Chris is the type of guy who can make guitars sound like grieving Knowing the story behind the story of RoR makes this feel a million times better because you finally understand what mithrix have done and went through, how it went from a story of two brothers to a heart shattering experience...
Bruh this. RoR's story is so tragic and sad. And C. Christodoulou tells such amazing stories through the music. And "The Rain Formerly Known as Purple" (siren's call theme) is also extremely emothional and the synth lines sound so whiny and sad.
@@Mamadordeculosprofesional so, slowpoking here, but just for the sake of making sure people aren’t confused: “The Rain Formerly Known as Purple” actually plays on Sky Meadow; the stage theme for Siren’s Call (and for Bulwark’s Ambry) is “The Raindrop That Fell to the Sky”. an understandable mistake, given the similarity of the song names. (for those unfamiliar with this series, very nearly every song title in the franchise refers in some way to weather or precipitation, though a lot of the references are like this one, where you need familiarity with another work to understand how. “Once in a Lullaby”? “Somewhere Over the Rainbow”. “They Might as Well Be Dead”? The Beatles’ “Rain”. The prelude on the _Survivors of the Void_ soundtrack? Chopin’s “Raindrop” Prelude. and so on.) whichever track you meant to refer to here, though, everything else you wrote is completely correct. those are my two favorite tracks in the game (“The Raindrop That Fell to the Sky” has the edge though; in fact it’s tied with Nobuo Uematsu’s “Dancing Mad” as one of my two favorite video game tracks of all time). i love “…con lentitud poderosa”, too, but in a way, i think it’s almost kind of a shame that it’s blown up so much that a lot of people hear it without having heard “Coalescence” first, since I think the context of the latter makes the former even more (if you’ll pardon the pun) powerful.
"Pensé en un mundo sin memoria, sin tiempo, consideré la posibilidad de un lenguaje que ignorara los sustantivos, un lenguaje de verbos impersonales o de indeclinables epítetos. Así fueron muriendo los días y con los días los años, pero algo parecido a la felicidad ocurrió una mañana. Llovió, con lentitud poderosa." -Jorge Luis Borges, El inmortal For context, this song plays after what's typically 40+ minutes of progression through ceaseless increasingly aggressive waves of monsters on a planet that seems to actively will for your death. In order to keep pace with the scale of things, you will have had to adorn yourself with so many artifacts that you can barely be considered yourself anymore. After enduring harder and harder battles, you finally make it to the final stage, and... It's quiet. There's the occasional enemy, but the final stretch is mostly peaceful and contemplative. It asks you to look back at how far you've come since you began, and tells you that there's only one trial left to overcome.
A bit more context; That final obstacle is the final boss Mithrix who has a bit of a greek tragedy of a backstory wherein he and his brother Providence (the final boss from the first game) are 2 powerful godlike beings from a race of cyclops who have been trapped on the planet for their entire lives, and while Mithrix is all ambition and cool calculation with the single goal of escaping the planet to spread their influence across the galaxy, Providence grows to care for the creatures of the planet and begins to try to create life with free will as opposed to tools for labor. Mithrix, seeing this, chastises his brother, believing soul to be dangerous and unpredictable, and in return, when mithrix does figure out how to teleport to one of the planet's moons, Providence strands him there. Over (assumedly) thousands of years, mithrix looks back at the planet cursing his brother, but by the end of RoR2 when the player kills mithrix, his final words are still him crying out to his brother, likely unaware that he too is dead. Much in the same way that el imortal is about people with great power letting it corrupt and destroy everything they've built, so too is the story of the 2 Brothers of Petrichor V.
The synth at the crescendo is immaculate, and you think it couldn’t get better, then it goes nearly *2 octaves higher* and it sounds like a lonely voice in the void screaming at the top of their lungs to be heard. I’ve never been a huge fan of synth, but the way that Chris manages to condense such… INTENSITY into it makes it almost as though the synth is a lead singer in the song. Crucial in every aspect. Unforgettable. Amazing.
I love watching people react to crazy beat drops. So naturally, with this being one of the hardest beat drops ever created, I tend to really enjoy reaction videos of this song.
i would love to see your thoughts on more of Risk of Rain 2 and Risk of Rain Returns's soundtracks, both done by Chris Cristodolou and prettymuch every track has left me kinda speechless at one point or another. he has such a fantastic way of using melodies to make me feel such emotional weight...and headbang at the same time somehow. from Risk of Rain 2, the fan favorite seems to be "the rain formerly known as purple" and "they may as well be dead" from Risk of Rain Returns, i am loving both versions of "Coalessence" and "Surface Tension" loved your reaction
Check out the Warhammer 40k: Mechanicus OST, I know it doesn't sound like something you would expect to have a great sound track but it's considered one of the best in games and it's made even more interesting by the fact that is incorporates pipe organs heavily while maintaining it's theme.
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Chris is the type of guy who can make guitars sound like grieving
Knowing the story behind the story of RoR makes this feel a million times better because you finally understand what mithrix have done and went through, how it went from a story of two brothers to a heart shattering experience...
I agree. It's one of the big reasons why I also love David Gilmour (Pink Floyd). He can do stuff with a guitar that most masters struggle with.
Bruh this. RoR's story is so tragic and sad. And C. Christodoulou tells such amazing stories through the music. And "The Rain Formerly Known as Purple" (siren's call theme) is also extremely emothional and the synth lines sound so whiny and sad.
@@Mamadordeculosprofesional
so, slowpoking here, but just for the sake of making sure people aren’t confused: “The Rain Formerly Known as Purple” actually plays on Sky Meadow; the stage theme for Siren’s Call (and for Bulwark’s Ambry) is “The Raindrop That Fell to the Sky”. an understandable mistake, given the similarity of the song names. (for those unfamiliar with this series, very nearly every song title in the franchise refers in some way to weather or precipitation, though a lot of the references are like this one, where you need familiarity with another work to understand how. “Once in a Lullaby”? “Somewhere Over the Rainbow”. “They Might as Well Be Dead”? The Beatles’ “Rain”. The prelude on the _Survivors of the Void_ soundtrack? Chopin’s “Raindrop” Prelude. and so on.)
whichever track you meant to refer to here, though, everything else you wrote is completely correct. those are my two favorite tracks in the game (“The Raindrop That Fell to the Sky” has the edge though; in fact it’s tied with Nobuo Uematsu’s “Dancing Mad” as one of my two favorite video game tracks of all time).
i love “…con lentitud poderosa”, too, but in a way, i think it’s almost kind of a shame that it’s blown up so much that a lot of people hear it without having heard “Coalescence” first, since I think the context of the latter makes the former even more (if you’ll pardon the pun) powerful.
would love to see you react to more risk of rain 2 music, the rain formerly known as purple is my recommendation
Adding "Once in a Lullaby" to those recommendations!
"Pensé en un mundo sin memoria, sin tiempo,
consideré la posibilidad de un lenguaje que ignorara los sustantivos,
un lenguaje de verbos impersonales o de indeclinables epítetos.
Así fueron muriendo los días y con los días los años,
pero algo parecido a la felicidad ocurrió una mañana.
Llovió, con lentitud poderosa."
-Jorge Luis Borges, El inmortal
For context, this song plays after what's typically 40+ minutes of progression through ceaseless increasingly aggressive waves of monsters on a planet that seems to actively will for your death. In order to keep pace with the scale of things, you will have had to adorn yourself with so many artifacts that you can barely be considered yourself anymore. After enduring harder and harder battles, you finally make it to the final stage, and... It's quiet. There's the occasional enemy, but the final stretch is mostly peaceful and contemplative. It asks you to look back at how far you've come since you began, and tells you that there's only one trial left to overcome.
Man, so deep….. chacho!
Proof that music can elevate any medium to much higher levels
A bit more context;
That final obstacle is the final boss Mithrix who has a bit of a greek tragedy of a backstory wherein he and his brother Providence (the final boss from the first game) are 2 powerful godlike beings from a race of cyclops who have been trapped on the planet for their entire lives, and while Mithrix is all ambition and cool calculation with the single goal of escaping the planet to spread their influence across the galaxy, Providence grows to care for the creatures of the planet and begins to try to create life with free will as opposed to tools for labor. Mithrix, seeing this, chastises his brother, believing soul to be dangerous and unpredictable, and in return, when mithrix does figure out how to teleport to one of the planet's moons, Providence strands him there. Over (assumedly) thousands of years, mithrix looks back at the planet cursing his brother, but by the end of RoR2 when the player kills mithrix, his final words are still him crying out to his brother, likely unaware that he too is dead.
Much in the same way that el imortal is about people with great power letting it corrupt and destroy everything they've built, so too is the story of the 2 Brothers of Petrichor V.
The synth at the crescendo is immaculate, and you think it couldn’t get better, then it goes nearly *2 octaves higher* and it sounds like a lonely voice in the void screaming at the top of their lungs to be heard.
I’ve never been a huge fan of synth, but the way that Chris manages to condense such… INTENSITY into it makes it almost as though the synth is a lead singer in the song. Crucial in every aspect. Unforgettable. Amazing.
..and so he left, with everything but his humanity.
..and so she left, her soul still remaining on the planet.
..and so she left, her passions faded to an ember.
..and so he left, with his pyrrhic plunder.
..and so it left, ready to grow into something more.
...and so it left, entirely forgetting its previous purpose.
I love watching people react to crazy beat drops. So naturally, with this being one of the hardest beat drops ever created, I tend to really enjoy reaction videos of this song.
Thank you for the reaction. This is one of my favorite video game original soundtracks.
Every time some one discover risk of rain 1 or 2 ost an angel gets his wings, chris is a genius ❤
i would love to see your thoughts on more of Risk of Rain 2 and Risk of Rain Returns's soundtracks, both done by Chris Cristodolou and prettymuch every track has left me kinda speechless at one point or another. he has such a fantastic way of using melodies to make me feel such emotional weight...and headbang at the same time somehow.
from Risk of Rain 2, the fan favorite seems to be "the rain formerly known as purple" and "they may as well be dead"
from Risk of Rain Returns, i am loving both versions of "Coalessence" and "Surface Tension"
loved your reaction
Koppen As F**k is also amazing. Lots of good ones from the original (RoR1) OST as well
One of my favorite video game songs, heck songs of all time.
" ...and his music was *electric* "
Two brothers who still loved each other.❤
Great video! The soundtrack of this game is phenomenal and if you decide to do more I would love to recommend "they might as well be dead"
...and its music was electric
Check out the Warhammer 40k: Mechanicus OST, I know it doesn't sound like something you would expect to have a great sound track but it's considered one of the best in games and it's made even more interesting by the fact that is incorporates pipe organs heavily while maintaining it's theme.
You should listen to rimworld osts, it's all chill guitar riffs.
'Alpaca' is the catchiest one imo
Yes highly recommend Rimworld for guitar pieces! Alpaca is great, Rough Trail as well
Have you played anything from Isaac Albéniz ?
And his music was electric
Como hacer LLORAR a una guitarra
Watch bollywood songs like-hook up song