Shostakovich Violin Concerto No. 1 · Julian Rachlin · Orchestre National de France · Daniele Gatti
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- Опубліковано 25 сер 2024
- Shostakovich Violin Concerto No. 1
I. Nocturne: Moderato
II. Scherzo: Allegro
III. Passacaglia: Andante - Cadenza
IV. Burlesque: Allegro con brio - Presto
Julian Rachlin, violin • Orchestre National de France
LIVE from Carnegie Hall
This has changed my life.
Julian. this is incredible. you know how to play Shostakovich lamentation towards life itself. Composer fought demons of horror, death and evil. And he won this epic battle. A Life itself always wins. Always.
The greatest violinist to interpret this fantastic concerto Bravo !!!!!
No words,no nothing...just amazing👏👏👏👏👏👌👌👌👌
Best performing of this concerto!!! 🔥🔥🔥
Beautiful concert. Thanks Shostakóvich ❤ Thanks Rachlin ❤
I love this - such a daring, convincing interpretation of this piece.
Fearless! Amazing performance.
I have been watching this for four years
The third movement haunted me so badly😭😭😭😭
This performance once heard can never be forgotten. Cosmic.
bravo!!!
A fascinating and deeply moving performance
Wow! So glad I did not overlook this spectacular performance. Just marvellous.
Impressive music and violin lesson. Great engagement.
Wow, Shostakovich No.1 and encore is Ysaÿe Sonata No. 3 ballade (the latter is quite unique interpretation to me!). What a bonus!!!
You cannot play this concerto sane. Amazing performance!
Superb roasing performance incredible !!!!!
Immensely powerful music well played by the whole crew.
Powerful performance!👏
Stratosphèrique..!!!
Musicien fantastique, aucune note sans intérêt.
G É N I A L ‼️
Потрясающее исполнение! ❤
Outstanding!
Marvelous interpretation!
Merveilleux
Pure perfection, you cant play it better...
Sergey Chachatrayan. His interpretation is much better in my opinion, I think this one really rushed the cadenza. And the accents are weak as well.
@@phantasmal914 well, since leaving the comment I've heard many others interpretations including Khachaturian's. Nothing can compare to Rachlin's performance, as for me.
The main diffrence is that other violinists are just struggling with this pieace - better or worse, you can fell it. Rachlin is simply playing with it. He's literally controlling every note. And the gradation of emotions is insane... It's like Zimerman playing Beethoven. But that's only my inpression. That art is all about
Gigantic......
What a wonderful concerto, but what's more - *please* put "Encore, Ysaÿe - Ballade" in the title!!! I almost clicked out after the concerto applause!!
Great violin player! I love his recordings of Prokofiev Vc no.1 and Saint Saens Vc no. 3 (with Wienawski no.2).
The most expressive performance of this concerto I have heard and which was dedicated for David Oïstrakh by Dmitri Shostakovitch , interpretation sense perfect in the mind of the composer, in the way of Oïstrakh may be better..(?)
Thank you *tons!
What´s the name of the encore piece?
Ysaye violin sonata no 3 "ballade"
The camera work on this recording doesn't make it to mediocrity. Too much zooming in. Some important segments missing from action. This orchestra needs a better camera director and/or editor. Too bad for what sounded like a good performance of this difficult Shostakovitch concerto. 🤥
cough cough!
Кодеин
Holy crap the coughing during the cadenza 🤢🤢🤢
His version of the ballade is not quite the one for me. Sorry.
'Apostle' of Nathan Milstein, 3.5 years privately in NM Chester Square London home, invited
Assist-Helper for the Nathan Milstein International Violin Master Course/s 1970s Zurich,
American born musician knowing little of WWII/Tyranny of Stalin, 'til Fulbright Awardee to
London's *RCM, following studies as 1 of 7 orig Jascha Heifetz pupil's, then London residing/ traveling Continental Europe, concertizing & most importantly, knowing WWII Survivor's
and 1 Survivor of Auschwitz, Pianist, Natalia K., sitting a young self down showing me
her burnt into rght arm black Numbers by the Nazi's, yet surviving The Shower due the Day
of Fuhrur's Birthday, oddly found by a Nazi Officer knowing her prodigy Pianist fame pre
WWII, Piano Soloist with the Berlin Philharmonic@aged 10, altho' broken by Nazi's all 10
Fingers, she was ordered to answer 'do play Happy Birthday?' to which she nearly said, no,
yet 'something' inside told young Natalia, 'say Yes' doing so & was then marched out of the barracks to the House of Commandant of Auschwitz, and placed on a Piano bench to play
Happy Birthday for Nazi Officer, in terrible pain but nonetheless, did so knowing somehow,
she had to as a 'Shower' was awaiting her & younger sister, whom she managed taking w/
excuse, 'my sister must turn a Happy Birthday page for me' which unknowing things of
Music, Nazi Officer okayed, & once played, the Nazi Officer pronounced Natalia +her page
turner sister to be bathed, given some food, and be dressed for the Birthday Party of The Auschwitz Commandant's Fuhrur BD Party, avoiding the Shower That Day, and upon
playing Happy Birthday That Evening, to the Commandant's Liking, was 'hired' full time
as Pianist for Parties held in the Commandant's House, thusly saving young Natalia & her
younger sister's Lives & later on when the Allies came & found Horrors of Auschwitz, she
with her sister hiding in a field, were discovered by American & British Troops - driven to
Calais, put on a Boat crossing the English Channel to Southampton, Eng., where Officers of
British Allies pre-alerted placed Natalia & Sister on a Train from Southampton to London, to
be met by London Orphanage Rep & both went on to have fine education's & Natalia studies
with a renowned British Pianist, later Debuting in London's Wigmore Hall to acclaim w/her
Story of Survival Told, signed to Concert Artist Management, concertizing as BBC London
Artist & throughout UK, marrying Josef Karp, WWII Survivor & Great Sculpture where they
had 2 children, lived in lovely N. Hempstead & we met for future BBC Violin/Piano Sonata
broadcasts in her home where my now late Friend-Pianist, Natalia, sat me down and still December 15, 2022, and my 1st hearing ^Julian Rachlin performing Shostakovich's Violin Concerto No. 1, in a min, Opus 99, with a Great and refined Orchestre National de France/
Daniele Gatti, Dirigent, in Carnegie Hall, LIVE!! Having recorded this Epic Violin Concerto
of Shostakovich w/the Bamberger Symphoniker, knowing my father-principle teacher (age
3 until Heifetz) was not long for this World in a US West Coast Hospital, I find myself w/ memories of Natalia & feelings of what were terrors of Hell experienced by Shostakovich
whom Monster Stalin, terrorized until Monster's memory, GOAT Twentieth Century Diarist in Sound/Genius of Composition, Shostakovich finally scored a Victory in 1st Violin Concerto, composed/Dedicated to Greatest Compatriot - Icon, David Oistrakh, & whom suffering's of Shostakovich were well known about & recorded, pouring out vile purges of Stalin, into his
Massive Score=True Story of Dimitri Shostakovich's viciously foisted on him suffering's in Burlesque Victorious Finale in spite of The Devil! During our Bamberger Symphoniker initial
acquaintance, I felt much of Natalia's Suffering & of my own Father, while recording one's
'Ode to Poppa', after, for he passed within days upon completing our Recording in The 13th Century Abbey in Bamberg, for Sudwestdeutsche Rundfunk, w/superb German Engineer's + sensitive H. Michael, Conductor for ailing Rudolph Barshai, taken ill days prior our begun
date of recording ... After 5 Full Hearings of Julian Rachlin, writing one's violinistic idea's
re his Unique Shostakovich, I feel he truly re lives the Terror's of Shostakovich's Portrayal & throughout the Violin Concerto #1 'Diary'... *Julian Rachlin may well be finest interpreter of Shostakovich No. 1 since Dedicatee, 'King' David Oistrakh!! Special compliments go out to Orchestre National de France Percussionist re softer Sounding Tympani Opening 'Tolls' on Tympani, superbly-sensitively in the 3rd Mvt Passacaglia offered & to me sounding 'Right'!
So Thankful this Live performance is online, I've posted to my Facebook Timeline, and add
I love Ysaye's Third Solo Violin Sonate in D, "Ballade", (due Potus Carter White House Violin
Recital offering it, Potus Carter invited honoring Guest, French Premier Barre for an Official
Stated Dinner- after Signing's of US-French Concorde Agreement Air Routes between JFK/
*Dulles-Paris, + portion of POTUS Carter's handwritten Thank You Note to me, signed ~
'... all Thrilled! Jimmy' September 16, 1977) BRAVA RACHLIN=EPIC SHOST/'Ballade' Wave!
Elisabeth Matesky, US Violinist ~ facebook.com/elisabeth.anne.775?fref=nf
Date: *19 December 2022 ~ Heartiest Congratulations Julian Rachlin *Stellar Musician of
Violin with rare-on-rare Orchestre National de France/Gatti Sympathetique! Luv to All ~
*Dulles International Airport in Washington, D.C., was later named Reagan National* *Royal
College of Music, London: Patron, Her Majesty The Queen, Queen Elizabeth II of GB. R I P ...
Julian please breath with your nose instead of mouth. It distract listners from your marvelous playing.
I was wondering if that's what I was hearing making unexpected noises during parts of it! It sounded like his heavy breath so near the violin was making phantom tones or something.
The whole thing, violin and background noise, would sound different. The energy you get from different ways of breathing influences the way gestures are played. Not saying is ideal, but there is a reason why this is the most powerful performance of the horrors of this concerto and the geographical time that it was composed. Cleanliness and neatness was not so much part of the Stalinist regime.
Не гони чушь.Сыграй!А дыши хоть задницей