Holy sheen! I never knew you cud marquee select an automation line and create those points! Josh's vids are always good for those Easter eggs. 1% happier now for the rest of my life.
Wow, I was searching for this kind of techniques for a while and couldn't find anything. Now I woke up hungover 🤣 and this video just popped in my feed, amazing. Thank you kind sir for saving my day, much love and appreciation ❤️
16:00 - for risers it’s better to use pitch bend on the synth so you don’t get artifacts from a plugin. Default is usually set to only +2/-2 so you can increase those to taste.
Great video!!! The ideas and tools kept coming one after another. Understanding what type of tension building transition tools exist, has given me inspiration and a great starting point of how to pull inspired ideas out of the system. Thank you!
@musictechhelpguy when it comes to automation snap, if it's turned OFF you don't need to move the first node back anymore. At least in 10.4.6, which is what I have, you can have 2 nodes aligned without one deleting the other. It just doesn't work is the snap is ON, though
Thank you for this video. I'm not realy in EDM and other "musics for the youth" 👨🏼🦳 but sometimes I could need to mimic these classic effects of the mainstream sounds of our time.
I always find automation on the stereo out a little tricky. When using certain plugins, you also want to automate the 'bypass' for that plugin because you want to be sure it isn't effecting the audio in any way after the transition. By doing this, you can get clicks and pops and even the bypass moment is hard to get it synced to the correct beat/point. Therefor, I like to bounce out the transition part and have it on a separate track and make my automations there. Secondly, I never automate my 'volume' but use the gain plugin instead. This way you can still use the fader when you are about to downmix your project. What is your approach on that one? Thanks.
I also thought the same in your second point, but you can adjust the automate, when you open the automate window, are the automate options, read, latch, etc, to the right the parameter to automating, volume, cut off, whatever, and at the corner, the magic option, you can swipe up or down to adjust the general automate, so now you can automate the volume :) I hope you can understand me haha, i am learning english
Very useful examples and explanations. Any reason not to just bypass the filters at the end of the transition instead of having to nudge the automation back and then set the filter wide open? Same question for muting the reverb tail. Would bypassing the reverb accomplish the same thing or would it lead to problems? Do you prefer the summing stack to just creating a submix bus? I know they are functionally equivalent but curious if there are other advantages of either method.
The reason why I don't just bypass the plugins is that sometimes when you bypass a plugin, you'll get an audible pop or click in the signal. If you really don't want to have the automation jumping that quickly, you can always just duplicate the track, and apply the transition effect on the duplicate track, and leave the original track alone. A summing stack and submix/submaster on an aux track are the same in terms of how the audio is handled. You just get the bonus of it also being in a 'Folder' if you use a stack.
🤍 The "false start effect" demo at 23:44 min is a gem!!! EDM listeners (?) are conditioned to follow that riser and they expect the drop at a certain moment. but they don't get to have their drop 😈 Those looks of confusion tho! I look forward to seeing what other techniques the EDM producer community comes up with to break up the predictability, in the way @musictechhelpguy shows us here 🤍🤍🤍🤍🤍🤍
I always be using 808 Flex, Atlanta, trap Door, and a couple other drum kits. Or I will make them up. That is always fun doing. Thank you for this. This is what I have been wanting to learn so much for my beats.
Guys, there's still a long time bug in Logic - if you create a send on the track that is in the summing stack and solo the aux there will be no sound! How do you deal with this?
Thank you. This is an excellent video. I am going to try all the techniques you have shown in a self tutorial. These transitions are something I need to learn more about and improve upon. Thanks again.
Great video! when I create new instrument, I must select a instrument, but you create with a blank instrument, then added the drum. How to configure that?
Incredibly good tips. 👍🏻👏🏻👍🏻👏🏻 It‘ll take me weeks to get familiar with this. So far I’ve only used the reverse crash. But you are a top expert on Logic. And I’m a complete nobody. When I see this I‘m not even a beginner! With your real helpful tips I can improve a little and get a little step further. By the way: Now my question seems to have got an answer: I always asked myself what filter was used in Dream Theater‘s Album „Distance over Time“ in the song „Room 137“ at 3:59 to 4:03! I think a possible answer can be found here in one of your tips. If not, could you or anyone of those people who read this tell me how the mixing engineer produced that effect? Thanx in advance! 👍🏻
0:00 Intro
1:39 Low-Pass or High-Pass Filter Sweep
7:09 Band-Pass Filter Sweep
10:59 Riser and Drum Buildup
13:57 Create Your Own Riser
17:59 Reverse Cymbal Effect
19:57 Remix FX Note Repeater
22:25 Remix FX Tape Stop
23:43 False Start Effect
"Oh that's how you do that!" said me about 12 times in this video. Really helpful, thanks.
You have one of the most in-depth and consistent channels and I know I'm not the only one who truly appreciates you sharing your knowledge. Thank you
Holy sheen! I never knew you cud marquee select an automation line and create those points! Josh's vids are always good for those Easter eggs. 1% happier now for the rest of my life.
The Marquee tool is super useful. You can do so much with it. There's maybe 6 or 7 things you can do with it. Or maybe more
Thank you for saving our day again!
Fantastic - you had me laughing out loud with the Stop FX and the false start!
This was exactly what I was looking for, very clear way to explain it, thanks man!
Best video ever, very informative. Thanks 🙏🏻
The best video ideas I have seen. Josh thank you so much for sharing this Gems! 💎
Very professional and informative video. Thanks!
"Remix FX Tape Stop" is what I was looking for! It's very helpful! Thank you very much!
I learned so much from this, thank you so much!! Liked and subbed
This man helped so much when I first got started. If I ever get big enough I’ll for sure thank him publicly
Absolutely fantastic video! Really helped me, I sat through all of this, gave all my attention, and left with a lot of knowledge. Thanks a lot.
same! says a lot about the video!
a lot of what is in this video has really exposed me to features within logic pro that I otherwise would have never known about.. thank you for that.
Wow, I was searching for this kind of techniques for a while and couldn't find anything. Now I woke up hungover 🤣 and this video just popped in my feed, amazing. Thank you kind sir for saving my day, much love and appreciation ❤️
Thank you 🙏🏿 very helpful tricks
Thank you. Excellent techniques to diversify a fun remix.
Love your videos bro.
Thanks for taking the time.
One love from Liverpool uk
This is incredible! Hope to see more. Love this. Your videos are straight into the session. ❤️
Your videos allowed me to create on totally another level, thanks!
Oh wow that ending with the pan was really cool.
thanks for the tip with the automation snap , great stuff
You just made my day for the rest of my life. Thanks
It was very helpful to know how to put a channel out of the effect. Thanks man!
Fantastic video Josh food for thought appreciated
In a word: WOW! I'm always looking for ear candy like this. Thanks for laying it all out for me! Liked and I'm already subscribed!
16:00 - for risers it’s better to use pitch bend on the synth so you don’t get artifacts from a plugin. Default is usually set to only +2/-2 so you can increase those to taste.
Yes, if the synth can do a 2 octave pitch bend. Many of them can’t.
Great video!!! The ideas and tools kept coming one after another. Understanding what type of tension building transition tools exist, has given me inspiration and a great starting point of how to pull inspired ideas out of the system. Thank you!
This video was super helpful, especially if you aren't sure how to transition your music. Thank you bro!!
You're the man !! Be blessed brother !!
@musictechhelpguy when it comes to automation snap, if it's turned OFF you don't need to move the first node back anymore. At least in 10.4.6, which is what I have, you can have 2 nodes aligned without one deleting the other. It just doesn't work is the snap is ON, though
Good to know! I though that 'flush' automation points were allowed in a recent updated, but I confused as to why it wasn't working! Thanks.
Wow, What an amazing video, Just what I was looking for. Thank you😊
As always, an excellent tutorial...
Thanks...
😁
A huge thank you and virtual handshake for this good sir...
Learning music production with the helpguy! Simple the best way. Thank you very much for sharing so generously!
Thank for the video bro! Really very useful and one of the most practical I ever watched
Awesome! Thanks you!
Love your video !!! Just what I was looking for ;-)
Thank you for this video.
I'm not realy in EDM and other "musics for the youth" 👨🏼🦳 but sometimes I could need to mimic these classic effects of the mainstream sounds of our time.
I think the best thing as a producer is actually when you get out of a certain box and apply a technique to a different genre
@@iamdannywyatt That's exactly what I thought, use all the tools and ideas you can, i, art only the result is important.
You are a Logic Certified bad boy 🔥🔥🔥 Respect ✊🏿✊🏿✊🏿
Brilliant video - thanks very much!
This video has been even more helpful than most of your others…thank you so much.
Amazing man, u inspire me, open my mind 4 new things, thank u
I'm really enjoying your videos because I've just started with LPX not long ago.
Goldmine! Thanks Josh.
Thanks for the knowledge bro, this'll help so much with me being new to music production.
Thank you for tips and inspiration!
Best way to start my Sunday. Blessing friend excellent tutorial
I’ve learned so much from your channel! It’s so much better to learn this way than reading the manual. Thanks for the uploads 🙏
Spot on!! Thank you sir!!
These effects are really awesome in Logic Pro X
These are great tips! Thanks.
Great content, learned so much from it..
Thanks, I learned a lot!
I always find automation on the stereo out a little tricky. When using certain plugins, you also want to automate the 'bypass' for that plugin because you want to be sure it isn't effecting the audio in any way after the transition. By doing this, you can get clicks and pops and even the bypass moment is hard to get it synced to the correct beat/point.
Therefor, I like to bounce out the transition part and have it on a separate track and make my automations there.
Secondly, I never automate my 'volume' but use the gain plugin instead. This way you can still use the fader when you are about to downmix your project.
What is your approach on that one? Thanks.
I also thought the same in your second point, but you can adjust the automate, when you open the automate window, are the automate options, read, latch, etc, to the right the parameter to automating, volume, cut off, whatever, and at the corner, the magic option, you can swipe up or down to adjust the general automate, so now you can automate the volume :)
I hope you can understand me haha, i am learning english
Very useful examples and explanations.
Any reason not to just bypass the filters at the end of the transition instead of having to nudge the automation back and then set the filter wide open? Same question for muting the reverb tail. Would bypassing the reverb accomplish the same thing or would it lead to problems?
Do you prefer the summing stack to just creating a submix bus? I know they are functionally equivalent but curious if there are other advantages of either method.
The reason why I don't just bypass the plugins is that sometimes when you bypass a plugin, you'll get an audible pop or click in the signal. If you really don't want to have the automation jumping that quickly, you can always just duplicate the track, and apply the transition effect on the duplicate track, and leave the original track alone.
A summing stack and submix/submaster on an aux track are the same in terms of how the audio is handled. You just get the bonus of it also being in a 'Folder' if you use a stack.
Such a great channel. Keep up the great work. Logic is so much more powerful than you think.
So creative...thanks!
Amazing video. And also so well explained. Keep em coming! Thank you!
Thanks, that was very helpful
Solid ideas fam!
Thank you!!! This is exactly what I’ve been looking for.
This is great. Thanks.
🤍 The "false start effect" demo at 23:44 min is a gem!!!
EDM listeners (?) are conditioned to follow that riser and they expect the drop at a certain moment. but they don't get to have their drop 😈
Those looks of confusion tho!
I look forward to seeing what other techniques the EDM producer community comes up with to break up the predictability, in the way @musictechhelpguy shows us here 🤍🤍🤍🤍🤍🤍
I always be using 808 Flex, Atlanta, trap Door, and a couple other drum kits. Or I will make them up. That is always fun doing. Thank you for this. This is what I have been wanting to learn so much for my beats.
Informative video as usual.
Fantastic! Very clean explanation, thank you a lot!
Thanks a lot! Lot's of love from Russia
Thank you for this information
Wonderful video! Thank you so much Josh
Thanks! Profound and easy LP knowledge. Admired
Very helpful thank you 😎👊🏽
Very helpful video. Great Job 🔥
Guys, there's still a long time bug in Logic - if you create a send on the track that is in the summing stack and solo the aux there will be no sound! How do you deal with this?
Great tips, thanks!
Excellent +++ Thank you so much
Great stuff..... very interesting.
Loved it.
Fantastic 😊
Thank you. This is an excellent video. I am going to try all the techniques you have shown in a self tutorial. These transitions are something I need to learn more about and improve upon. Thanks again.
You are the best 👍
I just learned about adding a lane within the automaton for different parameters wow
This is so dope, man. At first I was like, "Logic Pro 8??" haha. Thanks for this video
Great video!
Wow I never knew about the snap automation feature!
How can I take one track out of the filter sweep like he did in 19:40??
damn bro, u just helped me so fucking much fam, the best video of transitions for logic in youtube fr 💯💯💯
OMG.......superrbbbbbbbb video...very very much informative az alwayzzZzzzz....God blezzzZZzz u...much love from India..!!
thanks as always
You're the master, thank you very much.
Useful tips thanks :D just to add to this, you can turn snap on and off faster with CMD+G
Great video! when I create new instrument, I must select a instrument, but you create with a blank instrument, then added the drum. How to configure that?
Excellent! Have you ever done a vid about the remix tool? So much respect for your work.
Myyy dude ✊🏼 tysm
What's the best way of doing the high Pass Filter without affecting the vocals
Excellent...
False Start Effect was just wow
great video
Incredibly good tips. 👍🏻👏🏻👍🏻👏🏻
It‘ll take me weeks to get familiar with this. So far I’ve only used the reverse crash. But you are a top expert on Logic. And I’m a complete nobody. When I see this I‘m not even a beginner! With your real helpful tips I can improve a little and get a little step further. By the way: Now my question seems to have got an answer: I always asked myself what filter was used in Dream Theater‘s Album „Distance over Time“ in the song „Room 137“ at 3:59 to 4:03! I think a possible answer can be found here in one of your tips. If not, could you or anyone of those people who read this tell me how the mixing engineer produced that effect? Thanx in advance! 👍🏻