is B key only. For next A#/Bb back to B and F# key and then play F# again.
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Wonderful sir ...I need ur contact on watspp
Thank you! You can check out all my info at the www.scottpaddocksaxschool.com